Showing posts with label Busy Phillips. Show all posts
Showing posts with label Busy Phillips. Show all posts

Saturday, July 3, 2021

Play Like a Girl: Peacock Rocks

Clip: Buffalump, Etsy; Necklace: Betsey Johnson, Amazon

Peacock rocks, but I'm not talking about "Peacock" by Katy Perry (although I do like that tune).  I'm talking about NBC's streaming platform and its not one but two new comedies about all-girl rock groups, Girls5eva and We Are Lady Parts.  

Girls5eva follows four forty-something New Yorkers trying to resuscitate their defunct '90s pop group.  The players include Dawn (Sara Bareilles), the sensible one; Summer (Busy Phillips), the dumb one; Wickie (Renee Elise Goldsberry), the crazy one; and Gloria (Paula Pell), the workaholic one.  It's wacky and witty and reminds me of 30 Rock, which tracks because Tina Fey is one of the producers and also cameos as a faux Dolly Parton.  Indeed, Dawn is like the Liz Lemon of the gang, which is to say that she's no-nonsense yet put-upon and the glue that holds them all together.  The songs are hilarious, and the fashion is fierce.  As a bonus, Stephen Colbert, Bowen Yang, and Vanessa Williams guest star.  Girls5eva is a snarky-yet-feel-good treat for anyone who grew up in the '90s or appreciates Fey's brand of humor. 

We Are Lady Parts is the coming-of-age tale of Amina (Anjana Vasan), a twenty-six-year-old Muslim Londoner academic torn between tradition and joining a Muslim punk rock band.  Amina is my favorite kind of heroine, which is to say earnest, awkward, and always getting in her own way.  She has such a severe case of stage fright that she always vomits -- and also sometimes has diarrhea.  Yet We Are Lady Parts frontwoman Saira (Sarah Kameela Impey) is looking for a guitarist and is convinced that Amina is it, barf bucket notwithstanding.  Passionate and serious about her music, Saira spends the greater part of the series resisting her bandmates' pleas to take to social media, insisting that We Are Lady Parts "is not about being famous; it's about being heard."  Being true to yourself and your art, even when it's hard, especially when it's hard, is a major theme in We Are Lady Parts and one that will resonate with artists and misunderstoods everywhere.  

So, two girl power anthems and two ways to rock add up to heart and limitless laughs.  

Peacock, you've got something new to strut about.

Monday, November 26, 2018

Restasis Oasis: Arizona Iced Weeee! What a Well Watered Cactus

It's no secret that I love cacti.  So much so that I decorated my office to be a little paradise of these prickly pals.




Now that I've shamelessly showed off one of my sanctuaries, let's get back to our regularly scheduled (and equally shameless) show-and-tell of my crafts and closet!  Still stuck on saguaros, I decided to make more cacti barrettes.  I've always been a fan of that whole iconic cactus against a sunset aesthetic, so I decided to play with that.  To me, the contrast of cool green against the red/pink, orange, and yellow explosion of a dying sun is dazzlingly dramatic.

Tops from top to bottom: Fifth Sun, JCPenney; Derek Heart, JCPenney; Almost Famous, Boscov's


Fabulous Felt Mint Cactus Barrette 


Fabulous Felt Mint Rainbow Cactus

Anyway, cacti come from Arizona, and so does Busy Phillips.  I just finished reading her autobiography, This Will Only Hurt a Little, and binged her new E! talk show Busy Tonight, and I can say that she's as sharp and tough as the Southwest's spikiest succulent.



I was expecting This Will Only Hurt a Little to be a laugh-out-loud lark.  But it isn't.  Busy's breezy, conversational writing only ups the intensity of her memoir, which is emotional, raw, and sometimes hard to read.  (You know, hard to read as in contains heavy stuff.  Like all those Oscar-nominated movies that are hard to watch.  Which is also, incidentally, the title of Tracy Jordan's [Tracy Morgan's] EGOT-bait feature film on 30 Rock.  Fun fact: Tina Fey produces Busy Tonight.  Coincidence?  I think not.)  I should've realized that This Will Only Hurt a Little wouldn't be a sitcom anecdote-studded giggle fest made R rated by a few f-bombs.  First of all, there's the title.  Sure, it'll only hurt a little -- but that means it will still hurt some.  And then there's the front and back covers, which feature a pink suit-clad Busy perched hopefully yet apprehensively on what can be only a waiting room chair on account of its uncomfortable-looking 1970s-era harvest gold pleather.  It might be the waiting room of a doctor's office or for an audition, but the message is clear: whatever's on the other side of that door has the power to make or break you (and Busy.  Because this is her book.).

So, what makes This Will Only Hurt a Little an uneasy read?  It isn't just the Time's Up/Me Too-tinged accounts of chauvinism in Hollywood -- although those certainly make an impact.  It's Busy's teenage years.  Some seriously scary things happened to her, the kinds of things that could destroy a girl's faith in herself and in men for the rest of her life.  We all know that high school can be awful and about as far from a sock hop as a corn dog from a vegan buffet.  So, it's all the more meaningful when Busy describes rising above her own chilling chapter to follow -- and achieve -- her dream of becoming an actress.  Even when one of her high school boyfriends steals the credit for writing Blades of Glory.  That's right; Ms. Phillips is responsible for that hilarious Will Ferrell (and okay, John Heder) movie about competitive male figure skating.  Which, now that I think about it, makes perfect sense, as it's funny and glitzy and raunchy and has lots of heart, just like Busy.  As for that old plagiarizing ex, no one even knows his name.  He's probably selling corn dogs somewhere.

Now, there is a part in the book where Busy says that fellow Dawson's Creek star Katie Holmes was "very sweet," but "wasn't really like a hang-out-and-smoke kind of girl," (171) which gave me pause, as I'm no hang-out-and-smoke kind of girl either.  But then I reminded myself that for better or worse, this book is Busy's truth (she says so on page 8), and if she and Katie didn't click, then so be it.  Also, Katie doesn't have a book or talk show.

That said, here's a part of the book that I love:

"Have I talked about being a sparkly human yet?  Well, I have a theory.  There are certain people who are what I call sparkly humans.  These are people who have things just happen for them or to them because other people see them and seemingly inexplicably want to help them.  Because they sparkle.  From the inside out.  I was always a sparkly human (still am, for the most part, on most days).  Adults just liked me and wanted to help me.  Not kids at my school.  Sometimes sparkliness isn't recognized by peers until much later.  Sometimes sparkly people are even bullied as kids.  Because other kids want to put that light out.  They don't understand it and they want to kill it.  The secret is, if you're truly sparkly, you survive all that bullshit and you don't let them put it out.  And at some point, you started to get rewarded for it.  Sparkly humans aren't always entertainers, and they don't always become famous.  There are sparkly humans everywhere.  And there are also plenty of people who are wonderful and amazing, but aren't sparkly.  It's a very specific thing." (126-127)

I think this is cool and interesting, this idea that some people are marked for greatness like characters in a fairy tale.  And also, that this greatness can take many forms.  But that all of the forms are united by this one intangible but unmistakable thing.

Busy brings her sparkle and pioneering, take-no-prisoners attitude to Busy Tonight.  In her book, she talks about being tired of waiting around for casting directors to decide her fate about this or that project, or to tell her that she doesn't have the right look or that she has to lose weight.  Why not do something where she calls the shots?  Why not create a safe space for topical issues and girl talk and silliness?  Why not host her own talk show?  I'm glad she did because Busy Tonight is so fun!  The set is bright and eclectic, like, as Busy herself says, a sitcom living room.  Busy wears great outfits, and her enthusiasm is infectious from the time she runs out onstage to the time she puts on Mr. Nightgown.  So far, some of her guests include Mindy Kaling, Kristen Bell, John Stamos (the first dude, and a gracious one at that), and even Julia Roberts, all of whom Busy ushers into her photo booth before commercial breaks.  And then, at the very end, she comes out in a long, floral, Bohemian-style muumuu (the aforementioned Mr. Nightgown) and sings a goodnight song so endearing and clever that you can't help but hear it in your head all day.  Listening to it, I always think, I really hope this works out for you, Busy, because you seem to really want -- and deserve -- it.

As they (don't) say, cactus makes for imperfect.  Bring on the smudged glitter.

Monday, April 16, 2012

Something New and Sparkly: Florida is Where I Want to Be




 Fabulous Felt Orange Slices Barrette

Tank: Poof, Boscov's
Tee: So, Kohl's
Skirt: Boscov's
Shoes: Guess, DSW
Wristlet: Express
Scarf: Boscov's

And why not?  They make it look like so much fun on ABC's "Cougar Town."  I especially like when it comes on with all those tongue-in-cheek jokes about the name, i.e., "Titles are Hard" "100% Cougar Free" and, of course, "Still Cougar Town."  I can relate, what with a jewelry shop called The Tote Trove.  Just as Jules's (Courteney Cox) quest for hot young studs dissolved into age-appropriate coupledom, I've all but abandoned tote painting for the seductively sparkly world of necklaces and barrettes.  Speaking of barrettes, this rather Floridian Fabulous Felt Orange Slices Barrette reminds me of "Cougar Town's" wild child fashionista Laurie (Busy Phillips).  I like to think she'd wear it with pride.

Sunday, January 8, 2012

Movie Moment: I Don't Know How She Does It

I Don't Know How She Does It made me a little bit nervous.  As I'm sure it was meant to.  According to Mindy Kaling's list of romantic comedy stereotypes (even if this movie isn't exactly a romantic comedy), its heroine Kate Reddy (Sarah Jessica Parker) is a cross between the beautiful klutz and the busy working woman who is obsessed with her career and never ever has any fun.  As a finance executive, wife, and mother of two, Boston-based Kate is relentlessly plagued by a never-ending to-do list that catapults her into one fiasco after another (enter beautiful klutz syndrome) and makes her the subject of smug stay-at-home-mom Wendy Best's (Busy Phillips) barbed commentary (delivered documentary-style from a treadmill at the gym).  Although Kate's freelance architect husband Richard (Greg Kinnear) is mostly understanding, we sense that he is one play date away from a meltdown.

The heat is turned up on Kate's pressure-cooker life when she scores an account designing retirement fund plans for hotshot New York financier Jack Abelhammer (Pierce Brosnan).   Far from being put off by Kate's klutziness, the widowed Jack is charmed by it, a feeling that grows as Kate shuttles between Boston and New York for their meetings.  Kate is soon in the precarious position of forging a workplace friendship with a colleague who has a crush on her, a situation that causes her to unwittingly serve as emotional caretaker for Jack.  In this way her career resembles an illicit affair, not because she reciprocates Jack's feelings, but because it usurps her time and attention from her family.    

Of course, Richard lands a plumb design job just when Kate begins traveling, creating the kind of intense conflict for which movies like these are made.  Now, Richard is a pretty good guy.  Certainly not some stereotypical tyrant who would lighten the load of Kate's dilemma by way of his sheer awfulness.  It's his very mild-manneredness that complicates things, echoing the mindset of the husbands in those Second Shift studies.  Which is to say that he seems to think that it's fine for his wife to work - as long as it doesn't get in the way of her real work, which is in the home.

It should be noted that not every part of the movie is serious.  The plot is laced with classic Carrie Bradshaw-style narration that "Sex and the City" fans will enjoy, if only because it reminds them of Parker's plucky appeal as an authority on angst.  There is also plenty of witty dialogue, punctuated by well-placed jokes.  Finally, the spoiled and catty Wendy Best is funny.  Yet at the heart of her quips is a bitterness that I can't help but feel channels the movie's central message, which is this: Kate may travel a treadmill of never-ending conflict between work and home, but Wendy is trapped on a treadmill of catering to her kids and in-laws.  She's angry because she's jealous of Kate.  Although stressed and conflicted, Kate never comes off as angry.  The comparison between Kate and Wendy poses the question: What do these women really want, and how stressed are they willing to be to get it?  At first I had trouble answering this question.  During most of the movie, I just wanted Kate to quit her crazy-ass job already.  But ultimately I understood that for her, her job was her identity and therefore worthy of fighting for on her terms.

So, a lot of deep thoughts swirling around here.  I Don't Know How She Does It, by the way, got terrible reviews. (It closed fairly quickly after opening this past September.)  I admit that it wasn't great.  But I don't think it was as bad as people made it out to be either.  It was just up against the challenge of tackling an unpopular topic and falling somewhere between light fare and full-fledged drama in the process.