Showing posts with label Rashida Jones. Show all posts
Showing posts with label Rashida Jones. Show all posts

Tuesday, March 17, 2015

One Last Walk in the Park



Erin Earns an Emerald Necklace

Tank: Bisou Bisou, JCPenney
Blouse: Decree, JCPenney
Jeans: City Streets, JCPenney
Shoes: Charles Albert, Alloy
Bag: Candie's, Kohl's
Sunglasses: Cloud Nine, Ocean City

The series finale of NBC's "Parks and Recreation" aired three weeks ago, so I've been sitting on this post for awhile.  Yet no time seemed more opportune to unleash it than St. Patrick's Day.  Parks are green, shamrocks are green, and both set the stage for this Erin Earns an Emerald Necklace.  I never used to like the name Erin, probably because it sounds too much like "errand."  But I was willing to put that aside for the sake of catchiness -- and, in the process, perhaps redeem myself to the legions of perfectly nice Erins who are doubtless reading this.  None of them, incidentally, work for everyone's favorite fictional parks department.  That distinction goes to Parks' precursor, "The Office," which introduced Erin (Kelly Erin, really, but who's counting?) Hannon as the replacement receptionist when Pam moved on to the high stakes but ultimately soul-crushing world of sales.  Indeed, Parks began as a sleeper of a sitcom that sneaked its way into NBC's Thursday night lineup (and our hearts!) seven seasons ago as local government's answer to "The Office."  Told documentary-style like its corporate counterpart, "Parks and Recreation" explores the minutiae of small town politics as seen through the rose-colored yet razor-sharp eyes of exuberant deputy parks director Leslie Knope (Amy Poehler).  Leslie is every bit as wacky as Dunder Mifflin's Michael Scott (Steve Carell) but about a million times better at her job.  Although both are all heart, often crossing professional boundaries to make their employees' lives better, it's Knope who gets the gold star for do-gooding, managing to craft elaborate scrapbooks and produce tailor-made gifts for every obscure occasion on top of beautifying bus stops and fighting the good fight on town council.  She does it all in the name of devotion to her fictional hometown of Pawnee, Indiana, a place that is both a satire of and a love letter to Middle America, so populated by fast food-scarfing locals raising heck Greek chorus style at town council meetings one night and taking selfies with adorable town mascot Lil' Sebastian the next.

The rest of the parks department is fueled by similarly boundless energy, from the shenanigans of former pit-dwelling, shoe shiner-turned-children's-singing-star Andy Dwyer (Chris Pratt) to the endlessly optimistic business ventures of the ever-hip, always suited up Tom Haverford (Aziz Ansari) to the incurably can-do attitude of health nut, literally-can't-stop-smiling Chris Traegar (Rob Lowe) to the wise cracks of fashionista and Treat Yourself! devotee Donna Meagle (Retta) to the roller coaster love life of "most beautiful nurse in the world" Ann Perkins (Rashida Jones) to the sweet, simple-minded but (for some reason) much-maligned candor of Jerry-slash-Terry-slash-Larry-slash-Garry Gergich (Jim O'Heir).  (Whew -- are you as out of breath as I am?)  Still, every party has a pooper, that's why we invited you . . . Ron Swanson (Nick Offerman) and April Ludgate (Aubrey Plaza) and (sometimes) Ben Wyatt (Adam Scott).  Reluctant Parks Director Ron is a man of the land whose hatred of government is surpassed by only his love of red meat.  Preferring his own company to water cooler chitchat, he raises aloofness to an art form.  Yet still waters run deep -- as deep as the lake where Ron ultimately paddles his handmade canoe -- and in the end, his ties to the Parks posse prove to be among the strongest.  Nevertheless, April Ludgate (Aubrey Plaza) gives him a run for his (carefully hidden) money.  The dark ying to husband Andy's blinding white yang, this jaded, eye-rolling hipster (but don't call her that!) comes off like she couldn't care less.  But underneath it all, she cares too much, eventually embarking on a "what do I want to do with my life?" mission, revealing that sometimes slackers are just people with standards.  Then there's Ben, the veritable voice of reason in a sea of sitcom insanity (hey, he's not an accountant for nothing) as well as one-time Ice Town mayor and Leslie's one true love.  This wry, nerdy nice guy is the ideal man behind the woman, gallantly stepping aside to let Leslie fulfill her childhood dream of becoming governor of Indiana.  And good thing too, as this gives him plenty of time to mass produce his totally awesome Cones of Dunshire game!

No doubt about it, this is one workplace ensemble in which every character is wonderfully weird and witty.  The finale does not disappoint, flashing forward to reveal what happens to each one of them.  It's a surprisingly satisfying send-off for a show whose last hurrah was burned off in post-holiday, back-to-back episodes in the programming no-man's land of Tuesday night.  Striking the hard-won balance between smart and sweet, Parks captures the absurdities of small town life while offering up a hopeful view of American politics.  It's a testament to the triumph of kindness over ambition, a hilarious heartland with heart.  And I will miss it.

Forget shamrocks.  With vibes this good, I'm holding out for a four-leaf clover.  (Yep, it's still St. Paddy's Day.  I was bound to tie it back in somehow.)

Tuesday, May 1, 2012

TV Tuesday: Casting My Vote for Parks and Recreation

As I've mentioned in many a TV-related post, it takes me awhile to warm up to new TV shows.  So, when "Parks snd Recreation" joined NBC's Thursday night lineup four seasons ago, I initially wrote it off as an "Office" knock-off.  Yet sometime between then and last season, something shifted, causing me to think, "Hey, what have I been missing?  This is a hoot!"  The "Parks" players are as eccentric as any you'd expect to find in the fictional small town of Pawnee, Indiana.  At the forefront is Leslie Knope (Amy Poehler), perky Deputy Parks Director extraordinaire.  Her boundless enthusiasm and can-do attitude lights a fire beneath even the most lackadaisical of her staff, namely her bureaucracy-hating, tells-it-like-it-is boss Ron (Nick Offerman) and chronically eye-rolling, deadpan intern April (Aubrey Plaza).  Luxury-loving and perennially besuited Tom (Aziz Ansari), "most beautiful nurse in the world" Ann (Rashida Jones), childlike amateur rocker Andy (Chris Pratt), overzealous health nut and optimist Chris (Rob Lowe), divaesque Donna (Retta), clueless but well-meaning Jerry (Jim O' Heir), and Leslie's level-headed beau Ben (Adam Scott) round out the rest of the public service circle.

This season we're treated to democracy in action as Leslie faces off with none other than Paul Rudd for a seat on city council.  Rudd is brilliant as pretty boy puppet Bobby Newport, spoiled son of Pawnee's premier candy company owner.  In the most recent episode Knope and Newport engage in that time-honored pre-election nail-biter, the debate.  Bobby vacantly delivers answers spoonfed to him by his shark of a campaign manager (Kathryn Hahn) while Leslie stands classily by, hiding her light under a bushel until the very end when she launches into an impassioned speech about her love for Pawnee and her duty to protect it.  The crowd goes wild; really, it's quite moving and inspirational.  Then, with perfect comic timing, Bobby saunters over to Leslie with all the bonhomie of a high school quarterback and tells her that he's so glad that that's all over with and why doesn't she come on over to the after-party at his dad's lake house?  Even when playing a jerk Mr. Rudd can't help but turn out to be nice :)        

Tuesday, March 27, 2012

Movie Moment: The Muppets

About four months after its Thanksgiving weekend debut, the bf and I finally succumbed to Muppet mania.  Like most people, I'd been looking forward to The Muppets for its color, comedy, and all-around craziness.  But I was a little disappointed, which made me feel curiously guilty (I mean, this was the Muppets!), so much so that I defensively chided myself, "Well, maybe that's because you're not five."

Speaking of being a kid, "The Muppet Show" was a little before my time, but I saw The Great Muppet Caper, Muppets Take ManhattanThe Muppet Christmas Carol, and of course, that hallowed mecca of Muppets, "Sesame Street."  Miss Piggy was my favorite.  Her wardrobe was so dazzling that it outshone her bad attitude.

But back to the movie at hand.  Sweethearts Gary and Mary (Jason Segal and Amy Adams) travel to LA to celebrate their anniversary with Gary's kid brother, Walter, in tow.  Walter, it should be mentioned, is not a man, but a muppet (the philosophical ramifications of which are examined to song later on).  Loveable but odd, Walter has been unknowingly driving a wedge between the two-cute-for words Gary and Mary for the better part of ten years.  Mary, like so many women before her, has had it but is too sweet to say so.  As a result, romance is tossed out the window as the trio sets off to tour the old Muppet studio only to find that it's fallen into the clutches of an oil-hungry opportunist (Chris Cooper).  Stricken, Walter leads the way in rounding up his heroes, finally persuading Kermit, Fozzie, Gonzo, Miss Piggy, and the rest of the gang to reunite to perform one last show to save their studio.

Despite a star-studded cast comprised of Kristen Schaal, Jack Black, Rashida Jones, Alan Arkin, and several others, the storyline falls slightly flat.  Nevertheless, highlights include Amy Adams's retro-cute outfits (her inaugural one is in Ronald McDonald-worthy red and yellow), Emily Blunt as secretary to Miss Piggy's Paris plus-size Vogue editor, a la The Devil Wears Prada (red wig and all!), and Bret McKenzie's Oscar-winning song "Man or Muppet," during the course of which "The Big Bang Theory's" Jim Parsons makes an appearance as Walter's alter ego.  As a side note, "The Big Bang Theory" in general and Jim Parsons (as Sheldon) in particular are growing on me.  But more on that later.

Thursday, July 28, 2011

Movie Moment: Friends With Benefits

Like many moviegoers, when I heard about the romantic comedy Friends with Benefits, I thought, hey, didn't Natalie Portman and Ashton Kutcher already make that movie?

Well, sort of.

Like No Strings Attached, Friends with Benefits stars a tough cookie heroine (Mila Kunis) with a guarded gooey center. Yet Kunis's Jamie is edgier and more vulnerable than Portman's Emma, making for a more compelling and likable character. Likewise, Justin Timberlake's Dylan trumps Kutcher's Adam. Whereas Adam is eager to be Emma's prince charming from the get-go, Dylan doesn't really know what he wants, which makes him more believable. Although he's a little steamrolled by the more dominant Jamie, he's a worthy opponent, chipping away at her crusty shell until they both end up on equal footing. But what truly makes Friends with Benefits the better movie is that it's really about two friends instead of two near-strangers who just happened to have sex. Kunis and Timberlake have an easy chemistry that cuts through the dating game motions they so cynically mock. Indeed, they first hook up after rolling their eyes at a sappy romance starring Jason Segal and Rashida Jones (which, by the way, was funny to watch given Segal's and Jones's animosity toward each other in I Love You Man). It gives you that whole what-if-two-friends-watching-movies-on-the-couch-just-went-for-it? element that was missing in No Strings Attached.

Stuff to watch for: 1) a cameo by Shaun White as himself and 2) Richard Jenkins as Timberlake's father with Alzheimer's. I know, I know, what's something so serious doing in a romantic comedy? But it works.

Friends with Benefits is fun and, dare I say, poignant without being cheesy. At the end, I left the theater happy.