Showing posts with label Sara Bareilles. Show all posts
Showing posts with label Sara Bareilles. Show all posts

Saturday, July 3, 2021

Play Like a Girl: Peacock Rocks

Clip: Buffalump, Etsy; Necklace: Betsey Johnson, Amazon

Peacock rocks, but I'm not talking about "Peacock" by Katy Perry (although I do like that tune).  I'm talking about NBC's streaming platform and its not one but two new comedies about all-girl rock groups, Girls5eva and We Are Lady Parts.  

Girls5eva follows four forty-something New Yorkers trying to resuscitate their defunct '90s pop group.  The players include Dawn (Sara Bareilles), the sensible one; Summer (Busy Phillips), the dumb one; Wickie (Renee Elise Goldsberry), the crazy one; and Gloria (Paula Pell), the workaholic one.  It's wacky and witty and reminds me of 30 Rock, which tracks because Tina Fey is one of the producers and also cameos as a faux Dolly Parton.  Indeed, Dawn is like the Liz Lemon of the gang, which is to say that she's no-nonsense yet put-upon and the glue that holds them all together.  The songs are hilarious, and the fashion is fierce.  As a bonus, Stephen Colbert, Bowen Yang, and Vanessa Williams guest star.  Girls5eva is a snarky-yet-feel-good treat for anyone who grew up in the '90s or appreciates Fey's brand of humor. 

We Are Lady Parts is the coming-of-age tale of Amina (Anjana Vasan), a twenty-six-year-old Muslim Londoner academic torn between tradition and joining a Muslim punk rock band.  Amina is my favorite kind of heroine, which is to say earnest, awkward, and always getting in her own way.  She has such a severe case of stage fright that she always vomits -- and also sometimes has diarrhea.  Yet We Are Lady Parts frontwoman Saira (Sarah Kameela Impey) is looking for a guitarist and is convinced that Amina is it, barf bucket notwithstanding.  Passionate and serious about her music, Saira spends the greater part of the series resisting her bandmates' pleas to take to social media, insisting that We Are Lady Parts "is not about being famous; it's about being heard."  Being true to yourself and your art, even when it's hard, especially when it's hard, is a major theme in We Are Lady Parts and one that will resonate with artists and misunderstoods everywhere.  

So, two girl power anthems and two ways to rock add up to heart and limitless laughs.  

Peacock, you've got something new to strut about.

Sunday, August 12, 2018

Pie in the Eye, Pie in the Sky: Service Worth Your While


 Fabulous Felt Cherry Pie Barrette

Out of This Swirled Agate Bangle

Top: So, Kohl's
Skirt: Arizona Jeans, JCPenney
Shoes: Chase & Chloe, Zulily
Bag: Macy's Backstage
Bag charm: Carole, JCPenney
Sunglasses: Michaels 

I've never worked in food service, and I can safely say that I wouldn't want to.  For one thing, I lack the upper body strength.  For another, I'm not sure I could keep my cool with strangers.  I have a tendency to laugh when things get awkward, and also, I'm a terrible liar.  (The lobster bisque?  No, it wasn't made today.  More like last Tuesday, and also, I saw the chef drop his contact in it.)  While I'm being honest, I'm not that big on cooking either (yes, the Food and Recipes menu tab on this blog is very misleading.  Note to self: replace with Heel Steals -- Shoe Shopping Confidential.  Which may be about shoes I bought really cheap . . . or shoes that I stole.  Stay tuned.)  That said, I can appreciate the kind of creative catharsis that comes from baking a pie or a cake or even the almost-impossible-to-master souffle.  Because that catharsis is not all that different from the kind that comes from making a felt pie hair piece (the barrette kind, not the toupee) or stringing a necklace or stockpiling sequins.  Also, I love pie.  Mostly key lime, although mermaid marshmallow sounds tempting, too.  Even if I haven't heard of it outside of Waitress

Ah Waitress, the movie-starring-Kerri-Russell-turned-play-starring-Katharine-McPhee-and-sometimes-her-understudy.  My parents and I saw the play on Broadway a few weeks ago, and it was marvelous, as tasty as Entenmann's, Mrs. Smith's, and Mom's homemade pastries combined.  Because it is, after all, a sweet story.  Well, maybe sweet's not the right word, as it has spousal abuse and adultery.  Maybe it's better to say sweetly tangy, like Laffy Taffy or Sour Patch Kids or ambrosia that's started to turn.  Anyway, the eponymous waitress is Jenna, and her dream is to open a pie shop.  She bakes unusual -- and unusually named -- pies for Joe's Pie Diner, where she serves them to the local yokels, including the cantankerous-but-secretly-kind Joe.  A waitress's job is to tend to the needs of others, and Jenna's is no different.  Her boss is a jerk, and the tips aren't always what they should be.  Add her mean old husband and an unplanned pregnancy, and she's ripe for an affair with . . . her gynecologist?  Yep.  In the movie, this dude is played by Nathan Fillion, which, although unappealing (I'm no Fillion fan), is believable because Castle brings a certain snarkiness with his suave.  But in the play, Dr. Love (not his real name) is more of a corn-fed, aw shucks kind of guy.  In the end it doesn't matter because Waitress isn't about romance.  It's about a down-and-out woman finding her way.  And also about happiness and grabbing it any way that you can.  When Jenna hears about a pie contest with a serious cash prize, she thinks it's her last chance for freedom.  But fate has other plans.  

I wouldn't classify the movie version as a comedy.  A dark comedy maybe, but even that's a stretch.  It's more of a drama.  So, I wasn't sure what to expect from the play.  I'm happy to report that it's more fanciful than foreboding, from the smell of freshly baked pie being piped in the theater to the cherry pie lattice-topped curtain:


And then, of course, there's the music by Sara Bareilles (I'm working hard not to insert a "Cherry Pie" by Warrant joke here.  You're welcome.).  You can't be grim when you're singing and dancing, and the musical theater element makes what could be a dense dish as light as egg whites.

Here's my program (er, playbill; Tracy, get it together, this isn't the Ice Capades).  The production we saw wasn't with Katharine, but no one can ever prove it. 


After the show, it was out into the mass of throbbing humanity that is Times Square.  But only momentarily, as Dad expertly herded us out of the throng and toward the considerably less crowded Rockefeller Center. 


On the way we stopped to take this picture.  If you look very closely (or break out your Sherlock Holmes-style magnifying glass or zoom in or whatever), then you can see my Flash Charms necklace and Lady in Lime ring from PinkBopp.


In keeping with the dessert theme, here are some ice pop stamps.  They're scratch and sniff!  What more could an '80s kid (or really, anyone) want from postage?  It's the perfect time to photograph them, too, because I just used my last boring PEACE stamp and need to send my water bill.  (Yes, I snail mail my bills like an eighty-year-old.  Obviously, for the super cool stamps.)


So, that's a wrap.  The next time your waitress serves you a slice -- be nice.  You don't know what kind of day -- or life -- she's had.

Also, you don't want her adding a side of lugee.