Mostrando entradas con la etiqueta 1994. Mostrar todas las entradas
Mostrando entradas con la etiqueta 1994. Mostrar todas las entradas

martes, noviembre 04, 2008

In Gowan Ring x 4


"This is one of only a few recent releases that might genuinely be called inspired. As a songwriter and musician B'eirth is easily the equal of psychedelic folk legends Robin Williamson (Incredible String Band) or the late Nick Drake. Comparisons to virtually any other musicians exploring similar territory would simply not do this justice." - Joshua Buckley for TYR Journal


"A unique synthesis of folk, mediaeval and psychedelia that could only be In Gowan Ring. Listening to this album is like sliding into a warm bath infused with oils and perfumes. Mellow and beautiful, B'eirth's gentle voice and music are a delight. The lyrics are obscure, but still suggestive and a source of inspiration and contemplation for those who make the effort to listen to them." -RIK for Flux Europa

"There is a depth to these songs that is revealed only upon repeated listens. It is this natural gift for creating multi-layered compositions that is so attractive about In Gowan Ring's work in general and Hazel Steps through a Weathered Home in particular. Quite simply, one of the half dozen or so best releases of the year." -Jeff Penczak for FakeJazz.com


"It's been worth the wait everyone. This album is B's best work, and my words, plain as the farmboy I am, can not do it justice. B', you've mastered the art of song my friend. My heart swells and my head swirls! I'm in awe." - Tim Renner, Some Dark Holler


"In Gowan Ring's "The Glinting Spade" is as beautiful as any psych-folk album can be without completely materializing. "Hazel Steps Through A Weathered Home" as a whole, is a more stripped down effort. However, that doesn't really diminish the album's preternatural feel. The songs are much starker and darker than on "The Glinting Spade", but they also have more gravity and substance. It can easily ensnare the unsuspecting listener in its magical folds."-J. M. for Opuszine


"The music of In Gowan Ring is rather timeless, archaic perhaps but not from a clearly-defined period. The lyrics are rather introspective but most images evoked by the texts are quite clear. The songs are really a pleasure to listen to and the album as a (very coherent) whole is very moving, solemn and melancholic, but it does not make me sad - I get the feeling that spring must be near... Really a recommended album." - HD for FunProx.com


"Very poetic release of intimate mystic songs, more minimal as earlier releases, sparsely arranged, towards the core of an essential expression. The album has the richness and calmness of an introspective vision. The style is minimal without being repetitive with a rich sound through its poetic vision. The whole album is beautiful and recommended." -Gerald for Van Hett PSYCH FOLK

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-Glinting Spade (1999)
Though arguably the best In Gowan Ring experience is live -- B'eirth plays the medieval troubadour quite well and mysteriously, but doesn't forget humor or the fact that the Industrial Revolution has in fact happened -- The Glinting Spade is quite a lovely listen indeed. Anyone captivated by folk that either consciously explores its very early roots or the acid folk approach that psychedelia let in will find something to like here; B'eirth's approach suggests Edward Ka-Spel as much as it does the mythical figure of Ossian, say. His generally acoustic bent is more carefully seasoned by low-key experimentation throughout The Glinting Spade -- extended tones, strange echoes, and buried sounds expand the palette of his work to an intriguing degree, with "In the Dream of the Queen" being an especially striking example. That said, the choice of instruments tends to be tried and true -- everything from church organ to zither is credited, along with more esoteric choices of fire, chalice, bow and arrow, even oats! Quite what the role of everything is meant to be is unclear, but if the effect is to create a sense of a shadowy ritual out of time past, In Gowan Ring succeeds quite well. B'eirth isn't one to shout or scream -- what's the point, after all? -- and his style of singing is very, very restrained, avoiding the sometimes tiresome drama of similarly minded revivalists who apparently think they really are about to summon up the Horned King and the Great Hunt. Songs like "To Thrum a Glassy Stem" and "Bow Star" are quiet beauties, while the lusher approach of "Cipher's String on the Tree" suggests a great lord's minstrels performing a late-night service. ~ Ned Raggett, All Music Guide

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In Gowan Ring - From the land of little Osmonds, comes this nomadic bunch of sprites and pot-headed pixies, led by the enigmatic B'eirth and wielding such modern day contraptions as sackbut, cornetto, cittern, psaltry, zither, timbrel, whistles, bells, gongs and tons of other weird sounding shit too numerous to mention. Epic lengthed drones are nestled comfortably amidst some of the finest acid/psych/wyrdfolk on this (or any other) planet.

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-Exists & Entrances vol. 1
"Am I the only one here who has these moments where you've fallen asleep in the chair, and when you "wake up" you feel like you've got no control over your body but you can watch while your limbs move & haul you around the room and? Really? Well anyway that's what the finer moments of this disc feel like ... as the tree ears sprout from between my toes and I keep whispering, "it's only a cd-r, it's only a cd-r". "

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"The songs have a somber feel, as though the innkeeper let the lyre player have a little too much mead, and now the whole room is treated to his many laments on nature and love." -Brainwashed

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"The American neo-hippies from In Gowan Ring produced a fragile and melodic atmosphere. Pantheistic odes to the forgotten beauty of nature – the great in the small. " -Medusa's Head

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"the seer and the seen"

martes, octubre 21, 2008

Silver Apples - Silver Apples & Contact [1994]

Contrasting the flowery psychedelic rock music of the late-1960s, the new york city-based Silver Apples created an avant-garde sound based on little more than a homemade synthesizer (named the Simeon after their lead singer - Simeon) and an extensive drumkit, originally played by Dan Taylor. They reformed in the 1990s, making new records and playing live again.

Silver Apples were one of the first groups to employ electronic music techniques extensively within a rock idiom, and their minimalistic style, with its pulsing, driving beat and frequently discordant modality, anticipated not only the experimental electronic music and krautrock of the 1970s, but underground dance music and indie rock of the 1990s as well.

Grupo formado en Nueva York en 1967 y compuesto por el percusionista Danny Taylor y primera voz Simeón , una extraña figura que desempeñó también un instrumento denominado el Simeón, presente en su primer trabajo homónimo en el año 1968. Este instrumento consistió en «nueve osciladores de audio y ochenta y seis controles manuales… Los bajos y los ritmos osciladores se tocan con las manos, los codos y las rodillas y los osciladores están bajo tocado con los pies «. A pesar de ser un registro totalmente novedoso - un ingenioso cacofonía de pitidos, zumbidos y tiempos - no tiene buena crítica y con muy malas ventas.

http://www.lastfm.es/music/Silver+Apples


Silver Apples & Contact [1994] (part1/part2)


Silver Apples - Oscillations

lunes, octubre 20, 2008

Laika - Silver Apples of the Moon [1994]

Producer: Not Credited, Engineer: Margaret Fiedler & Guy Fixsen, Tracks: Sugar Daddy; Marimba Song; Let Me Sleep; Itchy & Scratchy; Coming Down Glass; If You Miss; 44 Robbers; Red River; Honey in Heat; Thomas; Spider Happy Hour.

Laika are a really cool band on the Too Pure label. Too Pure releases are now being distributed in the U.S. by American Recordings. Laika are extremely hard to pigeonhole. They manage to stand many styles on their respective ears and twist them in such a fashion as to fit their vision. Their vision is very hard to describe in words. They are kind of like a pop-industrial/ambient/neo-techno group that might sound like a wispier PJ Harvey fronting Nine Inch Nails with a less-dance-able Deee-Lite providing the groove bed. This could be the coolest album you hear for a long while. Nifty shit!




Piano Instrumental for the Itchy & Scratchy Show - Simpsons

lunes, agosto 04, 2008

Herbie Hancock - Mwandishi - The Complete Warner Bros. Recordings [1994]

Para seguir con discos clásicos, el material que Herbie Hancock compone para Mwandishi, es un sentido experimental del jazz, en todo lo que se refiera a calidad, obsérvese máxima de sintonía, o quizás más aun, un gran impacto de notas entrelazadas al ritmo sincopado, todo inserto en una compilación realizada por el gigante sello discográfico de la Warner Bros, es que tal nivel de materia aquí surge como un instrumento para fortalecer el conocimiento, cultura profunda, en las entrañas de las notas en el piano, conversar de una búsqueda perpetua, espero lo disfruten. El eslabón esta en los comentarios.

Link In : Congelador de tu Conciencia

Mwandishi - The Complete Warner Bros. Recordings [1994]
















Tracklist :
Disc One
01 Wiggle-Waggle
02 Fat Mama
03 Tell Me A Bedtime Story
04 Oh! Oh! Here He Comes
05 Jessica
06 Fat Albert Rotunda
07 Lil' Brother
08 Ostinato (Suite for Angela)
09 You'll Know When You Get There

Disc Two
01 Wandering Spirit Song
02 Sleeping Giant (Parts 1-5)
03 Quasar
04 Water Torture


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Herbie Hancock - Rockit (live)

miércoles, julio 23, 2008

The Sea and Cake - The Sea and Cake [1994]

The Sea and Cake features Sam Prekop and Eric Claridge formerly of Shrimp Boat, Archer Prewitt of the Cocktails and John McEntire, ex-Bastro and current Tortoise. This self-titled debut offers a mix of jazzy rhythms and laid-back grooves perfect for slow days. Recorded by Brad Wood and Casey Rice in September of '93 at Idful Studios, this record is the bands most immediate and straight forward record. Guaranteed to put you in a good mood.

www.thrilljockey.com

The Sea and Cake [1994]

















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The Sea & Cake "Middlenight" Live at Sound Fix

Bardo Pond - Dose_ The Singles (1994-96)

Aquí he dejado un compilado de singles de los años 1994-1996, la lista es la siguiente: 1. Die Easy / Apple Eye [1994], 2. Trip Fuck / Hummingbird Mountain [1994], 3. Dragonfly / Blues Tune [1994], 4. If There's Such a Thing as Angels / New Drunks [1995], 5. You Know [1996], 6. Tests for New Swords / Good Friday [1996].
Espero comentarios!

Dose_ the singles (1994-96) :
download Part 1. download Part 2

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Terrastock 7 - BARDO POND

jueves, abril 24, 2008

N o i s e ++ N o i s e [ The Dead C / VA_Sub Rosa - Chaos & Expantion / Pat Metheny ]

Three discs replete with the whole Noise ++ Noise, the death in life of a man, represented of different variants of noisy styles, guitars saturated of effects, cornering of the amplifier, spitting the metal of the strings melted in fire. Three searches of different aspects, the meeting with the chaos and expantion, the look turned aside in the antigravity.

Tres discos repletos de el total Noise ++ Noise, la muerte en vida de un hombre, representado de distintas variantes de estilos ruidosos, guitarras saturadas de efectos, copando el volumén del amplificador, escupiendo el metal de las cuerdas derretidas en fuego. Tres busquedas de diferentes aspectos, el encuentro con la expansión en el descontrol y la mirada desviada en la antigravedad.


Harsh 70s Reality [1992] (Part. 1) (Part. 2)

miércoles, diciembre 05, 2007

jueves, noviembre 08, 2007

Flying Saucer Attack - Flying Saucer Attack [1994]

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Tracklisting :

01. My Dreaming Hill
02. Silent Tide, A
03. Moonset
04. Make Me Dream
05. Wish
06. Popol Vuh 2
07. Drowners, The
08. Still
09. Popol Vuh 1
10. Season Is Ours, The


Download

About this video :
De rerum natura

Corto Experimental
2005 DV 6 min. Color Stereo
Imágenes y Montaje Pau Atienza
Músicas Institüt für feinmotorik, Flying saucer attack, Squarepusher, Trans Am, Manitoba.


martes, octubre 02, 2007

T h e C r a n e s - [[__Loved__]] (1994)


Una voz eterea combinada con guitarras sobrecargadas. The Cranes se forma con los hermanos Jim (bateria) y Alison Shaw (voz), en 1988, Portsmouth, England; dos años más tarde se reunen con Mark Francombe (guitarra) y Matt Cope (bajo). La banda trabajo en sus inicios de forma independiente, solventando su música rodeada de estilos Alternativos, o Dream Pop, la placa Loved de 1994 representa un estilo más comercial. Le doy las gracias al blog fothznogainofathz, por este excelente material!!!!!!!!!!.
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An ethereal voice combined with overloaded guitars. The Cranes forms with the brothers Jim (battery) and Alison Shaw (voice), in 1988, Portsmouth, England; two years later re-join with Mark Francombe (guitar) and (bass) Matt Cope. The band I work in her beginnings of independent form, settling his music surrounded with Alternative styles, or Dream Pop, the plate Loved of 1994 represents a more commercial style. I give her them thanks to the blog fothznogainofathz, for this excellent material!!!!!!!!!!.
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Shining Road

jueves, septiembre 27, 2007

Spacemen 3 - Taking Drugs to Make Music to Take Drugs to [1994]

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Spaceman 3 maneja el descontrol del sentido común, neo-psikodelia perdida en alucinaciones acresentando a el relator en la totalidad de las neuronas despiertas con deliberación. Desarrollan la minimalistica en el creciente space, de tonos harmonicos, trabajando sobre amplificadores distorsionados con guitarras acústicas y sintetizadores, instrumentos con los cuales marcan el sonido provocando interferencias acordes a su serie de juegos implantados en el usuario.

Taking Drugs to Make Music to Take Drugs to [1994]
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martes, junio 26, 2007

Nirvana - Roma [1994]


Live: Palaghiaccio Marina, Rome,Italy February 22nd 1993
Seria uno de los últimos konciertos que presento la banda.
La distorsión reventada por el suelo evoca la posterior muerte de la guitarra y su potencia, el feedback del amplicador irradia calor hasta el orgasmo permanente en las cuerdas mientras la bateria es golpeada con brutalidad y rebota en el escenario, el bajo forma rítmicas desdichadas y sórdidas de decadencia post-concepción arquitectónica... Arden las venas plagadas de psikotrópicos, entonces oigo, temprano por la mañana, cuando el rocio inunda mi mano, la voz en el viento que le entrega herramientas a la memoria, para escribir con libre redacción sobre el desembocar de sonidos pequeños en el aleteo de una rama de aquel árbol silencioso, ejemplar!!!... y reconciliarme con mi refugio de infancia antes de ahogarme bajo el aire contaminado, antes de saltar sobre el pasto y correr hacia mi casa buscando la imagen de Paula!!, la reina del imperio contemplativo.
Nirvana...!!!

Shellac, At Action Park (1994)


Shellac se caracteriza por ser una banda muy cruda de guitarras muy bien construidas y potentes, son de chicago...