So all hail spring fashion in its many forms. And gardens that grow the way you do.
Wednesday, March 25, 2026
Plaid? For Spring? Groundbreaking.
Monday, November 3, 2025
Good Witch vs. Bad Bitch: Order on the Tennis Court
I don't have an athletic bone in my body, and I hate competitive sports. So I was wary about reading a novel starring a tennis pro. But Lauren Weisberger's The Singles Game won me over from the first serve. That's because The Devil Wears Prada phenom is unparalleled in telling tales of fame and fortune. She drills down through the glamor and games to give us very human heroines torn between glory and the truth of their hearts. And The Singles Game's Charlotte Silver slams some of the toughest truths yet.
Charlie's story starts when a career-threatening injury at Wimbledon forces her to make a choice: retire early or double down to become the champion she's always known she could be. So she ditches her compassionate coach for a viper and embarks on a rebrand that transforms her from goody-two-shoes to "warrior princess." She's immediately thrust into the celebrity sphere of parties, hookups, and a near-sadistic training regimen. It's a cocktail of glitz and grit (even if she's only allowed Pellegrino), all part of the persona that her new coach plots to portray. But winning the warrior way means more than swapping her tennis whites for bedazzled black. It means playing dirty, which is the opposite of what Charlie's old coach and her tennis pro dad taught her.
I didn't always like Charlie or the choices she made, but I think that's what Weisberger wants. We're supposed to question her dubious path and wonder what we'd do in her Nikes. Yet her never-say-die spirit, girl-next-door origins, and inner moral compass, however thwarted, make her sympathetic even when she's wrong. She's the everywoman we want to root for because at her root, she's all of us.
Game, set, match, Weisberger.
Tuesday, January 28, 2025
Peppered With Leopard and Preaching Priestly (Not Jason)
Sunday, February 5, 2023
The Fame Game: Rock Star Edition
Imagine that your husband is a talented yet struggling musician. You hold down two jobs to support him and go to all of his gigs. Both of you hope, pray, and plan for the day when he finally makes it big. And then, after years of sweat and heartache, he does.
And all hell breaks loose.
That's the story of Brooke and Julian Alter in Lauren Weisberger's Last Night at Chateau Marmont. No sooner has Julian finished his showcase performance than he's whisked away to LA. There are interviews, parties, and photoshoots, and at first, Brooke wants to be part of them all. But as Julian's life begins to resemble Nickleback's "Rock Star," complete with regular appearances in the gossip rag Last Night at Chateau Marmont, Brooke remains rooted in NYC. Living on separate coasts is painful -- and seems to seal their fate as a couple.
Or does it? Because as bigheaded as Julian can sometimes be (there were times when I wanted to strangle him!), deep down he's still the sensitive songwriter that Brooke fell in love with. He still pukes before playing for a huge crowd and calls her by his pet nickname, Rook. This isn't just a story about marriage -- it's a story about marriage and skyrocketing into the celebrity stratosphere. After all, Weisberger wrote The Devil Wears Prada; her wheelhouse is exposing the ugly insides of glamorous industries. And why not? It's fascinating to witness what stardom can do -- and if it's possible to remain true to yourself while trending.
Rife with early aughts references, Last Night at Chateau Marmont (which was published in 2010) takes on the eponymous Hollywood hotel, along with its legendary notoriety, and turns it on its head. Because back in the day, rock stars' wives were seen and not heard, but modern love may be more balanced.
Sounds like a hit song to me.
Monday, May 27, 2019
Rind Finds and a Sweet and Tart Read: Summer, Start Your Engine
Tuesday, March 27, 2012
Movie Moment: The Muppets
Speaking of being a kid, "The Muppet Show" was a little before my time, but I saw The Great Muppet Caper, Muppets Take Manhattan, The Muppet Christmas Carol, and of course, that hallowed mecca of Muppets, "Sesame Street." Miss Piggy was my favorite. Her wardrobe was so dazzling that it outshone her bad attitude.
But back to the movie at hand. Sweethearts Gary and Mary (Jason Segal and Amy Adams) travel to LA to celebrate their anniversary with Gary's kid brother, Walter, in tow. Walter, it should be mentioned, is not a man, but a muppet (the philosophical ramifications of which are examined to song later on). Loveable but odd, Walter has been unknowingly driving a wedge between the two-cute-for words Gary and Mary for the better part of ten years. Mary, like so many women before her, has had it but is too sweet to say so. As a result, romance is tossed out the window as the trio sets off to tour the old Muppet studio only to find that it's fallen into the clutches of an oil-hungry opportunist (Chris Cooper). Stricken, Walter leads the way in rounding up his heroes, finally persuading Kermit, Fozzie, Gonzo, Miss Piggy, and the rest of the gang to reunite to perform one last show to save their studio.
Despite a star-studded cast comprised of Kristen Schaal, Jack Black, Rashida Jones, Alan Arkin, and several others, the storyline falls slightly flat. Nevertheless, highlights include Amy Adams's retro-cute outfits (her inaugural one is in Ronald McDonald-worthy red and yellow), Emily Blunt as secretary to Miss Piggy's Paris plus-size Vogue editor, a la The Devil Wears Prada (red wig and all!), and Bret McKenzie's Oscar-winning song "Man or Muppet," during the course of which "The Big Bang Theory's" Jim Parsons makes an appearance as Walter's alter ego. As a side note, "The Big Bang Theory" in general and Jim Parsons (as Sheldon) in particular are growing on me. But more on that later.