Showing posts with label Kevin Spacey. Show all posts
Showing posts with label Kevin Spacey. Show all posts

Thursday, October 6, 2022

Exchange Rate Fate, Fresh Clean Slate: The Price of Peace of Kind

When the movie version of Pay It Forward came out in 2000, it looked like something serious I didn't want to see.  The other thing I remember is that it starred the kid from Forrest Gump and The Sixth Sense (Haley Joel Osment)I didn't even know that it started out as a book until earlier this year, when I read Love & Other Words.  The two kids in it had bonded over Catherine Ryan Hyde's heartbreaking novel.  Which made me curious, as I sometimes enjoy having my heart broken too.  So when I started to read it, I thought, okay, I get it. It's about a sweet, naïve kid who thinks people are good, but life keeps proving him wrong.  

Twelve-year-old Trevor McKinney hasn't had it easy.  He has no idea where his dad is, and his mom is a recovering alcoholic.  Yet despite this, he believes that people can change.  So when his closed-off yet kind social studies teacher, Mr. St. Clair, assigns the class an extra credit project posing the question: How would you change the world?, Trevor comes up with this: What if one person helped three people, and then each of those people helped three more people, and so on?  Soon everyone would be helping one another, and bad things would stop happening.  Trever calls it Pay It Forward -- and all of his classmates laugh.  But Trevor remains undeterred, giving one hundred dollars of his paper route money to a homeless man.  As Trevor's project progresses, there are ups and downs -- mostly downs.  Especially because one of his goals is to help Mr. St. Clair, an erudite Black Vietnam vet missing an eye, and his mom, a beautiful woman insecure about her lack of education, fall in love and get married.  (Here I must pause to interject my reaction to the movie, which I watched after finishing the book: How could Trevor's teacher be a white guy with two eyes?  And how could that guy be Kevin Spacey?!)  At first, the story is a little hard to follow because it's interspersed with interview excerpts from the future.  Yet eventually I realized that they're there to show how the Pay It Forward project -- or movement, as it came to be called -- gained traction.  I sensed that if I stuck it out, then it would, ahem, pay off in the end.  And it turned out that I was right.

Poignant and stirring, Pay It Forward shows that we're all vulnerable to the whims of the world, and that our only defense against it is decency.  It also shows that we're all connected, and that even the smallest kindnesses can add up to make a big difference.  That it does so by making the ultimate sacrifice to help humankind is unsettling.  But this is the way that it has to be to deliver the book's moving message.

On that note, my copy of the book is the fifteenth anniversary edition and includes a new introduction by Hyde.  In it she explains how she got the idea for the book.  One night when she was in her twenties, she was driving through her not-great neighborhood when her car began to smoke.  So she pulled over.  This was before cell phones, so she couldn't call anyone.  That's when she saw two men approaching her car.  This is it, she thought.  This is how I die.  But to her surprise, they popped the hood and helped her.  By the time the fire truck arrived (because where there's smoke, there's fire), they had gone without a word.  Hyde felt bad about that.  If they had exchanged contact information, then she could've thanked them properly, even sent them Christmas cards every year.  But her inability to do that, coupled with these Good Samaritans' anonymity, made her wonder, what if?  What if a stranger did something nice for you, and you had no way to thank him except for doing something nice for someone else?

It makes you wonder.  And just maybe believe in the miracle of the human spirit.

Except when it comes to Kevin Spacey.

Friday, July 15, 2011

Movie Moment: Horrible Bosses

It's no secret that popular culture likes to poke fun at bosses. But it's not often that we hear a tale in which disgruntled employees turn to murder.

In Horrible Bosses, three friends have been pushed to just such limits. Nick (Jason Bateman) battles his boss's (Kevin Spacey) sadistic mind games as he doggedly pursues VP status; newly engaged dental hygienist Dale (Charlie Day) has a hard time saying no means no to his sexually aggressive supervisor (Jennifer Aniston); and chemical plant accountant Kurt (Jason Sudeikis) loses the best boss ever (Donald Sutherland) to a heart attack only to answer to his cokehead son (a comb-over-sporting Colin Farrell). At first, the three consider quitting their jobs. But then they run into an old friend who graduated from Yale only to become a permanent unemployed fixture on his mother's couch. Presented with this walking cautionary tale, they conclude that quitting isn't for them. Then Kurt jokes that they should just kill their bosses, and everyone laughs. But the germ has been planted, and before long the trio is trolling unsavory bars in search of a hit man.

This is where things get a little dark. Which came as a surprise to me. I know, I know. What did I expect from a movie about murder? Frankly, silly high jinks. Slapstick. Failed attempts at poisoning coffee. You know. Someone slips rat poisoning into a mug and waits for the fatal sip only to have the intended victim get coffee somewhere else that day, or, better yet, spill it down the front of his/her shirt. Or maybe car/elevator/even mail tampering gone hilariously awry. Or doom-destined limos that somehow end up at vacation hot spots. (I'm reaching, but you get the idea.) Then after so many failed attempts the would-be killers would realize that the murders weren't meant to be and walk away, finding some other means of solving their professional problems.

But none of that happened. There's no string of murder attempts, amusing or otherwise. There are several surveillance scenes, some of them funny, some of them seeming like dead air. An unlikely connection links Nick's and Kurt's bosses, creating an unexpected but not-so-light twist. Yet even so, the story wraps up in the way you'd expect it to - it just takes a strange route to get there.

Although the plot is questionable, the characters make up for it. Playing his typical cold fish self, Kevin Spacey makes an ideal tyrant. Farrell and Aniston step outside of their comfort zones to become power-hungry bullies. As for the three musketeers, it's hard to say whether Bateman or Sudeikis plays the lead. Bateman's job situation is probably the most dire, and the story begins and ends with him. Yet it's Sudeikis who spearheads the murder operation - and drives the getaway car (which, by the way, is equipped with some weird, omniscient OnStar type navigation system that goes by the name of Geoffrey). Still, I found Day's character to be the most likable. Reprising his go-to lovable moron role, he lends an endearing quality to this dark comedy.