Mongolian Morin Khuur

  

World Music Library
Mongolian Morin Khuur

Chi Bulico
1993

Tracks:
  
01. Jusrei
02. Tumen Aktiin Toborgoon
03. Buu Jinhua
04. Muserei
05. Oyoodai
06. Cinggis un Hoyar Jagal
07. Nonjaa
08. Gada Meyiren
09. Ganggan Har-A
10. Danabal
11. Yang Yalga
12. Ordus un Habur
13. Mandah Nara
14. Gurban Sayihan Heer

 

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Chi Bulico plays the Morin Khuur - a two string fiddle popular in Mongolia.

Chi Bulico 齊寶力高, also spelled Chi Bulag, or Ci Bu-Lag, or Qi Baoligao.

He has many other great recordings, featuring many of his compositions, especially for the Matouqin (Morin Khuur) orchestra that have become standard songs in Mongolia.

The Morin Khuur is the typical musical instrument of the Inner Mongolian Autonomous Region...the instrument is a beautiful one and is carved out of a horse skull...

 

  

The morin huur, or Ma Tou Qin in Chinese, is a traditional Mongolian stringed instrument. It is hugely popular among Mongolian people. Almost every Mongolian knows about the living Buddha that plays it. His name is Chi Bulag. Yao Yongmei has the story.

The morin huur is a Mongolian bowed stringed instrument. The name means fiddle with horse's head. It produces a sound which is poetically described as expansive and unrestrained, like a wild horse neighing, or like a breeze in the grasslands. It is the most important musical instrument of the Mongolian people.

This melody is played by Chuur, the name given to an old morin huur, which has a history dating back some five hundred years.

The performer Chi Bulag is one of the very few folk artists who can play the ancient music instrument. He also happens to be the most famous morin huur master in the world.

"People call me the master of the morin huur. That's a great honour. But I'm still myself, an ordinary man who loves playing the instrument. I'm 65 years old now, and I have been playing the morin huur for 58 years."

In 1944, Chi Bulag was born in a small village on Horchin grassland in North China's Inner Mongolia Autonomous Region. At the age of three, he moved into a lama temple in Horchin as the chosen living Buddha of the temple. Here he good training in many disciplines, but it was music in which he excelled.

Without anyone teaching him, this little boy learned to play the morin huur all by himself. Many years later, deeply impressed by Chi Bulag's performance, he was enrolled by a local art troupe. Thus he began performing on stage.

Besides, performing, Chi Bulag also composes music, claiming that inspiration comes out of his blood.

This is "Wan Ma Ben Teng", or "Ten Thousand Horses Galloping ahead," one of the most famous artworks of Chi Bulag. He created the piece after watching a fierce horse race, in which one horse blundered over the finishing line and then collapsed and died because of overstraining itself. Listening to the music, you can feel the force of the battle as the tone rises and falls.

To introduce more passion into the sound produced by the morin huur, Chi Bulag modified the fiddle's design. Thanks to his efforts, the morin huur now has a wider range and a louder volume. Chi Bulag proudly says the morin huur he made can play almost every kind of music.

Performing in many countries, Chi Bulag says he's received a warm welcome from every city he's visited and now has over 20 thousand students worldwide. He says nothing will stop him playing the morin huur, and spreading the sound of peace to all four corners of the world.

source

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Living Buddha

  

World Morin Hoor Master: Chi Bulag

Wild Horse Morin Hoor Troop

The Golden Hall of Vienna

2005

Tracks:

01. Krzysztof Moron River
02. Rising Sun
03. Dances and Song
04. Mongolian Dance
05. Recall Song
06. Ordos Plateau
07. Eagle River Palace
08. Blue Lullaby
09. Pentium Mustang
10. Fantasia
11. Mongolian Lullaby
12. Genghis Khan's Two Horses
13. Bird Song
14. Ga Da Mei Lin
15. Full Steam Ahead

   

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♫☆`*♥¸¸.•*¨*•☆♫`*♥¸¸.•*¨*•♫

  

On August 16th in 2005 world morin khuur Master: Chi Bulag with Wild Horse Morin Hoor Troop
played in Vienna's Musikverein Golden Hall, they finally made it...  :)

  

  

Chi Bulico, Master of the Horse-head Fiddle

 

Chi Bulico 齊寶力高, also spelled Ci Bulag, or Ci Bu-Lag, or Qi Baoligao.

In 1907, a Japanese scholar mentioned an instrument in his journal describing it as a chordophone with a horse head carved on the top. He called it a Matouqin, literally translated as horse-head fiddle in English. A symbol of Mongolian ethnicity, the horse-head fiddle has been played by Mongols for centuries. Chi Bulico, an artist who has been playing the horse-head fiddle for more than 50 years, has brought about significant changes in the development of the ancient instrument.

The horse-head fiddle was called Morin Khuur in Mongolian, and gained popularity among Mongols in the 13th century. The resonant and far-reaching sound made by the fiddle is described as "a wild horse neighing" or "a breeze in the grasslands". Some even say the notes produced by the instrument paint a better picture of the grasslands than any painter or poet. The horse-head fiddle is indeed considered the most important musical instrument of the Mongolian people.

The descendant of Jochi, the eldest son of Genghis Khan, Chi Bulico was born in 1944, and was made a living Buddha when he was 3 years old. At an early age, Chi Bulico showed his talent in music through his exquisite sense of sound.

"In the summer, the telephone lines set up on the grassland buzzed while they swayed in the endless winds. During the winter, the frozen lines made strident sounds. I was enchanted by all the different sounds in the grasslands, and could spend days listening to them. The first time I heard the music of a horse-head fiddle on the radio, I was deeply touched. My heart began to beat faster when I heard the instrument. It will always do, until the day I die."

At the age of seven, Chi Bulico got his first two instruments called "Chao Er" and "Si Hu" from his father. And he was able to play several dozens pieces of music with other folk artists the next year even without knowing the scores. After learning from a horse-head fiddle master San Duren, Chi Bulico got a much better understanding of music and the instrument.

In 1970s, Chi Bulico made several improvements to the ancient horse-head fiddle, and modernized it so that it could be used in the symphony orchestra. According to Chi Bulico, his ideas were inspired by the legendary Italian violin master Niccolò Paganini.

"I admire Paganini the most. He took violin playing to the next level using his knowledge of the guitar. And I improved the horse-head fiddle using the violin. The improved bow can now play many different tunes. If I had not learned the violin, there would not have been these new techniques of playing the horse-head fiddle now."

With only two strings, the current horse-head fiddle can make quite a number of fascinating sounds.

Although he has never entered middle school or learned composing, Chi Bulico is considered the master of the horse-head fiddle. His playing skills are the standards of teaching materials today and over 80 percent of fiddle music has been written by him. Using just three notes - Do, Re and Mi - he has managed to compose a song that is 15 minutes long.

"I don't compose music according to the music theory. I compose because I am moved by the melody. I use different tunes to express my feelings and emotions."

In the eyes of others, Chi Bulico's performances are replete with expressions and emotion. Miyazaki Emi from Japan is one of them and is learning horse-head fiddle from Chi Bulico.

"My master is true to his feelings. Happiness, anger, loneliness... Whatever he feels, he expresses through his performance, holding nothing back."

In 2001, Chi Bulico created a Guinness World Record by performing a piece called Galloping Horses together with 1,000 horse-head fiddle players. And the once solo instrument became suitable for tutti.

Today, Chi Bulico has a collection of over 100 horse-head fiddles, among which the oldest one is an ancient fiddle he spent 28 years to get. It is considered the oldest fiddle existing in the world. Many people ask to leave their horse-head fiddles with Chi Bulico for a while, because it is said that will improve the timbre of the instrument.

Once a living Buddha in Inner Mongolia, Chi Bulico is still esteemed by many Mongols. However, he holds a different view of the Buddha.

"In my opinion, the real Buddha is the one who serves and helps the people. I play the horse-head fiddle with all my energy for the people, and they like it. I think that's what a living Buddha should do."

  

source

 

  

Morin Khuur

  

Even though the morin huur does not own a long history, its direct predecessor Chuurqin has a long history. In Tang dynasty (600s~800s), when the ethnic Mongols were still a branch of Shiwei people, there appeared to be records of huqin. In Northern Song dynasty, when the Mongols are forming, horse-tail huqin (馬尾胡琴) appears. Since then, the chuur fiddle has been separated from general huqin till now.

One legend about the origin of the morin khuur is that a shepherd named Namjil the Cuckoo received the gift of a flying horse; he would mount it at night and fly to meet his beloved. A jealous woman had the horse’s wings cut off, so that the horse fell from the air and died. The grieving shepherd made a horsehead fiddle from the now-wingless horse's skin and tail hair, and used it to play poignant songs about his horse.

Another legend credits the invention of the morin khuur to a boy named Sükhe (or Suho). After a wicked lord slew the boy's prized white horse, the horse's spirit came to Sükhe in a dream and instructed him to make an instrument from the horse's body, so the two could still be together and neither would be lonely. So the first morin khuur was assembled, with horse bones as its neck, horsehair strings, horse skin covering its wooden soundbox, and its scroll carved into the shape of a horse head.

Chinese history credits the evolution of the matouqin from the xiqin (奚琴), a family of instruments found around the Shar Mören River valley (not to be confused with the Yellow River) in what is now Inner Mongolia. It was originally associated with the Xi people. In 1105 (during the Northern Song Dynasty), it was described as a foreign, two-stringed lute in an encyclopedic work on music called Yue Shu by Chen Yang. In Inner Mongolia, the matouqin is classified in the huqin family, which also includes the erhu.

The fact that most of the eastern Turkic neighbors of the Mongols possess similar horse hair instruments (such as the Tuvan igil, the Kazakh kobyz, or the Kyrgyz Kyl kyyak), though not western Turkic, may point to a possible origin amongst peoples that once inhabited the Mongolian Steppe, and migrated to what is now Tuva, Kazakhstan and Kyrgyzstan.

wiki

 

  

In 2001, Chi Bulico created a Guinness World Record by performing a piece called Galloping Horses together with 1,000 horse-head fiddle players...  : )

want to read some more?

 

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