Showing posts with label Wendi McLendon-Covey. Show all posts
Showing posts with label Wendi McLendon-Covey. Show all posts

Friday, January 15, 2021

Sleuth Spoof: Deserts and Daheim: A Case of Killing It


' "What could be more fun than discussing the brutal murder of a friend?" '

So trilled Beverly (Wendi McLendon-Covey) during this week's episode of The Goldbergs.  Adam (Sean Giambrone) had just dragged her to see Clue, and she loved it so much (not, she's quick to point out, the mystery, but the fancy food and clothes), that she wastes no time in planning her own murder mystery party.  The result, of course, is as hilarious as any of the beloved Jenkintown family's hijinks.  But Bevy's not the only one to get caught up in the excitement of a good thriller (whatever her motivations).  

As you know, I'm into whodunits.  These days, I'm reading my way through Mary Daheim's Emma Lord mysteries.  (Daheim, as I've mentioned, also writes the zany bed-and-breakfast books featuring sleuthing cousins Judith and Renie.)  Emma traded city life at The Oregonian for The Advocate in backwoods Washington.  As such, she's an outsider in a small, as she calls it, mountain "aerie," even once she's lived there for years.  People trust her, but she's not one of them.  Despite dabbling in romance with sheriff Milo Dodge, she remains haunted by the one that got away.  Essentially, she's alone, pitting her against her most formidable adversary -- herself.   Although the Emma Lord series is still categorized as "cozy" -- it's seldom gory, it's set in a small town, and the heroine is a small business owner -- it's darker than its bed-and-breakfast counterpart.  But it's every bit as funny.  And although the crimes are compelling, they're not what really draw me.  That honor goes to Daheim's irreverence and offbeat wit, both of which are machete-sharp.  Her descriptions of the local yokels -- foibles, family trees, and all -- create characters that are layered and familiar.  They keep me coming back to this crime-ravaged corner of the Pacific Northwest -- even if I never want to meet these weirdos in person.

Anyway, getting my hands on every Emma Lord title means sometimes buying used (these started coming out in the '90s), which I'm not normally into.  But now when these gently thumbed missives arrive in the mail, I look at them with fresh eyes.  I wonder if the person who read them before me also questioned how one small logging town could be hit with so many homicides.  Or how Francine's Fine Apparel could survive in a place with such high unemployment.

Here I am reading one of them!  Truth be told, this is a staged shot (but then, aren't they all?).  Because this (Colonel Mustard, ha ha) chair, lovely though it is, isn't the most comfortable for reading.  Same goes for the jeggings and jewelry.  But I decided not to show you how I really read, all sprawled out on the couch with unspackled skin and wayward hair.  That wouldn't be fair to you.  Or me. :)    


As for the necklace, it's one I restrung recently.  When I first made it, I used yellow silicone beads, which I'd bought without knowing what they were made of.  They were sticky and, after a few wears, attracted as much dust as a lollipop in a lint trap.  So I made a mental note -- silicone: bad for breasts, bad for beads -- and started again with hard plastic.  I'm happy with the way the "new" necklace turned out.  I especially love how it blends in with my leopard sweatshirt like a camo cactus (the charms are western, even if there isn't a saguaro in sight).

Wild West Wynona Necklace

Sweatshirt: Zulily

So it's no -- surely, you knew this was coming -- mystery why I heart crafts or crafty pseudo-detectives.  Creating something from nothing (or an old something) is a thrill, and sitting back while someone else solves an (entirely different kind of) problem is the ultimate lazy river of vicarious living.  Whether the murder takes place on the side of the road or in a gilded conservatory, it coaxes me out of my humdrum existence -- and then, once the body bag hits, makes me grateful for it all over again!  In the case of Clue, the genre injects a dose of Agatha Christie-level gravitas and glamour.  After all, what little -- or grown-up -- girl doesn't want to be Miss Scarlet?  

Bananas or not, Bev was on to something.

Sunday, January 14, 2018

Thank You for Being on Trend: Golden Oldies Then and Now



Top (a dress!): Modcloth
Skirt: Celebrity Pink, Macy's
Shoes: B.A.I.T., Zulily
Bag: Marshalls
Belt: Belt is Cool, Amazon
Sunglasses: Mudd, Kohl's

Picture it.  Jenkintown, 1980-something.  A classic beloved '80s sitcom is featured on a current beloved sitcom that's set in the '80s.  That's right.  "The Goldbergs" yukked it up for "The Golden Girls" in a recent episode.  Now, this is the part where I ask myself, self, should I take a beat here to explain "The Golden Girls" and "The Goldbergs"?  Probably not.  I mean, it's not like you live under a rock or something.  But just in case there are any rock dwellers out there who just happen to have internet access, here it goes:  The Golden Girls are/were eccentric ladies living together in Miami, and the Goldbergs are an eccentric family living in a suburb of Philadelphia.  

Now that that's out of the way, we can get back to our regularly scheduled programming.  

In this episode, the Goldberg clan becomes smitten with the four feisty Floridians, humming along with the theme song (yes, even crotchety Murray [Jeff Garlin]!) and picking out their favorites.  Beverly (Wendi McLendon-Covey) is particularly taken with the idea of having gal pals to laugh with once her schmoopies are grown and gone.  So, as part of her Bevolution, which is her self-improvement plan (and yes, that's what she really calls it), she launches a mission to forge lifelong friendships stat, an ill-starred effort that involves strong-arming her fellow PTAers into bedazzling sweaters and answering to belittling nicknames.  Confrontations are made, heart-to-hearts are had, and hilarity ensues, all to the tune of a cover of the Golden Girls theme song.  Also, there's sledding on lunch trays (a failed ski trip somehow factors in).  Betty White does not make a cameo.  The only thing that could have made it more iconic would be Shaq doing commercials for Gold Bond (because of the gold, not the Shaq, as he's clearly '90s territory).  Well, that and a Betty White cameo.

So.  To celebrate this turduckan of cultural Culture Club-era camp, I made this gold Go for the Golden Girl Necklace.  Or rather, as I say in its Etsy listing, "gold-tone."  (This is The Tote Trove, not Tiffany's.)  

Ah, gold.  The Big G.  What a winner.  It's the color of Beverly's big, bouffant hair, and the shade of the Miami sun.  Also of liquid gold Velveeta shells and cheese, which is something that domestic divas Beverly Goldberg and Sophia Petrillo (Estelle Getty) would never dream of serving to family.  Those two would get along, I think, what with their big mouths and manipulatively matriachal ways.  Or maybe they'd destroy each other, just like the dinosaurs.  (What?  The dinosaurs didn't destroy each other?  T-Rex ghost, you've been lying to me.)  But there's no need for a face-off.  Because . . . (sing it with me, now!), you make new (TV) friends but keep the old; one is silver and the other's gold(en).  Unlike the dinosaurs, "The Golden Girls" and "The Goldbergs" will never die, living on forever in syndication.

Sounds like a reason to gorge on shrimp parm and cheesecake to me.