Showing posts with label 1986. Show all posts
Showing posts with label 1986. Show all posts

Friday, September 30, 2016

VIDEO REVIEW: Night of the Creeps

Wednesday, August 3, 2016

VIDEO REVIEW: Armour Of God

Thursday, October 17, 2013

REVIEW: Big Trouble in Little China


Big Trouble in Little China
Director: John Carpenter
Year 1986

Big Trouble in Little China is a wild genre hybrid that is a whole hell of a lot of fun. Directed by the legendary horror filmmaker John Carpenter and starring the ridiculously charismatic Kurt Russell, this action adventure barrels headlong into cinematic bliss with an overabundance of character, wonder, and genuine laughs. Tremendously self-aware of its indulgent nature for Chinese mythology and the imaginative imagery that comes with it, Big Trouble in Little China sets the gold standard for all adventure romps, especially ones that put fun in the forefront.

The film follows truck driver Jack Burton, the self proclaimed badass, as he suddenly finds himself mixed up in a centuries-old supernatural war between good and evil. After the kidnapping of his friend Wang Chi's fiancee by the hands of Chinese slave traders, Jack agrees to track down the group responsible, but ends up running afoul of an ancient sorcerer named Lo Pan and his unsavory legions of mystical warriors and unsightly beasts, who have other ideas for Wang's beloved. With the odds against them, Jack and Wang along with the help of a rag tag group of unlikely friends, storm the underground labyrinths of Lo Pan's secret lair in hopes to save Wang's fiancee and bring down the apparently immortal sorcerer.


Kurt Russell takes on the iconic role of Jack Burton and like his portrayal of Snake Plissken in Escape from New York, he simply owns the character. Hot tempered, quick witted, and extremely scene stealing, Russell gives Jack Burton that added charismatic depth which propels this vividly portrayed character into instant classic status. A cult figure for the ages, Jack Burton is as brash as they come and Russell defines the actions of this loudmouth braggart to perfection. This film wouldn't be nearly as enjoyable as it is without the presence of Russell's expert timing and cool as hell personality. If there is anything that the world needs more of, it is Kurt Russell, and his performance in Big Trouble in Little China is one for the ages.

Supporting Russell's excellent performance is an equally enthralling display by an extremely gifted cast of character actors. Kim Cattrall takes on the role of Gracie Law, a nosey investigative reporter who finds herself way over her head when taking on Lo Pan and company. Cattrall is wonderfully sassy in the role and she's never looked better. Legendary character actor Victor Wong plays the role of Egg Shen, the elderly but fully capable wizard who has waged a life-long battle against the forces of evil. Wong is such an inspiration in this role as he chews the scenery up every time he appears on screen. His performance is so compelling and especially genuine. Another heavy hitter is James Hong as the infamous David Lo Pan, the centuries-old sorcerer with a penchant for girls with green eyes. Hong has a lot of heavy lifting to do in this duel role, for he plays both the old and young version of Lo Pan. Each iteration of the sorcerer is demanding in itself, and the makeup effects and character designs for his various looks are extremely vivid and outlandishly game-changing. Last but definitely not least is Dennis Dun as he takes on the memorable role of Wang Chi. I've always enjoyed Dun's work be it his scene-stealing performance in Prince of Darkness or his contributions to The Last Emperor, but in Big Trouble in Little China he over-shines both roles. He's a sadly under-appreciated actor, but in my eyes he's reached cult status and with good reason.


With a cast like that, how could you go wrong, and John Carpenter makes good use of their multiple talents. The action is fierce and the banter between characters is even more engaging, emphasizing greatly that this film is all about an abundance of fun. From the martial arts action to the over the top mythical and mystical elements of the script, Carpenter throws everything he has at his audience, all in the name of entertainment. The end result of all of this over-indulgence is a rip-roaring thrill ride that never worries about going off the rails, but rather delights in the unusual and unexpected. As Carpenter delves deeper into the otherworldly elements of Chinese lore, he ramps up the fun factor of the flick, introducing one wild character after another until we're knee deep in some of the most fascinating of ensemble casts.

The name of the game here is adventure, and Big Trouble in Little China has that in copious quantities. Elemental warriors, kung-fu soldiers, a wild beast-man, and a floating head with multiple eyeballs are just some of the weird and wild characters that you'll come across in this flick. Designed in unique and unorthodox ways, Carpenter has pulled from a large iconic pool of cult imagery throughout Asian cinema and has crafted something that is full-on fantasy with a Carpenter twist, and it gels to perfection. Combined with his impeccable anamorphic lens and distinct atmospheric soundtrack, Carpenter has crafted a genre mash-up for the ages. Its got action, comedy, adventure and a little bit of romance, but what really helps it all propel into classic status is the outstanding cast of character actors that truly bring it all to life.


Big Trouble in Little China is truly a classic film. Never shying away from its ridiculous premise, the production relishes in the absurd and otherworldly. Mythologies and ancient lore collide in a cornucopia of vividly portrayed characters and mythical beasts, making for a film that never truly stops entertaining until the credits finally begin to crawl. Told in the most expressive of ways, Carpenter relies on the validity of his actors and their outstanding performances to craft the genuine nature of the story. Kurt Russell is the epitome of cool in the iconic role of Jack Burton, while Dennis Dun, Kim Cattrall, Victor Wong, James Hong, and the rest of the cast come right in step to compliment the film's abundant style.

Without a doubt, it is the film's expertly balanced combination of eye catching imagery, astounding atmospheric locations, and tremendously executed effects that really take it over the top in quality and presentation. Topped off with John Carpenter's own original and typically engrossing score for the film and you've got yourself a recipe for a cult classic. Big Trouble in Little China wears its heart on its sleeve and it is a love letter to China's ancient lore and storied cinematic past. Extremely enjoyable and fun to the last, Big Trouble in Little China is a cut above the rest in almost every department. If you're searching for a film that truly takes you on an unexpected adventure, then you owe it to yourself to hunt down this most treasured flick. Big Trouble in Little China is.....


Quit showing off Egg.

These guys are just too cool for school.

The Three Amigos!

Come to Butthead.

Kurt Russell is a god!

Egg is even captivating when he eats.

You ok over there little buddy?

Kurt Russell can get a little too forceful with the piggy-back rides.

Hey! Your gun is bigger than mine!

That's no gun.... This is a GUN!

Lo Pan is a straight pimp.

What do you think Egg? There sure are a lot of ugly people in the audience today.

BARF!

This dude just plain kicks ass!

Lo Pan is a Jedi? No way!

It was just then that Kurt realized he was deathly afraid of golden buddha statues.

It's time to blow this popsicle-stand.... Literally!

Monday, October 7, 2013

REVIEW: The Worst Witch


The Worst Witch
Director: Robert Young
Year 1986

The Worst Witch is a ridiculously silly made for TV movie which celebrates the season of Halloween with reckless abandon and obscure wonder. Headlined by a surprisingly notable cast, this haunted holiday romp makes no efforts in hiding its absurdity, and in that unabashed approach it thrives. With grandiose musical montages, terribly dated effects, and over-acted performances, The Worst Witch is probably the most entertaining and outrageous Halloween themed TV movie in existence, and that is why it has been a tradition in my household to watch it at least once every October.

The film follows the exploits of Mildred Hubble, an aspiring witch who is trying desperately to fit in at an all girls school for witches. Pressured by her watchful and strict teacher Miss Constance Hardroom and tormented by the school bully Ethel Hallow, Mildred goes about her daily routine of bumbling up potions and fouling up lessons. That is until she stumbles on to a plot by a group of rogue witches who plan to take over the school. Now it's up to “The Worst Witch” to finally show what she's made of by taking on the outcast group of witches and saving the day. Hooray!


Fairuza Balk takes on the role of Mildred Hubble, the dubbed “Worst Witch” and she does a great job with the unusual material. Being no stranger to the obscure, seeing that she starred in the overtly strange and wonderfully brilliant Return to Oz, Balk settles right in to the role as she makes an endearing turn as the titular witch. Naive, innocent, and somewhat aloof, Balk's portrayal of Mildred Hubble is an engaging one, filled with many sympathetic moments and adventurous scenarios. For being so young, Balk does a tremendous job in keeping up to pace with the rest of her adult cast and that is a great feat considering the plethora of talent on hand.

Surrounding Balk's central role is an assortment of memorable characters and iconic actors, all bringing their own special touches to the feature. Diana Rigg of The Avengers fame takes on the role of Miss Constance Hardbroom, the intimidating and no nonsense instructor with a heart of ice. Charlotte Rae does double duty as a pair of twin witches named Miss Cackle and Agatha Cackle. The contrast between these two characters are like night and day, as Miss Cackle is kind and soft spoken while Agatha is something of a loud mouth slob. Rae does a magnificent job balancing the two and both iterations are highly entertaining. Lastly, and definitely not least, is Tim Curry as The Grand Wizard, a famous sorcerer with a penchant for theatrics. Being a long time fan of Curry's work, I have to say that his appearance in this movie is without a doubt my favorite part of the flick. As The Grand Wizard, Curry is outrageous and particularly nutty and I wouldn't want it any other way.


As for the overall package of The Worst Witch, the film has a plentiful array of interesting aspects going for it. Though it is obviously low budget and made for TV, it still has a tremendous charm to it, allowing for the quirky details of the production to solidify it as an entertaining slice of holiday fun. The school for witches in particular is filled with outlandish ideas and silly curriculum which seem prophetic in their relation to the Harry Potter series. Obviously someone must have been paying attention to this little made for TV movie when culling ideas for their lucrative book series, I'm looking at you J.K. Rowling!

The particular appeal of this obscure gem is its saturated Halloween style. Immersed in the holiday, the film thrives on all things that make the Halloween season so much fun. Cauldrons, witches, spells, mischief, it's all there and the film celebrates it with great fun and substantial silliness. The effects, though ridiculously dated, are what makes up the film's most enjoyable aspects as we are graciously gifted with one of the most extremely unusual music videos in the form of Tim Curry and one of the most wackiest green screen projections on the planet. Seriously, if you haven't seen this segment from the movie, then just stop reading this and search it out online as soon as possible. You have to see it to believe it. All in all, The Worst Witch is great holiday fun with a stupendous cast and an extremely weird sense of humor.


The Worst Witch is without a doubt, one of my most favorite of holiday specials. Admittedly idiotic, yet ridiculously fun, this low key effort embraces the Halloween spirit and just runs with it. Stooped in sub-par effects and drowning in cheesy performances, it is a made for TV feature that shouldn't be missed.

Fairuza Balk embodies the hopelessly clumsy witch Mildred Hubble, and her innocent performance and genuinely sympathetic turn gives a great deal to the enjoyability of the flick. Diana Rigg, Charlotte Rae, and Tim Curry are absolutely wild in their individual roles, with Curry taking the cake as the most absurd and watchable. Though his appearance is little more then a glorified cameo, he still leaves a lasting impression on the overall film, which will stay with you long after. As a yearly staple in my personal Halloween viewings, I can't recommend this one enough. Maybe you need the nostalgia factor to get you through something like this or maybe it can only appeal to someone who is a child at heart, but even if you don't factor into either of these categories you have to admit that this production is off the wall bonkers. To me, that's all I need on a cold October night. The Worst Witch is.....


Miss Hardbroom thinks you are a LOSER!

Stand in awe at the film's unbelievable special effects!

I think Miss Cackle is up to something.

Agatha hates close-talkers.

Shit! It's one of those Harry Potter street gangs!

You are the Worst Pig.

Best... Photo... EVER!

Miss Hardbroom is about to smack a bitch!

Miss Hardbroom... you're so crazy!

Witch-School Staring Contest..... GO!

If I saw this flying through the air, I'd shit my pants.

This picture is.... HAIRY... SCARY.... CREEPY.... CRAWLY!

Mildred Hubble, the saddest witch in the world.

Oh my goodness! Looks like someone left a little poo on the counter.

Agatha is evil, wicked and cruel...... Don't forget psychotic!

Probably the greatest ending ever! Just saying.

Sunday, August 11, 2013

REVIEW: Maximum Overdrive


Maximum Overdrive
Director: Stephen King
Year 1986

Maximum Overdrive is a ridiculously fun and entertaining film which blends horror, action, comedy and science fiction, into one total package which thrills to no end. Directed by the legendary horror novelist and first-time filmmaker Stephen King, the movie takes an airy approach to the material, opting to engage in a campy interpretation of some rather extraordinary events. Basking in a tongue in cheek attitude, yet played entirely serious, Maximum Overdrive is a curious gem which goes against the grain and the stereotype of its famous author and creator. In its unorthodox approach the film plunges forward into a mad-cap world filled with interesting characters, otherworldly situations, and absurdly dark filled humor. As Stephen King's one and only attempt at film-making, I have to say that he came and went with one hell of a bang.

The film opens to a string of strange events where machines begin to rise up and attack their human creators. Coinciding with the appearance of a mysterious rogue comet which is passing the Earth, the planet is suddenly and violently thrown into chaos as man and machine clash, sending humans on a crash course to extinction. Surrounded by an army of various vehicular monstrosities, a small group of survivors hold up in a truck stop as they desperately try to come to terms with these most unexpected turn of events. Armed with their wits and a few surprises in the form of fire-power, the motley group band together in order to survive this nightmarish reality. A reality where creations hunt their creators.


Emilio Estevez plays the role of Bill Robinson, a troubled youth whose rotten job at a gas station is about to get a whole hell of a lot worse. Estevez is exceptionally great in this role as he plays off of the campy elements of the film with sincere affection and validity. Bare in mind that there is nothing Oscar worthy in his performance, but it is the sheer fact that he gives the material respect and injects a sense of fun into the proceedings without bogging it down with the usual camp trappings and unintentional winks to the audience. He is immersed and engaged in this world through and through, and it does wonders for allowing the viewer to get wrapped up in all of the shenanigans and come along for the ride. Estevez plays a great underdog in the flick and his enthusiasm helps to up the fun factor tremendously, without pushing the movie and his performance into camp territory.

Of course this is not a one man show and the assortment of characters that inhabit this movie are as diverse as they are amusing. Laura Harrington plays Brett, a drifter who just so happens to be at the truck stop the very instant the shit hits the fan. She's feisty and highly capable, and her role in the film is quite a substantial one as she is paired with Estevez's character as the story begins to escalate. Another great paring of the flick is Yeardley Smith and John Short as the newlyweds, Connie and Curtis. These two are a riot, as they bicker and react to all that is going on, often plunging into some rather comical and memorable moments. It was also interesting to see Short's Curtis character grow, from a quiet and conservative guy with a nagging wife, to a daring badass, of course also with a nagging wife. The rest of the cast is equally impressive with Pat Hingle playing the scumbag owner of the truck stop Bubba Hendershot, Ellen McElduff taking on the role of the spirited waitress Wanda June, Christopher Murney playing the sleazy salesman Camp Loman, and Holter Graham taking on the role of the young heroic kid Deke Keller. All in all, it's not hard to see why this movie is so damn enjoyable and the cast nail their roles to perfection.


As for the tone and atmosphere of the film, it is a mixture of foreboding moments and whimsical adventure. Stephen King infused the soundtrack of the movie with the very distinct sound of the rock band AC/DC, giving the production a strangely catchy soundscape to display its carnage and comically infused antics against. It is an unusual mixture that I'm sure isn't for everyone, but for myself I found the combination to be extremely entertaining and tons of fun. In fact the soundtrack is so vivid against the imagery in this film that I find myself replaying the movie in my head whenever certain AC/DC songs come on the radio. With this whimsical approach, you lose a great deal of horror from what is essentially a horror driven story, but in the end the added absurdity only amplifies the charm of the movie.

The main location of the film, centered around the truck stop, is also another asset of the production. I've always been a fan of George Romero's original Night of the Living Dead and the fact that an ensemble cast of characters are trapped in a farmhouse surrounded by the walking dead, and essentially we have that same plot playing out in Maximum Overdrive. Instead of zombies though, we have massive trucks and various machines attempting to overcome our main characters, and I thoroughly enjoyed that interesting twist on the genre staple. The combination of that and the added dark humor of the film is enough to get my attention, and when you add that with the extremely realized characters of the movie you've got yourself the perfect ingredients for one hell of a good time.


Maximum Overdrive is a demented amalgam of genre film elements that combine to make an irresistible hybrid flick that entertains more than it horrifies. Unique and unfaltering, this obscure gem opts to tread lightly on the horror aspects of its story and instead focus on its more outlandish and diverse world. With its Rock interlaced soundtrack and adventurous nature, Maximum Overdrive comes off as a sci-fi adventure more than anything and that's alright by me. Having not read the short story, Trucks, that it is based on, I had no preconceived ideas on what the movie should or shouldn't have been, allowing for me to just sit back and enjoy the ride.

What really makes this film work though is the inclusion of a highly capable cast that is as colorful as the movie's premise. As the film veers from its horror origins, it relies on its lively characters to take the reigns and steer it to its course, and from that perspective it succeeds tremendously. Across the board the cast carries the film, as the story focuses on their trials and tribulations as they struggle to survive this most unusual turn of events. It is a peculiar choice on director Stephen King's part, seeing that he is an almost exclusively horror-centric writer, but in my opinion the gamble paid off for I am always and will forever be enthralled with this camp classic. Maximum Overdrive is without a doubt.....


What are you looking at weirdo?

God NO! Not her melons! Not her beautiful melons!

What do you think you're doing you little shit? WE MADE YOU!!!!

Now that's a crotch shot!

Your hat looks stupid. Look who's talking.

The crew couldn't stand how Emilio sipped his tea.

And so began Emilio's life long fear of clowns.

Hey! Fuck you too buddy!

Say hello to Bubba's big friend!

Curtis! I have to take a pee!!!!!

So that's where all the powdered donuts went you little sneaks.

Who knew that Wanda June was a fan of opera? Sing it girl!

Yeeeehaawwww!!!

Bubba sure does love him some rockets.

This guy is a real prick!

Damn! That goblin truck needs some Visine Drops.

I would kill to see this price the next time I get gas!

Well there goes the neighborhood. WE MADE YOU!!!!!!