Showing posts with label Los Munequitos de Matanzas. Show all posts
Showing posts with label Los Munequitos de Matanzas. Show all posts

5.6.10

Rumba 2

    
Los Muñequitos De Matanzas
Vacunao
Qbadisc 1995
 
Tracks:
 
01 - Vale Todo [5:51]
02 - Ese Senor [4:04]
03 - El Tahonero [4:44]
04 - No Quiero Problemas [2:46]
05 - Wenva [1:40]
06 - Abakua Makonica [5:50]
07 - Saludo A Nueva York [4:16]
08 - Lengua De Obbara [6:09]
09 - El Jardin [4:13]
10 - Sarabanda [4:31
    
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Los Muñequitos de Matanzas

 
Formed in 1952, this stellar rumba group is famous throughout Cuba.  They also charmed audiences everywhere in the US on their first, second, and third US tours, in 1992, 1996, and 1998.   They were back in August, 1999, in the Spring of 2000, again in 2001, and for the last time in the US, in 2002, after which George Bush blocked them.
  
  The group got its start in 1952 a bar in Barrio Marina in Matanzas, Cuba, when a group of youths began following the rhythms of a song by Arsenio Rodríguez that was then playing, using dishes and bottles, as is the style in "kitchen rumbas."  Then and there they decided to create a group to play in fiestas and dances in the barrio, contacting a professional musician, Florencio Calle "Catalino." Their emphasis was on rumba in its three variants - el yambú (from Matanzas), a slow rhythm danced by couples, la columbia, a rural which men alone would dance as it is sometimes done with knives, and el guaguancó, which is contemporary urban rumba.  All these variants are based on percussion, with instruments such as clave, la catá, la guagua, la maruga, las congas and even the batá.
  
At the beginning, the group was called Guaguancó Matancero, and was made up of Florencio Calle, Gregorio Díaz, Angel Pellado, Ernesto Torriente, Juan Mesa, Hortensio Alfonso, Esteban Lantri and Pablo Mesa, percusionists all. They recorded their first record in 1953 under this name and it included on one side "Los beodos" and on the other "Los muñequitos en la calle". This last song which dealt with characters from comic strips in Cuba proved to be very popular and people started calling them los Muñequitos de Matanzas, which became their name.  They recorded for the Puchito label before the revolution and since have made many records with the state company Egrem, always giving percussion the most important role.  Many members have come and gone through the group over the years and today there are three generations in the group, considered by many the most important rumba group in Cuba.  The current director is Diosdado Ramos Cruz.
 
Los Muñequitos de Matanzas are part of the living legend of African music in Cuba, and they remain very close to their Abakuá (Efik/Efo) roots. Most members are also members of an Abakuá potencia, or lodge.
 
 
    "This is a classic album from munequitos de matanzas .There are great songs like "Weva","vale todo" and "No qiero problemas" If you are going to acquire this album you need to know a little about traditional folkloric Cuban music e.g Guaguanco,abakua and palo.I would recommend this to anyone into Rumba and beginners into the (traditional) latin music."
 
    "I agree with the first reviewer of this album by Los Muñequitos De Matanzas, this is certainly a very 'pleasant surprise.' Vacunao is in my opinion pure heaven to listen to. Recording quality is immaculate. This is my second most favorite album from Muñequitos right next to Rumba Caliente, my number one pick! Vacunao is an absolute must have. Period."
       
  

Rumba

    
Ned Sublette
Cowboy Rumba
1999
   
Tracks:
   
1. Ghost Riders in the Sky  
2. Cheaters' Motel  
3. Feelin' No Pain - (featuring NG la Banda)  
4. That Sad Love Song  
5. Her Point of View  
6. Ready to Be  
7. Something to Lose - (featuring Yomo Toro & Lloyd Maines)  
8. Not Fade Away - (featuring Los Munequitos de Matanzas)  
9. Que Electricidad - (featuring NG la Banda)  
10. Cowboy Rumba
  
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A co-founder of Qbadisc, Ned is an artist in his own right and created the cowboy rumba style, a fusion of rumba and country & western. He is a University of New Mexico graduate and a 2003-2004 fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library, as well as a 2004-2005 Tulane Rockefeller Humanities Fellow in New Orleans. He has led a number of music and culture seminars for Americans in Cuba and is the producer of the 18 part Cuba Connection series on PRI's Afropop Worldwide.
 
Ned will always be remembered among los Muñequitos fans for his stellar role in getting them well known and on tour.
 
Cowboy Rumba was #1 on a number of latin stations
 
From Rykodisc:
 
    Ned Sublette was born in 1951 in Lubbock, Texas.  Bilingual in English and Spanish since childhood, he grew up in Louisiana, Texas and New Mexico and moved to New York in 1976. His range of musical experience is unusually broad, ranging from original musicological field work in New Mexico, to conservatory study in classical guitar and composition, to aggressive loud-guitar bands, to cutting-edge Latin music.  In the downtown New York new music scene of the 70s and 80s, he worked with artists ranging from John Cage to La Monte Young to Glenn Branca to Peter Gordon's Love of Life Orchestra.  In 1982, he started The Ned Sublette Band ("It wasn't country punk," he recalls, "because all the musicians could really play") with a gig at CBGBs. He became a fixture on the downtown New York club circuit, playing hundreds of gigs with a rotating cast of New York's best players at such notorious and legendary nightspots as Danceteria, the Pyramid Cocktail Lounge, Tramps (the old one) and the Lone Star Cafe.  
 
    By the mid-80s he gravitated toward the salsa scene ("It was the best music in town," he says) and his inspirations grew increasingly Latin.  In January 1990, he traveled to Cuba for the first time and was inspired to co-found Qbadisc, the first American record label dedicated to marketing contemporary Cuban music in the U.S. He was soon recognized as a major U.S. advocate for Cuban music, introducing American audiences to Cuban artists as diverse as Los Muñequitos De Matanzas and NG La Banda as well as Celina González, Issac Delgado, Carlos Varela and Orlando "Maraca" Valle.  In 1998,he also produced the outstanding debut album by the New York-based Puerto Rican group Viento De Agua, and for seven years, he served as senior co-producer of Afropop Worldwide, heard over Public Radio International. He is currently working on a book about Cuban music.
 
    Singer-songwriter-guitarist-bandleader-producer, Ned Sublette is one of the most original figures on the New York music scene, and COWBOY RUMBA (PALMCD2020-2), his debut solo album on Palm Pictures, is equally, and exquisitely, unique.  COWBOY RUMBA is just what the name implies: Ned's lyrics, compositions and vocals combine with a dream team of all-star musicians from Cuba, the Dominican Republic, Puerto Rico, the New York salsa scene and . . . Texas, for an utterly danceable ride.
   
     
 


"At first I didn't know what to think.   People all around me are swearing by this record.   "Man this sounds really good!", are the words coming out of individuals that I really respect and admire.   All I could ask at the time was, "Man are you serious?   You've got to be kidding me?   The guy sings and sounds like a country western guy singing salsa!"   Exactly, that's the idea!   "What?!   I don't understand?   Is this supposed to be cool?   It's corny if you ask me!   I mean, what is this?!...".. ..¸¸.•*¨*•♫