Being swept away by politics (can you imagine...) and the current Finnish presidential election campaign has occupied a lot of my time lately. Still, I have found the time to listen to some really great stuff.
Currently I have been very excited about Paul Revere & the Raiders, a band I didn't know anything about until I heard the Wondermints cover version of Louise quite a few years ago. I never got round to checking out the original performer's music although I did listen to the original version many times. A breakthrough occured when I found out about a great new Paul Revere & the Raiders compilation CD called Hungry for Kicks: Singles & Choice Cuts 1965-69 and I decided to take a step forward.
It didn't take long for the band to thoroughly convince me. This compilation is a manifestation of superb 60s pop and ass-kicking soul'n roll: catchy songs, often representing pure bubblegum (with soul) or psychedelic pop and rock. It comes as no surprise that Paul Revere & the Raiders were highly successful and scored numerous hit singles in the latter half of the 1960s.
Some of the most distinctly bubblegum-styled songs include Hungry, Let Me, Cinderella Sunshine, Don't Take It So Hard, and Mr Sun, Mr. Moon. I always find it amazing how many familiar, cherished elements I hear in these songs, having previously gotten to know such fantastic things such as Ohio Express, the Archies, and many soft rock baroque gems. Make good 60s-style bubblegum/baroque music and you are pretty much automatically one of my favorites! There are also moments when the Raiders sound exactly like the Monkees. A great version of I'm Not Your Stepping Stone supports this view.
There is also a good bunch of soul to be heard: Stepping Out, Peace of Mind, and We Gotta All Get Together. The psychedelic side contains such gems as I Had a Dream, Good Thing, Why? Why? Why? (Is It So Hard), The Great Airplane Strike, not to mention Observation From Flight 285 (In 3/4 Time) which is awesome, just awesome!
Generally speaking I can't describe how happy I am to once again discover such awesome music. This compilation by Paul Revere & the Raiders makes me feel like life is a party and every nice person in the world is invited to dance, dance, dance (gotta love that hilarious Beach Boys pastiche Action!).
Lastly, here is a quote from We Gotta All Get Together that might even reveal something about my political views. Enjoy!
This world ain't got no room for narrow-minded people
Now you'd better get ready 'cause a change is about to come!
Here is my latest 60s favorite: Dave Dee, Dozy, Beaky, Mick & Tich, a British band that existed from 1964 to 1972. My first contact to this band occurred when I was record shopping on the Internet and a best of CD by Dave Dee, Dozy, Beaky, Mick & Tich (later referred to as DDDBMT) was recommended to me. I read reviews and decided to order the CD – it hardly cost anything. When I got the CD it ended up in my CD shelf and I never really came around to listen to it. I probably listened to a couple of songs, thought “sounds weird” and decided to put it away and listen to it some time later. Strangely, this is what happens to quite many CDs I purchase...
Not very many years later I decided to give DDDBMT another chance. I remembered hearing Hold Tight! in Tarantino's Death Proof and that the song was really one of the nicest things in the movie. In fact, I also have a friend who was interested in this band long before me but it didn't result in anything further – until about a month ago. I simply decided to give The Very Best of DDDBMT a try and put it in my mp3 player. I listened to it and instantly enjoyed it a lot. When I had listened to the whole CD (18 songs) several times I noticed it wasn't just any 60s band. It was a fun, happy-sounding, creative and talented band that never seemed to be afraid of trying different styles, sophisticated instrumentation, big vocal harmonies and big sounds, and most importantly, never afraid (or incapable) to perform amazingly catchy songs.
DDDBMT was a group of friends from Wiltshire, originally called Dave Dee and the Bostons. The band started working with songwriters Ken Howard and Alan Blaikley, changed the name, and it didn't take too long for the boys to score million-selling hit singles, including The Legend of Xanadu.
Musically DDDBMT are closer to bubblegum than beat music – two concepts that of course have a lot in common (therefore the title “Bubble-Beat”). As a result, one could argue that there were also some bubblegum aspects about the Searchers and the Hollies but an even better comparison to DDDBMT would be the Monkees, or, in my opinion, why not a band like Gary Lewis & the Playboys. By the way, why do vocalists from all of the British bands mentioned sound just like each other? I really enjoy all of them, of course...
The really important part is that DDDMBT performed some first-class catchy pop that always makes my day. When I think about the melodic complexity of the chorus of Wreck of the Antoinette (and the harmonies..), or the gorgeous feel of Snake in the Grass, Okay!, You Make It Move, Don Juan (not to mention the awesome sunshine pop of Last Night in Soho!) I can't help thinking to myself: this is how it's really done – do the same if you can, I dare you!
All in all, I had no choice but to order myself some more stuff by DDDBMT. Gee, I never get tired of happy 60s pop... I want more! The good news is, there is plenty of stuff to choose from.