Showing posts with label Yaphet Kotto. Show all posts
Showing posts with label Yaphet Kotto. Show all posts

Tuesday, 1 July 2014

Strange Shapes






There's been a link on my blogroll for a few years now called Strange Shapes, and it just so happens to be the most exceptional Alien blog on the web. If you're an Alien fan and you haven't discovered it yet you need to do yourself a favour and go there now.

Strange Shapes is owned and written by one Valaquen, a Scottish Alien fanatic and Xenomorph scholar par excellence. This guy's knowledge of the Alien universe, both in front of and behind the camera, is vast and frankly, a little intimidating. I've been in love with Ridley Scott's movie for 35 years now, but reading Strange Shapes can make me feel like a lightweight.

So whilst scrolling through Bloody Disgusting today I was blown away to find a link to a behind the scenes gallery "curated" by Valaquen. And fuck me, what a gallery it is. I'm always on the lookout for rare Alien pics that I haven't seen before, and this gallery is a goldmine.

Of the 245 images he's posted there must be at least 50 that I've either never seen before or haven't seen for years. Some of the coolest are below, but you should really check out the whole gallery here.



killer promo shot of the Nostromo crew


a nice look at Giger's handywork

HRG with his designs for Jodorowsky's unrealised Dune 

 on the Space Jockey set

 working on the Jockey

with Dan O'Bannon

O'Bannon with Chris Foss

and on the Nostromo's bridge

 closeup of the unused full sized prop for Kane's burial shroud

 John Hurt

Veronica Cartwright

 together on the bridge

 Harry Dean Stanton looking cool

and Yaphet Kotto looking even cooler

Kotto contemplating Parker's fate

Parker and Lambert dead

this appears to be an effects test for Parker's gory demise

Sigourney Weaver looking badass and beautiful during a promo shoot

and posing with a Jones that looks suspiciously unlike the Jones seen in the movie

Weaver and Stanton

 the Narcissus on a workbench with raided model kits in the background

 an amazing look at the underside of the Nostromo coming in to land on LV-426 that was rejected by Ridley Scott. I wish they'd stuck with this one because the final effect seen in the movie is by far the weakest in the film

the Nostromo model on the planetoid set

another angle

and finally, a good look at the detail and texture of the derelict model


Monday, 15 November 2010

Workin' For The Company: Yaphet Kotto & The Nostromo


Thanks to the hard work of Seth from Lost Video Archive, Unflinching Eye is proud to join some of the most stellar movie blogs around, in a week of appreciation for one of genre cinema's great undersung actors - Yaphet Kotto.

Alien
boasts one of the most remarkable character ensembles in SF cinema. A grumpy, disheveled assembly of seven space-weary technicians, flight crew and a scientist - all as different from each other as the alien is to Jones the cat. The crew of the USCSS Nostromo is as famously iconic as you'll find on any of SF's great starships, so it's a credit to the charisma and presence of Yaphet Kotto that he manages to stand out so memorably amongst such illustrious company. Let's take a look at Parker...

After being prematurely awoken from hypersleep ten months from Earth, there's few romantic aspects to life in deep space aboard the Nostromo. Just a workaday environment of boredom, tedious labour, routine and tense cabin fever. They're all company workers, but no one aboard the Nostromo exemplifies the banal, industrial nature of interstellar mining more than Engineering Technician Brett and Engineer Parker.


Parker is obviously a man with a chip on his shoulder, and it's not hard to see why. It may be the 22nd century, but social attitudes haven't changed much, and "starship mechanic" is still considered to be the same working class trade as corresponding positions today aboard a ship or oil rig. The work is hard and thankless, the conditions cramped, hot and filthy. Parker resents his higher paid, better off colleagues, especially the aloof, terse academic - Ash.

All J.T. Parker really wants is to get back into hypersleep, get home and get paid. And a bonus for this unscheduled and annoying detour (to some shitty little rock in the Zeta-2-Reticuli system) wouldn't go astray either dammit. Is that too much to ask of those fucking fat cat Weyland-Yutani execs? The burly engineer knows the company well, and that remuneration isn't likely, but it can't hurt to keep working on captain Dallas anyway. At the very least there's some satisfaction to be gained out of getting under the captain's skin. If life is tough for Parker, why should the captain have it any easier?

Of course, trust that stuffed shirt of a science officer to drag some obscure bylaw out of the handbook, threatening Parker with total forfeiture of pay. What an asshole. Begrudgingly, Parker concedes - sealing his fate.

But this landing on LV-426 ain't gonna be no "walk in the park".

When this bothersome detour leads to a crisis, it's Ellen Ripley who comes to the fore as a natural leader. But it's Yaphet Kotto's sarcastic and snidely obnoxious Parker who rises above his selfishness and personal grievances... to become the reluctant hero of the Nostromo.


When Kane's unimaginably violent and sudden death leaves the crew shocked out of their senses, it's Parker who instantly acts, grabbing a knife. He alone has the quick reflexes and courage to respond to the situation. However, in the heat of the moment his decisive action is foiled by Ash's desperate outburst, distracting Parker long enough for the blood-streaked alien to make it's escape. His attack with an eating utensil probably wouldn't have been very successful, but the point is that he reflexively risked injury or death in the face of appalling horror and great danger.

When Ripley is assaulted by Ash, Parker once again jumps into the fray without a moment's hesitation, heedless of his own safety - but it's his final moments that truly define the character's heroism. When Lambert is confronted by the organism, freezing her into a state of terrified paralysis, Parker doesn't turn and run. He selflessly stares death in the face, in a suicidal attempt to save the one member of the crew who has contributed the least to their survival (due to her pathetic indulgence in self-centred hysteria).


Parker's final moments are a screaming nightmare - a cold, terrified sweat erupting on his forehead just before the alien's metallic jaws smash through his cranium, instantly reducing his pink brain-matter to a gory mush.

Why did the initially cynical and selfish Parker respond in such a heroic way? Was it just guilt at ordering his friend Brett to chase Jones the cat... unintentionally sending him to his death? Or was Parker just waiting for the right time to shrug off the chip on his shoulder and fulfill his potential.

Whatever the truth was behind the man, we'll never know... Parker's molecular remains are just a vanishingly insignificant trace of stardust now. Light years from his home, forever a part of that cold quadrant of interstellar void that was his death place. All that remains on Earth, an epitaph on a lonely company bought plaque...


J.T. Parker (ID# 313/S4-08M)

Born February 4, 2080, San Diego, California, UA.

Died June 6, 2122, location unknown

We live, as we dream - alone





A WEEK OF YAPHET KOTTO:

Monday Nov. 15th
Unflinching Eye - Alien
Raculfright 13's Blogo Trasho - Truck Turner

Tuesday Nov. 16th
Lost Video Archive - Raid on Entebbe
Manchester Morgue - Friday Foster

Wednesday Nov. 17th
Booksteve's Library - Live and Let Die
Horror Section - Warning Sign

Thursday Nov. 18th
Mondo 70 - Drum
B Movies and Beyond - The Monkey Hu$tle
Cinema Gonzo - Report to the Commissioner

Friday Nov. 19th
Illogical Contraption - Eye of the Tiger
Ninja Dixon - Across 110th St.
Lines That Make Things - The A Team (TV episode)
Things That Don't Suck - Blue Collar

Saturday Nov. 20th
Breakfast In the Ruins - Bone
Lost Video Archive - The Park Is Mine

100% fresh Yaphet Kotto all week long!