Mostrando entradas con la etiqueta Jeff Parker. Mostrar todas las entradas
Mostrando entradas con la etiqueta Jeff Parker. Mostrar todas las entradas

domingo, octubre 05, 2008

T o r t o i s e













































Throughout their 10-year history, Tortoise have been one of the most singularly dynamic bands in modern music. With each record they have not only redefined their own sound, but helped to nudge music itself in unique and exciting new directions. Their members are perpetually involved with multiple projects, thus it is quite noteworthy that It's All Around You, Tortoise's fifth full-length, is the first album that the band has ever made without a single lineup change. The results of this are a record that is the product of five distinctly visionary musicians who are able to synergistically unite like never before. This consistent lineup also allowed the band to move forward in directions that were previously unexplored, and It's All Around You contains a number of Tortoise firsts.

It's All Around You was written largely in the studio, in the midst of recording, over the course of a full year. This allowed Tortoise to use John McEntire's Soma Electronic Music Studios (whose clients include Wilco, Stereolab, and many others) not just as a state-of-the-art recording facility but as a compositional tool as well. It took months of continuous writing, recording, tinkering, mixing, and perfecting to bring It's All Around You to its finalized state. Tortoise are one of the only bands of their size and status who have always produced their own records, and it largely because of this that they are able to achieve and maintain such a distinct and precise sound. The band's extensive knowledge of the studio's equipment allows them to use it for composing, editing, and coloring their compositions. The band are very at home in this environment, and without a restrictive deadline (normally present with hired producers/studios), the band can explore a multitude of approaches. The results of this process are clear in the lush, orchestrated tones, intricate melodies, and densely elaborate rhythms that make It's All Around You Tortoise's most adventurous and thoughtful record to date. These songs build deliberately and consistently, amassing music of great detail; exploring their layers is both exciting and infinitely rewarding.

Over the past decade, Tortoise have produced some of the most innovative and influential albums in all of music. From the deep and understated rhythms and tones on their 1996 landmark, Millions Now Living Will Never Die, to the bombastic rock of 2001's Standards, Tortoise have always been ahead of their time. It's All Around You finds Tortoise doing what they do best; building and rebuilding upon melodies and rhythms with their own remarkable touch. A song like "On The Chin," born of a guitar line that Jeff Parker and Doug McCombs wrote, is transformed into a something delicately complex, fiercely catchy, and unmistakably Tortoise.

Contributing to and resulting from Tortoise's diverse musical talents are the multitude of other musical projects that each member pursues. In between the recording of Standards and It's All Around You Tortoise's members have kept extremely busy. John McEntire has recorded/mixed bands such as The Sea and Cake (of which he is also a member), US Maple, Beans, Radian, Chicago Underground, Neil Michael Hagerty, Savath & Savalas, and many others. Future projects include Tuxedomoon, Fred Anderson & Hamid Drake, and Teenage Fanclub. John Herndon made his first solo album as A Grape Dope (Missing Dragons, on Galaxia), recorded with Savath & Savalas, The Aluminum Group, The Eternals, and Beans. John also toured as A Grape Dope, opening for Prefuse73, and playing drums along side Scott and DJ Leb Laze in the P73 live band earlier this year. Doug McCombs released his third Brokeback album (Looks At The Bird, on Thrill Jockey), and played shows with Eleventh Dream Day (of which he is a founding member), and Abeliene. Jeff Parker has played in a large number of jazz and improvising ensembles (alongside players such as Josh Abrams, Guillermo Gregorio, Chad Taylor, Nori Tanaka, Michael Zerang, Kevin Drumm, and others. He released a solo album (Like Coping, on Delmark). He recently recorded with Joshua Redman and Azita, and is writing horn arrangements for the next Aluminum Group album. Dan Bitney has produced a number of "mutant home studio jams" for AV band Spectralina, in which Bitney provides digital musical manipulation and drumming for Selina Trepp's poetic, political, and abstract visuals. In addition to all of this, McEntire and Parker will be contributing short audio pieces to the "1%" project, a permanent sound installation which will be set up in the elevators of the new Paris Ministry for Culture and Communication. McEntire, Herndon and Bitney will be producing an album of original breakbeats, samples, and grooves this winter, intended for DJ and music production use. The group will also be contributing an original track to the upcoming feature film "Moog," a documentary about the life and times of electronic music pioneer Robert Moog.

Thrill Jockey Records
























Discography:

01 - Lonesome Sound EP [1993]
02 - Mosquito EP [1993]
03 - Tortoise [1994]
04 - Rhythms, resolutions and clusters [1995]
05 - Gamera 12'' [1995]
06 - Millions Now Living Will Never Die [1996]
07 - Appears on = Yaus Speedy Car [Stereolab Tortoise] (1996)
08 - The Taut and the Tame - The Luke Vibert Mix Find the One
00 - [Wait, Abstraction No. 3] (1996)
09 - Remixed [1996]
10 - A Digest Compendium of the Tortoise's World [1996]
11 - TNT [1998] (part1/part2)
12 - Tortoise vs. Derrick Carter [1998]
13 - Tortoise vs. Autechre [1998]
14 - Standards [2001]
15 - It's All Around You [2004]
16 - Tortoise and Bonnie 'Prince' Billy - The Brave and the Bold [2006]
17 - A Lazarus Taxon [2006]


Tortoise - Live at Werchter [full set]

viernes, agosto 22, 2008

Jeff Parker

If you went looking for a poster-child for Chicago's multidirectional, cross-pollinating, interstylistic music scene, you couldn't find a better one than Jeff Parker. Parker: jazz guitarist with pro credentials, widely travelled and prized by top soul-jazzers and hard-boppers. Parker: inveterate rocker who revitalized Tortoise with his ferocious improvising and tasty licks. Parker: experimentalist willing to try new dub, hip-hop,electronic, collage, free, chamber - anything worthwhile, irrespective of genre or orientation. Community expander, boundary buster, restless explorer - Jeff Parker is constantly trying out new things with new partners. A man on the move.

Somehow, Jeff Parker manages flow through all these incarnations without copping a dilettante's superficiality. He applies the same depth of musicality and keen ear for quality to everything he does, which is part of what has made him one of the most sought-out musicians in the Windy City. Another part of that appeal, it must be said, is Parker's immense generosity and warm humility, the latter of which perhaps explains why he's only made one other CD as a "leader," the acclaimed trio outing Like Coping, released on Delmark in 2003.

Founded in 1995, The Relatives is a quartet of like-minded musicians drawn from the Chicago Underground Orchestra. Parker's been working with bassist Chris Lopes since college days, when they were at Berklee together in Boston in the mid-80s. Drummer Chad Taylor, who recently moved back to New York after a fruitful period in Chicago, has been a colleague of Parker's since just after the guitarist moved to Chicago in 1991. The newest comrade, Sam Barsheshet, who plays electric piano on the record, sat in on a gig with Parker in 2002. "I enjoyed his playing and open conception," says Parker.

Parker says this session, which was waxed in January, 2004 at SOMA and engineered by John McEntire, is "more 'song-oriented' than the previous album, and less of a jazz-oriented 'blowing date.'" It includes original compositions by Taylor ("Istanbul") and Lopes ("Sea Change," "Bean Stalk,""Toy Boat"). Parker's own compositional contributions include "Mannerisms," a piece that's become a local standard, prized by various groups - Chicago Underground Quartet, Ted Sirota's Rebel Souls - for its sinuous, groovy lines. "Rang (for Michael Zerang)" is a piece written by Parker for his friend and colleague, percussionist Michael Zerang. "It was written when we were both on a tour of France with the Vega Trio, right at the start of the Iraq War."

"The Relative" was composed by Parker and bassist Matthew Lux, with whom the guitarist worked in Isotope 217, the band for whom it was originally conceived. "I decided to revive it for this recording," says Parker. "I composed the bulk of the tune, but the weird, twisty bassline that roots the intro and outro was composed by Matt Lux. The first two-and-a-half minutes of the tune are my attempt at demonstrating an abstraction of my perception of Relativity, which essentially means that as one moves in space, one's perception of said space is altered by one's movement. I tried to aurally capture this by having everyone perform various repeating figures on different tracks that start at one tempo, then ramp up or down to another tempo, and end together at the original tempo."

The CD's one non-original is a gorgeous reworking of Marvin Gaye's "When Did You Stop Loving Me, When Did I Stop Loving You," on which Barsheshet shines particularly brightly. "I've always embraced the feelings of melancholy that I experience when I listen to the original version of this song," says Parker. "I thought it would be a challenge to try and capture some of that spirit in a swinging, but slightly abstract version of the tune, which is, essentially, how I perceive the original version to be. The premise was to have the band improvise over the form of the tune, and then I overdubbed the guitar melody (with embellishments) over top of it. I was trying to get a vibe like some of the great jazz recordings from the 70s when they actually used to play good jazz on commercial radio and people dug it."

Of the group and CD's name, Parker returns to his Einsteinian explanation: "The Relatives refers to the notion of a community (in this instance a community of musicians) functioning much like a family does, and also the abstraction of Relativity, which implies that as one moves, one's perspective changes along with one's movements. Since we're always moving, we're always changing."

Always moving, always changing. Good thoughts for this polyglot poster-child. ---John Corbett

















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The Relatives [2005]











Like-Coping [2003]












Strobe Session # 2: Jeff Parker

miércoles, julio 30, 2008

Chicago Underground Quartet [2001]

This self titled release is the debut as a Quartet for the Chicago Underground collective. In addition to the already established Chicago Underground Duo of Rob Mazurek (cornet, electronics) and Chad Taylor (percussion), the quartet model features Jeff Parker (Tortoise, Isotope 217) on guitar and Noel Kupersmith (Brokeback) on upright bass. For those familiar with the Chicago Underground Duo?s recordings, Parker and Kupersmith add a lush, organic tone to the proceedings: abstract sonics meet gorgeous melody in this extraordinary sound collage. The Chicago Underground Quartet merges sound from disparate worlds that collide and caress in unexpected ways. From the opening arpeggio figure of "Tunnel Chrome" to the free improvisations of "Sink, Charge, Fixture" to the futuristic moog melody of "Nostalgia." Chicago Underground Quartet weaves sound that pleases. Recorded and Engineered by John McEntire at Soma Studios

www.thrilljockey.com


Chicago Underground Quartet [2001]

















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Robert Mazurek & the Chicago Underground Orchestra - Playground (1998)

La música jazz que entregan los Chicago Underground se valora por un retorno a la total busqueda en la improvisación, capturando pequeñas piezas en estado de trance, haber si vuelan mientras escuchan este disco.

La banda esta integrada por:
ROBERT MAZUREK: cornet, bell, bamboo flute, toy trumpet
JEFF PARKER: guitar, cow bell, recorder
SARA P. SMITH: trombone, glockenspiel, recorder, muffin tin, voice, cymbals
CHRIS LOPES: bass, india flute, voice
CHAD TAYLOR: drums, street sign
JOHNNY HERNDON: bongos on "blow up"
DAN BITNEY: congos on "blow up"
TONY PINCIOTTI: percussion on "the inner soul of h"


Playground (1998)
















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ROB MAZUREK at TONIC NYC
This is a performance I filmed and edited of Rob Mazurek 'opening up' for Black Goat. I walked up to him and introduced myself and asked him if i could film the show. He said, "Yeah, do what ever you want. You want to film us? Climb all over the stage. That's great."

viernes, julio 18, 2008

Isotope 217 - Utonian Automatic [1999]

The Chicago-based jazz-funk fusion ensemble Isotope 217 featured guitarist Jeff Parker along with percussionists John Herndon and Dan Bitney, all three better known for their work in Tortoise; the roster on the group's 1997 Thrill Jockey label debut The Unstable Molecule also includes trumpeter Rob Mazurek, bassist Matt Lux, and trombonist Sara P. Smith. Utonian Automatic followed in 1999, along with a split collaboration with Commander Mindfuck and Designer. A year later, Who Stole the I Walkman was released.
I believe that this + that clear, if they do not comment on this blog falls of the network(net).


Utonian Automatic [1999]

















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Old ZoomCulture doc we did in 2000 about Isotope 217

domingo, octubre 28, 2007

Jeff Parker & Scott Fields - Song Songs Song [2004]

Avant-Garde Jazz/Free Jazz/Post-Rock/Experimental/Modern Creative.



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Herndon/Parker/Abrams