Mostrando entradas con la etiqueta Guitar. Mostrar todas las entradas
Mostrando entradas con la etiqueta Guitar. Mostrar todas las entradas

sábado, octubre 11, 2008

Rhys Chatham














Rhys Chatham (born September 19, 1952, New York City) is an American composer, guitarist, and trumpet player, primarily active in avant-garde and minimalist music. He is best known for his "guitar orchestra" compositions. He has lived in France since 1987.

Early Years

Chatham began his musical career as a piano tuner for avant-garde pioneers La Monte Young and Glenn Gould. He soon studied under electronic music pioneer Morton Subotnick and minimalist icon Tony Conrad; Chatham and Conrad played together in an early ensemble. In 1971, while still in his teens, Chatham became the first music director at the experimental art space The Kitchen in lower Manhattan. His early works, such as Two Gongs (1971) owed a significant debt to Young and other minimalists.

His concert productions included experimenters Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Pauline Oliveros, Steve Reich, and early alternative rockers such as Brian Eno, Robert Fripp, John Lurie, and Fred Frith. He has worked closely with visual artist/musician Robert Longo, particularly in the 1980s, and on an experimental opera called XS: The Opera Opus (1984) with the visual artist Joseph Nechvatal.

Compositions from the late 1970s and early 1980s

By 1977, Chatham's music was heavily influenced by punk rock, having seen an early Ramones concert. He was particularly intrigued by and influential upon the group of artists music critics would label No Wave in 1978. That year, he began performing Guitar Trio around downtown Manhattan with an ensemble that included Branca, as well as Nina Canal of Ut. Some of this work parallels multi tracked and unison tuned guitar directions developed by Lou Reed and Chuck Hammer. During this period, he wrote several works for large guitar ensembles, including Drastic Classicism, a collaboration with dancer Karole Armitage. Drastic Classicism was first released in 1982 on the compilation New Music from Antarctica, put together by Kit Fitzgerald, John Sanborn and Peter Laurence Gordon. It was also included on the 1987 album that also included his 1982 composition Die Donnergötter (German for "The Thundergods").

Members of the New York City noise rock band Band of Susans began their careers in Chatham's ensembles; they later performed a cover of Chatham's "Guitar Trio" on their 1991 album, The Word And The Flesh. (This parallels the way that members of fellow NYC noise rockers Sonic Youth began their careers in Branca's ensembles; Thurston Moore of Sonic Youth did play with Chatham as well.)

Chatham began playing trumpet in 1983, and his more recent works explore improvisatory trumpet solos; these are performed by Chatham himself, employing much of the same amplification and effects that he acquired with the guitar, over synthesized dance rhythms by the composer Martin Wheeler. His 1990s recordings in this style saw release on Ninja Tune Records as the compilation Neon.

Recent activity

In 2002, he enjoyed a resurgence following the release of a limited-edition 3 CD retrospective box set on the record label Table of the Elements, An Angel Moves Too Fast To See: Selected Works 1971-1989, complete with 130-page booklet. The An Angel Moves Too Fast To See part of the title comes from Chatham's 1989 composition for 100 guitars. He has been since touring with his 100-guitar orchestra in Europe.

In 2005, he was commissioned by the city of Paris, in his adopted homeland, to write a composition for 400 electric guitars entitled A Crimson Grail, as part of the Nuit Blanche Festival. Approximately 10,000 people were present at the performance, and 100,000 more watched it on live television. A CD of excerpts from this concert was released in January 2007 by Table Of The Elements.

Rhys Chatham is currently touring the original 30 minute version of Guitar Trio in the USA and Europe, renamed G3 because the instrumentation has been increased to between six and ten electric guitars, electric bass and drums. In February 2007 he completed a twelve-city tour called the Guitar Trio (G3) Is My Life North America Tour, which was accompanied by the original film by Robert Longo that was projected behind the performance, entitled Pictures for Music (1979). The sets consisted of local musicians from each city of the performances, including members of Sonic Youth, Tortoise, Godspeed You! Black Emperor, Husker Du, Brokeback, Lichens, Town & Country, Die Kreuzen, Bird Show and others. A three-CD box set of these performances was released by Table of the Elements in March 2008.

Chatham has continued to tour the original version of Guitar Trio in Europe throughout 2007 and 2008, including performances at:

* Festival Desgressions - 7 March 2007, Barcelona, Spain
* L'Ecole Régionale de Beaux Arts - 25, 26 April 2007, Valence, France
* Kosmische Club - 10 August 2007, Oslo, Norway
* ZXZW Independent Culture Festival - 22, 23 September, Tilburg, the Netherlands
* Festival Soy - 29 October 2007, Nantes, France
* Galleria Toledo - 26 March 2008, Naples, Italy

Rhys Chatham made his first American presentation of a composition for a one-hundred guitar orchestra in Williamsport, Pennsylvania, on May 23, 2008, with an orchestra comprised of local students and teachers, as well as many professional guitarists. This performance was the premiere of a new composition entitled Les 100 Guitares: G100.

wiki.
























Discography:


01 - Factor X [1983]
02 - Echo Solo [1989]
03 - Septile [1997]
04 - Hard Edge [1999]
05 - Three Aspects of the Name [2004]
06 - An Angel Moves Too Fast to See: Selected Works 1971-1989 [2006] (part1/part2/part3/part4)
• 1987 Die Donnergötter (The Thundergods)
• 1997 An Angel Moves Too Fast to See
• 2006 Two Gongs (1971)
07 - A Crimson Grail: For 400 Electric Guitars (part1/part2)
08 - "Guitar Trio Is My Life!"[2008] (part1/part2/part3/part4)


An Angel Moves Too Fast to See - Part 4

martes, septiembre 30, 2008

Roy Montgomery



You will have to raise the unit of the matter with the colouring landscapes that Roy Montgomery's music offers you, he guards carefully the directions in order that then you cross with knowledge of the astral territory in which if you decide to unload these links you will have the pleasure of experimenting, out of the designed times, the contemplative attitudes in liabilities were forging a planet in which you will be able to take food and then to cultivate for the next visit, it shows always thank you in the shape of commentary, inside " In the Freezer of your Conscience ", because of this form if one of these links dies, I will have time myself of turning it to rising, now he enjoys.

Deberás plantear la unidad de la materia con los paisajes coloridos que te ofrece la música de RoyMontgomery, guarda con cuidado las direcciones para que luego recorras con conocimiento del territorio astral en el que si decides descargar estos eslabones tendrás el agrado de experimentar, fuera de los tiempos diseñados, las actitudes contemplativas en pasivo te forjaran un planeta en el cual podrás tomar alimentos y luego cultivar para la próxima visita, muestra siempre un gracias en forma de comentario, dentro de "En el Congelador de tu Conciencia", porque de esa forma si uno de estos eslabones muere, yo me daré el tiempo de volverlo a subir, ahora disfruta.





E.N.D. [1998]


Busca en el interior del alma, con brotes vivos que bañan de análisis prolongado la etérea anti-realidad sumergida en los torniquetes, escaleras mecánicas al cielo, y la luz que guiara con guitarra psychedelic el baile tras la noche bohemia y celosa, alegría viaja en su carruaje,
señor, usted debería visitar este link de youtube
(
http://www.youtube.com/watch?v=DXaOHVC9V8Q)...

jueves, septiembre 25, 2008

Sir Richard Bishop - Improvika / Fingering the Devil (Special Edition) / While My Guitar Violently Bleeds [2005-2007]

























IMPROVIKA (CD - Locust Music, 2004. LP Issued by Bo Weavil, 2005)
"The nine compositions of “Improvika” are influenced by folk music of all corners of the world with the music of India and the Middle East playing particularly prominent roles. This is not, however, post-modern pastiche or multicultural collage. Quite the contrary, it is something that synthesizes all these disparate elements into something wholly new. Bishop has a somewhat improvisational rhythmic language that is all his own as well as a compositional sense that (even if these pieces are, in fact, improvisations as the title might suggest) carries this album easily through its 45 minute running time." - Nick Hennies (Foxy Digitalis)

FINGERING THE DEVIL (CD/LP - Southern Records, UK, 2006)
"Bishop’s seamless blend of gypsy jazz and flamenco guitar embraces the duality of nomadic life, its exuberance and world-weariness. Overall Bishop’s pace is slightly slower here than on his previous full length "Improvika" except on the album’s galloping closer “Howrah Station.” In “Dance of the Lotus Eaters,” he scatters his notes sparingly in sections and coaxes the steady growth of melodies from single chords, rather than frantic runs across the fret board. Bishop also embraces these gentle melodies more fully, shying away from the experimental atonality of "Improvika"’s “Cryptonymous.” This release is full of patience and powerful lyricism." - Jamie Townsend (Foxy Digitalis)

WHILE MY GUITAR VIOLENTLY BLEEDS (LP/CD - Locust Music, 2007)
"The three long meditations that make up this release are violent in the sense of deep passion. For Bishop, these songs are a form of prayer, and as such are as deeply felt an acoustic set as you are likely to hear, one that does not fall into the traps of the pseudo-spiritual, but which maintains an emotional peak throughout. “Zurvan” is the most quiet of the set, an almost traditional blues-based instrumental that still explores some mighty deft territory, both musically and emotionally. It begins the record by reassuring the listener that s/he will be in good hands. “Smashana” dips into a more layered drone, with aspects of psych that help to deepen the piece, and to build off the first song. The real meat is the final, 25+ minute “Mahavidya,” which explores both fretboard and soul, and takes the drone of “Smashana” toward raga, and toward a mystic conclusion to the set." - Dave Segal (OC Weekly)

Sir Richard Bishop | By Appointment To Her Majesty, The Queen


miércoles, julio 30, 2008

Roy Montgomery - Scenes From The South Island [1995]

Since I close my eyes, the shades in her natural, underlying functioning, to the meeting of a branch of clouds stopped in the air, the man sat opposite to a table full of imaginary appliances, with which her peregrinaje initiates, speech with honesty of her work, cultivating, and to create a guitar, to give life to this wonderful disc, polite of simple melodies for strings made concrete with spiritual serenity, a desert of dark sands, from the top of a dune, where they come rolling the dry branches that indicate the austere condition of her environment, of an environment just before coming to my feet, And it sinks when the first note sounds, interpreting this doubt in the duality of the facts, with perfection it denotes to the fear, this cold caress of the iron to the meat, when it is not possible to be orientated in the infinite position of belonging, lost to the compass of the following cuts, in the black surface, all his senses in a mantra, until in Twilight Conversation we recognize the soul a hole, of vegetable fragrances, they will be 2 meters to the bottom, it penetrates, in search of water, and of surviving the enchantment, which out blows of the wind emulated in Roy Montgomery's guitar. The Road To Diamond Harbour saturates with overdrive at the night, and they turn the ravens like indicating the hour destined to die.
It is the first disc that the artist of New Zealand throws, in her empty island he submerges inside the mind to give reality and vitality to his work as initiation to the new world that offers us
here.

Desde que cierro mis ojos, las sombras en su funcionamiento natural, subyacente, al encuentro de un ramo de nubes detenidas en el aire, el hombre sentado frente a una mesa llena de artefactos imaginarios, con los cuales inicia su peregrinaje, habla con honestidad de su trabajo, cultivando, y crear una guitarra, dar vida a este maravilloso disco de melodías simples, cortes para cuerdas concretados con serenidad espiritual, un desierto de arenas oscuras, desde lo alto de una duna, donde vienen rodando las ramas secas que señalan la austera condición de su entorno, de un ambiente justo antes de llegar a mis pies, y se hunde cuando suena la primera nota, interpretando esa duda en la dualidad de los hechos, con perfección denota al miedo, esa fría caricia del hierro a la carne, cuando no es posible orientarse en la infinita posición de pertenencia, perdido al compás de los siguientes cortes, en la superficie negra, todos sus sentidos en un mantra, hasta que en
Twilight Conversation reconocemos un hoyo, de fragancias vegetales, serán 2 metros al fondo, el alma penetra, en busca de agua, y de sobrevivir al encantamiento, que afuera sopla el viento emulado en la guitarra de Roy Montgomery. The Road To Diamond Harbour satura con distorción la noche, y vuelven los cuervos como señalando la hora destinada a morir.
Es el primer disco que lanza el artista de Nueva Zelandia, en su isla vacía se sumerge dentro de la mente para dar realidad y vitalidad a su obra como iniciación al nuevo mundo que nos ofrece
aquí.


Scenes From The South Island [1995]
















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lunes, marzo 31, 2008

David Torn

A material for night, Bohemian beings, old addicts surrounded with the shade, sat in the bar of a bar speaking about sacred signs after the damned routine day. Now enjoying of it began smoke, combinancion of tobacco and herbs, her,your delight is the music that parts with the reality towards a fluid disintegration of the instruments.
David Torn is an ultramodern guitarist of jazz, rock, breaks the traditional thing inside his only way of touching, accompanied of effects that answer him precisely to the surprising thing, a particular environmental sound that expands in the machine, I insert at present.

Un material para seres nocturnos, bohemios, viejos adictos rodeados de la sombra, sentados en la barra de un bar hablando de signos sagrados después de el maldito día rutinario. Ahora disfrutando del empezó humo, combinancion de tabaco y hierbas, su deleite es la música que se desprende de la realidad hacia una desintegración fluida de los instrumentos.
David Torn es un guitarrista vanguardista de jazz, rock, rompe lo tradicional dentro de su particular manera de tocar, acompañado de efectos que le responden precisamente a lo sorprendente, un particular sonido ambiental que se expande en la maquina, inserto en la actualidad.


Prezens [2007] (Part.1) (Part.2)

What Means Solid, Traveller ? [1996] (Part.1) (Part.2)

Tripping Over God [1995] (Part.1) (Part.2)



David Torn Prezens @ Firlej - 18.01.2008

miércoles, noviembre 07, 2007

Roy Montgomery & Chris Heaphy - True [1999]


Experimental guitarist Roy Montgomery was born and raised in Christchurch, New Zealand, forming his first band, the teen garage combo the Psychedeliks, in 1971. After serving out the remainder of the decade in similarly obscure outfits including Compulsory Fun and Murder Strikes Pink, in late 1980 he co-founded the seminal Kiwi post-punk trio the Pin Group; their debut single "Ambivalence" was also the first record ever issued on the now-legendary indie label Flying Nun, its echoing, darkly melodic guitar sound foreshadowing the evocative sonic approach Montgomery would continue to pursue for the remainder of his career. After the Pin Group disbanded in 1982, a year later he received a $750 National Arts Council grant to form the Shallows, their lone 1985 single "Suzanne Said" further honing Montgomery's expansive drone aesthetic. However, he then spent the next five years largely removed from music, instead balancing his studies of Russian language and literature with his interests in cinema and avant-garde theater.

Montgomery returned to performing in 1990 after a chance meeting with fellow Pin Group alum Peter Stapleton led to an invitation to join the fledgling noise-pop band Dadamah. After a handful of releases the group splintered in 1993, with Montgomery resurfacing the following year with his first solo effort, Scenes from the South Island; with fellow guitarist Chris Heaphy, he also formed the duo Dissolve, issuing their LP That That Is...Is (Not) that same year. Montgomery then spent the next year and a half travelling through the U.S., England and Latin America, during that time recording a wealth of new material which found its way onto a series of singles for labels including Ajax, Siltbreeze and Drunken Fish. The full-length Temple IV followed on Kranky in 1996, while the following year he collaborated with the members of Bardo Pond in Hash Jar Tempo, issuing the album Well-Oiled; also in 1997, Montgomery appeared on the Flying Saucer Attack EP Goodbye. The solo And Now the Rain Sounds like Life Is Falling Down Through It appeared in 1998, trailed a year later by the singles compilation 324 E. 13th St. #7. Summer 2000 saw the release of Allegory of Hearing. Silver Wheel of Prayer followed a year later.

Descarga.

One Hour Painting (2-headed Monster Attacking Castle)

Oi! Shitty conversion. Just a quick one. I've been feeling real lethargic lately. I think I need a change. I might try to finish some unfinished paintings. I'd like to just do some vlogs, too.
Music is by Roy Montgomery.

lunes, noviembre 05, 2007

Steve Reich with Kronos Quartet / Pat Metheny - Different Trains / Electric Counterpoint [1989]



Tracklisting:

Kronos Quartet plays Steve Reich: Different Trains

1 America - Before The War (8:59)
2 Europe- During The War (7:31)
3 After The War (10:20)

Pat Metheny plays Steve Reich: Electric Counterpoint

4 Fast (6:51)
5 Slow (3:21)
6 Fast (4:29)

Different Trains recorded August 31 - September 9, 1988 at Russian Hill Recording, San Francisco.
Electric Counterpoint recorded September 26 - October 1, 1987 at Power Station, New York City.

Composed by Steve Reich
Pat Metheny: Guitar, tracks 4 to 6
Kronos Quartet, tracks 1 to 3:
  • Cello: Joan Jeanrenaud
  • Viola: Hank Dutt
  • Violin: David Harrington
  • Violin: John Sherba
Download

Kronos Quartet — Triple Quartet: First Movement