These are more excerpts from the seventh annual volume of Great Cartoons of the World from 1973.
The first cartoon by William Steig was in the New Yorker.
In the foreword, editor John Bailey describes what the contributors look like (previous examples can be seen in previous installments):
Steig is a true intellectual in the physical form of a dockworker. He is mainly surprising—he looks tough, but he is gentle and civilized. He never speaks without expressing his sense of humor, most often with some detectable ironic twist.
Nothing about the artist's following of the artist being an avid follower of orgone therapy. On the other hand, there are and were several cartoonists that believed in all sorts of medical, religious, and political quackery but it usually doesn't spill into their work.
Vahan Shirvanian, also in the New Yorker.
Mischa Richter
Bruce Petty
Vladimir Renčin in Dikobraz
James Stevenson
Charles Elmer Martin
Edward Koren
Hans Moser
Whitney Darrow, Jr.
The final two were drawn by John Glashan.
Showing posts with label VLADIMIR RENČIN. Show all posts
Showing posts with label VLADIMIR RENČIN. Show all posts
Saturday, February 22, 2014
Saturday, December 14, 2013
Great Cartoons of the World Series Six, part 10
Here's the last of the sixth edition of Great Cartoons of the World from 1972. I'm waiting for my copy of the seventh volume, which I paid only 36 cents for.
This cartoon is by Chon Day from New Yorker Hans Moser Guillermo Mordillo Barney Tobey Eldon Dedini Anatol Kovarsky Michael Ffolkes Ton Smits Vladimir Renčin for Czechoslovak Life Vahan Shirvanian Chon Day for Saturday Evening Post Norman Thelwell Lee Lorenz Jean-Jacques Sempé Edward Koren
This cartoon is by Chon Day from New Yorker Hans Moser Guillermo Mordillo Barney Tobey Eldon Dedini Anatol Kovarsky Michael Ffolkes Ton Smits Vladimir Renčin for Czechoslovak Life Vahan Shirvanian Chon Day for Saturday Evening Post Norman Thelwell Lee Lorenz Jean-Jacques Sempé Edward Koren
Saturday, November 16, 2013
GREAT CARTOONS OF THE WORLD Series 6, part 6
I'm continuing to post excerpts from the 1972 book Great Cartoons of the World, Series Six.
This one's by William Steig, from The New Yorker. Of which is said in the introduction:
Steig's “Come to bed” is a great cartoon that transcends the frame of bossy wife and weak fish who needs to be bossed. It reaches into history, and, in so doing, reveals a bit of everyone's childhood. Jules Stauber Chon Day in the Saturday Evening Post. Ton Smits These two are by Tony Munzlinger Anatol Kovarsky Stanislav Holý for Dikobraz William O'Brian in The New Yorker Jean-Jacques Sempé in Editions Denoël Vladimir Renčin, again for Dikobraz Stanislav Holý Norman Thelwell in Punch, again written about in the foreword:
Thelwell's [cartoon] depicts a moppet with a tilted blood in his veins, wearing a cowboy suit. The outrageous juxtaposition of the small boy with the great hall brings together the timelessness and the timely by reducing the glorious figure of the duke to the level of any kid in Hoboken.
This one's by William Steig, from The New Yorker. Of which is said in the introduction:
Steig's “Come to bed” is a great cartoon that transcends the frame of bossy wife and weak fish who needs to be bossed. It reaches into history, and, in so doing, reveals a bit of everyone's childhood. Jules Stauber Chon Day in the Saturday Evening Post. Ton Smits These two are by Tony Munzlinger Anatol Kovarsky Stanislav Holý for Dikobraz William O'Brian in The New Yorker Jean-Jacques Sempé in Editions Denoël Vladimir Renčin, again for Dikobraz Stanislav Holý Norman Thelwell in Punch, again written about in the foreword:
Thelwell's [cartoon] depicts a moppet with a tilted blood in his veins, wearing a cowboy suit. The outrageous juxtaposition of the small boy with the great hall brings together the timelessness and the timely by reducing the glorious figure of the duke to the level of any kid in Hoboken.
Saturday, September 21, 2013
Great Cartoons of the World Volume IV, part 9
More from Great Cartoons of the World, Volume 4 from 1970, edited by John Bailey.
Vladimir Renčin
Boris Drucker
These two pages by Jean-Jacques Sempé
Anatol Kovarsky
Miroslav Barták
Anatol Kovarsky again
Three variations of the “beggar with hat” gag by Cesc
Let's see you try to scan something going across two pages like in this The New Yorker gag by Robert Day
Henry Syverson
There seem to be more beggars with hats in Europe, if the three cartoons above and this one by Miroslav Barták are any indication.
Vladimir Renčin
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