Mostrando entradas con la etiqueta France. Mostrar todas las entradas
Mostrando entradas con la etiqueta France. Mostrar todas las entradas

sábado, octubre 11, 2008

Rhys Chatham














Rhys Chatham (born September 19, 1952, New York City) is an American composer, guitarist, and trumpet player, primarily active in avant-garde and minimalist music. He is best known for his "guitar orchestra" compositions. He has lived in France since 1987.

Early Years

Chatham began his musical career as a piano tuner for avant-garde pioneers La Monte Young and Glenn Gould. He soon studied under electronic music pioneer Morton Subotnick and minimalist icon Tony Conrad; Chatham and Conrad played together in an early ensemble. In 1971, while still in his teens, Chatham became the first music director at the experimental art space The Kitchen in lower Manhattan. His early works, such as Two Gongs (1971) owed a significant debt to Young and other minimalists.

His concert productions included experimenters Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Pauline Oliveros, Steve Reich, and early alternative rockers such as Brian Eno, Robert Fripp, John Lurie, and Fred Frith. He has worked closely with visual artist/musician Robert Longo, particularly in the 1980s, and on an experimental opera called XS: The Opera Opus (1984) with the visual artist Joseph Nechvatal.

Compositions from the late 1970s and early 1980s

By 1977, Chatham's music was heavily influenced by punk rock, having seen an early Ramones concert. He was particularly intrigued by and influential upon the group of artists music critics would label No Wave in 1978. That year, he began performing Guitar Trio around downtown Manhattan with an ensemble that included Branca, as well as Nina Canal of Ut. Some of this work parallels multi tracked and unison tuned guitar directions developed by Lou Reed and Chuck Hammer. During this period, he wrote several works for large guitar ensembles, including Drastic Classicism, a collaboration with dancer Karole Armitage. Drastic Classicism was first released in 1982 on the compilation New Music from Antarctica, put together by Kit Fitzgerald, John Sanborn and Peter Laurence Gordon. It was also included on the 1987 album that also included his 1982 composition Die Donnergötter (German for "The Thundergods").

Members of the New York City noise rock band Band of Susans began their careers in Chatham's ensembles; they later performed a cover of Chatham's "Guitar Trio" on their 1991 album, The Word And The Flesh. (This parallels the way that members of fellow NYC noise rockers Sonic Youth began their careers in Branca's ensembles; Thurston Moore of Sonic Youth did play with Chatham as well.)

Chatham began playing trumpet in 1983, and his more recent works explore improvisatory trumpet solos; these are performed by Chatham himself, employing much of the same amplification and effects that he acquired with the guitar, over synthesized dance rhythms by the composer Martin Wheeler. His 1990s recordings in this style saw release on Ninja Tune Records as the compilation Neon.

Recent activity

In 2002, he enjoyed a resurgence following the release of a limited-edition 3 CD retrospective box set on the record label Table of the Elements, An Angel Moves Too Fast To See: Selected Works 1971-1989, complete with 130-page booklet. The An Angel Moves Too Fast To See part of the title comes from Chatham's 1989 composition for 100 guitars. He has been since touring with his 100-guitar orchestra in Europe.

In 2005, he was commissioned by the city of Paris, in his adopted homeland, to write a composition for 400 electric guitars entitled A Crimson Grail, as part of the Nuit Blanche Festival. Approximately 10,000 people were present at the performance, and 100,000 more watched it on live television. A CD of excerpts from this concert was released in January 2007 by Table Of The Elements.

Rhys Chatham is currently touring the original 30 minute version of Guitar Trio in the USA and Europe, renamed G3 because the instrumentation has been increased to between six and ten electric guitars, electric bass and drums. In February 2007 he completed a twelve-city tour called the Guitar Trio (G3) Is My Life North America Tour, which was accompanied by the original film by Robert Longo that was projected behind the performance, entitled Pictures for Music (1979). The sets consisted of local musicians from each city of the performances, including members of Sonic Youth, Tortoise, Godspeed You! Black Emperor, Husker Du, Brokeback, Lichens, Town & Country, Die Kreuzen, Bird Show and others. A three-CD box set of these performances was released by Table of the Elements in March 2008.

Chatham has continued to tour the original version of Guitar Trio in Europe throughout 2007 and 2008, including performances at:

* Festival Desgressions - 7 March 2007, Barcelona, Spain
* L'Ecole Régionale de Beaux Arts - 25, 26 April 2007, Valence, France
* Kosmische Club - 10 August 2007, Oslo, Norway
* ZXZW Independent Culture Festival - 22, 23 September, Tilburg, the Netherlands
* Festival Soy - 29 October 2007, Nantes, France
* Galleria Toledo - 26 March 2008, Naples, Italy

Rhys Chatham made his first American presentation of a composition for a one-hundred guitar orchestra in Williamsport, Pennsylvania, on May 23, 2008, with an orchestra comprised of local students and teachers, as well as many professional guitarists. This performance was the premiere of a new composition entitled Les 100 Guitares: G100.

wiki.
























Discography:


01 - Factor X [1983]
02 - Echo Solo [1989]
03 - Septile [1997]
04 - Hard Edge [1999]
05 - Three Aspects of the Name [2004]
06 - An Angel Moves Too Fast to See: Selected Works 1971-1989 [2006] (part1/part2/part3/part4)
• 1987 Die Donnergötter (The Thundergods)
• 1997 An Angel Moves Too Fast to See
• 2006 Two Gongs (1971)
07 - A Crimson Grail: For 400 Electric Guitars (part1/part2)
08 - "Guitar Trio Is My Life!"[2008] (part1/part2/part3/part4)


An Angel Moves Too Fast to See - Part 4

martes, octubre 07, 2008

Cyann & Ben - Spring / Happy Like An Autum Tree / Sweet Beliefs [2003 / 2004 / 2006]





..> CYANN & BEN release their first album for Ever Records on September 11th. SWEET BELIEFS is an epic and yet intimate album that gives the space rock template a Gallic makeover by adding a much needed romantic grandeur. CYANN & BENs Paris is not the one you see in Amelie its dirty, dark and stressful as much as beautiful and SWEET BELIEFS, with its multi-layered and ambitious sweep, sounds as unsettling as it is irresistible. "a slow motion hurricane ripping apart your temporal lobe" Magnet /// "...a rare strain of "epic" music, where bravado does not exceed the composition, but remains at all times within it. Cyann & Ben are masters of this subtlety." Pitchfork /// "Chaude et froide a la fois, [la musique de Cyann et Ben] est sublime parce que fiévreuse, effrayante parce que toujours sur la sellette, lumineuse et sombre, tendue et limpide ... " Les Inrockuptibles /// "...toujours intelligente mais pas hautaine, évidente et unique en même temps. " Rock Sound /// "douce rêverie éveillée, cotonneuse et poignante. " Magic /// "un ailleurs elegiaque et mysterieux" Teknikart ///

myspace


Sweet Beliefs (2006) (part1/part2)



Cyann & Ben - Sparks of Love

viernes, octubre 03, 2008

Monade: Socialisme ou Barbarie / A Few Steps More / Monstre Cosmic [2003 / 2005 / 2008]



























One of Stereolab's many spin-offs and side projects, Monade (pronounced mon-ard) originally featured Laetitia Sadier and Pram's Rosie Cuckston. The duo began collaborating in the mid-'90s, and Sadier recorded the first Monade tracks in 1996 at Pram's studio, with Cuckston playing and also helping to engineer the session. Some of these tracks were released by Duophonic as the Sunrise Telling and Witch Hazel/Ode to a Keyring singles. Sadier continued to record at Stereolab's own studio without Cuckston, and one of these tracks, "Cache Cache," ended up as a B-side on Stereolab's Calimero single. In between her Stereolab duties, Sadier completed enough material for Monade's debut album, Socialisme Ou Barbarie: The Bedroom Recordings, which was released by Duophonic in Europe and by Drag City in the U.S. in spring 2003. For Monade's second album A Few Steps More, the band moved to Too Pure and expanded to include bassist/vocalist Marie Merlet, keyboardist Nicolas Etienne and drummer Xavier Chabellard. Monstre Cosmic arrived in 2008 and featured collaborations with the Bordeaux Conservatoire and the Toulousse-based group Momotte.

www.allmusic.com




Monade au Divan du Monde le 21 février 2008

miércoles, septiembre 24, 2008

[Mille Plateaux] In Memoriam Gilles Deleuze (1996)

Gilles Deleuze

Nació en 1925 en París. Entre 1944 y 1948, cursó sus estudios de filosofía en La Sorbona. Algunos de sus profesores fueron Ferdinand Alquié, Georges Canguilhem, Maurice de Gandillac y Jean Hippolyte. Después de finalizar sus estudios en 1948, se consagró a realizar una serie de monografías sobre algunos filósofos (Kant, Spinoza, Nietzsche, Bergson), los cuales, pese a su eminente valor didáctico, contienen las primeras instancias de consolidación de su propio pensamiento.

Este pensamiento se configura plenamente con la publicación de Diferencia y repetición y Lógica del sentido, el primero de 1968 y el segundo de 1969. También en 1969, conoce a Félix Guattari, un psicoanalista heterodoxo, con el cual comenzará una larga y fructífera colaboración, que cristalizará en los dos volúmenes de Capitalismo y esquizofrenia: El Anti-Edipo y Mil mesetas. A raíz de esta colaboración es que aparece la famosa declaración de Deleuze en la que se establece que "Lo que define a un sistema politico es el camino por el que su sociedad ha transitado”.

Además de sus obras de relectura del trabajo de otros filósofos, Deleuze escribió también sobre escritores (Kafka, Alfred Jarry, Proust, Sacher-Masoch) y sobre cine. Gilles Deleuze se retirará de la vida universitaria en 1987. [1]

«Un día, el siglo será deleuziano», fue la expresión de Michel Foucault en relación a un filósofo que marcó profundamente el pensamiento de la segunda mitad del siglo XX. «La filosofía es el arte de formar, de inventar, de fabricar los conceptos», dirá el propio Deleuze en Qu'est-ce que la philosophie ? (¿Qué es la filosofía?).

En sus últimos años de vida, Deleuze sufrió de una grave insuficiencia respiratoria. Se quitó la vida el 4 de noviembre de 1995 lanzándose al vacío por una ventana de su apartamento en la Avenue Niel. Se le considera también un filósofo anarquista, pero es evidente que la potencia creativa de su pensamiento, siempre plural y singular, no permite clasificar a Deleuze dentro de ninguna de las corrientes filosóficas que lo precedieron.[cita requerida] Uno de los conceptos creados por este filósofo es el de ritornelo; desarrollado en el libro Mil Mesetas junto con Félix Guattari.
La anarquía y la unidad son una sola y misma cosa, no la unidad de lo Uno, sino una más extraña unidad que sólo se reclama de lo múltiple.

Gilles Deleuze, Mil mesetas

"Sociedades de control y sociedades disciplinarias"

Las sociedades disciplinarias según Deleuze, sufren una crisis en beneficio de nuevas fuerzas que se irán instalando lentamente. Son las sociedades de control las que están reemplazando a las sociedades disciplinarias.

Las viejas sociedades de soberanía manejaban máquinas simples; pero las sociedades disciplinarias se equipan con máquinas energéticas. Las sociedades de control operan sobre máquinas de tercer tipo, máquinas informáticas. Es una evolución tecnológica, una mutación del capitalismo bien conocida que puede resumirse así: en la situación actual, el capitalismo ya no se basa en la producción, que relega frecuentemente a la periferia del tercer mundo. Es un capitalismo de superproducción. Ya no compra materias primas y vende productos terminados: compra productos terminados o monta piezas. Lo que quiere vender son servicios y lo que se quiere comprar son acciones.

<<Es sencillo buscar correspondencias entre tipos de sociedad y tipos de máquinas, no porque las máquinas sean determinantes, sino porque expresan las formaciones sociales que las han originado y que las utilizan. Las antiguas sociedades de soberanía operaban con máquinas simples, palancas, poleas, relojes; las sociedades disciplinarias posteriores se equiparon con máquinas energéticas, con el riesgo pasivo de la entropía y el riesgo activo del sabotaje; las sociedades de control actúan mediante máquinas de un tercer tipo, máquinas informáticas y ordenadores cuyo riesgo pasivo son las interferencias y cuyo riesgo activo son la piratería y la inoculación de virus. No es solamente una evolución tecnológica, es una profunda mutación del capitalismo.>>

Deleuze, Gilles. Post-scriptum sobre las sociedades del control

wikipedia.



[Mille Plateaux] In Memoriam Gilles Deleuze (1996)
(part1/part2/part3/part4)

Tracklisting:

1-01
Gilles Deleuze Untitled(Words By Gilles Deleuze) (0:38)
1-02
Achim Wollscheid & Wehovsky Happy Deterritorializations (4:15)
1-03
:Zoviet*France: On The Edge Of A Grain Of Salt (9:04)
1-04
Alec Empire Bon Voyage (5:25)
1-05
Cristian Vogel Gigantic Tautological Machinery (7:02)
1-06
Christophe Charles Undirections/Continuum (9:38)
1-07
Atom Heart Abstract Miniatures In Memoriam Gilles Deleuze (3:43)
1-08
Gas Heller (7:36)
1-09
Chris & Cosey Intro-Spektiv (5:05)
1-10
J. Burger Wunschmaschinenpark (3:53)
1-11
Steel Death Is The Beginning (5:04)
1-12
Blue Byte C'ant Be Still (6:11)
1-13
Trans Am Starjammer (4:07)
1-14
Rome Intermodal (3:41)

2-01
Jim O'Rourke As In (8:57)
2-02
Oval You Are Here 0.9B (2:51)
2-03
Mouse On Mars 1001 (7:11)
2-04
Ian Pooley Vital One (3:28)
2-05
Bleed Patent (6:55)
2-06
Tobias Hazan Queria For Gilles Deleuze (2:57)
2-07
Scanner Without End (7:04)
2-08
DJ Spooky That Subliminal Kid Invisual Ocean (6:48)
2-09
Fetisch Park Gradation D'Humour (5:53)
2-10
Straobeik (4:27)
2-11
Kerosene And Line (3:11)
2-12
El Turco Loco The Garantor (6:29)
2-13
Beequeen Layered Layers (6:55)


extrait d'un cours de Deleuze à Vincennes