Big Style in a Small-ish Space

I'm really distracted this week by an interesting project, one that requires my time and focus. I suppose that is my feeble explanation for why some of my posts this week will be light on text, heavy on the photos.

So let's kick off the week with photos of designer Robert Passal's Gramercy Park apartment which appeared in the Spring issue of Luxe magazine. For those of us who live in apartments, the challenge seems to be creating plenty of seating, finding a place for dining, and carving out space for storage, all in the confines of a small space. (By the way, when I use the word apartment, I mean apartments and condos. I just don't like the word condo, for whatever reason.) I think that Robert made great use of every inch of his home's space, and yet the overall feel seems anything but cramped. What I think you can take away from these photos is that living in an apartment requires strict editing. And that, my friends, is something that I have learned all too well living in my own condo. I mean, apartment.





















All images from Luxe, Spring 2011, Joshua McHugh photographer

Laura Ashley- I Hardly Knew Ya

Today's book reviews involve two designers- one who I thought I knew well, and the other who I knew not at all.





I loved Martin Wood's book on Nancy Lancaster and devoured his follow-up on John Fowler (who didn't?!). So when I heard that his next subject was Laura Ashley, I was intrigued. Intrigued because Wood was writing it, and curious about what made Laura Ashley a compelling subject. Well, let's just say that the last time I was taken with anything Laura Ashley was back in the 1980s- but I'm enchanted by her, her story, and the look once again.

Welsh born Laura Ashley and her husband Bernard got their start in the apparel and textile business in the early 1950s when they began to print fabric in their home. The business took off with a line of small neck scarves that became all the rage. Tea towels followed, but it was their garment line that took the company to an entirely new level- and made Laura Ashley a household name in Britain and beyond.

Of course many of us fondly remember those Laura Ashley dresses that we wore as children (they were a little Laura Ingalls Wilder-ish, but hey, it's better than some of the clothes little girls are wearing today), but did you know that Laura and her husband were innovators? Bernard insisted on selling their fabrics alongside the garments, something which people felt would never work... but it did and quite successfully. And many of their prints were actually a bit edgy looking, a far cry from the traditional florals that many of us associate with the house. Who knew? I certainly didn't.

The book is chock full of photos of various clothing collections (the Venetian Collection was pretty fabulous) as well as color photos of their prints. But for me, the best part are the photos of the Ashley homes. If you swoon for very British interiors, trust me, you'll have a ball reading this book.


Remember this photo? Diana was wearing a Laura Ashley skirt.


Laura Ashley fabrics c. 1972.


The Ashley dining room in their home in England.


And for you Francophiles, a guest bedroom in the Ashley's French chateau

And the designer who I wasn't familiar with? John Minshaw. And what a nice surprise this book was. John Minshaw Designs is a wonderful introduction to a designer whose work is classical with a twist. There is a brief biography of Minshaw- important for those of us who are new to the designer- but the monograph is mainly a compilation of project photos. No need for me to write anything else because I think the photos will do Minshaw more justice than my writing will.

Cabana Chic

While I'm on the subject of balconies... I mean terraces, I thought I'd post these photos of two cabanas installed at Trina Turk's New York store. Turk commissioned talented designer Joel Woodard to create cabanas (also known as changing tents) based on some frames that were featured in the Tony Duquette book.

Woodard tweaked the tents and made them taller than your run of the mill cabana. He used fabrics from Turk's new fabric line at Schumacher. The exterior fabric is "Peacock" in the color pool, and the interior is lined in "Zebra" in the Bamboo colorway.

How great would it be to have one of these by your pool, on your terrace, in your dressing room. I'm convinced that the tents' height will make one look slimmer, especially in a bikini!

Orlando Diaz-Azcuy

Sometimes it's easy for the ennui to set in. You know, you see images of interiors and think "Been there, done that". Sometimes, you just want to be shown something new. Well, I found that in Diane Dorrans Saeks' upcoming book Orlando Diaz-Azcuy. Of course, Diaz-Azcuy is not a Johnny come lately. In fact, he has been in the design business for more than forty years. And while I was familiar with his name, I knew nothing about the Cuban born, San Francisco-based designer's work- until now.

I certainly wouldn't call Diaz-Azcuy's look traditional, but there is a luxuriousness to his interiors that appeals to this traditionalist. Some of his interiors are spare, some are edgy. But on the whole, they make me want to step outside of my comfort zone and try a little something new. I think that the rooms that appeal to me most, though, are the richly layered ones. There is one media room that had me swooning. Unfortunately, I can't show the image here, but trust me, it's to die for (think dark green silk walls, gold painted ceiling, and marbleized door frame).

I've long been a fan of Diane's books, so I had high hopes for her newest tome. Fortunately, the book did not disappoint. The author gives the reader great insight into Diaz-Azcuy's design process- both the nuts and bolts and the inspiration too. I love how she described Diaz-Azcuy's work as minimal but with a "touch of va-va-voom". Each chapter focuses on a specific project, including the designer's own homes, and there is also an interesting section titled "Talking Design", a conversation between the author and the designer. And the icing on the cake? Diaz-Azcuy has included a brief list of books that have inspired him. Beautiful images, a story well-written, AND a book list? What more could you ask for?

(Diane Dorrans Saeks is currently at work on her upcoming blog, The Style Saloniste. Look for the official debut in the next few weeks. I'm confident that not only will it be well-written (would you expect anything less?), but supremely stylish as well!)




This tableau seems quite poetic. In fact, it's Diaz-Azcuy's Pacific Heights penthouse. (© David Duncan Livingston, reprinted from Orlando Diaz-Azcuy by Diane Dorrans Saeks, Rizzoli New York, 2009)


A closet cum media room. Definitely va-va-voom. (© Tim Street-Porter, reprinted from Orlando Diaz-Azcuy by Diane Dorrans Saeks, Rizzoli New York, 2009)


The lush outdoor terrace of one of Diaz-Azcuy's homes. (© Matthew Millman, reprinted from Orlando Diaz-Azcuy by Diane Dorrans Saeks, Rizzoli New York, 2009)

Image at top of Orlando Diaz-Azcuy, © Tim Street-Porter, reprinted from Orlando Diaz-Azcuy by Diane Dorrans Saeks, Rizzoli New York, 2009.

New York Botanical Garden Orchid Dinner

I just received some photos from the recent NYBG's Orchid Dinner, and I wanted to share with you some beautiful images of tables designed by Malcolm James Kutner and David Kleinberg.

I love how Malcolm chose to work with green Cymbidium orchids, green tea roses, and liriope leaves. Yes it's simple, but so striking too. The other thing that I admire about the table are the layers. You've got elements of varying heights, discreet details (the beautifully engraved placecards), and reflective surfaces. It's the type of table that you can't absorb immediately- you have to sit there and let it soak in. This is certainly a hallmark of Malcolm's work; he prefers the subtle. And isn't that appropriate right now?

The tablecloth is Claremont's woven silk Drap de Soie in a gorgeous green with hints of bronze. The runner is a bronze document damask called Palma Damask. And see the silver candlesticks and julep cups? These are part of Malcolm's personal collection...and he chose not to polish the silver! Malcolm has no problem with his silver showing tarnish, so remember that the next time you have a dinner party and you're fretting over your silver. Maybe you should just let it go and enjoy it!

The two images below are from David Kleinberg's table. It seems that David was going for more high-impact drama, and I think he achieved it! I hope that these tables might provide a little inspiration for your next party.

Jay Crawford and his Timeless Interiors

I don't know much about Jay Crawford other than the fact that he was a fashion illustrator and a founder of Quadrille fabric. But what I do know is that I love his style. I first saw some 1979 images of his Manhattan townhouse (the top two photos) a few months ago and was struck by how chic the rooms still seem as viewed by these 21st century eyes. And then last night I found photos of what I believe is the same townhouse circa 1990 (check them out below). To me, both versions have that certain Billy Baldwin/Albert Hadley-esque flair. Can anyone fill in the blanks and give me more information on Crawford?




(Top two images from Architectural Digest New York Interiors; 1990 photos from Manhattan Style)

Grown Up Color

Recently, I was interviewed for an Atlanta Journal-Constitution article on color. I was asked for my thoughts on color trends and the predictions that yellow and purple will be THE colors for 2009.

Though I don't have any yellow in my home, I heartily approve of the color- whether it's the "in" shade of the moment or not. I prefer gutsy yellows, much along the lines of Nancy Lancaster's buttah-yellow drawing room. (I recently saw the room in person, and it's far more vivid than I expected. The buttah that I grew up with is quite positively pale in comparison.) To me, the other gold standard of yellow rooms is Chris Spitzmiller's living room. The color- and everything else in it- is perfection!


In terms of purple, I am quoted as saying that I'm not a fan of purple. That is true. It's a great color, but it's just not for me. And then I went on to say that I'm mad for aubergine. The kind journalist asked me "Well, isn't aubergine a shade of purple??" Well, yes it is, and obviously I was having a daft moment. So to clarify, aubergine is one shade of purple that is very me.

But I did go on to say that I'm currently craving deeper, more sophisticated colors like aubergine, moss green, and moody shades of blue. Basically, I'm ready for some depth. And I swear it was as if Jeffrey Bilhuber read my mind. When I read my March issue of House Beautiful last night, I was giddy over his use of color in a Pennsylvania farmhouse: aubergine, kumquat, and indigo to name a few. It's a combination that just seems right for right now. As for that indigo room featured at top, Bilhuber was inspired by a similar color that he saw at Mount Vernon. (If I used it in my home, I'd have to go the high-gloss route just because I'm weak for shiny surfaces.)

I think we've all grown up a lot over the last year- we've had to because of the current political and economic climate. And I think color has matured too.


An armchair in the farmhouse decorated by Bilhuber. I adore this color; I almost want to eat it! The fabric is "Carom" from Malabar.


The kumquat/aubergine combo has some zip, especially against that blue chair frame. Bilhuber obviously has a great eye for color.


Chris Spitzmiller doesn't know this yet, but I'm planning on moving into his apartment with him. His living room is probably my favorite yellow room.


I remember being struck by this room in the Newport home of designer Meg Braff. Back in 2007, you really didn't see this shade of blue very often. It was a breath of fresh air, and it still is. The wallpaper is Farrow & Ball's Plain Stripe blue wallpaper with Stone Blue trim. The red accents look really good against that blue too.


Katie Ridder does some really interesting things with color, and I think her rooms have a lot of depth to them. Again, this room is a unique shade of blue.

(Bilhuber images from House Beautiful, March 2009; Julian Wass photographer. Image of the Spitzmiller living room from House Beautiful; photographer Tara Striano. Braff living room from House Beautiful, June 2007; Simon Upton photographer. Katie Ridder room from her website.)

Katie Ridder Hits a Home Run

Just this past Monday, I was waxing poetic about vintage prints from the 1920s and 30s and was wondering whatever happened to the unique prints of yesteryear? Well, I just received some samples from Katie Ridder's new wallpaper line, and I think that I found those unique prints. To me, Katie's designs are vintage in spirit, but they're completely "now" too.

One thing that really struck me about the entire line is the color- it's so rich that it practically jumps off of the paper. Don't get me wrong, though. The color nor the prints knock you over the head. But these are the kind of prints that make you stand up and take notice, and isn't that nice for a change? Oh, and they're exuberant too. I think it's time for some exuberance in design. We certainly could use it!

(I scanned my samples in hopes that you could get an accurate idea of the amazing colors. For more colorways, visit Katie Ridder's site. I really recommend getting some samples so that you can see the paper in person. It's gorgeous stuff! The wallpaper is available through Holland and Sherry showrooms.)


"Leaf" in Black. Wouldn't this look great in an entryway or a powder room?


"Beetlecat" in Blue. Such a charming print, and to me it's evocative of those great 1920s and 30s prints.


"Peony" in Pink. Sweet, but not at all saccharine. A great option for those who are on the fence about florals.


"Attendants" in Pink. I think this is my favorite print- I adore it!! Those wonderful shades of pink against the gray background are stunning.


"Moon Flower" in Red. Great color combination, and the metallic pattern on the moons adds some gleam.


"Oiseau" in Chocolate. For those who like more subtle prints, this one is for you.

Image at top: "Seaweed" in Green. This print has a Deco vibe to me. Beautiful!