Showing posts with label Buranbay. Show all posts
Showing posts with label Buranbay. Show all posts

13.2.13

Buranbay

  
Буранбай

 Пленительны напевы Буранбая, 
Им кажется нет края и конца. 
Сердца мужские кровью истекают, 
Внимая песням скорбного певца.

Buranbaya captivating melodies,
They think there is no edge or end.
Men's hearts blood expire
Listening to the mournful song singer.
(don't tell me google translations are not poetic... )

 
Buranbay
   

    When you are singing, Buranbay, 
    So very tuneful is your song. 
    Are deeply moved our country folk 
    To hear it sound sad and long.

        Buranbay, the son of Kotdos, lived in the 1800-ies. He came from the village of Buranbay of the Baimak district (the former village of Kinyabulat of the First Beryan volost of the Orenburg gubernia). 
        He was known to be a man of great vigour, strength and wit, a real batyr. He was also famed for his poetry, singing and playing the kurai flute. 
        He used to go hunting, and was a very skilful archer. He was blind in one eye. People sang about it: 

        Buranbay is blind, they say. 
        He can see but with one eye.

        His father's name was Zolkarnai, his wife's-Tutiygosh. They had a son named Noushirban. The present day Noushirvanovs are his descendants.  

        At that time the Makar forest on the right bank of the Hakmar was overgrown with larch and pine trees. Buranbay used larch trees to build a house for which he laid a foundation of twelve logs. 
        Buranbay was well-educated for his time, he could read and write in Arabic. He knew the art of hypnotizing people. He maintained his dignity with the rich and he always protected the poor. The neighborhood people respected him and sought his advice. The authorities feared Buranbay and tried to get rid of him. They sent a letter of complaint against him to Orenburg. He was summoned to Orenburg several times but he wouldn't obey and preferred to hide in the forest. At that time he met the Sibai cantonal chief and his assistant Ibrahim. For a whole year he roamed among the Irandek mountains, then on the river Uthan as he could not return home.  

        One night, however, Buranbay made up his mind to visit his village. It was April, the Hakmar river was flooded. When he came, he first greeted his wife who was milking cow, then put his horse in the shed and entered the house. The spies watching his place, noticed him come back and surrounded the house. But they failed to detect Buranbay and his horse in the shed because he had used hypnosis and they lost sight of him. In the morning he saddled his horse, bid farewell to his wife and was about to leave when his watchers who were still there rushed after him, trying to capture him. They made him ride close to the Hakmar bank. In the middle of the village there is a poplar tree. It was just opposite that tree that Buranbay managed to cross the river in spite of the drifting ice. Saying, "What an attaboy I am, Buranbay", he escaped by the Shonger road (the former Salt Way). Then he went to the Kaskyn Pine Wood (the forest near the village Shulka; the Kaskynovs come from here). He took his light axe that he used to carry tied to his belt and cut a song on a pine tree. Buranbay decided to leave the place forever. He went to Morak (the present day Kugarsen district) to the village of Ishbirtheh to his old friend Sufian. "I've left my native place", he said, "I've cut the words of my song on the Kaskyn Pine Tree. If you wish you can go there and copy the song before the resin melts in the sun", he said to the old man and left.  

        Buranbay reached the village of lthelbai and settled there. He married a woman from that village (it was about 1824). He gave his son the name of his firstborn from the Baimak district. 
        When old Sufian went to the pine tree the resin had already melted and covered the letters. He could make out some of them though. 

        It's only in the garden of Buranbay 
        That trees grow of a dozen kind.

        The further destiny of Buranbay is unknown except for one thing. When roaming in other lands he didn't call himself Buranbay but Yalan-Yarkai. We can say for sure that Buranbay and Yalan-Yarkai is one and the same person.  

        People say that in 1956 Zaghidulla, grandson of Buranbay, came to our village from lthelbai. As was told by him, Buranbay had died on the river Dim, the date of his death is unknown. His descendants had kept his bow and arrows for a long time. Till the 50-ies our village was called Kinyabulat. Then on the request of the old people it was renamed in the memory of Buranbay. Old people say they know the place where Buranbay's house has been.  

        The Buranbayevs, Noushirvanovs, Sheih-el-lslamovs, Utabayevs and the Halikovs are considered to be descend-ants of Buranbay.  

*Kaskyn - fugitive. 

source

more

more 
  
Notes on Bashkir Music

  

read it all here:

 ♫☆`*♥¸¸.•*¨*•♫☆`*♥¸¸.•*¨*•☆♫

.ღ•:*´♥`*:•ღ.

♫☆`*♥¸¸.•*¨*•☆♫`*♥¸¸.•*¨*•☆♫

     

want to read some more?

Bashkort Folk-Tales and Legends: Specifity of Genres, Historical Roots

  

at least you know now what this song was all about and you'll might even learn some more : )

and it is a challenge for all the singers, my guess you must be Bashkir to master it : )

 ~*~

8.2.13

Happiness, Eternity, Harmony.

 
Robert Yuldashev 
The Divine Melodies Of Kurai

Tracks:

01. Ural (3:21)
02. The Leader Kahym (2:59)
03. Taftilyau (3:08)
04. Abdrahman (2:51)
05. Kamalek (3:34)
06. Buranbai (4:07)
07. The Old Tashtugai (2:44)
08. Baias (2:41)
09. Koloi Kanton (4:11)
10. Khisam (2:50)
11. Sibai (4:13)
12. Nightingale (3:17)
13. Cuckoo (2:48)
14. The Pilgrim Gaisa (3:45)
15. Shafik (4:00)
16. Syrdarya (2:54)
17. Gilmiyaza (4:01)

♫☆`*♥¸¸.•*¨*•♫☆`*♥¸¸.•*¨*•☆♫

.ღ•:*´♥`*:•ღ.

♫☆`*♥¸¸.•*¨*•☆♫`*♥¸¸.•*¨*•☆
 
   
Robert Yuldashev 
 
 - kuraysy - (ethnic musician and performer on the ancient musical wind instrument Kurai).
Kurai is made of reed that grows in the southern Urals.

Robert Yuldashev long been a place of honor in the field of musical culture, conquered half the world by playing the instrument originally Bashkir - Kurai.

In kitty Robert Yuldashev collaboration with Nikolay Noskov, Garik Sukachev Pelagia, as well as performances with the "Moscow Virtuosi" Vladimir Spivakov. Robert Yuldashev had a hand in creating the soundtrack for the drama "House of the Sun" Garik Sukachev and together with the Symphony Orchestra of the Bolshoi Theatre has recorded music for the film "The Way."

One of the main achievements of the musician is performance on the stage of the world famous La Scala theater in Milan, along with opera singer Ildar Abdrazakov. But to call Yuldashev follower traditional Bashkir music can: together with the Moscow composer he wrote Marat Taturasom club project Haua, the purpose of which was a synthesis of contemporary electronic music and Kurai.

In June 2006, Robert Yuldashev creates its own group of musicians called "Kuraysy." The basis of the team, are the ancient Bashkir musical instruments Dungur, dumbra, kurai, kubyz.

Genre of musicians many directions: Folk-Music, jazz-rock, ethnic, jazz, orchestra music, chill out and lounge, but most of them close in spirit to the ethno-trance Music. In repertoire Bashkir folk and art music, covers of famous songs.

Of the last significant achievements:
international music forum "The Creation - 2011" Robert Yuldashev and his team "Kuraysy" received the nomination "Opening of the festival."

II in the international music competition "Terem Crossover 2012" received a nomination for "national identity" and the very highest nomination "Audience Award".
 
 
    

 
~♫~

6.2.13

More Pearls of the Ural Mountains

 
Flyura Kildiyarova
The Bashkort Bel Canto

Tracks:

01. Iske Ural - Иске Урал
02. Hamar - hакмар
03. Altyn Urza - Алтын Урза
04. Oyzirakay Buye - Ойзорак буйы
05. Eskadron - Эсадрон
06. Kahym Tyra
07. Buranbay - Буранбай
08. Karauanharay - Карауанhарай
09. Tohvat Kanton - Тухват кантон
10. Bayas
11. Shafik - Шафик
12. Tashtugay - Таштугай
13. Gilmiyaza - Fилмияза
14. Zalifakay
15. Ashkadar - Ашказар
16. Kakukkai - Какуккай

♫☆`*♥¸¸.•*¨*•♫☆`*♥¸¸.•*¨*•☆♫

.ღ•:*´♥`*:•ღ.

♫☆`*♥¸¸.•*¨*•☆♫`*♥¸¸.•*¨*•☆
  
  
 Flyura Kildiyarova
 
     To better understand the people of a country one is to be initiated to their songs. The Bashkort national singing tradition can be compared to the Italian school of Bel Canto. The peculiarity of a Bashkort song is that nearly every one of them might be compared to an operatic aria. Performing a Bashkort folk song will require of the singer great professional skills and special vocalic qualities.
      The performer has also to be fully aware of the national colouring of the song and of its message. The one who sang "Buranbay" or played this tune was believed to have excelled in masterly execution.
      The Bashkort "othon kei"(long-drawn tune) is known for its intricate melodius pattern. It is also so composed that there is always room for improvisation. The Bashkort song is so peculiarly tuneful that it requires of the performer to literally put his soul into the song, which he actually does. That is why every performer is ever so distinctive.
      
 Flyura Kildiyarova,
 People's artiste of the Republic of Bashkortostan,
Honoured artiste of Russian Federation,
The Salavat Yulayev Prize Laureate



 
 
  

☆♫☆

4.2.13

Land Of Singing Cranes (1)

 
Abdulla Sultanov
National Singer

Tracks:

01.  Army - Арме
02.  Buranbay - Буранбай
03.  Eskadron - Эскадрон
04.  Ilyas - Ильяс
05.  Kakkukkay - Какуккай
06.  Kara At - Кара ат
07.  Shaura - Шаура
08.  Sibay - Сибай
09.  Taftilyau - Тафтилау
10.  Toman - Томан
11.  Uiyl - Уйыл
12.  Ural - Урал
13.  Yamantau - Ямантау
14.  Zulhiza - Золхиза
 
♫☆`*♥¸¸.•*¨*•♫☆`*♥¸¸.•*¨*•☆♫

.ღ•:*´♥`*:•ღ.

♫☆`*♥¸¸.•*¨*•☆♫`*♥¸¸.•*¨*•☆
 
  
NATIONAL  SINGER  ABDULLA  SULTANOV

  The Bashkir folk songs classic include a number of poetical monuments which reflect the history of the Bashkir people. The events of their century-old struggle for freedom, for native land are shown through these songs. But it is only when a song is performed at a high artistic level. The spread of a song among people, its becoming classical is undoubtedly connected with the autor's level of excellence and the performer's skill. The Bashkir people keep in their memory the names of famous singers, musicians. It is known for example that the outstanding singer-improvisator Buranbai was called the nightingale of the Urals. Having the range of over 2 octaves, full of dramatic qualities the song "Buranbai" is performed by only few singers. The song is the striking illustration of its autor-Buranbai. The national singer Abdulla Sultanov is one of the best performers of the song. No wonder that contemporaries call him Buranbai of our days.

    Аbdulla Afzalovich Sultanov was born in 1930, in the village of Kubagush, Uchalinsky region, Bashkortostan. His father died in the Great Patriotic War. From his childhood Abdulla experienced herdsmen hard work. 

    Нe liked singing in pastures. Perhaps the magestic nature of the Ural Mountains made Abdulla sing drawling sad folk songs. We can say with confidence the following: Abdulla Sultanov's vocal school goes from the Bashkir folk songs classics. He never changed his type.

    That's why people love him, that's why people consider him a true national singer.
    For valuable service in art of song Abdulla Sultanov was awarded the honorary title "Honoured Culture Worker of Bashkortostan" and The Salavat Ulaev State Prise.

  
   
Sultanov, Abdullah Afzalovich

Abdullah Afzalovich Sultanov (September 25, 1928, the village Kubagushevo, Tamyan-Kataysky BASSR Canton (now - Uchalinsky District) - Bashkir singer kuraist. Voice over a large range of two octaves. "High notes Abdullah Sultanov takes breast cavity, and yet even professional singers rarely This is achieved. microphones He does not like - he did not have anything to strengthen. "(Regina Utyashova.) became famous as a singer Bashkir folk songs (especially in the genre of ozone-kui.), People's Artist of Bashkortostan (1996), Honored Worker of Culture BASSR (1986). winner of the 1992 Republican Award Salavat Yulayev "for outstanding performance skills and a great contribution to the promotion of songwriting."

Abdullah Sultanov - amazing man of destiny. Before entering the professional scene during perestroika, followed by concerts in Moscow and St. Petersburg, Samara, Yekaterinburg, Bulgaria and Romania, in Japan, he worked for 40 years in his native village shepherd and herdsman [1], speaking in his native area " almost every country club and field camps Uchalinskoe District "(Bagumanov, Faizova, S. 198). For the first time on stage led him Abdullah Sultanov school teacher Maftuha Sufyanovna when he heard seven Abdullah. Art and knowledge of folk songs seven year old boy adopted from a simple large peasant family. "Busy household, taciturn mother - Mahiyamal talked to loved child language soulful songs" (Nelly Ahmetzhanova), Afzal's father, his brother and their uncle were strong kuraistami. From his father Abdullah Sultanov adopted kuraista skill and knowledge of classical singing songs "ozone-kui" - "Ural", "volume" ("Fog"), "Buranbay." In his native land - Bashkir Urals - Abdullah Sultanov took the traditions of old, like his compatriot, who became professional singers - Nazhiya Allayarova, Flyura Kildiyarova, Nazif Kadyrov. On the big stage of amateur fell in 1955. Moscow is hosting the Decade Bashkir literature and art, where the final concert kuraist A. Sultanov accompanied young talented singer Bashkir folk songs, a native of the area Uchalinskoe N. Allayarovoy. Enrolled in the dance group "Yuldash" (later "Leysan"), Sultanov has participated in various shows of amateur performances that took place in the Soviet Union, went on tour in Germany, Portugal, Poland. In 1977 the I All-Union Festival winners amateur A. Sultanov accompanied by an ensemble kuraistov Zianchurinskogo district performed with great success on the stage of the Kremlin Palace of Congresses famous Bashkir folk song "Ural". In 1993, Abdullah Sultanov lost his sight after an accident, which got going after rehearsal gala concert of opera.

Abdullah performed the most famous composition Afzalovichem Sultanov - ozone-kui (long song) "Buranbay." TS Saifullin, founder of the Bashkir choir, said: "He" Buranbay "sang so I'm just speechless! Kind of singing I've ever heard! This is such a voice! There is also internal depth, and a stunning range, easy voice goes up and goes down easy ... "[2]" Sultanovsky option "Buranbaya" - is another facet of the inexhaustible rich dramatic way "(Bagumanov, Faizova, S. 199) .

Recital Abdullah Sultanov, nominated for the prize of Salavat Yulayev was held in April 1992 in the Great Hall Bashgosfilarmonii. Bashkir A.A.Sultanov performed songs ozone-kui, among them - "Yamalekay-tau", "Sibal", "Zyulhizya" as well as the ones that took over a small boy from his father - "Ural", "The Fog," " Buranbay. "
 
( all tran'ations: google)


 
 Since 1939, after the end of primary school, eleven-year-old Abdullah became state farm cattle shepherd. He worked as a shepherd until retirement. Every morning, Abdullah correctly deduced the herd on pasture. The rural nature prompted him to improvise, on cane kurai, wooden kubyz, on whistles made ​​from the leaves of trees and grass. In the village Kubagushevo, the home of the singer, one can hear different stories and legends about the shepherd - singer and kurai player from elderly people. One of them reads: "Ahead comes kuraist (Abdullah) and under melodic kurai sounds  the cows are returning from the pasture"

Azat Aitkul, Kurai, Ufa

  
Azat Ayytkolov
Kurai

Tracks:

01. Kart bayyk
02. Tsialkovskiy
03. Yergeyyesh
04. Synrau torna
05. Buranbay
06. Fort Perovskiy
07. Yomaguzha-Mesetle
08. Afgan keye
09. Teftileu
10. Keyelde
11. Yeyeule Mekhmut
12. Khisam khem beyyeu keyzere
13. Khandugas
14. Kakhym ture

   
♫☆`*♥¸¸.•*¨*•♫☆`*♥¸¸.•*¨*•☆♫

.ღ•:*´♥`*:•ღ.

♫☆`*♥¸¸.•*¨*•☆♫`*♥¸¸.•*¨*•☆

  
  
Azat Aitkul (Kura, Ufa)

Azat Minnigaleevich Aitkul - the world famous virtuoso instrumentalist in Bashkir folk wind instrument kurai (national type of reed flute). He is an Honored Artist of the Russian Federation and the People's Artist of Belarus, winner of III All-Russian competition of folk music (1986, Tula).

In one of the most beautiful parts of the republic - the Ural mountain village Yuldybaevo Zilair district famous musician was born. In these places, the plant kurai grows, predetermined his fate. He became interested in music while studying at the Ufa secondary boarding school here N1.Imenno musician met Kurai and began to comprehend the basics of playing. The growth of professional skills was continued in the class known Bashkir kursista GZ Suleymanov, who taught at the Ufa College of Art (1977), hereinafter musician graduated from the Faculty of Philology of the Bashkir Bashkir State University.
Concert activity - the meaning of life. With a lot of tours AM Aitkul traveled all over the Soviet Union as a solo instrumentalist and Gosconcert Rosconcert. Through the Department of Defense participated in concert tours in Germany, Mongolia, worked on the frontline concert brigades in Afghanistan. Foreign tour musician cover geography almost every continent of the globe. The countries of Western and Central Europe (Austria, Italy, Spain, Belgium, Holland, Denmark, Finland, Switzerland, Portugal), Middle East (Turkey), North (USA, Canada) and South America (Peru), South-East Asia ( Singapore, New Zealand), Australia applauded art musician.

Subtle understanding of the Bashkir folklore, impeccable sense of style make it different performing style. Equally deeply and completely fulfills kuraist Bashkir folk tunes instrumental nature, rooted in an epic-narrative tunes-kubairov, broaching, lyrical improvisational type ozone-kui forming a layer of folk art and recreate the spiritual search and presentation of the Bashkirs, marching songs by about historical events took place, telling about famous historical figures, heroes of the Bashkir people. Incendiary, song and dance tunes Kiska-kui (short songs) affect his performance genuine optimism, humor and cunning. Fluent technique of uzlyau ("throat-kurai") reflecting the desire of the musician to maintain and develop ne of the most difficult forms of popular music-making.

The repertoire of AM Aitkul is extensive and includes all the currently known musical patterns of national folklore. Kuraist virtuoso emerged as a sensitive assamblist constantly performing with famous Bashkir singers - People's Artist of Belarus FA Kildiyarovoy, Honored Artist of the Republic of Belarus, the winner of the International Competition B. Hyzyrovym and others to date functioning syncretic folk forms and genres, led musician organize a national group "Ural".

AM Aitkul created the technique of learning to play an instrument, allowing you to quickly master the basics of mastery. He is constantly expanding his students, developing not only solo, but ensemble and any form of execution of the Kurai.
(Trans'ation with little help from google)
source 
  

*♥*

13.5.10

Kurai 4

 Ильбаков Ишмурат - Мелодий Курая

Ilbakov Ishmuratov - Kurai Melodies

Tracks:

01. Ilbakov Ishmuratov - Old Qayyum
02. Ilbakov Ishmuratov - Yau-tube
03. Ilbakov Ishmuratov - Buranbay
04. Ilbakov Ishmuratov - Usergenets on horseback
05. Ilbakov Ishmuratov - Daughter Rysbiki Mamduda
06. Ilbakov Ishmuratov - Naughty Zulhira
07. Ilbakov Ishmuratov - Bayas
08. Ilbakov Ishmuratov - Tsialkovsky
09. Ilbakov Ishmuratov - Sibai
10. Ilbakov Ishmuratov - Hargan
11. Ilbakov Ishmuratov - Waltz
12. Ilbakov Ishmuratov - About Sun
13. Ilbakov Ishmuratov - Russian Folk
14. Ilbakov Ishmuratov - Russian and Bashkir melodies
15. Ilbakov Ishmuratov - Cara Qalam
16. Ilbakov Ishmuratov - Lezginka
17. Ilbakov Ishmuratov - Schubert Ave Maria
18. Ilbakov Ishmuratov - Old Qayyum with arrangement

"Sibai"
 
In to the green sledge under the blue shaft-bow
Harness my bay horse, oh, Fatima.
I'd like to be a head of a canton (administrative unit)
I have no other wish.

I can see from afar
The valleys of Kryukti and Urpek.
I see the image of my beloved
At the strange and far land.

The nightingales here do not sing the same songs,
The meadows here are not so wide.
Don't cry, oh, Fatima,
I can't hold out my hand from afar.




♫☆`*♥¸¸.•*¨*•♫☆`*♥¸¸.•*¨*•♫
 
♫☆`*♥¸¸.•*¨*•♫☆`*♥¸¸.•*¨*•♫
 

12.5.10

Kurai



Kurai [ ҡурай ] a symbol of Bashkortostan
Kurai, Bashkir and Tatar wind musical instrument: a longitudinal open flute from the stem of the umbrella plant. It has 4 slot openings on the front side and 1 on the back. Length of 45-100 cm range in the amount of sixths, with pereduvaniya reaches 2-2,5 octaves.

Kurai, the name of several weed species in the forest-steppe, semi-deserts and deserts. Usually - this is tough, thorny plants, belonging to a vital form of tumbleweed.
 Quray
 
 
Bashkir music 
  
01 - Ishmorat Ilbakov - Old Qayum
02 - Azat Ayytkolov - Cialkovskij
02 - Raushan-Kurayshan - Kara Urga
03 - Fattah and Fanur Aralbaevy - Hajra handugasym
05 - Azat Ayytkolov - Buranbay
05 - Rushan Biktimirov - Hyr
06 - Ishmorat Ilbakov - mischievous Zulhira
09 - Raushan-Kurayshan - Serie

music
  
found here:

The Kurai

The kurai is the best known and most popular musical instrument of the Bashkir people. The Bashkirs express all their feelings of gladness and sorrow through the kurai. We have known about the kurai since the earliest days. The Bashkirs say: "We remember the kurai as long as we remember ourselves." For example, the Bashkir folk tune " The singing cranes", performed only with the kurai, has more than one thousand years of history. 


The most wide spread kind of kurai is a kurai made of grass. It is made from the stem of the umbelliferous plant, called kurai. The stem of a kurai is 2-3 meters long. It flowers in July, then dries out in August-September. They cut it in September and keep it in a dry and dark place. It is said that a kurai which grew up in the glade among mountains is more tuneful than one that grew up near water. One should measure 8-10 times the width of a palm encompassing the stem of a plant, then cut it. That will be the length of the kurai. Then you should make holes in the plant: the first hole must be done at four fingers distance from the top of the plant, the next three holes at two fingers distance from each other, the fifth - at the back, at three fingers distance from the fourth hole. 


The length of a kurai is about 510-810 millimeters. The diapason of a kurai consists of three octaves. The phonation is poetic and sublime, the timbre is soft. The kurai is used as a solo as well as an ensemble instrument. You can perform dancing melodies as well as marches, extended tunes (ozon-kuy). Nowadays they have begun to make a kurai from veneer. It is more stable and its sound is approximate to the natural kurai's sound. 


In addition to a grass kurai some other types of kurai are known: - sor-kurai - a sort of kurai made by the Bashkirs who lived in the steppe where the natural kurai does not grow.
It is made of steppe grass and its length is not more than one meter, but it is wider in its diameter. The specialists say it was used for calling signals. 


- copper kurai - a kurai made from copper. However, specialists disapprove of using this kind of kurai, because it is harmful for the health. But according to some legends, the skill of making a copper or silver kurai was highly esteemed and the master was revered. 


But only a good kurai-player can open the world of kurai's mystery. The art of playing the kurai was saved and carefully handed down from one generation to generation. The names of outstanding kurai-players-improvisers are well-known. They were the founders of different kurai performing schools - Kubagush-sasan, Baik-sasan, I. Murzakaev, G. Arginbaev, Y. Icyanbaev, I. Dilmukhametov, G. Suleymanov, K. Diyarov, R. Rakhimov, Y. Gaynetdinov, A. Aitkulov and others. 


There are many kurai performers: laureates and diploma-winners of International Musical Folk Festivals, International Students' and Youth Festivals and All-Russian contests of performers of rare musical instruments. The kurai is a very respected instrument in Bashkortostan. It is a symbol of the mother country. One can see the picture of a kurai flower on the national flag and Bashkortostan state emblem. From early time people considered that the kurai was able to dispel grief, to set people at rest and to cheer them up. The Bashkirs knew the strength of music and the spoken. That is why the sasans and kurai players were the guests of honor. Writers, poets and theater producers create a lot of works dedicated to kurai.