Showing posts with label Channing Tatum. Show all posts
Showing posts with label Channing Tatum. Show all posts

Tuesday, November 27, 2012

Kleenex Clean-up With a Hint of Magic





 Time for Lime Necklace

Dress: Modcloth
Shoes: Guess, DSW
Bag: Chinese Laundry, JCPenney




 Crazy Canary Necklace

Dress: XOXO, Macy's
Shoes: Alloy
Bag: Marshalls




 Watermelon Wedge Necklace

Dress: Lulus
Shoes: Guess, DSW
Bag: B Fabulous



I Scream for Ice Cream

Dress: Marshalls
Bag: Glamour Damaged, Etsy
Shoes: Guess, DSW

These are the necklaces I made with my remaining novelty Kleenex tissue box cut-outs.  More tropical than the sweetly pastel first batch (except for you, I Scream interloper), they make me miss summer.  Which is fitting because I finished them while watching that steamy (and seamy) summer blockbuster Magic Mike.  The gritty tale of a male stripper-slash-aspiring-furniture-maker-with-a-heart-of-gold starring real-life ex-stripper and "sexiest man alive" Channing Tatum was fun enough but left me wanting more.  (No, not more of that.  Believe you me, of that you see plenty.)  No, like any crafter worth her rhinestones, I wanted to find out just what inspired Mike's domestic design dreams, and if anything would ever come of them.  But then, maybe the somewhat open ending was more satisfying than a neat-and-tidy deus ex machina.  Because with themes this dark, nothing beats keeping it real.  

Monday, February 20, 2012

Movie Moment: The Vow

I was excited about seeing The Vow.  If there's a sappy romance serenaded by a Taylor Swift single out there, then I'm bound to turn up.

So, it was inevitable that I'd be at least a little disappointed.

The Vow is about newlyweds Paige (Rachel McAdams) and Leo (Channing Tatum).  She's a sculptor, he owns a recording studio, and the city of Chicago is their bohemian love nest.  But all of that changes when a car accident erases Paige's memory.  Reluctant to take up with a man she sees as a stranger, Paige forsakes Leo to lean on the parents that she she shut out before her marriage.  They're rich and respectable, everything that Leo isn't, and her time with them causes her to regress into the country club card-carrying law student she used to be.  This isn't new territory for McAdams.  The themes of wealth vs. poverty, convention vs. art, and safety vs. adventure run through other romances in which she has starred, such as The Time Traveler's Wife, The Notebook, and even, to an extent, Wedding Crashers.  As in these other movies, her character's decision about who she wants to be is inextricably intertwined with the man she ultimately chooses.  Yet while these elements make for a powerful combination in a classic like The Notebook, they fall a little flat in The Vow

For me, this was partly because Paige is so unlikeable.  I know it's not her fault; she's not in her right mind and can't help but parade around like some bitchy debutante while her heartbroken husband bends over backwards to help her.  Nevertheless, it's difficult to warm to Paige or even pull for her to regain her memory.   (Maybe this is a good place to say that Channing Tatum is, unbelievably, the best part of this movie.  Even if it is, as the bf so shrewdly pointed out to me in the theater, hard to take him seriously.)   Moreover, the movie's central conflict is between Paige and her parents instead of between Paige and her husband.  The secret of their estrangement overshadows the love story, diminishing its power and importance.  Finally, even the flashbacks showing Paige and Leo at their best hint that Leo was always a little more invested in the relationship than Paige.  This, compounded by the fact that the couple hadn't been together long at the time of the accident, made me wonder if maybe they weren't meant to be after all.

I began this cinematic journey as a starry-eyed optimist and ended up as a cold-hearted cynic.  Which is not something I'm proud of.  I'd signed up for the gooeyness, after all, and had been prepared to get all teary-eyed over a box-office success most were sure to criticize.  Little did I know I'd become one of the haters.  Still, The Vow made me think (a little) and made me (moderately) angry, so I guess it couldn't have been all that bad.  

Wednesday, January 19, 2011

Movie Moment: The Dilemma

Martin Luther King Day found my mom and I shopping and going to the movies, as per usual. We settled on The Dilemma, which had opened that weekend, the only competition having come in the (weak) form of Country Strong.

The movie began promisingly enough. Two couples, Ronny and Beth (Vince Vaughn, Jennifer Connelly) and Nick and Geneva (Kevin James, Winona Ryder) are hanging out in a bar when Ronny asks, "How long does it take to really get to know someone?" (Ronny and Beth aren't married, Nick and Geneva are, and they've all known each other a long time). Nick says ten minutes because that's how long it took him to realize he wanted to marry Geneva. But Ronny disagrees, insisting that you can know someone for years and think you've got him or her figured out only to learn something new that changes everything. It's a compelling question. Nick and Geneva hit the dance floor, spurring Beth to ask Ronny to dance. He points out that great men don't dance, then recites a list that includes Martin Luther King in a well-timed holiday shout-out.

Unfortunately, the whole thing goes downhill once Ronny sees Geneva kissing a tattoo-riddled young punk named Zip (Channing Tatum) and begins obsessing over whether or not to tell Nick. Ronny is also trying to get up the nerve to propose to Beth but is confronted by commitment issues that are compounded by what he learns about his best friend, a scenario that made me think of that "Family Guy" episode where Stewie pokes fun at Vince Vaughn: "Oh, Vince Vaughn is on the cover of Entertainment Weekly. Here's my summary of every Vince Vaughn movie: Oh, I'm incapable of loving another person. Oh wait, no I'm not. The end."

For some reason, Ronny decides to spy on Geneva and Zip, which leads to a string of gratuitously violent events. (At one point, Zip brandishes a gun, all the while insisting that he's the "sensitive type." To be fair, he is pretty broken up when Ronny shatters his fish tank.) Clearly, this wasn't the light, romantic comedy I'd been expecting. It was dark. And not in the good, indie-flick kind of way, but in the potentially funny story gone horribly wrong kind of way. For a movie about honesty, it was awfully dishonest in its marketing. At some points I was so bored that my mind wandered to the metallic pink chain-strapped Guess handbag and metallic bow-adorned Paris Hilton pumps I'd left behind in Marshalls. (After the movie, I went back for the bag, but not the shoes. I just couldn't own something being peddled by Paris.)

The plot finally culminates in Beth staging an intervention for Ronny. Apparently, all his covert activity has made her think he's gambling again (He's a gambling addict; I forgot to mention that). The scene is nail-bitingly awful. (To give you an idea, Zip shows up as Ronny's presumed bookie.) As you'd predict, all hell eventually breaks loose and all the secrets come tumbling out. Despite some gloomy aftermath, Ronny finally proposes to Beth, rather inelegantly by hiding the ring in a takeout bag.

Nick and Geneva, however, don't make it.

In the final scene, Ronny, Beth, and Nick are at a hockey game, the bookend to a scene from the beginning of the movie. Nick is chosen from the audience to shoot a goal and makes it, winning a dream vacation. As my mom put it, you just know he's taking Ronny as his guest in a perfect end to this fraternity-esque who-needs-women-anyway bromance. Not that she used the phrase fraternity-esque who-needs-women-anyway bromance, but the sentiment was there.

All in all, I don't regret seeing The Dilemma, if only because I like to collect movie-going experiences the way I like to collect shoes. Because even when your shoes pinch, you're (mostly) still glad you made the journey. Which reminds me, I'd better hop to it and get the Jack Handey quote of the week up here . . .

Monday, February 15, 2010

Movie Moment: Dear John

Last night the bf and I went to see Dear John. As you may recall, I'd reread the book recently to refresh my memory and decided that I was finally at peace with Savannah ending up with Tim. There were several little details in the book that suggested things may turn out that way, and however sad it was that she wasn't with John, I made up my mind that it was for the best (see my other post tagged Dear John for more on this). So when I went to the movie, I was dying to see what they'd change (because you know that they always change something.)

Minor things here and there were different. In some cases, the order of events had been altered. But most notably, all those little telltale details foretelling John and Savannah's undoing were missing. So, it shouldn't have been a surprise to me when the ending was different. (Warning: if you haven't seen this movie yet and want to, you should probably stop reading here. Although quite frankly, the damage has probably already been done.) Tim dies. John still leaves him all of the coin money, but he dies anyway. Savannah tells John all of this in one last letter. The last scene shows Savannah in a restaurant window. John walks by, their eyes meet, and they hug, the implication clear that they'll be together.

So, how did I feel about this? Was I outraged, after I'd so carefully and maturely worked out all the reasons Savannah was meant for Tim in the book? Well, no. I was happy. Because the movie gave me (and I'm guessing lots of other readers) what I'd always secretly wanted from the book, and that was a happy ending for John and Savannah that made sense. In the movie, John doesn't visit Savannah at college, so there's no scene where she blows him off for her friends. In the movie, John doesn't just re-enlist in the army after 9/11 and then tell Savannah about it in a letter; he comes home to discuss it with her. Also, in the movie Tim is much older than Savannah (Alan is his son, not his brother), and he isn't the overly nice and nerdy guy he is in the book. In fact, he's more creepy older neighbor than lifelong best friend.

In this way, I guess the movie was simpler than the book. Savannah's never really in love with two men, and her husband dies, making it easy. Some may say the movie had a classic (read, cookie-cutter) Hollywood ending, and maybe that's true. But I think buying that completely is a cop-out. The book and the movie are just two different versions of the same story, showing that it's the seemingly insignificant events that make all the difference in how things do and should turn out. Although I loved the book, the movie's magic wasn't lost on me. Far from it, to be honest. I cried buckets.