A soulful instrument: Kokle

 

Various
99 Latvijas Kokles Jāņos
Dzied un spēlē labākie koklētāju ansambli
Best of Latvian Kokle at Midsummer's

2007

 

Tracks: 

 

01. Jandāls - 2:54
02. Man Atnāca Jāņu Diena - 2:20
03. Āvu, Āvu Baltas Kājas - 1:54
04. Jāņu Mātes Pagalmā - 1:47
05. Brālītis Un Māsiņa - 1:28
06. Kādi Ziedi Rudzīšam - 2:49
07. Bērzgales Polka - 2:53
08. Es Sakūru Uguntiņu - 4:27
09. Krustadancis - 2:10
10. Visu Gadu Dziesmas Krāju - 2:19
11. Tumša Nakte, Zaļa zāle - 2:58
12. Lūko Mani, Tautu Dēls - 1:35
13. Gatves Deja - 1:58
14. Ozolīti - Zemzarīti - 5:45
15. Tūdaliņ, Tāgadiņ - 1:25
16. Činku, Činku, Grabu Grab - 1:32
17. Kurg (Dzērve) - 1:33
18. Kumeliņi, Kumeliņi - 1:25
19. Pirmdienā`I Silta Saule - 2:30
20. Sārabumbāls - 2:08
21. Ekusēze (Diždancis) - 1:56
22. Divpadsmitdancis - 3:05
23. Ritenītis - 1:28
24. Jūdz, Tautieti, Kumeliņu - 3:25
25. Zvejnieciņš - 2:24
26. Svētdien Agri Bārenīte - 1:34
27. Ģērbies, Saule, Sudrabota - 1:04
28. Baltaitiņa Jūru Brida - 2:09
29. Saulīt' Vēlu Vakarā - 4:02
30. Līgotāji - 3:50
31. Tālu, Tālu Aiz Jūriņas - 4:49

 
♫☆`*♥¸¸.•*¨*•♫☆`*♥¸¸.•*¨*•☆♫

.ღ•:*´♥`*:•ღ. 

♫☆`*♥¸¸.•*¨*•☆♫`*♥¸¸.•*¨*•☆♫

  

 Latvia has a rich folklore heritage. While the country is predominantly Christian, many ancient pagan traditions still exist today. One of the most widely celebrated festivals is the summer solstice. This festival is celebrated in Latvia as well as the New Year.

  

KOKLE AND KOKLE PLAYING

Kokle is the most admired Latvian musical instrument today. Kokles are associated with the oldest, most studied tradition playing styles, but also with great innovation and creativity. There are grounds for believing that kokle playing was ritualistic by nature, and the instrument has some symbolic elements that associate it with mourning the dead and perceptions about the journeys of souls. Mythologically, the kokle is associated with the singing, "soul-inhabited" tree (the kokle was traditionally carved of wood). Mythologically, kokle, or "the golden kokle" is associated with the heavenly spheres and occupies the highest point in the hierarchy of instruments. People's memory holds a perception that "the kokle is from God". Modern kokle is a widely used and noted part of folk music heritage, a symbol of the spirit of folk singing. Although similar tools are known throughout Eastern Europe, from Prussian lands to Central Finland and Karelia, it has not discouraged the perception that the kokle expresses the unique Latvian identity.

Kokle tradition is believed to be more than two thousand years old. The oldest Latvian archaeological discovery related to the kokle comes from the 13th. century, the first written testimony from the early 17th century, but the oldest physical instrument - the so-called Cours lute, held at the Latvian National History Museum, goes back to the year 1710 (that year is carved on the bottom), when it became the property of Bokums family from Kurzeme.

Testimonies about kokle music are more recent: the first known tune was notated in 1891, but the first recordings and motion picture soundtracks are from the 1930s. The currently popular Kurzeme kokle repertoire consists of instrumental pieces, called "Dances", and song accompaniment. In Latgale the kokle repertoire includes songs and dance tunes along with an accompaniment of holy (spiritual) songs.

At the turn of the century, Latvian traditions of kokle playing were mostly lost and ancient instruments could be heard only in certain places in Kurzeme and Latgale. The revival is associated with the folklore movement of the 1970s and 1980s turned the spotlight onto the most ancient instruments untouched by modernization, including the kokle. Its known repertoire, as well as the living kokle playing tradition, as saved, for instance, by the Suiti kokle player John Poriķis, provided the basis for the renewal of this tradition. No less important to its revival were the musical possibilities the instrument presented. Above all, the kokle is an instrument that allows for great freedom. It can produce a gentle, sweet sound, but may also be disturbing and vehement. The number of kokle strings is just right, about the count of fingers of both hands. The basic number of tones is just as large, but they can be colored in many ways. Also kokle strings are considered free, because, unlike other stringed instruments - violins, guitars - the sound is not dampened by a bridge, which would directly connect them to the resonator. The kokle is a soulful instrument. It opens up best in silence, when the only listener is the player. The kokle responds to a variety of moods, it can express both excitement and melancholy.

Valdis Muktupāvels

 

source 

 

  

wiki

 

*♥*

 

 

The Kanklės Of The Soul

  

Algirdas Svidinskas
Vėlių kankliai
2000

Tracks:

01 - Improvizacija I
02 - Oi toli toli
03 - Improvizacija
04 - Šaliu šaliuokit
05 - Improvizacija III
06 - Aušta aušrela
07 - Improvizacija IV
08 - Vidury lauko
09 - Improvizacija V
10 - Improvizacija VI
11 - Oi seniai seniai
12 - Improvizacija VII
13 - Improvizacija VIII
14 - Pavasario dienely
15 - Improvizacija IX

  

♫☆`*♥¸¸.•*¨*•♫☆`*♥¸¸.•*¨*•☆♫

.ღ•:*´♥`*:•ღ. 

♫☆`*♥¸¸.•*¨*•☆♫`*♥¸¸.•*¨*•☆♫

  

 Algirdas Svidinskas grew in musical family. Mother learnt him folk songs, father – to play guitar with seven strings. With this instrument he performed valse and polka dances. He with family often sang in winter evenings, as he says, that evenings was the most impacted reminiscence from childhood. Ethnic culture and singing poetry – two music genres, which are closely concerned in his life. Folk – the energy of soul, and singing poetry lets to spray inner attitudes. Musicant, who plays guitar and Lithuanian stringed instrument, mostly sings with loud Upper Lithuanian dialect.

"I do not call myself nor poet, nor bard, nor folklorist. The main profession I got with birth – to be a human. If even one of my professions will overtake inborn, I will feel guilty. I spill in songs and poetry everything what is actual to me, what hurts, or what brings joy“, – says Algirdas Svidinska.

He has published his poesy collection „I was and I will be“. He is indrawn in national writers digest. Besides, he has recorded an improvisation with tradition Lithuanian stringed instrument in album format – „Vėlių kankliai“ and authoric dialectic songs „Kryžkela“.With the country group „Šulnys“ was published album „Unt Sartų“.
Algirdas Svidinska – member of lithuanian etno culture essemble, initiator of dialectal creation section. „I had to do some jobs in my life: before twelve years together with nephew we managed to restore famous Sartai horses racing to their historical place. Promoted in producing Rokiškis region etnoculture world by organizing folk ensemble „Gastauta“, with whom we organized calendar holiday events, expeditions of regional studies. I was one of „Ambrosia“ author and famous „Acacia avenue“ author of idea“ – says Algirdas Svidinskas.

source

  

The kanklės (pronounced [ˈkʌŋkles]) is a Lithuanian plucked string musical instrument (chordophone), of the zither family. The instrument is similar in construction and origin to the Latvian kokle, Russian gusli, Estonian kannel and Finnish kantele.

  

wiki
 
The psaltery is one of the oldest Lithuanian folk stringed instruments. Imformation about the psaltery can be found in Lithuanian folk songs, tales, legends often reaching the times when Lithuanians were pagans and believed that a man’s soul can dwell in a tree or in a psaltery and speak or sob in a man’s voice.

In the historical sources the psaltery is mentioned for the first time in the 16th century.
Taking into consideration the peculliarities of making, psalteries can be divided into three groups: primary, simple and complex. Gouged from one piece of wood, the primary psaltery is the most ancient and most primitive. The simple psaltery is also gouged from one piece of wood but it is larger, has more (from 9 to 12) strings, and, besides, it is made with greater artistry. The complex is glued up of separate parts: the ends, the sides, the soundboard and the back. The strings of the psaltery were made of catgut or iron or steel wire.

The characteristic features of the general construction of uhe Lithuanian psaltery are as follows. The body has the shape of a trapezoid. One end is narrower – here the strings are fastened. On the other-wider-end the pegs that stretch the strings are fixed. The wider end of the psaltery is cut obliquely: the acute angle is from 17degrees to 70 degrees, the obtuse angle from 100 degrees to 150 degrees. The slant narrows from right to left.

source

 
♥