Showing posts with label supernatural. Show all posts
Showing posts with label supernatural. Show all posts

Friday, 17 April 2020

Wakenhyrst

Michelle Paver - Wakenhyrst
Michelle Paver
Head of Zeus

1906: A large manor house, Wake's End, sits on the edge of a bleak Fen, just outside the town of Wakenhyrst. It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.

In a lonely house on the Suffolk Fens live Maud and her repressive, domineering and arrogant father, Edmund.  Upon the death of her mother Maud is left bereft of compassionate company and learns to both fend for herself and to exact sweet revenge on the man who she blames for her beloved mother death.  Into the mix is thrown her father's discovery of a, as he sees it, malevolent mediaeval painting in the local church that exacerbates his slide into madness and murder.

Paver has managed that most tricky of literary feats and written a supernatural novel that maintains it's aura of eerie menace and it's ambiguity throughout.  The gothic menace of the desolate house and the forbidding fens with its buried secrets and it's hidden depths loom over the story and contribute to Edmund's inexorable slide into insanity. Maud is gloriously malicious and uncompromisingly resolute in her revenge whilst never losing our sympathy, such is the callousness of her upbringing, yet we are left wondering if it is only Maud who is conspiring against Edmund or if he is correct and there are supernatural forces ranged against him.

With a successful YA series and several other novels with a supernatural bent behind her Paver has honed her storytelling and her lively prose and rock solid storytelling kept me hooked throughout and left an impression that has lasted long after I closed the final page.

Buy it here - Wakenhyrst

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain

Friday, 28 February 2020

Devil's Day

Devil's Day - Andrew Michael Hurley
Andrew Michael Hurley
John Murray

Every autumn, John Pentecost returns to the Lancashire farm where he grew up to help gather the sheep from the moors. Generally, very little changes in the Briardale Valley, but this year things are different. His grandfather - known to everyone as the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time.
Every year, the Gaffer would redraw the boundary lines of the village, with pen and paper but also through the remembrance of folk tales, family stories and timeless communal rituals which keep the sheep safe from the Devil. This year, though, the determination of some members of the community to defend those boundary lines has strengthened, and John and Katherine must decide where their loyalties lie, and whether they are prepared to make the sacrifices necessary to join the tribe...
Gripping, unsettling and beautifully written, Andrew Michael Hurley's new novel asks how much we owe to tradition, and how far we will go to belong. 

So, I didn't particularly dig Hurley's debut novel, 'the Loney'.  It took me two attempts to get through it and when I did I found it a little overblown and a tiny bit Dennis Wheatley.  I was interested enough to give this, his second book, a try though and I'm very glad I did.

Devil's Day is a local tradition commemorating a time - 100ish years ago - when the Devil plagued a small farming community. This year prodigal farmers son John is returning to the farm to help out with the gathering of the sheep and his grandfather's funeral and this time, for the first time, he's brought his new wife Kat because he has a plan to return for good and needs to convince her.

With the Devil's Day celebration at its centre you'd expect a supernatural twist to the novel and you won't be disappointed on that front.  In the first novel the magic element was utterly hidden, it happened behind closed doors and all we saw were hints that dead babies were involved.  Here the supernatural elements were altogether more subtle and only made themselves apparent in brief flashes and were all the better for it.

The story at the heart of the book is one about family - in various permutations - and roots and heritage and in that it is pretty successful.  I'm less impressed with the gangster subplot which struck me as clumsy and without the more outre elements I'm unsure as to whether the book would have held my attention but it did and it and in the final examination it was an enjoyable read.

Buy it here - Devil's Day

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain

Sunday, 26 January 2020

Baby

In 'Baby', the standout episode from Nigel Kneale's 1976 series of bestial horror, 'Beasts', we find newly relocated and expectant couple, Josephine (Jane Wymark) and Peter Gilkes (Simon MacCorkindale - who would, 3 years later, also co-star in Kneale's final Quatermass serial) unearthing a jar containing the desiccated remains of some strange creature that had been hidden in the wall of their cottage. Both Josephine and her cat Muddy - and anyone with an ounce of sense - can feel something wrong with the whole set up but her abusive, selfish and distracted husband, too enamoured with his new life as a country vet to pay any attention to his wife's worry, is disdainful and careless of the whole thing.

We love everything Kneale here at Wyrd Britain and this is no exception.  All the classic Kneale tropes are in play in a story where, once more, urban science and rural supernatural find themselves at odds as poor Josephine, caught in the middle, slowly gets subsumed by her fears for herself and her baby and the strange events that surround her.  Kneale's script and John Nelson Burton's direction build the tension beautifully but the final reveal when it comes shows far too much and as a result is a bit of an anticlimax but like with many things it's the journey that makes the experience worthwhile.



..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Tuesday, 15 October 2019

Mortal Echoes: Encounters With the End

Greg Buzwell (ed)
British Library Tales of the Weird

A strange figure foretells tragedy on the railway tracks. A plague threatens to encroach upon an isolated castle. The daughter of an eccentric scientist falls victim to a poisonous curse.
Yet for all its certainty and finality, death remains an infinitely mysterious subject to us all. The stories in this anthology depict that haunting moment when characters come face to face with their own mortality.
Spanning two centuries, Mortal Echoes features some of the finest writers in the English language – including Daphne du Maurier, Edgar Allan Poe, Graham Greene and H. G. Wells. Intriguing, unsettling and often darkly humorous, this collection explores humanity’s transient existence, and what it means to be alive.
 


Another in the series of ghoulish tales from the British Library.  They've done about a dozen of these over the last little while and I  thought it was about time I got properly stuck into them.  The first one I read (Glimpses of the Unknown) was a fun excursion into the lesser known corners of the golden age of supernatural fiction.  This one takes a look at various visions of mortality.

In it's pages editor Buzwell includes a nice mix of real classics such as Charles Dickens' 'The Signalman', Sheridan Le Fanu's 'Strange Event in the Life of Schalken the Painter' and Edgar Allan Poe's sublime 'The Masque of the Red Death' and a number of minor greats, Saki's 'Laura', Marjorie Bowen's 'Kecksies' and Robert Aickman's 'Your Tiny Hand Is Frozen' all of which will be familiar to connoisseurs of ghostly anthologies but all of which reward repeated readings.

We have several tales by well known authors who maybe aren't particularly associated with the supernatural such as Graham Greene's tale of an unpleasant encounter in 'A Little Place off the Edgware Road', Daphne du Maurier's murderous lady 'Kiss Me Again, Stranger' and a cosmic excursion in H.G. Wells' 'Under the Knife'.

Beyond these there are a few lesser known authors such as the under-rated May Sinclair, represented here by her fantastic 'Where Their Fire is Not Quenched', the darkly funny 'The School' by Donald Barthelme and Charlie Fish's amusingly daft 'Death by Scrabble'.

The problem with themed anthologies is they can quickly become quite tiresome but Buzwell has put together a nicely varied selection that entirely avoids this pitfall and this is one of the most satisfying and enjoyable anthologies I've read in quite a while.

Buy it here - Mortal Echoes: Encounters with the End (Tales of the Weird)

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain

Sunday, 29 September 2019

The Keeper (1983)

The Keeper by Alan Garner
'The Keeper', written by Alan Garner, was the final episode of the original 'Spooky' series of the long running Dramarama series, an anthology show for children.

Garner's story concerns 'Beacon Lodge' a dilapidated and long abandoned gamekeeper's lodge where two paranormal researchers - Peter (Tim Woodward) and Sally (Janet Maw) -  settle themselves in for the night.  We know right from the off that there is something already resident, and comfortably at home, in the house and it's not best pleased at the arrival of the interlopers. A game of scrabble and a poem set the scene for the conclusion as the secret of the house is revealed.

The Keeper by Alan Garner
At the heart of the story is a typically Garner tale of the power that resides in the land, an animistic presence that holds sway over the patch of earth.  It's a short little tale that uses many well worn tricks to build suspense - eerie acoustic instruments, predominantly a dulcimer, and a restless camera that's constantly circling and hovering just behind Peter and, particularly, Janet - but it must be remembered this is a show made for kids for whom many of these tricks of the trade would be new and also they are well worn because they work.

A genuinely scary story from that golden age of kids television when film-makers had literally no qualms about utterly terrifying their young audience.



..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain

Monday, 3 June 2019

Wychwood / Hallowdene

George Mann
Titan Books

I first read some of Mann's work with his 'Newbury and Hobbes' steampunk series beginning with 'The Affinity Bridge'.  They were a pretty enjoyable romp through a Britain where Queen Victoria had been mechanised and, very underused, revenants stalked the streets.  After this I read his 'Ghost' pulp hero books and his War Doctor novel, the former was a big silly romp and the latter an entertaining Doctor Who tale that never really captured the spirit of the John Hurt character.

I guess what I'm saying here is that while I've enjoyed most everything of his I've read there's usually been some niggly little thing that's, certainly not spoilt, but bugged me about them; these books are no different.

Wychwood (buy it here) is the story of Elspeth Reeves a journalist returning to the small town she grew up in following the break down of both her relationship and her career in that there London.  Immediately on arrival she is drawn into a murder case being investigated by her childhood friend, Peter Shaw.

The murder, it transpires, is part of a series with an overtly magical purpose based on a local myth and it's around the magic that the story stumbles.  What we get is a story that seems stuck between two places; neither crime nor fantasy.  I like that for the protagonists that magic is hidden, alien, unlikely, absurd even but for the perpetrator it's ridiculously easy yet that he seems to only use it against women is a niggling annoyance that wasn't addressed and I really do think should have been.

Hallowdene (buy it here) continues where the previous left off with Elspeth now more settled and ensconced in a relationship with Peter.  Like the first book here we have an odd mix of cop and horror tropes as an archaeological dig to exhume the remains of legendary local witch Agnes Levett coincides with a spate of murders in a small village.

Also, as with the previous volume, it's all a little frothy.  What you get in these books is a sort of daytime TV cop show version of a horror story, 'The Midsommar Murders' or 'Rosemary's Baby and Thyme' perhaps.  The stories are lively but there's not much here to chew on and the magic / horror elements feel just a little bit tacked on which is a shame. 

Now, you may have noticed that I try and avoid writing negative reviews here on Wyrd Britain and I don't really want you to think that this is one.  As I said I generally quite like Mann's writing, he's writing is sprightly and very readable with a love of the pulps - here as much as ever - but this particular series, despite being on the surface right up my particular street is proving to be a bit of a cul de sac and personally I think I'm done but I also think that there's a lot going on here that many of you guys with a fondness for folk horror will really dig.

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Tuesday, 23 April 2019

Splendid in Ash

Splendid in Ash, Charles Wilkinson, Egaeus Press
Charles Wikinson
Egaeus Press

Charles Wilkinson's SPLENDID IN ASH contains seventeen previously uncollected stories from a writer whose seemingly effortless ability to turn the ordinary, the everyday, the outwardly mundane volte-face into regions of feverish weirdness is unrivalled.

I first came across one of Wilkinson's stories - 'Absolute Possession' - in a copy of 'Supernatural Tales', it was a wonderfully odd tale with a perplexing ending.  It was one of those stories that stick with you long after both because you enjoyed it and because of how much it frustrated.  The same could be said of Wilkinson's previous collection (also published by Egaeus Press) 'A Twist in the Eye' which was a wonderful collection of frustrating invention and elusive delights that seemed to revel in leaving the reader wrong footed and adrift which, you'll be usurprised to learn, continues to be the case here.

'Absolute Possession' is here and is still baffling but also still enthralling and accompanying it are stories of ghosts of retribution and guilt , bodily transformation, hellish bureaucracy and the end of the world.  All show Wilkinson's vivacious and unfettered imagination in full flight as ideas rise and crash through from unexpected directions before flying off at unlikely angles.  It most readily recalls the work of Robert Aickman with it's restless willfulness and Aickman's own preferred term of 'strange' is perfectly applicable to the stories contained in this beguiling collection.

Buy it here - http://www.egaeuspress.com/Splendid_in_Ash.html

You can read a nice little Q&A with the author here - Dark Lane Books

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain

Monday, 11 February 2019

The Loney

Andrew Michael Hurley
John Murray / Tartarus Press

"If it had another name, I never knew, but the locals called it the Loney - that strange nowhere between the Wyre and the Lune where Hanny and I went every Easter time with Mummer, Farther, Mr and Mrs Belderboss and Father Wilfred, the parish priest.
It was impossible to truly know the place. It changed with each influx and retreat, and the neap tides would reveal the skeletons of those who thought they could escape its insidious currents. No one ever went near the water. No one apart from us, that is.
I suppose I always knew that what happened there wouldn't stay hidden for ever, no matter how much I wanted it to. No matter how hard I tried to forget...."

I first started reading this a few months back and got about 90 pages in before I realised that I just wasn't into it and shelved it.  I've now had the impulse to finish it and whilst I enjoyed it and there's much to recommend in it's pages I'm not entirely sure I entirely understand what all the fuss was about.

The Loney is a place, a barren, unloved seaside parish where a small group of Catholics base themselves whilst visiting a local shrine in order to pray for the healing of an autistic child.

At the centre of the story is the younger child of a deeply religious mother, 'Mummer', and a pious but more grounded 'Farther' who is very much his brothers keeper; waking him, dressing him, entertaining him and generally being his protector.


The story trips back and forth through time telling an interwoven story set in current time and at two points in the early 1970s.  The main narrative follows the groups final visit to the Loney and the inexplicable events that seemingly trigger a profound change in everyone's circumstances.

Hurley plays with much of the trappings of the gothic novel  and can conjure a good turn of phrase when it comes to describing the bleak landscapes of a wet Easter in Lancashire.  His characters are eccentric and the tale told is mysterious and macabre even at it's conclusion.  I did however find the whole thing occasionally a little flat and a teeny bit frustrating.  I can live without having my books all tied up with a little bow but I do like to have enough clues to speculate upon and here we're provided with some leaden Dennis Wheatley style satanic shenanigans, a touch of folk horror style effigy bothering and a mix of local yokel and gangster villainy that made for confusing bedfellows.  In the end I found myself reading - and mostly enjoying - whilst wishing there had been just a little something more.

Buy it here - The Loney

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain

Sunday, 20 January 2019

The Children of Green Knowe

The Children of Green Knowe
Lucy Boston wrote six Green Knowe novels between 1954 and 1976.  They tell the stories of the titular manor house of the people both living and dead who reside there.

Young Tolly (Alec Christie) stranded alone for Christmas at his boarding school, with his father and stepmother in Burma, he receives an unexpected summons to spend the holidays with the great grandmother he didn't know he had.  Once ensconced at the house he begins to discover that history is alive in the big old building and that there are others roaming it's hallways and gardens.

The Children of Green Knowe
Made in 1986 it's a lovely and gentle sort of show. It is, perhaps, a bit of an anachronistic throwback (and one of several made at the time - The Box of Delights, Moondial) but I think all the better for it as it has obviously been made with love and respect for the source material.  It's a story of childhood, of Christmas, of family, of heritage and of stories in front of the fire and it is quite lovely.

You can read more about the genesis of the series in this excellent article at the We Are Cult site.


..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Affiliate links are provided for your convenience and to help mitigate running costs.

Friday, 18 January 2019

Short Story - 'The Ghosts of Craig-Aulnaic' (Scottish folktale)

Two celebrated ghosts existed, once on a time, in the wilds of Craig-Aulnaic, a romantic place in the district of Strathdown, Banffshire.  The one was a male and the other a female.  The male was called Fhuna Mhoir Ben Baynac, after one of the mountains of Glenavon, where at one time he resided; and the female was called Clashnichd Aulnaic, from her having had her abode in Craig-Aulnaic.  But although the great ghost of Ben Baynac was bound by the common ties of nature and of honour to protect and cherish his weaker companion, Clashnichd Aulnaic, yet he often treated her in the most cruel and unfeeling manner.  In the dead of night, when the surrounding hamlets were buried in deep repose, and when nothing else disturbed the solemn stillness of the midnight scene, oft would the shrill shrieks of poor Clashnichd burst upon the slumberer’s ears, and awake him to anything but pleasant reflections.

But of all those who were incommoded by the noisy and unseemly quarrels of these two ghosts, James Owre or Gray, the tenant of the farm of Balbig of Delnabo, was the greatest sufferer.  From the proximity of his abode to their haunts, it was the misfortune of himself and family to be the nightly audience of Clashnichd’s cries and lamentations, which they considered anything but agreeable entertainment.

One day as James Gray was on his rounds looking after his sheep, he happened to fall in with Clashnichd, the ghost of Aulnaic, with whom he entered into a long conversation.  In the course of it he took occasion to remonstrate with her on the very disagreeable disturbance she caused himself and family by her wild and unearthly cries—cries which, he said, few mortals could relish in the dreary hours of midnight.  Poor Clashnichd, by way of apology for her conduct, gave James Gray a sad account of her usage, detailing at full length the series of cruelties committed upon her by Ben Baynac.  From this account, it appeared that her living with the latter was by no means a matter of choice with Clashnichd; on the contrary, it seemed that she had, for a long time, lived apart with much comfort, residing in a snug dwelling, as already mentioned, in the wilds of Craig-Aulnaic; but Ben Baynac having unfortunately taken into his head to pay her a visit, took a fancy, not to herself, but her dwelling, of which, in his own name and authority, he took immediate possession, and soon after he expelled poor Clashnichd, with many stripes, from her natural inheritance.  Not satisfied with invading and depriving her of her just rights, he was in the habit of following her into her private haunts, not with the view of offering her any endearments, but for the purpose of inflicting on her person every torment which his brain could invent.

Such a moving relation could not fail to affect the generous heart of James Gray, who determined from that moment to risk life and limb in order to vindicate the rights and avenge the wrongs of poor Clashnichd, the ghost of Craig-Aulnaic.  He, therefore, took good care to interrogate his new protégée touching the nature of her oppressor’s constitution, whether he was of that killable species of ghost that could be shot with a silver sixpence, or if there was any other weapon that could possibly accomplish his annihilation.  Clashnichd informed him that she had occasion to know that Ben Baynac was wholly invulnerable to all the weapons of man, with the exception of a large mole on his left breast, which was no doubt penetrable by silver or steel; but that, from the specimens she had of his personal prowess and strength, it were vain for mere man to attempt to combat him.  Confiding, however, in his expertness as an archer—for he was allowed to be the best marksman of the age—James Gray told Clashnichd he did not fear him with all his might,—that he was a man; and desired her, moreover, next time the ghost chose to repeat his incivilities to her, to apply to him, James Gray, for redress.

It was not long ere he had an opportunity of fulfilling his promises.  Ben Baynac having one night, in the want of better amusement, entertained himself by inflicting an inhuman castigation on Clashnichd, she lost no time in waiting on James Gray, with a full and particular account of it.  She found him smoking his cutty, for it was night when she came to him; but, notwithstanding the inconvenience of the hour, James needed no great persuasion to induce him to proceed directly along with Clashnichd to hold a communing with their friend, Ben Baynac, the great ghost.  Clashnichd was stout and sturdy, and understood the knack of travelling much better than our women do.  She expressed a wish that, for the sake of expedition, James Gray would suffer her to bear him along, a motion to which the latter agreed; and a few minutes brought them close to the scene of Ben Baynac’s residence.  As they approached his haunt, he came forth to meet them, with looks and gestures which did not at all indicate a cordial welcome.  It was a fine moonlight night, and they could easily observe his actions.  Poor Clashnichd was now sorely afraid of the great ghost.  Apprehending instant destruction from his fury, she exclaimed to James Gray that they would be both dead people, and that immediately, unless James Gray hit with an arrow the mole which covered Ben p. 36Baynac’s heart.  This was not so difficult a task as James had hitherto apprehended it.  The mole was as large as a common bonnet, and yet nowise disproportioned to the natural size of the ghost’s body, for he certainly was a great and a mighty ghost.  Ben Baynac cried out to James Gray that he would soon make eagle’s meat of him; and certain it is, such was his intention, had not the shepherd so effectually stopped him from the execution of it. Raising his bow to his eye when within a few yards of Ben Baynac, he took deliberate aim; the arrow flew—it hit—a yell from Ben Baynac announced the result.  A hideous howl re-echoed from the surrounding mountains, responsive to the groans of a thousand ghosts; and Ben Baynac, like the smoke of a shot, vanished into air.

Clashnichd, the ghost of Aulnaic, now found herself emancipated from the most abject state of slavery, and restored to freedom and liberty, through the invincible courage of James Gray.  Overpowered with gratitude, she fell at his feet, and vowed to devote the whole of her time and talents towards his service and prosperity.

Meanwhile, being anxious to have her remaining goods and furniture removed to her former dwelling, whence she had been so iniquitously expelled by Ben Baynac, the great ghost, she requested of her new master the use of his horses to remove them.  James observing on the adjacent hill a flock of deer, and wishing to have a trial of his new servant’s sagacity or expertness, told her those were his horses—she was welcome to the use of them; desiring that when she had done with them, she would inclose them in his stable.  Clashnichd then proceeded to make use of the horses, and James Gray returned home to enjoy his night’s rest.

Scarce had he reached his arm-chair, and reclined his cheek on his hand, to ruminate over the bold adventure of the night, when Clashnichd entered, with her “breath in her throat,” and venting the bitterest complaints at the unruliness of his horses, which had broken one-half of her furniture, and caused her more trouble in the stabling of them than their services were worth.

“Oh! they are stabled, then?” inquired James Gray.  Clashnichd replied in the affirmative.  “Very well,” rejoined James, “they shall be tame enough to-morrow.”

From this specimen of Clashnichd, the ghost of Craig-Aulnaic’s expertness, it will be seen what a valuable acquisition her service proved to James Gray and his young family.  They were, however, speedily deprived of her assistance by a most unfortunate accident.  From the sequel of the story, from which the foregoing is an extract, it appears that poor Clashnichd was deeply addicted to propensities which at that time rendered her kin so obnoxious to their human neighbours.  She was constantly in the habit of visiting her friends much oftener than she was invited, and, in the course of such visits, was never very scrupulous in making free with any eatables which fell within the circle of her observation.

One day, while engaged on a foraging expedition of this description, she happened to enter the Mill of Delnabo, which was inhabited in those days by the miller’s family.  She found his wife engaged in roasting a large gridiron of fine savoury fish, the agreeable smell proceeding from which perhaps occasioned her visit.  With the usual inquiries after the health of the miller and his family, Clashnichd proceeded with the greatest familiarity and good-humour to make herself comfortable at their expense.  But the miller’s wife, enraged at the loss of her fish, and not relishing such unwelcome familiarity, punished the unfortunate Clashnichd rather too severely for her freedom.  It happened that there was at the time a large caldron of boiling water suspended over the fire, and this caldron the enraged wife overturned in Clashnichd’s bosom!

Scalded beyond recovery, she fled up the wilds of Craig-Aulnaic, uttering the most melancholy lamentations, nor has she been ever heard of since.

Tuesday, 15 January 2019

The Dance of Death

Algernon Blackwood
Pan Books

These six strange tales are all pervaded by the chilling mystery of the unknown and the inexplicable. In ‘The Dance of Death’ we have a fleeting glimpse into another world, tantalisingly only half explained. Each disturbing tale is stamped with the unmistakable hallmark of Blackwood’s style.

A year or so ago I read a couple of mammoth collections of Blackwood stories which got me to thinking  that I'd read the majority of his output - I'm a fool.   The very next book of his I picked up I discovered that half of the book was new to me.

Of the 6 stories that make up this nifty little Pan paperback the 3 that I knew were three that I like very much. 'A Psychical Invasion' is one of the John Silence tales and introduces the good Doctor with an investigation of a 'haunted' house that is transforming the personality and work of a young writer.  'The Touch of Pan' and 'The Valley of the Beasts' are both aspects of Blackwood's bucolic soul as the power of nature and the soullessness of modern life are placed in direct opposition.  The first using Western mythology and the second Native American.

So, for me at least, it's the other 3 stories that are of the most immediate interest.  'The Dance of Death' is an unusual tale for Blackwood set as it is at a dance where a young man is determined to enjoy himself despite a worrying diagnosis.  The appearance of a mysterious, beautiful, ethereal stranger reminds us though that with Blackwood other worlds are always interconnecting with ours.

'The Old Man of Visions' is a lovely little tale of a man finding and losing a connection - at one remove - with the infinite. It's deliciously subtle, perhaps more parable than story, and a real treat.  The third tale, 'The South Wind' is a very brief little ditty regarding the journey of a gust of wind and the promise it brings and is another delight.

Truthfully I bought this book to sell but finding three new tales prompted a read and I'm very glad as both old and new proved to be prime Blackwood.

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain

Tuesday, 6 November 2018

Supernatural Tales 37

David Longhorn (editor)
Supernatural Tales

I've been thoroughly enjoying these quarterly magazines from the Supernatural Tales blog.  They give me a semi regular fix of a Mark Valentine story and have introduced me to a couple of other interesting writers.

I have to say though I was less enamoured of this issue than I usually am.  Mark is here and his 'The Forwarding Agent' is another delicately twisted exploration of odd hobbies and fractured reality but the other stories just didn't really do all that much for me.

C.M. Muller's 'Slattergreen' was an initially intriguing tale of loss and transformation that came to a far too sudden and jarring end that left me wondering what the point was. A feeling magnified tenfold in Jeremy Schlieve's 'Children's Castles'.

'Silver' by Helen Grant was a nicely written werewolf tale that seemed to have been inspired by the author's discovery of an interesting piece of trivia regarding glass-making rather than by the story itself and so I came out of it thinking more about the factoid and the construction of the story than the story itself.

With the exception of a couple of reviews by the editor the book closes with Chloe N Clark's 'Leopard Seals' a really intriguing story wrapped in some padding about a dream. The central idea I thought really promising but the dream stuff just seemed like filler.

A slightly frustrating read this time out but not entirely a bad one although I really could have done without the one about the castle.

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain

Tuesday, 30 October 2018

Lolly Willowes

Lolly Willowes by Sylvia Townsend Warner
Sylvia Townsend Warner
New York Review Books Classics

In Lolly Willowes, an ageing spinster rebels against her role as the universal aunt, at everybodys beck and call. How she escapes all that "—to have a life of one's own, not an existence doled out to you by others", is the theme of this story.

You know that moment whilst reading a book where you suddenly realise that you are deeply besotted with it.  This happened to me today about 50 pages into 'Lolly Willowes' and stayed with me all the way to the end.

Laura 'Lolly' Willowes is, at the beginning of the book, a young woman living a quiet and introverted life in the family home with her much loved father.  His death sends her to London to live with her brother's family where she slowly loses her identity to the new benign persona of 'Aunt Lolly' finding an expression of herself only in the luxurious flowers with which she decorates her room until in middle age she decides on the spur of the moment to move to the small Chiltern village of Great Mop and become a witch.

Warner's first novel is a fantastic and fantastical exploration of the lot of a young unmarried woman in the early decades of the 20th century.  As the century unfolds we slowly see Laura take increasing control of her life and break free from patriarchal, familial and social restraints as the novel does the same and becomes as much a meditation on religion and the very nature of Satan as it is on the lot of women and it is glorious.

Beautifully written, delicately paced and deliciously insightful. I adored this book.

Buy it here -  Lolly Willowes

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain

Wednesday, 24 October 2018

The Three Impostors

The Three Imposters by Arthur Machen
Arthur Machen

The Three Impostors is an episodic novel by British horror fiction writer Arthur Machen. The novel incorporates several inset weird tales and culminates in a final denouement of deadly horror, connected with a secret society devoted to debauched pagan rites. The three impostors of the title are members of this society who weave a web of deception in the streets of London-retailing the aforementioned weird tales in the process-as they search for a missing Roman coin commemorating an infamous orgy by the Emperor Tiberius and close in on their prey: "the young man with spectacles".

Over the last few years I've been slowly amassing a small (but perfectly formed) collection of Machen books having become slightly besotted after reading 'The White People'.  I've discovered in that time that I generally prefer his short work to the long but this is often the case for me with writers of the outre.  The long stuff is fine - 'The Hill of Dreams' was a hell of a read but an exhausting one as I felt no love for the central character - but I like the short, sharp, shock of the smaller tales.  With that in mind 'The Three Imposters' offered up the best of both worlds being a novel made up of several interconnected shorts; a portmanteau novel.

The story concerns Dyson and his friend Phillips who find themselves unknowingly at the centre of a scheme after Dyson finds a rare coin.  The coin itself is a bit of a MacGuffin but as the story unfolds the two begin to experience a series of bizarre encounters with strangers who each relate a macabre and twisted tale.

A couple of these tales are ones that even the most casual Machen reader will likely have come across as they are regularly anthologised - 'The Novel of the Black Seal' and 'The Novel of the White Powder' - the first a dark slice of rural horror of the true face of the fair folk of this land and the second a proto-sci-fi tale with distinct echoes of 'Dr Jekyll and Mr Hyde'.

These two tales are by far the stand out moments of the book, of the remaining stories all are, at worst, readable but neither the novel of '...the Dark Valley' or '... the Iron Maid' reach the heights of the other two.  Dyson and Phillips are odd characters and their insular natures make them somewhat nonchalant to the plight of the young man with spectacles but, for the reader at least, his fate is sealed from the off.

'The Three Impostors' was a particularly early work for Machen (published a year after 'The Great God Pan' and predating 'The Hill of Dreams' by some 12 years) and it shows a writer reconciling his own imagination with that of his literary heroes and while there are definite flaws it all adds up to a most enjoyable whole. 

Buy it here - The Three Impostors

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain

Sunday, 14 October 2018

Night of the Marionettes

Supernatural (1977) - Night of the Marionettes
Created and mostly written by Robert Muller the 1977 BBC anthology series 'Supernatural' was an attempt to make a series of - even then - old fashioned gothic horror tales filled with vampires, werewolves and the like.  Each episode revolved around the telling of a scary tale by a prospective member of the 'Club of the Damned' who, if their tale proved sufficiently terrifying would be granted membership, if not then their lives would be forfeited.

'Night of the Marionettes' tells of a writer (Gordon Jackson - 'George Cowley' from 'The Professionals') obsessed by Lord Byron and the two Shelley's - Mary in particular - who, with his wife and daughter in tow,  takes lodging at a deserted Swiss hotel where he becomes convinced that the source of his obsession had lodged before him.  Indeed, it soon becomes clear that the exuberant marionette show performed by the innkeeper (Vladek Sheybal) and his family may have had quite the profound effect on the young Mary.

Supernatural (1977) - Night of the Marionettes
The end result is a flawed attempt at an interesting idea.  Sheybal gives his usual wonderfully alien performance but Jackson and Pauline Moran (most widely known as Poirot's 'Miss Lemon' and who also played the titular character in the Nigel Kneale adaptation of 'The Woman in Black') who plays his daughter - also called Mary - are both hamming it up something terrible and only seem comfortable in their roles when engaging in some incestuous flirting.  The old, wooden hotel is a great setting though and there's a wonderfully Hammer Horror graveyard visible through the window and in more capable hands this could have been a gothic classic rather than just an interesting flawed attempt at revitalising the genre.

Buy it here - Supernatural (2-disc DVD set) - or watch it below.



..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain

Wednesday, 10 October 2018

The Unsettled Dust

Robert Aickman - The Unsettled DustRobert Aickman
Faber & Faber

Robert Aickman, the supreme master of the supernatural, brings together eight stories where strange things happen that the reader is unable to predict. His characters are often lonely and middle-aged but all have the same thing in common - they are all brought to the brink of an abyss that shows how terrifyingly fragile our peace of mind actually is.
'The Next Glade', 'Bind Your Hair' and 'The Stains' appeared together in The Wine-Dark Sea in 1988 while 'The Unsettled Dust', 'The House of the Russians', 'No Stronger Than a Flower', 'The Cicerones' and 'Ravissante' first appeared in Sub Rosa in 1968. The stories were published together as The Unsettled Dust in 1990. Aickman received the British Fantasy Award in 1981 for 'The Stains', which had first appeared in the anthology New Terrors (1980), before appearing in the last original posthumous collection of Aickman's short stories, Night Voices (1985).

'The Unsettled Dust' was a posthumous collection released some 9 years after the authors death.  The stories included all bear Aickman's characteristic strangeness which can result  in them being equal parts frustrating and enthralling.
The opening - titular - tale is an almost straightforward (by Aickman's standards) and old fashioned  haunted house tale as a representative of a trust is subjected to the dubious hospitality of two sisters in their dusty old house in a quietly sad tale of family, pride and unreconciled loss, themes that are echoed in 'The Houses of the Russians', an intriguing little tale of an island of abandoned homes and the memories they hold of  their former inhabitants.

'No Stronger Than A Flower' was the first Aickman tale I ever read and this story of a woman's metamorphosis loses none of it's brutal power in a reread several years on and with a wider knowledge of what to expect - that is if one can even remotely 'expect' anything in an Aickman story.

'The Cicerones' is another story I was familiar with, this time through the adaptation made by Mark Gatiss and Jeremy Dyson - watch it here.   I'm not particularly enamoured of it but I was struck by how closely the filmed version stuck to the text.

'The Next Glade' is another story that I found somewhat uninspiring.  Unusually for Aickman the strangeness here felt contrived and a little but forced.  I can't put my finger on anything in particular about it but for me it failed to gel and the story was both dull and flat.

Things get very much back on track with 'Ravissante' as we're shown into a world that is both mannered and deeply strange filled with simmering sexual repression and denied release and the folk horror duo of 'Bind Your Hair', another beautifully ambiguous enigma of rural weirdness and the book's award winning closing tale, 'The Stains', a story of love lost, love found, family, responsibility, innocence and lichen which sees about as Aickmanesque an ending to to this write-up as I'm going to come up with.

Buy it here -  The Unsettled Dust

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
 

Sunday, 7 October 2018

The Exorcism

Dead of Night The Exorcism
One of the few surviving episodes of the 1970s BBC series Dead of Night, 'The Exorcism' is the story of a dinner party gone very wrong indeed.

Writer / director Don Taylor's story places two bourgeois couples Clive Swift & Sylvia Kay and Edward Petherbridge & Anna Cropper at dinner in the new country cottage home of the latter pair slowly being consumed by the pent up anger of the past that permeates the walls of the house.  The power fails, the lavish food spoils and the wine turns to blood as the house tries to exorcise itself of these unclean spirits and give voice to those that had lived and died there before.

Dead of Night The Exorcism
With his directors hat on Taylor never quite manages to instill any notable sense of trepidation and in his writer's hat his socialist leanings are given voice in a sometimes slightly heavy handed way in a story about poverty, injustice and class warfare rescued by some good performances from a dependable cast, hauntily atmospheric music and an easy, unhurried pace.

We've featured another episode from this series on Wyrd Britain before which you can watch here - A Woman Sobbing.

Buy it here - Dead of Night (DVD) - or watch it below.



..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain

Sunday, 19 August 2018

The Man with the Power

Boysie (Willie Jonah) and Brian (Johnny Briggs) in The Mind Beyond: The Man With the Power
We've previously featured another episode from the 1976 BBC 2 Playhouse series 'The Mind Beyond' on Wyrd Britain with the episode 'Stones', a very enjoyable rural horror about a politician's dangerously daft plan to relocate Stonehenge to London's Hyde Park.

This episode, 'The Man with the Power', was written by Evan Jones (who also wrote oddball WWII football movie 'Escape to Victory') this is the story of builders labourer Boysie (Willie Jonah) who discovers that the 'second sight' he inherited from his mother is getting stronger when he remotely experiences his colleague's (Johnny Briggs - Coronation Street's Mike Baldwin) automobile accident.  Awed by his gift and by the various reactions of those around him he embarks on a spiritual quest that leads him to the Devil and beyond. 

Adler (Cyril Cusack) and Boysie (Willie Jonah) gather herbs in The Mind Beyond: The Man With the Power
It's an odd one this.  Apart from a nicely twitchy turn by Geoffrey (Catweazle) Bayldon as a paranormal investigator and a show stealing appearance by Cyril Cusack as another sensitive the acting is pretty poor throughout with both Jonah and Vikki Richards, who plays his girlfriend Gloria, indulging in some serious scenery chewing.  The dialogue is clunky and the characters are pretty much universally unlikeable with Briggs' Brian (and others) spouting some dodgy 1970s racial politics.  There's an underlying theme of the responsibilities of power and the corrupting influence of material goods and a general gist that we are possibly watching the wilderness years of a new messiah but it's pretty clumsily done and the plot is generally unfocused repeatedly heading off in strange directions that are rarely fully explored such as Boysie's encounter with the old lady and the unexpectedly homoerotic turn that Boysie's ultimate meeting with the Devil takes.

But, with all that said, it did keep me watching; I just don't know why.

Did I enjoy it?  No, not particularly.  Would I watch it again? Maybe, but probably not.  Do I recommend it? Not really.  Yet, here it is.  Make of it what you will.



..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Sunday, 29 July 2018

To Kill A King

Title screen from To Kill A King
Alan Garner's 'To Kill A King' was the final episode of the supernatural anthology series 'Leap In The Dark' that ran for 4 series on BBC2 between 1973 and 1980.  Whilst the early series were documentaries the latter two consisted of various dramas written by the likes of Garner, Fay Weldon (author of 'The Life and Loves of a She-Devil') and (the writer of 'Penda's Fen') David Rudkin.

In 'To Kill A King' Garner tells an autobiographically tinged story of an author, Harry (Anthony Bate, Oliver Lacon in 'Tinker, Tailor, Soldier, Spy'), haunted by a disconnect with his restless muse as he battles against writer's block or of man rapidly descending into depression and madness as he rages against the turmoil of his mind.

Harry finds a stone head in the pond in To Kill A King by Alan Garner
Garner has spoken in the past of his struggles with depression and in many ways this seem like an exploration of its causes as Harry is pressured from all sides - by colleagues, family, fans but most of all by himself - and as a result 'his head' is submerged in muddy water unable to see the light, a terrifying prospect that throws him into even deeper water. 

As you may have inferred the play is heavy on symbolism with Harry reaching a decision as he emerges from a dark tunnel and the idea of inspiration as a transmission from elsewhere embodied by the presence of Jodrell Bank Observatory at the end of his garden and the plethora of communications technology - typewriter, telephone, television - that haunts him and it's not until he uses 'his head' to break their hold that his muse settles and his block lifts.

The finished piece is an oddly compelling collision of supernatural tale with psychodrama that offers an interestingly ambiguous take on both.



..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Friday, 13 July 2018

Adrift on the Haunted Seas: The Best Short Stories of William Hope Hodgson

Adrift on the Haunted Seas: The Best Short Stories of William Hope Hodgson by Douglas A Anderson
William Hope Hodgson
Douglas A. Anderson (editor)
Cold Spring Press

William Hope Hodgson (1877-1918) is acknowledged as one of the undisputed masters of the sea story. There has never been a collection of his very best short stories offered to the trade. Hodgson's sea stories have unusual authenticity owing to his having spent a lot of time on merchant's ships-he left his family in 1890 at the age of thirteen to spend eight years at sea, where the experience of mistreatment, poor pay, and worse food was contrasted by Hodgson's immeasurable fascination with the sea. His obsession for the sea fills his writings. This volume collects the very best of Hodgson's sea stories-which has not been done before-with some of the most exciting and dramatic creatures of fantasy on the written page, exhibiting the sea in all her moods: wonder, mystery, beauty, and terror."This collection brings together the very best of his short stories, together with a sampling of his poetry. It includes a variety of his sea horrors along with two non-fantastic pieces: "On the Bridge," a journalistic story written immediately after the sinking of the Titanic which attempts to show some of the various factors which contributed to the tragedy, and the suspenseful nonfiction story "Through the Vortex of a Cyclone," which is based on Hodgson's own experiences at sea." - From the Introduction by Douglas A. Anderson

 Hope Hodgson's Carnacki stories have long been a favourite of mine and are at the centre of my love of a supernatural detective yarn but I never really had any real desire to read much else by him.  A year or so ago I listened to an audio of 'The House on the Borderland' which I thoroughly enjoyed  but again no real impulse to dig any further until I stumbled across this collection of his nautical horrors collected together by Douglas A. Anderson.  Now. part of the reason I'd not dug any further into Hodgson's stories is a disinterest in nautical tales but as it was in my hand I thought I'd give them a go.

As a young man Hodgson had spent a number of years at sea in the merchant navy and so the sea loomed large in his stories even featuring in one of his Carnacki tales, 'The Haunted Jarvee', which is included here.  A particular favourite of his was the 'Sargasso Sea', a legendary 'sea of weed' that ensnares unwary ships and holds them trapped as the crew either slowly starves or become food for the creatures that call it home.  Several of these Sargasso stories feature here and they range from the enigmatic ('The Voice in the Dawn') to the dynamic (the two parts of 'The Tideless Sea') to the dreadful ('The Finding of the Graiken').

Some of the stories such as 'The Wild Man of the Sea', 'On the Bridge' and the fantastic 'Through the Vortex of a Cyclone' are fairly straight adventure fare - the latter sourced from experience - but for me it's the stranger stories that made the bigger impact such as the fungal body horror of 'The Voice in the Night', the unlikeliness of 'The Stone Ship' and the bittersweet final voyage of 'The Shamraken Homeward-Bounder'.

I must admit the constant nautical setting did wear at me somewhat - even the words 'poop deck' stopped making me smirk - and at times I found myself flagging a bit but Hodgson spins a good yarn and few of those included here hang around long enough to truly wear one's patience but as I said earlier nautical stories were never of much interest and whilst this did nothing to change my mind on that score it is a very recommended collection.

Buy it here - Adrift on the Haunted Seas: The Best Short Stories of William Hope Hodgson

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain