Showing posts with label Jorma Kaukonen. Show all posts
Showing posts with label Jorma Kaukonen. Show all posts

22.8.13

Tumbalalaika...

  
Margot Leverett and
The Klezmer Mountain Boys
2nd Avenue Square Dance
2008

Tracks:


01. Farmer s Market
02. Stoney Lonesome
03. Electric Kugel
04. Second Avenue Square Dance
05. Ternura (by K-Ximbinho)
06. Little Moses
07. Sidney s Tsveyte Bulgar
08. Calgary Reel
09. Geena's Dream
10. Come Along Jody
11. Tumbalalaika
12. Boreasca
13. Mississippi Waltz
14. Lee Highway Blues
15. High Lonesome Honga
16. Abe s Retreat
17. Zaydn s Tants
18. Porges Waltz

Featuring:

Margot Leverett, Barry Mitterhoff, Kenny Kosek, Joe Selly, Marty Confurius.

With guest artists:

 Jorma Kaukonen, Hazel Dickens, Tony Trischka, Darol Anger, Mike Marshall, David Grier, Bryn Bright, Carlos Oliviera, Hankus Netsky, Dudley Connell, Ronnie Simpkins, David Licht, Bobby Shankin.

   
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 "Klezmer and bluegrass sound as if they were meant to be combined. At least that's the conclusion after listening to this terrific album. Leverett & the Klezmer Mountain Boys have given us a wonderful gift Dirty Linen “Master 're-arranger' Margot Leverett gently whisks listeners from the Black Mountains to Mount Sinai. There is plenty of toe-tapping (if not foot-stomping) fun." Hadassah Magazine “The Klezmer Mountain Boys will stun and delight you...borscht and grits never tasted so good." Cafe Guide Clarinetist, Margot Leverett & The Klezmer Mountain Boys expand their repertoire beyond Bluegrass and Klezmer, exploring new dimensions of Rock, Jazz, Latin and American folk music. While continuing their unique, hybrid interpretations of standards made famous by Bill Monroe and Dave Tarras, Second Ave. Square Dance features guest appearances by electric guitarist, Jorma Kaukonen of Jefferson Airplane and Hot Tuna fame, legendary folk singer Hazel Dickens, banjo virtuoso Tony Trischka and a host of musical friends from around the world, including Darol Anger, David Grier, Mike Marshall, David Licht, Hankus Netsky, Carlos Oliviera, Dudley Connell, Ronnie Simpkins, and Bobby Shankin. Special Guest - Jorma Kaukonen (of Jefferson Airplane and Hot Tuna fame) explores his Jewish Roots!! Barry Mitterhoff mandolin, Kenny Kosek violin, Marty Confurius bass, Joe Selly guitar 1. Farmer’s Market 2. Stoney Lonesome 3. Electric Kugel 4. Second Avenue Square Dance 5. Ternura 6. Little Moses 7. Sidney’s Tsveyte Bulgar 8. Calgary Reel 9. Geena’s Dream 10. Come Along Jody 11. Tumbalalaika 12. Boreasca 13. Mississippi Waltz 14. Lee Highway Blues 15. High Lonesome Honga 16. Abe’s Retreat 17. Zaydn’s Tants 18. Porges Waltz How did a Rock star, American Folk singer and a host of jazz and folk virtuosos end up on a Klezmer record? Or is it a Klezmer record?! Jorma Kaukonen plays regularly with mandolinist, Barry Mitterhoff in their trio “Hot Tuna.” When Jorma heard the stuff Barry was doing with The Klezmer Mt. Boys, he was intrigued. Besides, Jorma has Jewish ancestry on his mother’s side which has been until now, musically unexplored. Working with Klezmer clarinetist, Margot Leveret, Kaukonen learned some of the ornaments and stylistic melodies of Klezmer. He combined those with his own rock sensibilities and they came up with a doina (improvisation traditionally played at a Jewish wedding) renamed Electric Kugel (track 3), followed by at traditional sounding bulgar (festive dance) called Farmer’s Market (track 4). Tumbalalika (track 11) showcases Jorma’s slower sensitivity on acoustic guitar. America’s banjo virtuoso, Tony Trischka has appeared with virtually every Bluegrass musician of note. He is recognized as the teacher of Bela Fleck and is known for appearances on Garrison Keillor’s Prairie Home Companion, Mountain Stage, From Our Front Porch, and other radio shows. In the late 90s, Trischka teamed up with David Grier, Darol Anger, Mike Marshall, and Todd Phillips as “Psychograss” and formed a new band, whose debut album Bend explored yet more territory uncharted by banjo. In January 2007 Tony released, to critical and popular acclaim, Double Banjo Bluegrass Spectacular, featuring new music and performances by a stellar line-up of musicians including Earl Scruggs, Bela Fleck and even the multi-talented Steve Martin. On April 26, 2007, he performed live on The Late Show With David Letterman with Steve Martin and BÈla Fleck. That year, he won his three nominations at the International Bluegrass Music Awards; for Album of the Year, Recorded Event of the Year and Banjo Player of the Year. This was some long-deserved recognition for Tony and marked a homecoming to the bluegrass community. As a friend of the Klezmer Mt. Boys, he graces many tunes with stunning banjo solos including Bill Monroe’s Stoney Lonesome (track 2) & Tex Logan’s Come Along Jody (track 10). Hazel Dickens, one of America’s foremost Bluegrass singers became nationally renowned when she was featured in the documentary “Harlan County USA.” Born in 1935 in West Virginia, she became known for her pro-union, feminist songs, besides one of the few women band leaders in Bluegrass with two noteworthy albums recorded on Folkways label: "Who's That Knocking (And Other Bluegrass Country Music) (1965)" and "Won't You Come & Sing for Me (1973)" She performs the only vocal song on the CD, Little Moses (track 6) which features her raw, folk style in a religious folk ballad made famous by the Carter family in the 1920’s. Away by the river so clear, The ladies were winding their way, And Pharaoh's little daughter stepped down in the water To bathe in the cool of the day. Before it was dark she opened the ark And found the sweet infant was there. And away by the waters so blue, The infant was lonely and sad. She took him in pity and thought him so pretty , it made little Moses so glad. She called him her own, her beautiful son and sent for a nurse that was near. And away by the river so clear, They carried the beautiful child, To his own tender mother, his sister and brother, Little Moses looked happy and smiled. His mother so good done all that she could to rear him and teach him with care. And away by the sea that was red, Little Moses the servant of God, While in him confided, the sea was divided, As upward he lifted his rod. The Jews safely crossed while Pharaoh's host was drownded in the waters and lost. The Jews safely crossed while Pharaoh's host was drownded in the waters and lost. And away on the mountain so high, The last one that ever might see, While Israel victorious, his hope was most glorious he'd soon o'er the Jordan be free. When his labor did cease, he departed in peace and rested in the Heavens above. The Ensemble Margot Leverett, (clarinet) is one of the foremost of the new generation of klezmer clarinetists. Classically trained at Indiana University School of Music, she was involved in avant-garde music when she first heard klezmer, the dynamic East European music traditionally played at Jewish weddings. Leverett was a founding member of the Klezmatics in 1985 before moving on to launch a solo career. Her first CD, “The Art of Klezmer Clarinet,” is a tribute to classic Klezmer of the 20’s and 30’s, and was released in 2001 on Traditional Crossroads (CD4296) to glowing reviews. She tours internationally and has performed and taught traditional and original klezmer music at festivals and workshops around the world. In addition to founding and directing the Klezmer Mountain Boys, Margot Leverett performs with Udi Bar-David and the artists of Intercultural Journeys, a concert and cultural organization to promote intercultural dialogue. They are featured guest artists with the Philadelphia Orchestra this year www.philorch.org. Margot has toured Japan twice with The New York Ragtime Orchestra and has been featured in several Off-Broadway productions. Leverett was a staff instructor at KlezKamp for over 10 years and has also taught at KlezKanada, Klezkamp West, Klezmerquerque, and at colleges, music festivals, and Jewish organizations across the country. She leads open klezmer jam sessions at her synagogue in Queens www.AstoriaCenter.org and around the world. Marty Confurius (bass) has appeared with virtually all the top people in both bluegrass and klezmer music. His credits include work with Vassar Clements, Bela Fleck, Jerry Douglas, Andy Statman, and klezmer legend Dave Tarras. Joe Selly (guitar) has appeared with Phoebe Snow, Vassar Clements, Barbara Eden, Melissa Manchester and Tex Logan and toured nationally with the Lombardo Orchestra. He is featured on countless recordings and is in demand as both performer and instructor in bluegrass, jazz and swing. Kenny Kosek (fiddle) has appeared with Jerry Garcia, John Denver, James Taylor, David Byrne, and his own Angelwood bluegrass band. He appears on numerous recordings, and has published dozens of instructional books. He is the bluegrass instructor for Homespun videos and is well known in Bluegrass, Irish, country western, and rock and roll violin. Barry Mitterhoff (mandolin/guitar) is a leading figure in bluegrass music as well as klezmer. He has played with Tony Trischka and Skyline, John Gorka, Jorma Kaukonen and Hazel Dickens. He has been a featured performer at Carnegie Hall, Alice Tully Hall, Merkin Hall, the White House, the Library of Congress, and the Telluride Bluegrass Festival as well as bluegrass festivals across the country and Canada.

  
  

7.1.11

Jorma

  
Jorma Kaukonen
River of Time

2009

Tracks:

01. "Been So Long" (Jorma Kaukonen) – 3:58
02. "There's a Bright Side Somewhere" (Rev. Gary Davis) – 3:01
03. "Cracks in the Finish" (Kaukonen) – 3:30
04. "Another Man Done a Full Go Round" (Roy Book Binder) – 3:39
05. "Trouble In Mind" (Traditional) – 3:25
06. "Izze's Lullaby" (Kaukonen) – 3:32
07. "More Than My Old Guitar" (Merle Haggard) – 3:45
08. "Nashville Blues" (Alton Delmore, Raybon Delmore) – 3:23
09. "A Walk with Friends" (Kaukonen, Barry Mitterhoff, Larry Campbell) – 4:33
10. "Operator" (Ron McKernan) – 3:48
11. "Preachin on the Old Camp Ground" (Mississippi John Hurt) – 3:48
12. "River of Time" (Kaukonen) – 2:56
13. "Simpler Than I Thought" (Kaukonen) – 6:10

Personnel:

    * Jorma Kaukonen – guitars, vocals
    * Larry Campbell – guitar, baritone guitar, tenor guitar, resophonic guitar, fiddle, dobro, mandolin, cittern, percussion, producer
    * Barry Mitterhoff – banjo, mandolin, tenor guitar
    * Lincoln Schleifer – bass
    * Levon Helm – drums on "Cracks in the Finish" and "Trouble in Mind"
    * Teresa Williams – vocals on "More Than My Old Guitar", "Nashville Blues" and "Preachin' on the Old Camp Ground"
    * Myron Hart – bass on "More Than My Old Guitar" and "Nashville Blues", vocals on "Preachin' on the Old Camp Ground"
    * Justin Guip – drums on "More Than My Old Guitar", "Nashville Blues", and "Operator"
 
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While America was in the throes of rock & roll's dawn, his ears were elsewhere as a devotee of acoustic bluesmen of the past. After relocation to San Francisco, he was one of the first to back another recent arrival (from Texas) named Janis Joplin. As founding member of Jefferson Airplane, he became pioneering architect of the guitar sound that became the genre Psychedelic Rock. His music became the soundtrack of the Counterculture and the Woodstock Generation, it's accompanying lifestyle / philosophy influenced millions. At the height of Airplane's fame as the most successful American rock band of the 1960s, he walked away to play roots music in Hot Tuna. The following decades he forged his own solo career and continued with Hot Tuna, was elected to the Rock & Roll Hall of Fame and founded the Fur Peace Guitar Ranch.

RIVER OF TIME is the perfect distillation of the journey, some 50 years after he bought his first guitar.

Produced by Larry Campbell (Dylan Band) at Levon Helm's Woodstock studio, RIVER features Levon on drums and a cast of stellar musicians including mandolin virtuoso Barry Mitterhoff. Campbell also plays and his wife Teresa Williams lends her outstanding vocal prowess.

Six of it's thirteen songs are Jorma originals, a prolific showcase with themes of family, friends and inspired memory throughout.

The album also revisits the blues and country music that Jorma first fell in love with in his youth, featuring bright new interpretations of Mississippi John Hurt, Merle Haggard and Rev. Gary Davis...and pays tribute to old friend "Pigpen" Ron McKernan on the Grateful Dead's "Operator." Whether reinterpreting classics or crafting new originals and shimmering instrumentals, RIVER OF TIME finds Jorma at the top of his game with inventive arrangements and his strongest songwriting to date.
 
 
Time has aged Kaukonen's voice into a warm, deep chestnut grain, his vocal approach to the songs ranging from an energetic whisper to a soulful drawl. Accompanied by his impressive guitarwork, which Kaukonen has honed to near perfection over the past five decades, the songs on River of Time are a near-perfect blend of Delta-inspired blues and dustbowl folk that is lively, thoughtful, and laid-back with a carefree energy that makes the album a real pleasure to hear.