Canadian band Nadja played at the well-known Roadburn festival recently. I was not able to see them there, but fortunately founder Aidan Baker found some time to answer a few questions, while on the road between shows in eastern Canada. We were curious what it was like to work with a real drummer instead of a drumcomputer, and how to describe Nadja’s music the best.
You recently released a new album, ‘Desire In Uneasiness’, the first to be recorded with a live drummer. Is this a unique project, or will Nadja be a trio from now on?
This was a unique project, yes, but that doesn’t mean we might not be a trio at some point…
What made you decide to work with a drummer for this record?
We wanted to try something different, something with a more organic feel that’s difficult to capture with electronic drums.
You worked with Jakob Thiesen on this record. I read that the two of you have collaborated before in Whisper Room. Still, I think not many people will know who he is, can you tell us a bit about him?
I have performed with Jakob many times, both as a duo and with our trio Whisper Room – we have a collaborative record recently released on Waterscape Records called ‘A Bout de Souffle’. He has played drums with a few other groups, as well as recording more electronic/techno-based music under his own name. (Aidan at this point refers to Jakob's page from Discogs, which may give some more info on his work.
Does this mean that you will now do Nadja-shows with him?
Probably not, but it’s always a possibility.
It seems that using a drum computer has not prevented you from making music that has a very improvised feel. It does make it a bit harder to just try things in the studio. Can you tell us how a Nadja recording session used to be, and if it was different with a real drummer?
When we recorded with Jakob, we improvised/jammed and then took the recordings and edited and re-worked them, essentially building the songs that ended up on the album from the improvised raw material. Other albums have been recorded similarly, although we generally start with a very basic drumtrack and chord progression and then improvise over top of that, adding layers and textures until the song is ‘finished’.
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You recently released a new album, ‘Desire In Uneasiness’, the first to be recorded with a live drummer. Is this a unique project, or will Nadja be a trio from now on?
This was a unique project, yes, but that doesn’t mean we might not be a trio at some point…
What made you decide to work with a drummer for this record?
We wanted to try something different, something with a more organic feel that’s difficult to capture with electronic drums.
You worked with Jakob Thiesen on this record. I read that the two of you have collaborated before in Whisper Room. Still, I think not many people will know who he is, can you tell us a bit about him?
I have performed with Jakob many times, both as a duo and with our trio Whisper Room – we have a collaborative record recently released on Waterscape Records called ‘A Bout de Souffle’. He has played drums with a few other groups, as well as recording more electronic/techno-based music under his own name. (Aidan at this point refers to Jakob's page from Discogs, which may give some more info on his work.
Does this mean that you will now do Nadja-shows with him?
Probably not, but it’s always a possibility.
It seems that using a drum computer has not prevented you from making music that has a very improvised feel. It does make it a bit harder to just try things in the studio. Can you tell us how a Nadja recording session used to be, and if it was different with a real drummer?
When we recorded with Jakob, we improvised/jammed and then took the recordings and edited and re-worked them, essentially building the songs that ended up on the album from the improvised raw material. Other albums have been recorded similarly, although we generally start with a very basic drumtrack and chord progression and then improvise over top of that, adding layers and textures until the song is ‘finished’.
source
nadja - roadburn 2008