May we say: simply the best...

 

Danny Spooner
The Great Leviathan
Songs of the Whaling Industry 

2006

Tracks:

01. The Whale Catchers (Trad.) - 1:35
02. The Weary Whaling Grounds (Trad.) - 2:36
03. The Coast of Peru (Trad.) - 2:35
04. Talcahuano Girls (Trad.) - 2:38
05. Rolling Down To Old Maui (Trad.) - 3:58
06. Pique La Baleine (Trad.) - 3:43
07. The Wounded Whale (Trad./Archie Fisher) - 4:40
08. The Whaleman's Lament (Trad.) - 2:22
09. The Waterwitch (Trad.) - 2:40
10. The Loss of Mahoney (Trad.) - 2:43
11. Davy Lowston (Trad.) - 3:17
12. Queensland Whalers (Harry Robertson) - 3:50
13. The Wee Pot Stove (Harry Robertson) - 4:49
14. Ballina Whalers (Harry Robertson) - 4:01
15. The Last Of The Great Whales (Andy Barnes) - 4:14

Personnel:

Danny Spooner - vocals, English concertina, guitar

Duncan Brown - vocals
Pam Connell - button accordion

♫☆`*♥¸¸.•*¨*•♫☆`*♥¸¸.•*¨*•☆♫

.ღ•:*´♥`*:•ღ. 

♫☆`*♥¸¸.•*¨*•☆♫`*♥¸¸.•*¨*•☆♫

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The Great Leviathan - Songs of the Whaling Industry

Released in 2006, Danny Spooner's The Great Leviathan - Songs of the Whaling Industry is this outstanding folk singers latest album. A wonderful collection of whaling songs, The Great Leviathan is perhaps the best argument against the evil that is whaling in modern times, and with this album Spooner firmly adds his booming voice to the calls to finally cease this appalling, tragic evil.

Danny Spooner's usual outstanding ability to tell a gripping story through his songs and his marvelous, sensitive renditions provide the vessel that carries this message to us so effectively.

These whaling songs span the early 17th to the 20th centuries and range from all over the anglophone world, with one French song also included. Most are traditional, but there are also some fine examples from the 20th century whaler Harry Robertson, and the album closes with a deeply sad song written in 1989 by Englishman Andy Barnes who has a stark warning for us all that it isn't only the whale that we endanger but indeed, ourselves. Danny Spooner poses, in the context of this song in his superb sleeve notes, "When will we realise that this little planet of ours has finite resources." We certainly seem to manage to pay plenty of lip service to this problem. But, as a society, are we really ever actually doing anything about it, or others equally pressing such as climate change? Of course not... Not happening. Unlikely to ever happen, at least, until it's far too late. And thus we are headed the same way as the great leviathan and all the countless other species whose extinction we are responsible for.

But Danny Spooner's The Great Leviathan has many other sub-texts as well. His stated purpose also was to acknowledge that there was a time when whaling contributed to the well-being of many people, and further to remember those tough whale men of old who, in their struggle to make a living, pitted themselves against an "adversary" who at least still had a chance. This, however, no longer applies. Modern whaling leaves the whale no chance of survival. Nor is there the slightest justification for whaling in modern times, for nothing that the whale provides cannot be produced synthetically or by other means, and far more efficiently at that. All that is left perhaps, is the greed, the lust for the taste of whale meat.

The Great Leviathan is undoubtedly the saddest of Danny Spooner's albums yet, in its subject matter and emotional context. But it is nonetheless also glorious, as any of his albums. Spooner's wonderful strong voice is a joy, as is his English concertina especially. He is also very ably assisted on some of the tracks by the additional vocals of Duncan Brown and Pam Connell's wonderful button accordion. Listening to this album, or indeed any of Danny Spooner's other albums, is a bit like watching a movie. But the pictures are so much better! Spooner, as is customary for him, provides a complete listening experience that is exceptional.

Danny Spooner's The Great Leviathan - Songs of the Whaling Industry is a hugely enjoyable gem of an album, utterly compelling and consistent, and completely enchanting. It is beyond essential in any collection of anglophone folk song, and particularly also any collection of songs associated with the sea.

© 2006 Rainlore's World of Music

 

 

 Danny Spooner is a traditional folk singer and social historian. Born in England, he left school at the age of 13 and worked as a salvage tug and trawler skipper before moving to Australia in 1962. He rapidly became involved in the Melbourne folk revival centred on Frank Traynor's folk club, and has been a major figure in the Australian folk scene ever since...

 

 don't forget to visit Danny Spooner's site

 

may I say he is the Best :-) 

*♥*

 

The Didgeridoo

  

Phillip Peris
Didgeridoo
1996

Tracks:

1. Gone Walkabout
2. Rainbow Heartbeat
3. Bunyip Calling
4. Down By The Billabong
5. Under The Shade Of A Coolabah Tree

Personnel:

Phillip Peris (didgeridoo)
Tran Quang Hai (vocals) 3+4

  

♫☆`*♥¸¸.•*¨*•♫☆`*♥¸¸.•*¨*•☆♫

.ღ•:*´♥`*:•ღ.

♫☆`*♥¸¸.•*¨*•☆♫`*♥¸¸.•*¨*•☆♫

 

 Born in 1964, Phillip Peris grew up in Western Australia. That is where he discovered the Didgeridoo and where he bengan an initiation with the aboriginal people. In 1988, when he moved to London, he began to perform numerous concerts in England and later toured ion the European, African and American continents. He was one of the first to propose Didgeridoo recitals, and the first master classes for this instrument. 

Phillip Peris' Didgeridoo - a moving CD
By Larry Iwan "Larry I"

Phillip Peris is a master of tonality and tempo. He plays with love, wisdom and great feeling. The first two tracks on this CD are long solo journeys. Phillip plays didj and clapsticks. He moves gracefully between slower and faster tempos, accenting the shifting mood with changes in tonality and adding vocalizations exactly when they are appropriate.

He is accompanied on the third and fourth tracks. The third has some exciting percussive rhythm from an instrument that is not familiar to me. There is a harmonic singer or "throat singer" on track four. If you have never heard this, be prepared for a wonderful surprise. Track five is a short "farewell" improvisation that makes the listener wish he had another Phillip Peris CD loaded to play in the next slot.

I have a large collection of didjeridu recordings. This is surely one of my favorites. 

  

  

The didgeridoo (also known as a didjeridu) is a wind instrument developed by Indigenous Australians of northern Australia around 1,500 years ago and still in widespread use today both in Australia and around the world. It is sometimes described as a natural wooden trumpet or "drone pipe". Musicologists classify it as a brass aerophone.

There are no reliable sources stating the didgeridoo's exact age. Archaeological studies of rock art in Northern Australia suggest that the people of the Kakadu region of the Northern Territory have been using the didgeridoo for less than 1,000 years, based on the dating of paintings on cave walls and shelters from this period.  A clear rock painting in Ginga Wardelirrhmeng, on the northern edge of the Arnhem Land plateau, from the freshwater period shows a didgeridoo player and two songmen participating in an Ubarr Ceremony.

A modern didgeridoo is usually cylindrical or conical, and can measure anywhere from 1 to 3 m (3 to 10 ft) long. Most are around 1.2 m (4 ft) long. Generally, the longer the instrument, the lower the pitch or key of the instrument. However, flared instruments play a higher pitch than unflared instruments of the same length.

wiki

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