Showing posts with label Alex Garland. Show all posts
Showing posts with label Alex Garland. Show all posts

Saturday, 30 December 2017

The Crawler in the Tower




Spoilers follow for both Jeff VanderMeer's novel, ANNIHILATION, and its soon-to-be-released film adaptation, directed by Alex Garland.

The above screenshot, taken from the recently released second trailer for ANNIHILATION, appears to be a very spoilery look at The Biologist's climactic confrontation with the tower crawler. A couple of other, less explicit, images from this scene are scattered throughout the trailer. That Paramount/Skydance are so willing to spoil the film's ending, just so they can shoehorn some of its most powerful imagery into the trailer, speaks volumes about their lack of confidence in what Garland has delivered. Indeed, they're so utterly freaked out about ANNIHILATION's lack of commercial appeal (based on an allegedly disastrous test screening a couple of months back), they completely choked, cancelling its worldwide theatrical release, and dumping it onto Netflix instead. Unless you live in the United States, you'll more than likely be watching this film on your TV or laptop at home.

This is classic studio suit behaviour of course, but in the end it's probably the most positive outcome for the film, and for fans of intelligent, weird sci-fi horror. I'd rather watch Garland's film, as it was intended to be seen, on a small screen at home, than a butchered test-screening travesty in a theatre. 

What we're seeing here is the marketing machine struggling to assemble trailers with mainstream appeal, but I think in February we're going to get something much more akin to UNDER THE SKIN. A moody, visually stunning arthouse sci-fi, which leaves the viewer with a number of unanswered questions.

I couldn't be happier.


Monday, 2 October 2017

ANNIHILATION teaser




I'm only halfway through, but Jeff VanderMeer's Southern Reach trilogy is without a doubt one of the creepiest and most thought-provoking works of sci-fi horror, of any medium, that I've ever experienced.

The first novel in the trilogy, ANNIHILATION, is brimming with original ideas - enough arcane symbolism, mind-melting sci-fi concepts and skin-crawling horror imagery to fuel any number of stories. The book builds tension on a slow fuse, crawling inexorably towards a conclusion that feels as profound as it is terrifying, reading like a cross between 2001: A SPACE ODYSSEY and H.P. Lovecraft's worst nightmares.

Alex Garland, whose work on 28 DAYS LATER, SUNSHINE, DREDD and EX MACHINA has earned him the well-deserved moniker of "SF auteur to watch", is a filmmaker perfectly suited to adapt VanderMeer's novel. I knew from the moment this project was announced that we were in for something special, and this week's long awaited teaser is a stunner. February can't come soon enough. 

Surrender yourself to Area-X. Screenshots provided, as well as a bonus look at the trilogy's excellent graphic design and illustration across several different publications.



































































Saturday, 22 April 2017

EX_MACHINA_Alt




It looks like Alex Garland's adaptation of Jeff VanderMeer's creepily brilliant novel ANNIHILATION has been pushed back to 2018. It's not bad news though, as this is one film I don't want to see rushed through production. Take your time Mr. Garland. Get it right. It also gives you more time to seek out and devour VanderMeer's SOUTHERN REACH trilogy (of which ANNIHILATION is the first book), ahead of the film's release.

But first enjoy some alternate/fan art inspired by Alex Garland's wonderful EX MACHINA...




















Thursday, 16 March 2017

Poison Lips (DREDD)



I can't believe I've come this far without so much as a mention of one of my fave movies of the last 10 years: Pete Travis and Alex Garland's DREDD. A perfect blend of classic Carpenter and Verhoeven, efficiently packaged in an ultra-violent and meticulously designed hand grenade of sci-fi cool. It's a fantastic film, and I long ago lost count of how many times I've rewatched it.

Vitalic's "Poison Lips" - which plays over the top of the scene in which Judges Dredd and Anderson bust a Slo-Mo den with spectacularly violent results - has become an iconic track for DREDD's fans. These cold, druggy sounds really nail the hopelessness and nihilism of life on the streets and in the towering slums of Mega-City One.