Showing posts with label Hansel and Gretel. Show all posts
Showing posts with label Hansel and Gretel. Show all posts

Monday, December 25, 2017

We Three Rings of Orient Are and Santa Claus is Coming to Clown


Dress: Target
Shoes: Ami Clubwear
Bag: Macy's
Belt: Apt. 9, Kohl's
Ring: PinkBopp, Etsy
Necklaces, pins, brooches: The Tote Trove
White bangle: Mixit, JCPenney
Red and lime bangles: B Fabulous
Burgundy bangle: Iris Apfel for INC, Macy's
Slender red bangle: Candie's, Kohl's
Lime stretch bracelet: Cloud Nine

Christmas can be a real three-ring circus.  More than three, really, considering all the references to rings in Christmas songs.  There are the five golden rings in "The Twelve Days of Christmas" and "I'll give you my present, a wedding ring, hear me sing!" in Andy Williams's "Christmas Holiday."  Then there are the ring onomatopoeia shout-outs, that is, the sound of ringing in "Silver Bells," "Jingle Bells," and the sophisticated yet haunting "Carol of the Bells."  But the ring I want to sing about now is the one I just bought from fellow blogger and Etsian Samantha over at PinkBopp.  It's so sweet, a little Candyland right on my hand!  Santa, a gingerbread woman, and a mitten spread cheer from a retro-style red plastic cameo in a super adorable collage of Christmas cuteness.  I've been wearing it with red and green outfits all week, and every time I look at it, I feel the magic of the season -- and also, the need to eat gingerbread.  Is that wrong?  If so, my apologies to Hansel and Gretel. 


Speaking of things that ring and sing, I made a fresh batch of lady brooches, this time, like the city in the aforementioned "Silver Bells," all dressed in holiday style.  Then again, their sunglasses say mai tais in Miami.  Mary may have already had one too many, as her hat -- and, indeed, head -- are askew.




Finally, although I'm no Oprah or Maria von Trapp, here are a few of my favorite Christmas things:

1) The husband's hand-carved duck decoys decking the halls (okay, our mantle) in festive felt scarves.  Also, Kermit.  To be clear, Kermit was not hand-carved.


2) Norman Rockwell's Christmas Book, which has Christmas music and classic stories accompanied by Norman's iconic art.  I grew up with this book, and my favorite thing in it was always Ogden Nash's "The Boy Who Laughed at Santa Claus," a wonderfully weird poem about a kid named Jabez Dawes.  He, like me, did not believe in Santa Claus.  Unlike me, he got turned into a jack-in-the-box.  By Santa Claus.  Guess the jolly old elf got the last laugh.


3) And, finally, Christmas shopping.  Here I am at Kohl's on Black Friday with the Abominable Snow Monster from the claymation Rudolph.  It's a rare shot of me and an even rarer shot of the Yeti, but then big bargains call for big guns.


Merry Christmas!  Party hearty and avoid figgy pudding.

Saturday, February 23, 2013

Movie Moment: Safe Haven


Few havens feed a hungry heart as well as a house made of candy.  Although perhaps better suited to a movie like Hansel and Gretel, this gumdrop of a graphic struck the right note with me in terms of introducing Safe Haven.  Based on the Nicholas Sparks novel of the same name, this Valentine's Day weekend box office darling held no surprises for me.  Fortunately, the familiarity only deepened its charm.

Katie (Julianne Hough) is running from something.  Saddled with a backstory that is perhaps darker than any other in the Sparks canon, her shadowed past serves as the ideal foil for sleepy Southport, the North Carolina beach hamlet where she takes refuge.  Katie sets tentative roots by renting a cottage, waitressing at the local cafe, and becoming a regular at the general store.  A quaint, near-ramshackle of a place that sells light groceries (and on a good day) paint, it's run by Alex, a widowed father of the hunky, aw-shucks variety whose flirting style is as awkward as Katie's is avoidant.  The fledgling courtship that flowers between them is made even more fragile by Katie's secret.  Idyllic walks and beach scenes continue to be undercut by Katie's flashbacks of her old life in Boston.  Everything about the city is dark, right down to Katie's clothes and hair, serving as a contrast to the breezily bright and beachy Southport where she begins a new chapter.  What lies in the balance is a classic tale of fate and true love.  Hardly groundbreaking stuff, as Sparks-slaying critics are happy to say.  But it's this homespun simplicity that makes Safe Haven so universally poignant and so human.

Indeed, it's a cold customer who doesn't eke out a tear at the end.