Tuesday, April 25, 2023
Dunder Mifflin Tiff? As If! The Office BFFs Put it all Down on Paper
Sunday, March 5, 2023
Shannon Cannon
When I heard that Molly Shannon had written a memoir, I thought, oh, that'll be hilarious. And it was, crammed with all the outlandish childhood and SNL anecdotes you'd expect. But Hello, Molly! is so much more than a punchline. It's ultimately Molly's story of her relationship with her dad. Her mom and baby sister were killed in a car accident. Four-year-old Molly and her older sister were also in the car, and their father was the one driving. I'm going to pause to let that sink in for a moment because it's extraordinarily heavy.
But -- and I cannot stress this enough -- Hello, Molly! isn't a downer. It's the bittersweet, clean kind of sad that makes you appreciate life and remember that everything happens for a reason. Like This is Us, plus comedy. In other words, it has a good tone (and you know how much I value that). Molly describes the highs and lows of life with her dad -- and her struggles to make it in showbiz -- with the straight-from-the-heart candor of a coming-of-age novelist. She always sees the best in everything, even when audition doors are slammed in her face and her father acts more like a child. Because it all really happened -- and made Molly the lovable, no-holds-barred performer we know today -- it's much more engaging than fiction.
Of course, you can't talk about Molly Shannon without mentioning Mary Katherine Gallagher. Or, as Shannon calls her, MKG (not to be confused with that other Irish icon, Machine Gun Kelly). Shannon created the character while she was at NYU, almost a decade before she crashed into Studio 8H at SNL. And it turns out that everyone's favorite painfully earnest, awkward Irish Catholic teen is based on Shannon herself. Shannon joined SNL in 1995, so I remember the MKG years vividly. And the sketch that stayed with me the most is the one where she's reenacting a scene from A House Without a Christmas Tree. Not only is it cringeworthily funny, it's heartbreaking, showing Mary Katherine at her most vulnerable, reminding you that she's just a kid from a dysfunctional family who wants the world to love her. After learning about her life, it rings even truer.
Raw and sweet and hysterical, Hello, Molly! is an American tale (and no, not like when Fievel goes west; although, on second thought, maybe?). It embodies timeless themes that readers hold dear: Midwestern girl makes good, optimism in the face of incredible odds, and an unorthodox but unbreakable father-daughter bond. It's universal, its magic extending far beyond SNL. At the end, I felt like hers was a life well lived (not that it's over yet!), brimming with love and adventure.
No doubt about it, she's a Superstar.
Sunday, May 8, 2022
Pasta for Dinner, Wacky Waving Figure: Mama Mia, What a Mother's Day
Not literally, though. Because I gave it to the husband for Christmas, and I think he'd really miss it. But it's the thought that counts, right?
Which puts us back in macaroni necklace territory.
Then again, what's a macaroni necklace if not the combo of the perfect food and jewelry?
What I'm trying to say is, you get it. You encouraged every wacky dream (and outfit!) I ever had, listened to every stray thought and worry. So thanks for always cheering me on and being the best mom -- and friend -- I could ever hope for.
I love you. Happy Mother's Day!
Tuesday, November 30, 2021
D is for Denim and C is for Venom: Just Kidding, but I Still Hate Caddies
We've all heard of mom jeans (I'm looking at you, SNL JCPenney jeans skit that I've referenced too many times). And even boyfriend jeans. But dad jeans?! Until about a month ago, I thought that phrase was limited to being about inheriting the ability to tell corny jokes. Yet apparently, it also describes a super wide, super comfortable, and (at least on me) super long cut of denim. I almost wore this patched pair to Target but thought better of it, not wanting to trip and become a cleanup on aisle five.
That said, I'm still unsure how to feel about pants named after the patriarchy. Then again, their vibe is more Woodstock than why-is-there-a-scratch-on-my-Caddy? So I guess it's okay to hang with the man and keep these in the family.
Unless, of course, the family's wearing khakis.
Friday, October 29, 2021
Fate Gate: Written in the Scars
In the midnight hour . . .
At the stroke of midnight . . .
Before midnight . . .
Pop culture is rife with allusions to what happens when night melts to morning. Billy Idol, Cinderella, Ethan Hawke, and countless others have spun or starred in stories about the mythology of the witching hour. So I knew that Matt Haig's novel, The Midnight Library, would be, if nothing else, mysterious. Which is always nice around Halloween. I heard about it on Ivy's Closet, and I don't take librarians' reading lists lightly. Billy Idol, not so much. Although I am a fan of '80s pop rock. And comic relief.
Anyway, The Midnight Library is the story of Nora Seed, a multi-talented but depressed thirty-five-year-old caught between life and death in the purgatory of a library -- the Midnight Library. The librarian is Mrs. Elm, an elderly sage who was Nora's high school librarian. Mrs. Elm supplies Nora with the Book of Regrets, a tome listing everything she ever wanted to be, including a rock star, an Olympic swimmer, and a philosophy scholar. Nora picks a regret, then opens the corresponding book to live the life she thinks she missed out on. Sometimes she stays minutes, other times days. If it's the right life, then she'll end up staying forever. But if it isn't, then she'll return to the library to try again. So, yeah, it's the whole parallel-universe-space-time-continuum-butterfly-effect thing. Which I could've better explained by saying that Nora works in a music shop called String Theory.
Nora's journey is fascinating, scary, and sad. But it's also perplexing. Because as she test drives more and more destinies, she begins to realize that they're as similar as they are different -- and that she's unsure what it is that will make the right one "right."
Innovative yet familiar, The Midnight Library elegantly combines the best-loved elements of It's a Wonderful Life, NBC freshman drama Ordinary Joe, and every Choose Your Own Adventure book to deliver a sci-fi-tinged, timeless tale of gratitude and self discovery. Rich in symbols and nuance, it's also a modern parable about the importance of mental health. When I reached the last page, I was so engrossed that I didn't want it to end. Nevertheless, the ending was perfect. I wouldn't go back in time and/or across universes to change a thing.
Unlike Billy Idol, who, according to Behind the Music, was caught with the nanny on the baby monitor.
Saturday, July 3, 2021
Play Like a Girl: Peacock Rocks
Monday, April 26, 2021
Ladies First Curse: Getting Ahead but Flirting With Dead
One of the reasons I love blogging is that it gives me a chance to play with outfits I like but would never wear (for yes, there are some, even for me). Just like watching TV gives me a glimpse of exciting but dangerous things I'd never do. Enter today's Goth club kid ensemble and NBC's Good Girls.
If you've seen Good Girls (or even a commercial), then you know that the dark dramedy, which is in its fourth season, is about three ordinary women who turn to crime when faced with financial hardships. Set in a suburb of Detroit, it straddles the no woman's land between the mean city streets and the cul-de-sac. Ringleader Beth Boland (Christina Hendricks) is a domestic diva and mother of four married to her high school sweetheart (Matthew Lillard of Scream fame). Yet when she finds out that her dear Dean's serial philandering and financial mismanagement have landed them face to face with foreclosure, she's forced to expand her repertoire from baking to burglary. Beth convinces her sister Annie (Mae Whitman), a wisecracking supermarket cashier, and their lifelong friend Ruby (Retta), a happily married but struggling waitress, to join her in her crime spree crusade. But no sooner do they commit their first felony than they learn that they've trespassed upon the turf of career criminal Rio (Manny Montana). Like it or not, "gang friend," as Ruby calls him, soon becomes a fixture in their lives. Yet as Beth plunges deeper into Detroit's underworld, she discovers that illicit entrepreneurship is the road to not only financial freedom but the kind of fulfillment that she can't get from the PTA.
Good Girls isn't all back door deals and social commentary, though. It's also funny. Annie slings some first-class zingers, and the situations in which the "girls" find themselves are often so ludicrous that you can't help but laugh. Even the background music is French noir cute reminiscent of A Simple Favor. Finally, there are more than a few Cloud Nine references, which are an Easter egg of a reminder that the dearly departed Superstore is a fellow Midwestern star in the NBC universe.
Layered and nuanced, Good Girls is masterfully crafted to make you think twice about everything. Like this unabashedly badass outfit, it starts off as starkly black and white but eventually reveals shades of gray. And it's the gray that urges you to question the difference between right and wrong, to wonder what you would do if you too were caught in a catastrophic cashflow catch-22. Just as it's the gray that makes this sensational story not only entertaining but familiar, becoming the silver lining we seek.
Still, whenever Rio pops out from the shadows, I can't help but think that baking -- which I usually loathe -- looks pretty good.
Monday, March 29, 2021
Horse With No Shame: How the West Was Fun
Remember those Stetson cologne commercials from the '90s? The ones with the glamorous cowboy and cowgirl setting off on a horse for a night of romance? (By the way, get ready for romance -- the word, not the thing -- because I'm going to use it a lot.) I always found them intriguing, even if I never smelled the dubious drugstore scent they were hawking and knew better than to romanticize people who smell, not like adventure, but horse hide. Maybe it's because I'm so firmly East Coast and am attracted to anything different. Kind of like when Maine-bred interim Dunder Mifflin branch manager Deangelo Vickers (Will Ferrell) declared his love for paintings of the Southwest.
That said, I think my love of western wear, both its bold serape stripes (I see you, Chaps sweatshirt) and blushing prairie florals (right on, Willa Cather-esque cardi), is rooted in delusion, er, idealism, much like Deangelo Vickers's. It's a way for me to experience the wild west's romance without having to endure its hardscrabble reality.
Because if there's anything I hate, then it's stuff described as hardscrabble.
See above thing about smelly horses.
Saturday, February 13, 2021
Musical Muse Clues: Mix Tape of the Mind
One of my favorite new(ish) TV shows is Zoey's Extraordinary Playlist. Not to be confused with the movie Nick and Nora's Infinite Playlist, this NBC hour-long dramedy is in its sophomore season and is about an endearingly dorky coder named Zoey (Jane Levy) who goes into an MRI machine and emerges being able to hear people's feelings as songs. As if having an MRI weren't traumatic enough without that added emotional baggage!
This is probably a good time to mention that when it comes to musicals, I'm usually like, what, people randomly bursting into song? Pass! But instead of coming off as a gimmicky Broadway device, the songs in Zoey are real cries for help that add depth to the characters -- and underscore Zoey's responsibility to them. Zoey's powers are all the more meaningful because they help her connect with her dad (Peter Gallagher), who's dying of a disease that prevents him from speaking, and empathize with her mom (Mary Steenburgen). Her powers also become valuable as she steps up to boss lady status in male-dominated Silicon Valley, a gig that's fraught with stress and challenges. Finally, being a mind reader is uber important as Zoey navigates the sometimes-murky-sometimes-rose-colored waters of dealing with love interests Max (Skylar Astin, who was made for this show) and Simon (John Clarence-Stewart). Max is an earnest and sweet fellow coder that Zoey's known for years, and Simon is a suave yet brooding marketing whiz who understands the pain of losing a father. When it all gets to be too much, Zoey confides in her annoying neighbor-turned-bestie Mo (Alex Newell), a no-nonsense trans woman with wigs for days.
Zoey's Extraordinary Playlist appeals to me because it's very much like a book. Layered and character-driven, it opens a window into people's heads and hearts that usually remains firmly closed. Fortunately, the heaviness of the revelations is offset by the jazziness of the dance numbers.
Needless to say, I was psyched when I heard that Jane Levy is nominated for a Golden Globe for Best Actress in a Television Musical Series or Comedy. In a world where streaming services reign supreme, that's a rare feat for an actor from a network show. Which means that this nom is -- yes -- something to sing about! Award category notwithstanding, Zoey's Extraordinary Playlist is still more dramedy than comedy (because you have to be jump-off-a-cliff depressing to qualify as a drama for any award). It hits all the high notes of the genre, including colorful sets and costumes, romance, heartache, and a sometimes-lighthearted-sometimes-stirring spotlight on self discovery and personal growth.
Zoey doesn't always get it right. She's as mixed-up as any of us, or indeed as any mix tape made from a radio top ten list circa 1995. But she's trying and she's learning, and her journey shows us that it's always worth it to walk a mile in someone else's shoes.
Or, at the very least, to listen to a song on someone else's playlist.
Friday, January 8, 2021
Jost Post: The One About Colin
Sunday, March 8, 2020
Office Flowers are Always Open
Flowers make great metaphors. Especially roses. As in, "I Never Promised You a Rose Garden" and "Every Rose Has its Thorn". Even this week's episode of "The Unicorn" (a sitcom about a widower named Wade [Walton Goggins] that I once watched ironically but now genuinely like) had a game called rose and thorn in it. In an effort to help Wade's seventh-grader daughter Grace open up, his friends Delia (Michaela Watkins) and Michelle (Maya Lynne Robinson) suggest this exercise in which each person shares one good thing that happened that week -- that's the rose -- and one bad thing -- yes, that's the thorn. And although it didn't ultimately work out -- Delia and Michelle had to reminisce about their own middle school misadventures before Grace finally spilled about her boy troubles -- I found the idea appealing. So here are some of my roses and thorns from this week.
Roses:
I sold two brooches, one to someone in Arkansas and one to someone in Pennsylvania.
I got a box of free stuff from Kohl's. No, they haven't decided to reward me for all the blogging I do about their products. The loot was gratis because I had a "big fat check" from Rakuten and opted to upgrade it to a Kohl's gift card. Which means it technically wasn't free because I had to spend a lot to get the cashback. But it made me happy. So, rose it is.
Thorns:
"This is Us" wasn't on.
My left thumbnail tore below the quick. Ouch!
Playing rose and thorn is a good way to get stuff off your chest. Or, even if you play it alone, a way to remain grateful. For me, it comes in handy when life hands me something more seemingly insurmountable than a week without Jack Pearson's wisdom. It reminds me to stay positive. And open to the good stuff.
Like roses. And '80s hair bands.
Sunday, January 13, 2019
Diamonds are a Girl's Best Spend . . .
Shoes: Ami Clubwear
Bag: Betsey Johnson, Amazon
Belt: Marshalls
Blue and green bracelets: Cloud Nine
Yellow, rainbow, and pink bracelets: So, Kohl's
. . . as long as they're cubic zirconium or, better yet, plastic or shell and merely diamond-shaped, like the one in this here Rainbow Not Quite Rhombus Necklace. I've recently gotten back into rainbow gumball necklace-making mode, and Rhombus is the simplest of the bunch. It's kind of short too, which is why I'm not listing it. Instead I'm looking forward to wearing it with lots of black tops and dresses. And, of course, to a making many more rainbows.
On the topic of things that are random, here's a quote from Anna Faris' book Unqualified:
"People who follow their creative passions are fascinating but also complicated, and they all have a tricky combination of narcissism and insecurity." (26)
Although Anna is referring to musicians, specifically musicians she dated, this piques my interest in terms of all artsy types. Because it's true. Putting one's stuff out there requires a confidence bordering on cockiness, an awareness that one's stuff is good enough to compete with other stuff on the world's stage. The insecurity, I think, comes from realizing that not everyone is going to agree with you. And that's very humbling. To put your great stuff out there only to have its greatness questioned, mocked, and pelted with banana peels (or, rather, tomatoes. Banana peels are for hilarious slipping. Which works here too, if you like metaphors.) is enough to make even the vainest, most resplendent peacock run back to its nest.
Anyway, Anna's comment on creativity reminds me of this more benevolent yet equally intriguing one from John O'Hurley, who is the spokesperson for Philly radio station BEN FM:
"Creativity is intelligence having fun."
I love that. Because it's so much better when someone smart says, "Let's spray paint "Cowabunga Forever" on that billboard and then write a play about it," instead of "Let's write an equation, then balance our checkbooks."
Then again, O'Hurley, who spouts many a quirky and J. Peterman-like one-liner for the radio waves, also says this:
"The fun isn't in having nothing to do. It's in having lots to do and not doing any of it."
Anyone who has whiled away a weekend watching Seinfeld reruns amid piles of dirty laundry and dishes no doubt likes the cut of this jib. Even if it's about laziness instead of creativity. Unless laziness is a kind of creativity. In which case, way to go, Peterman.
So, when it comes to spending money and time, fake and playful is better than real and real boring. Which is not a clever sales tactic to influence you to buy this not-for-sale necklace.
It's just a reminder that diamonds come from blood and are no one's friend.
That was a dark note to end on. Anyone who thinks it might cause them PTSD should focus on the part about the Teenage Mutant Ninja Turtles instead.
And also that time when Peterman said, "It'll always be Burma to me."
Monday, July 31, 2017
Mermaid in the Shade: Look at this Stuff, isn't it Sweet?
Skirt: Amazon
This sign, oddly, is not in Brigantine, or anywhere else at the Jersey shore, but on a not-quite stretch of highway enroute to Philadelphia. It's been there as long as I can remember, but it wasn't until ten or so years ago that the management of Stowaway Storage saw fit to cover mistress mermaid with a pink seashell bra. (To be fair, pre-bra, her hair strategically covered her most scandalous bits.) The why remains a mystery. Who knows; maybe Stowaway was getting too many late night phone calls from sailors looking for a good time. Elaine (because let's call her that, for reasons that may or may not be clear at the end of this paragraph) does have a big ass phone number plastered right next to her head. Also, if these Nautical Nonsense Necklace and Bracelet photographs are any indicator, then she has a shore thing for sponges, cartoon and otherwise.
Sounds kind of fishy to me.