Mostrando entradas con la etiqueta USA. Mostrar todas las entradas
Mostrando entradas con la etiqueta USA. Mostrar todas las entradas

sábado, octubre 11, 2008

Rhys Chatham














Rhys Chatham (born September 19, 1952, New York City) is an American composer, guitarist, and trumpet player, primarily active in avant-garde and minimalist music. He is best known for his "guitar orchestra" compositions. He has lived in France since 1987.

Early Years

Chatham began his musical career as a piano tuner for avant-garde pioneers La Monte Young and Glenn Gould. He soon studied under electronic music pioneer Morton Subotnick and minimalist icon Tony Conrad; Chatham and Conrad played together in an early ensemble. In 1971, while still in his teens, Chatham became the first music director at the experimental art space The Kitchen in lower Manhattan. His early works, such as Two Gongs (1971) owed a significant debt to Young and other minimalists.

His concert productions included experimenters Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Pauline Oliveros, Steve Reich, and early alternative rockers such as Brian Eno, Robert Fripp, John Lurie, and Fred Frith. He has worked closely with visual artist/musician Robert Longo, particularly in the 1980s, and on an experimental opera called XS: The Opera Opus (1984) with the visual artist Joseph Nechvatal.

Compositions from the late 1970s and early 1980s

By 1977, Chatham's music was heavily influenced by punk rock, having seen an early Ramones concert. He was particularly intrigued by and influential upon the group of artists music critics would label No Wave in 1978. That year, he began performing Guitar Trio around downtown Manhattan with an ensemble that included Branca, as well as Nina Canal of Ut. Some of this work parallels multi tracked and unison tuned guitar directions developed by Lou Reed and Chuck Hammer. During this period, he wrote several works for large guitar ensembles, including Drastic Classicism, a collaboration with dancer Karole Armitage. Drastic Classicism was first released in 1982 on the compilation New Music from Antarctica, put together by Kit Fitzgerald, John Sanborn and Peter Laurence Gordon. It was also included on the 1987 album that also included his 1982 composition Die Donnergötter (German for "The Thundergods").

Members of the New York City noise rock band Band of Susans began their careers in Chatham's ensembles; they later performed a cover of Chatham's "Guitar Trio" on their 1991 album, The Word And The Flesh. (This parallels the way that members of fellow NYC noise rockers Sonic Youth began their careers in Branca's ensembles; Thurston Moore of Sonic Youth did play with Chatham as well.)

Chatham began playing trumpet in 1983, and his more recent works explore improvisatory trumpet solos; these are performed by Chatham himself, employing much of the same amplification and effects that he acquired with the guitar, over synthesized dance rhythms by the composer Martin Wheeler. His 1990s recordings in this style saw release on Ninja Tune Records as the compilation Neon.

Recent activity

In 2002, he enjoyed a resurgence following the release of a limited-edition 3 CD retrospective box set on the record label Table of the Elements, An Angel Moves Too Fast To See: Selected Works 1971-1989, complete with 130-page booklet. The An Angel Moves Too Fast To See part of the title comes from Chatham's 1989 composition for 100 guitars. He has been since touring with his 100-guitar orchestra in Europe.

In 2005, he was commissioned by the city of Paris, in his adopted homeland, to write a composition for 400 electric guitars entitled A Crimson Grail, as part of the Nuit Blanche Festival. Approximately 10,000 people were present at the performance, and 100,000 more watched it on live television. A CD of excerpts from this concert was released in January 2007 by Table Of The Elements.

Rhys Chatham is currently touring the original 30 minute version of Guitar Trio in the USA and Europe, renamed G3 because the instrumentation has been increased to between six and ten electric guitars, electric bass and drums. In February 2007 he completed a twelve-city tour called the Guitar Trio (G3) Is My Life North America Tour, which was accompanied by the original film by Robert Longo that was projected behind the performance, entitled Pictures for Music (1979). The sets consisted of local musicians from each city of the performances, including members of Sonic Youth, Tortoise, Godspeed You! Black Emperor, Husker Du, Brokeback, Lichens, Town & Country, Die Kreuzen, Bird Show and others. A three-CD box set of these performances was released by Table of the Elements in March 2008.

Chatham has continued to tour the original version of Guitar Trio in Europe throughout 2007 and 2008, including performances at:

* Festival Desgressions - 7 March 2007, Barcelona, Spain
* L'Ecole Régionale de Beaux Arts - 25, 26 April 2007, Valence, France
* Kosmische Club - 10 August 2007, Oslo, Norway
* ZXZW Independent Culture Festival - 22, 23 September, Tilburg, the Netherlands
* Festival Soy - 29 October 2007, Nantes, France
* Galleria Toledo - 26 March 2008, Naples, Italy

Rhys Chatham made his first American presentation of a composition for a one-hundred guitar orchestra in Williamsport, Pennsylvania, on May 23, 2008, with an orchestra comprised of local students and teachers, as well as many professional guitarists. This performance was the premiere of a new composition entitled Les 100 Guitares: G100.

wiki.
























Discography:


01 - Factor X [1983]
02 - Echo Solo [1989]
03 - Septile [1997]
04 - Hard Edge [1999]
05 - Three Aspects of the Name [2004]
06 - An Angel Moves Too Fast to See: Selected Works 1971-1989 [2006] (part1/part2/part3/part4)
• 1987 Die Donnergötter (The Thundergods)
• 1997 An Angel Moves Too Fast to See
• 2006 Two Gongs (1971)
07 - A Crimson Grail: For 400 Electric Guitars (part1/part2)
08 - "Guitar Trio Is My Life!"[2008] (part1/part2/part3/part4)


An Angel Moves Too Fast to See - Part 4

jueves, octubre 09, 2008

Psychedelic Horseshit



I never thought I would find the courage to disgrace a complete scene of music, but shitgaze really is abysmal. Another of these silhouettes of shite is ’Psychedelic Horseshit’, I mean seriously which member of the band was drunk when that name was conjured up. ’New Wave Hippies’ sounds like a toddler playing with something that has thousands of buttons. The guitars are scratchy, and deliberately out of tune. It’s almost as if this band has gone out of its way to completely undermine every musical convention every proposed. This band is either a load of idiots on speed who suddenly thought they could play music while tripping, and sounds like a very massive pile of utter drunken shit, or it’s just some very clever chimpanzee’s who’ve evolved and suddenly realise they ’might’ be able to play some music. In one song, ’Bad Vibrations’ the vocalist literally says over and over again ’ahhoooowaaaooo oooo oooo oooooooo’. I’ve actually given up on summing up this utterly pointless way of life. I would rather shave all of the hair off on my body and commit myself to a life of celibacy and become a neo-Nazi. My flat mate has put this review out of its misery and very kindly summed up this entire music scene in two words, ’utter bollocks’.

www.myspace.com/psychedelichorshit
www.myspace.com/blackoutfest


























Discography:

01 - Who Let the Dogs Out? 7" [2006]
02 - Summertime Suicide EP [2006]
03 - Magic Flowers Droned [2007]
04 - Blackout Fest Live - 4-19-07
05 - Appears on:Split EP [Times New Viking / Psychedelic Horseshit] (2007)



Psychedelic Horseshit - Live at Blackoutfest XII

jueves, octubre 02, 2008

Carla Bozulich: Evangelista [2006]
































"Evangelista is a sound that you can open your chest with, pull out what's inside and make it change shapes. Make it open more times and, even more... til the sound inside has finally sealed the hole where your vile/beautiful heart belongs... loved and safe even when you think you're totally alone. Even if you believe in nothing. good or bad, I must report: there's really no such thing as empty space. Even inside this void there is sound. You will hear it. You will see. You will be cradled and near deafened by love and mercy sounds and the sound of your own pulsing blood which used to drive me mad as a child when I would try to go to sleep..." - Carla

Carla Bozulich needs no introduction. Her work with Ethyl Meatplow, The Geraldine Fibbers, Scarnella, The Red-Headed Stranger (with Willie Nelson) and many others spans over twenty years of uncompromising sound, driven by a voice and vision that consistently delivers spine-tingling beauty, originality and directness. Carla's new album (her first on Constellation, and the label's first release by a non-regional artist) is a devastating, elegiac, brutally honest song cycle that finds her voice unleashed with unprecedented emotive depth and determination. Evangelista is heartrending and gutwrenching, with isolation and desperation redeemed by incantatory sonics and out-reaching, soul-saving words. One damn compelling exorcism of a record, churning and channeling out of loneliness to heal and rebuild connective tissue through sound.

Carla came to Montreal to record the album with Efrim at the Hotel2Tango in coldest wintertime, with multi-instrumentalist and co-producer Shahzad Ismaily at her side, and a pocketful of beautiful noises and loops prepared back home in L.A. Various guest players add strings, guitars, drums, organ, piano, hums and other sounds.



Tracklist

1. Evangelista I
2. Steal Away
3. How To Survive Being Hit By LIghtning
4. Inside Sleeps
5. Baby, That’s The Creeps
6. Pissing
7. Prince Of The World
8. Nels’ Box
9. Evangelista II

Personnel

Carla Bozulich: guitar, samples, loops, sounds, drum, voice
Shahzad Ismaily: guitar, drums, casio, voice

Guests

Jessica Moss: violin on TRACKS 1 + 6; singing on TRACK 7
Gen Heistek: viola on TRACK 1
Beckie Foon: cello on TRACK 1
Nadia Moss: organ on TRACKS 1,2, 5 + 6
Thierry Amar: contrabass on TRACKS 1, 2 + 6
Ian Ilavsky: bass on TRACK 6
Erika Anderson: guitar on TRACK 6
Ezra Buchla: sound patches on TRACK 5; viola on TRACK 6 + 8, mandolin on TRACK 7
Corey Fogel: drums on TRACK 6
Efrim: piano on TRACK 2, rain on TRACK 3, guitar on TRACK 9
Jessica, Sophie, Gen, Shahzad, Efrim and Jon Claude: hums on TRACK 3
Tuffy: sneezes, purrs, meowings on TRACK 4

Recording

Tape recordered at thee Hotel2Tango in Montreal by Efrim, winter 2005-2006.
Additional tweaking by Carla at home. Co-produced by Carla and Shahzad Ismaily.
Mastered at Greymarket in Montreal by Harris Newman.








CARLA BOZULICH - EVANGELISTA @ TERMINAL

miércoles, septiembre 24, 2008

[Mille Plateaux] In Memoriam Gilles Deleuze (1996)

Gilles Deleuze

Nació en 1925 en París. Entre 1944 y 1948, cursó sus estudios de filosofía en La Sorbona. Algunos de sus profesores fueron Ferdinand Alquié, Georges Canguilhem, Maurice de Gandillac y Jean Hippolyte. Después de finalizar sus estudios en 1948, se consagró a realizar una serie de monografías sobre algunos filósofos (Kant, Spinoza, Nietzsche, Bergson), los cuales, pese a su eminente valor didáctico, contienen las primeras instancias de consolidación de su propio pensamiento.

Este pensamiento se configura plenamente con la publicación de Diferencia y repetición y Lógica del sentido, el primero de 1968 y el segundo de 1969. También en 1969, conoce a Félix Guattari, un psicoanalista heterodoxo, con el cual comenzará una larga y fructífera colaboración, que cristalizará en los dos volúmenes de Capitalismo y esquizofrenia: El Anti-Edipo y Mil mesetas. A raíz de esta colaboración es que aparece la famosa declaración de Deleuze en la que se establece que "Lo que define a un sistema politico es el camino por el que su sociedad ha transitado”.

Además de sus obras de relectura del trabajo de otros filósofos, Deleuze escribió también sobre escritores (Kafka, Alfred Jarry, Proust, Sacher-Masoch) y sobre cine. Gilles Deleuze se retirará de la vida universitaria en 1987. [1]

«Un día, el siglo será deleuziano», fue la expresión de Michel Foucault en relación a un filósofo que marcó profundamente el pensamiento de la segunda mitad del siglo XX. «La filosofía es el arte de formar, de inventar, de fabricar los conceptos», dirá el propio Deleuze en Qu'est-ce que la philosophie ? (¿Qué es la filosofía?).

En sus últimos años de vida, Deleuze sufrió de una grave insuficiencia respiratoria. Se quitó la vida el 4 de noviembre de 1995 lanzándose al vacío por una ventana de su apartamento en la Avenue Niel. Se le considera también un filósofo anarquista, pero es evidente que la potencia creativa de su pensamiento, siempre plural y singular, no permite clasificar a Deleuze dentro de ninguna de las corrientes filosóficas que lo precedieron.[cita requerida] Uno de los conceptos creados por este filósofo es el de ritornelo; desarrollado en el libro Mil Mesetas junto con Félix Guattari.
La anarquía y la unidad son una sola y misma cosa, no la unidad de lo Uno, sino una más extraña unidad que sólo se reclama de lo múltiple.

Gilles Deleuze, Mil mesetas

"Sociedades de control y sociedades disciplinarias"

Las sociedades disciplinarias según Deleuze, sufren una crisis en beneficio de nuevas fuerzas que se irán instalando lentamente. Son las sociedades de control las que están reemplazando a las sociedades disciplinarias.

Las viejas sociedades de soberanía manejaban máquinas simples; pero las sociedades disciplinarias se equipan con máquinas energéticas. Las sociedades de control operan sobre máquinas de tercer tipo, máquinas informáticas. Es una evolución tecnológica, una mutación del capitalismo bien conocida que puede resumirse así: en la situación actual, el capitalismo ya no se basa en la producción, que relega frecuentemente a la periferia del tercer mundo. Es un capitalismo de superproducción. Ya no compra materias primas y vende productos terminados: compra productos terminados o monta piezas. Lo que quiere vender son servicios y lo que se quiere comprar son acciones.

<<Es sencillo buscar correspondencias entre tipos de sociedad y tipos de máquinas, no porque las máquinas sean determinantes, sino porque expresan las formaciones sociales que las han originado y que las utilizan. Las antiguas sociedades de soberanía operaban con máquinas simples, palancas, poleas, relojes; las sociedades disciplinarias posteriores se equiparon con máquinas energéticas, con el riesgo pasivo de la entropía y el riesgo activo del sabotaje; las sociedades de control actúan mediante máquinas de un tercer tipo, máquinas informáticas y ordenadores cuyo riesgo pasivo son las interferencias y cuyo riesgo activo son la piratería y la inoculación de virus. No es solamente una evolución tecnológica, es una profunda mutación del capitalismo.>>

Deleuze, Gilles. Post-scriptum sobre las sociedades del control

wikipedia.



[Mille Plateaux] In Memoriam Gilles Deleuze (1996)
(part1/part2/part3/part4)

Tracklisting:

1-01
Gilles Deleuze Untitled(Words By Gilles Deleuze) (0:38)
1-02
Achim Wollscheid & Wehovsky Happy Deterritorializations (4:15)
1-03
:Zoviet*France: On The Edge Of A Grain Of Salt (9:04)
1-04
Alec Empire Bon Voyage (5:25)
1-05
Cristian Vogel Gigantic Tautological Machinery (7:02)
1-06
Christophe Charles Undirections/Continuum (9:38)
1-07
Atom Heart Abstract Miniatures In Memoriam Gilles Deleuze (3:43)
1-08
Gas Heller (7:36)
1-09
Chris & Cosey Intro-Spektiv (5:05)
1-10
J. Burger Wunschmaschinenpark (3:53)
1-11
Steel Death Is The Beginning (5:04)
1-12
Blue Byte C'ant Be Still (6:11)
1-13
Trans Am Starjammer (4:07)
1-14
Rome Intermodal (3:41)

2-01
Jim O'Rourke As In (8:57)
2-02
Oval You Are Here 0.9B (2:51)
2-03
Mouse On Mars 1001 (7:11)
2-04
Ian Pooley Vital One (3:28)
2-05
Bleed Patent (6:55)
2-06
Tobias Hazan Queria For Gilles Deleuze (2:57)
2-07
Scanner Without End (7:04)
2-08
DJ Spooky That Subliminal Kid Invisual Ocean (6:48)
2-09
Fetisch Park Gradation D'Humour (5:53)
2-10
Straobeik (4:27)
2-11
Kerosene And Line (3:11)
2-12
El Turco Loco The Garantor (6:29)
2-13
Beequeen Layered Layers (6:55)


extrait d'un cours de Deleuze à Vincennes

miércoles, septiembre 10, 2008

Charles Bukowski - 90 Minutes in Hell [1977]

No, it's a fantastic reading by one of the greatest poets of the 20th century, His Highness Hank Buk!
This one was actually recorded in 1966 and later issued on Steve Richmond's Earth Records in 1977. There were supposedly 500 copies but, considering how few turn up for sale, I suspect that number may be inflated.
Bukowski reads segments from his books and has a few other great rants as well!
It's easy to suspect when listening to these recordings that the man was quite drunk when he made them! What a shocker!
A real collectors item. Fantastic material from probably our favourite writer of all!

Stupid & Contagious
























Delirium tremens; Bukowski styla.

Vomitarte en un papel, para luego limpiarte los bigotes insultando a un público que odiabas; que te amaban y que bebían a destajo llegando al éxtasis mientras te bajabas tambaleandote de un escenario sin altura ni amplificación. Que no eras tú, ni Chinasky, sino otro que hacía el trabajo por ti.
Pornonográficamente olcultáste tu verdad de solitario y temeroso; cachero y alcohólico.

Hey, hijo de puta,
levántate de tus rodillas de mierda
que te voy a dar cintazos otra vez.
¿qué es eso?
¿qué dices?
¡te voy a matar! para de llorar, mierda.
está bien, tiramos tu auto al mar
y violamos a tu hija
pero sólo estamos extendiendo las posibilidades
de un realismo en funcionamiento, ¡cállate!, dije
que cualquier hombre debe estar listo para
cualquier cosa y si no lo está
entonces no es ni un hombre ni un chivo expiatorio
ni una notita ni una hoja de planta,
deberías haber sabido la totalitad de la trampa , estúpido,
el amor significa eventual dolor
la victoria significa eventual derrota
la gracia significa eventual impureza
no hay salida...

(del poema La Nariz)


bukowski.net
Collecting Bukowski
Anacrónico




Cigarette Sessions: Bukowski

viernes, agosto 22, 2008

Jeff Parker

If you went looking for a poster-child for Chicago's multidirectional, cross-pollinating, interstylistic music scene, you couldn't find a better one than Jeff Parker. Parker: jazz guitarist with pro credentials, widely travelled and prized by top soul-jazzers and hard-boppers. Parker: inveterate rocker who revitalized Tortoise with his ferocious improvising and tasty licks. Parker: experimentalist willing to try new dub, hip-hop,electronic, collage, free, chamber - anything worthwhile, irrespective of genre or orientation. Community expander, boundary buster, restless explorer - Jeff Parker is constantly trying out new things with new partners. A man on the move.

Somehow, Jeff Parker manages flow through all these incarnations without copping a dilettante's superficiality. He applies the same depth of musicality and keen ear for quality to everything he does, which is part of what has made him one of the most sought-out musicians in the Windy City. Another part of that appeal, it must be said, is Parker's immense generosity and warm humility, the latter of which perhaps explains why he's only made one other CD as a "leader," the acclaimed trio outing Like Coping, released on Delmark in 2003.

Founded in 1995, The Relatives is a quartet of like-minded musicians drawn from the Chicago Underground Orchestra. Parker's been working with bassist Chris Lopes since college days, when they were at Berklee together in Boston in the mid-80s. Drummer Chad Taylor, who recently moved back to New York after a fruitful period in Chicago, has been a colleague of Parker's since just after the guitarist moved to Chicago in 1991. The newest comrade, Sam Barsheshet, who plays electric piano on the record, sat in on a gig with Parker in 2002. "I enjoyed his playing and open conception," says Parker.

Parker says this session, which was waxed in January, 2004 at SOMA and engineered by John McEntire, is "more 'song-oriented' than the previous album, and less of a jazz-oriented 'blowing date.'" It includes original compositions by Taylor ("Istanbul") and Lopes ("Sea Change," "Bean Stalk,""Toy Boat"). Parker's own compositional contributions include "Mannerisms," a piece that's become a local standard, prized by various groups - Chicago Underground Quartet, Ted Sirota's Rebel Souls - for its sinuous, groovy lines. "Rang (for Michael Zerang)" is a piece written by Parker for his friend and colleague, percussionist Michael Zerang. "It was written when we were both on a tour of France with the Vega Trio, right at the start of the Iraq War."

"The Relative" was composed by Parker and bassist Matthew Lux, with whom the guitarist worked in Isotope 217, the band for whom it was originally conceived. "I decided to revive it for this recording," says Parker. "I composed the bulk of the tune, but the weird, twisty bassline that roots the intro and outro was composed by Matt Lux. The first two-and-a-half minutes of the tune are my attempt at demonstrating an abstraction of my perception of Relativity, which essentially means that as one moves in space, one's perception of said space is altered by one's movement. I tried to aurally capture this by having everyone perform various repeating figures on different tracks that start at one tempo, then ramp up or down to another tempo, and end together at the original tempo."

The CD's one non-original is a gorgeous reworking of Marvin Gaye's "When Did You Stop Loving Me, When Did I Stop Loving You," on which Barsheshet shines particularly brightly. "I've always embraced the feelings of melancholy that I experience when I listen to the original version of this song," says Parker. "I thought it would be a challenge to try and capture some of that spirit in a swinging, but slightly abstract version of the tune, which is, essentially, how I perceive the original version to be. The premise was to have the band improvise over the form of the tune, and then I overdubbed the guitar melody (with embellishments) over top of it. I was trying to get a vibe like some of the great jazz recordings from the 70s when they actually used to play good jazz on commercial radio and people dug it."

Of the group and CD's name, Parker returns to his Einsteinian explanation: "The Relatives refers to the notion of a community (in this instance a community of musicians) functioning much like a family does, and also the abstraction of Relativity, which implies that as one moves, one's perspective changes along with one's movements. Since we're always moving, we're always changing."

Always moving, always changing. Good thoughts for this polyglot poster-child. ---John Corbett

















myspace
www.thrilljockey.com


The Relatives [2005]











Like-Coping [2003]












Strobe Session # 2: Jeff Parker

viernes, agosto 08, 2008

Y Pants [1998]

Una interesante investigación sobre el primitivo fluido de los ritmos insertado en la formula punk, para semejar la orbita discontinua entre arpegios y notas llenas de sombrías apariciones erróneas, se llaman experimentos sencillos pero absolutamente íntegros através del amplificador, la voz de una mujer que interviene el centro de la operación sonica através de exposiciones orgánicas con la intención de conocer, determinadas por la estructura de lo perturbado. En breves ideas o pensamientos se averigua la verdadera locasion de rutinas falsas poseídas por la industria, es la maquina de comunicación a larga distancia la única fuerza de sistemas actuales, la cual revela su poder nefasto y anti-humano del cual las corporaciones millonarias sobre explotan.

::MySpace.com - Y PANTS::
LINK IN COMENT!!!

Y Pants [1998]












































Tracklisting
:

1 Favorite Sweater (2:27)
2 Luego Fuego (4:17)
3 Off The Hook (2:12) Written-By - Richards, Jagger
4 Beautiful Food (2:17)
5 Magnetic Attraction (3:11)
6 Obvious (2:53) Written-by [Words] - Lynne Tillman
7 Barbara's Song (3:36) Written-by [Words] - Berthold Brecht
8 Beat It Down (3:07)
9 We Have Everything (2:36)
10 Lulu (5:30)
11 Love's A Disease (3:10)
12 The Shah Song (2:17)
13 The Fly (2:30) Written-by [Words] - Emily Dickinson
14 The Code Of Life (2:00)
15 What Do You Take Me For? (3:05)
16 That's The Way Boys Are (3:15) Written-By - Raleigh, Barkan
17. Untitled

Credits: Bass, Ukulele, Drums [Thumb Drum], Vocals - Barbara Ess
Drums, Vocals - Verge Piersol
Keyboards, Ukulele, Vocals - Gail Vachon
Producer - Glenn Branca (tracks: 1 to 4) , Wharton Tiers (tracks: 5 to 16)

Tracks 1 to 4 are taken from the "Y Pants" EP, 99 Records 1980. Track 5 is taken from Tellus #21 1982. Tracks 6 to 16 are taken from the "Beat It Down" LP, Neutral Records 1982

++++++++++++++++

viernes, julio 18, 2008

Bundy K Brown, James Warden, Doug Scharin - Directions in Music (thrill jockey, 1996)

Directions in music by Bundy k. Brown, James Warden and Doug Scharin. is an lp by the named artists. Bundy is the former bassist with Gastr Del Sol and Tortoise. James currently plays guitar with 40k and Doug records and performs with Rex, June of '44 and Him.

The album consists of eight instrumental songs recorded in the Spring of 1996 at Idful music in Chicago. Although the sessions were largely engineered by Bundy Brown, all the members of the group took part in the recording process at a variety of levels. Likewise, the songs were composed in the studio, or significantly realzed through the recording process. Bundy, James, and Doug began the recording with several musical elements as the "root" of the songs. The "roots " were then taken and collectively developed into the versions presented on the record. The developement was a natural result of the groups improvisation stemming from their exploration of texture, rhythm, color, and harmonic interplay.


Directions in Music (thrill jockey, 1996)























++++++
Activities of Dust-Return To The Original Matrix(edit)

jueves, noviembre 08, 2007

Classic African-American Ballads [2006]

Una gran seleccion para este disco, comenta :


Tracklist :

101 Mouse on the Hill Warner Williams with Jay Summerour
102 Casey Jones K.C. Douglas
103 John Hardy Lead Belly
104 Railroad Bill John Jackson
105 Stewball Memphis Slim and Willie Dixon
106 John Henry Sonny Terry and Brownie McGhee
107 St. James Infirmary Snooks Eaglin
108 Staggerlee (Stackolee) John Cephas and Phil Wiggins
109 Lost John Convict Group, Ramsey and Retrieve State Farms
110 Betty and Dupree Josh White
111 Old Riley Lead Belly
112 The Race of the Jim Lee and Katy Adam Jazz Gillum, Memphis Slim,
......
and Arbee Stidham
113 The Titanic Pink Anderson
114 Frankie and Johnny Big Bill Broonzy
115 White House Blues Earl Taylor and the Stony Mountain Boys
116 Louis Collins John Jackson
117 Bad Lee Brown Woody Guthrie
118 Luke and Mullen Horace Sprott
119 Duncan and Brady Dave Van Ronk
120 Gallis Pole Lead Belly
121 Boll Weevil Pink Anderson
122 Delia's Gone
Josh White Jr.

Download

Leadbelly, 1945

Jean-Michel Basquiat - Downtown 81 Soundtrack [1980/1981/2001]


Tracklist:
  1. Gray: So Far So Real
  2. Coati Mundi Hernandez: K Pasa?
  3. Tuxedomoon: Desire
  4. Liquid Liquid: Carven
  5. DNA: Blonde Redhead
  6. James White and the Blacks: Sax Maniac
  7. Marvin Pontiac: I'm a doggy
  8. James White and the Blacks: Contort yourself
  9. Gray: Drum Mode
  10. Lydia Lunch: The Closet
  11. Coati Mundi Hernandez: Palabras con ritmo
  12. Lounge Lizards: Bob The Bob
  13. Pablo Calogero: Tangita
  14. Kid Creole and the Coconuts: Mr. Softee
  15. Suicide: Cheree
  16. DNA: Detached
  17. Chips Stein: 15 Minutes
  18. The Plastics: Copy
  19. Walter Steding & The Dragon People: New D
  20. Rammelzee Vs. K-Rob: Beat Bop

tuxedomoon - desire

lunes, noviembre 05, 2007

Luna - Rendezvous [2004]


Tracklisting
:

1 Malibu Love Nest (4:31)
2 Cindy Tastes Of Barbecue (4:09)
3 Speedbumps (3:06)
4 The Owl & The Pussycat (3:49)
5 Astronaut (4:06)
6 Broken Chair (3:56)
7 Star-Spangled Man (5:13)
8 Motel Bambi (4:29)
9 Still At Home (5:12)
10 Buffalo Boots (3:29)
11 Rainbow Babe (3:22)

Download - Descarga

"Speedbumps"

Harmony of the Spheres [1999]


Harmony of the Spheres [1999] (Part. 1) (Part. 2)

Bardo Pond "Destroying Angel" Live at Terrastock 6