Showing posts with label rural horror. Show all posts
Showing posts with label rural horror. Show all posts

Friday, 18 January 2019

Short Story - 'The Ghosts of Craig-Aulnaic' (Scottish folktale)

Two celebrated ghosts existed, once on a time, in the wilds of Craig-Aulnaic, a romantic place in the district of Strathdown, Banffshire.  The one was a male and the other a female.  The male was called Fhuna Mhoir Ben Baynac, after one of the mountains of Glenavon, where at one time he resided; and the female was called Clashnichd Aulnaic, from her having had her abode in Craig-Aulnaic.  But although the great ghost of Ben Baynac was bound by the common ties of nature and of honour to protect and cherish his weaker companion, Clashnichd Aulnaic, yet he often treated her in the most cruel and unfeeling manner.  In the dead of night, when the surrounding hamlets were buried in deep repose, and when nothing else disturbed the solemn stillness of the midnight scene, oft would the shrill shrieks of poor Clashnichd burst upon the slumberer’s ears, and awake him to anything but pleasant reflections.

But of all those who were incommoded by the noisy and unseemly quarrels of these two ghosts, James Owre or Gray, the tenant of the farm of Balbig of Delnabo, was the greatest sufferer.  From the proximity of his abode to their haunts, it was the misfortune of himself and family to be the nightly audience of Clashnichd’s cries and lamentations, which they considered anything but agreeable entertainment.

One day as James Gray was on his rounds looking after his sheep, he happened to fall in with Clashnichd, the ghost of Aulnaic, with whom he entered into a long conversation.  In the course of it he took occasion to remonstrate with her on the very disagreeable disturbance she caused himself and family by her wild and unearthly cries—cries which, he said, few mortals could relish in the dreary hours of midnight.  Poor Clashnichd, by way of apology for her conduct, gave James Gray a sad account of her usage, detailing at full length the series of cruelties committed upon her by Ben Baynac.  From this account, it appeared that her living with the latter was by no means a matter of choice with Clashnichd; on the contrary, it seemed that she had, for a long time, lived apart with much comfort, residing in a snug dwelling, as already mentioned, in the wilds of Craig-Aulnaic; but Ben Baynac having unfortunately taken into his head to pay her a visit, took a fancy, not to herself, but her dwelling, of which, in his own name and authority, he took immediate possession, and soon after he expelled poor Clashnichd, with many stripes, from her natural inheritance.  Not satisfied with invading and depriving her of her just rights, he was in the habit of following her into her private haunts, not with the view of offering her any endearments, but for the purpose of inflicting on her person every torment which his brain could invent.

Such a moving relation could not fail to affect the generous heart of James Gray, who determined from that moment to risk life and limb in order to vindicate the rights and avenge the wrongs of poor Clashnichd, the ghost of Craig-Aulnaic.  He, therefore, took good care to interrogate his new protégée touching the nature of her oppressor’s constitution, whether he was of that killable species of ghost that could be shot with a silver sixpence, or if there was any other weapon that could possibly accomplish his annihilation.  Clashnichd informed him that she had occasion to know that Ben Baynac was wholly invulnerable to all the weapons of man, with the exception of a large mole on his left breast, which was no doubt penetrable by silver or steel; but that, from the specimens she had of his personal prowess and strength, it were vain for mere man to attempt to combat him.  Confiding, however, in his expertness as an archer—for he was allowed to be the best marksman of the age—James Gray told Clashnichd he did not fear him with all his might,—that he was a man; and desired her, moreover, next time the ghost chose to repeat his incivilities to her, to apply to him, James Gray, for redress.

It was not long ere he had an opportunity of fulfilling his promises.  Ben Baynac having one night, in the want of better amusement, entertained himself by inflicting an inhuman castigation on Clashnichd, she lost no time in waiting on James Gray, with a full and particular account of it.  She found him smoking his cutty, for it was night when she came to him; but, notwithstanding the inconvenience of the hour, James needed no great persuasion to induce him to proceed directly along with Clashnichd to hold a communing with their friend, Ben Baynac, the great ghost.  Clashnichd was stout and sturdy, and understood the knack of travelling much better than our women do.  She expressed a wish that, for the sake of expedition, James Gray would suffer her to bear him along, a motion to which the latter agreed; and a few minutes brought them close to the scene of Ben Baynac’s residence.  As they approached his haunt, he came forth to meet them, with looks and gestures which did not at all indicate a cordial welcome.  It was a fine moonlight night, and they could easily observe his actions.  Poor Clashnichd was now sorely afraid of the great ghost.  Apprehending instant destruction from his fury, she exclaimed to James Gray that they would be both dead people, and that immediately, unless James Gray hit with an arrow the mole which covered Ben p. 36Baynac’s heart.  This was not so difficult a task as James had hitherto apprehended it.  The mole was as large as a common bonnet, and yet nowise disproportioned to the natural size of the ghost’s body, for he certainly was a great and a mighty ghost.  Ben Baynac cried out to James Gray that he would soon make eagle’s meat of him; and certain it is, such was his intention, had not the shepherd so effectually stopped him from the execution of it. Raising his bow to his eye when within a few yards of Ben Baynac, he took deliberate aim; the arrow flew—it hit—a yell from Ben Baynac announced the result.  A hideous howl re-echoed from the surrounding mountains, responsive to the groans of a thousand ghosts; and Ben Baynac, like the smoke of a shot, vanished into air.

Clashnichd, the ghost of Aulnaic, now found herself emancipated from the most abject state of slavery, and restored to freedom and liberty, through the invincible courage of James Gray.  Overpowered with gratitude, she fell at his feet, and vowed to devote the whole of her time and talents towards his service and prosperity.

Meanwhile, being anxious to have her remaining goods and furniture removed to her former dwelling, whence she had been so iniquitously expelled by Ben Baynac, the great ghost, she requested of her new master the use of his horses to remove them.  James observing on the adjacent hill a flock of deer, and wishing to have a trial of his new servant’s sagacity or expertness, told her those were his horses—she was welcome to the use of them; desiring that when she had done with them, she would inclose them in his stable.  Clashnichd then proceeded to make use of the horses, and James Gray returned home to enjoy his night’s rest.

Scarce had he reached his arm-chair, and reclined his cheek on his hand, to ruminate over the bold adventure of the night, when Clashnichd entered, with her “breath in her throat,” and venting the bitterest complaints at the unruliness of his horses, which had broken one-half of her furniture, and caused her more trouble in the stabling of them than their services were worth.

“Oh! they are stabled, then?” inquired James Gray.  Clashnichd replied in the affirmative.  “Very well,” rejoined James, “they shall be tame enough to-morrow.”

From this specimen of Clashnichd, the ghost of Craig-Aulnaic’s expertness, it will be seen what a valuable acquisition her service proved to James Gray and his young family.  They were, however, speedily deprived of her assistance by a most unfortunate accident.  From the sequel of the story, from which the foregoing is an extract, it appears that poor Clashnichd was deeply addicted to propensities which at that time rendered her kin so obnoxious to their human neighbours.  She was constantly in the habit of visiting her friends much oftener than she was invited, and, in the course of such visits, was never very scrupulous in making free with any eatables which fell within the circle of her observation.

One day, while engaged on a foraging expedition of this description, she happened to enter the Mill of Delnabo, which was inhabited in those days by the miller’s family.  She found his wife engaged in roasting a large gridiron of fine savoury fish, the agreeable smell proceeding from which perhaps occasioned her visit.  With the usual inquiries after the health of the miller and his family, Clashnichd proceeded with the greatest familiarity and good-humour to make herself comfortable at their expense.  But the miller’s wife, enraged at the loss of her fish, and not relishing such unwelcome familiarity, punished the unfortunate Clashnichd rather too severely for her freedom.  It happened that there was at the time a large caldron of boiling water suspended over the fire, and this caldron the enraged wife overturned in Clashnichd’s bosom!

Scalded beyond recovery, she fled up the wilds of Craig-Aulnaic, uttering the most melancholy lamentations, nor has she been ever heard of since.

Wednesday, 22 June 2016

Tales of the Mysterious and Macabre

Algernon Blackwood
Spring Books

I've been slowly working my way through this sizeable hardback for a few months now reading a couple of stories and then shelving it for a week or two. I've mentioned here before about my long held dislike for reading anthologies of short stories which is a prejudice I've had to overcome over the last few years since starting to read more and more of these period strange stories.  Out of these anthologies the name Algernon Blackwood was one that held a particular appeal.  He has a name that seems expressly designed to be that of an author of weird fiction and his photos make him look like a magician.  He's a regular in anthologies so stories by him weren't hard to track down and the more I read the more I wanted to read and finding a copy of the 'Ancient Sorceries and Other Stories' Penguin paperback in a charity shop only helped stimulate this interest.  So, stumbling across this 400 page anthology was a happy day indeed.

Published in 1967 by Spring Books it contains 23 tales of the odd, the uncanny and the unnatural.  The stories in this volume are decidedly less spooky than the ones I've read previously although there is a strong undercurrent of the strange and the inexplicable but these are far more of the weird fiction genre than the ghostly.

Within its pages lie various pieces of treasure; a delightfully odd encounter for Blackwood's occult detective Dr. John Silence with a man who is 'A Victim of Higher Space', the strangely enchanting tale of a brother and sisters experience of a house filled with 'The Damned', a sacrificial tale involving the old gods of the sea in 'The Sea Fit', a tale about the transcendent powers of nature in 'The Golden Fly' and a rather lovely tale of cross generational help in 'The Other Wing'.

The collection is crammed full of enticing oddities all written with Blackwood's characteristic charm and readability.  Personally I have a marked fondness for the more ghostly side of his work but on the whole this collection turned out to be one of beauty and intriguing profundity.

Saturday, 11 June 2016

Pagan Triptych

Ron Weighell, John Howard & Mark Valentine
Sarob Press

In a recent email conversation with Mark Valentine I mentioned that when I broke my tibia last year I did so with an Algernon Blackwood paperback in my back pocket.  This led him to tell of a Blackwood inspired short story he was writing for a new anthology to be published soon by Sarob Press and that he would arrange for a review copy to be sent my way for Wyrd Britain.  Yes dear readers he is a lovely fella and I am a lucky sod.

Well, if it appeases your jealousy in any way my copy arrived the day after I got home from hospital after breaking my hip this time;  same leg, almost exactly 11 months on from the last time so maybe not so lucky after all.

'Pagan Triptych' is a set of 3 stories using some of Blackwood's characteristic themes - the occult detective, ritual magic, nature worship & reincarnation - each followed by an afterword from each author regarding their connection with the man and his work.

The book begins with an author I am otherwise unfamiliar with, Ron Weighell, whose story of magical sleuthing featuring his very intriguing occult detective, academic and magician, Doctor Andrew Northwoode, 'The Letter Killeth' is a fiery and intriguing sort of read.  With it's academic setting within the campus, libraries and lodgings of Belden College, Oxford it has a flavour of M.R. James' 'The Tractate Middoth' but is very much it's own thing as Northwoode, with the aide of a number of other magicians from diverse magical traditions, investigates and combats the magical affliction that has overcome his librarian friend.

The story is fast paced and wonderfully inventive with Weighell throwing around magical traditions and rites with seeming abandon as his crew of investigators hunt for their cure.  I'm an absolute sucker for a good occult investigator especially of the professorial type and I took Northwoode to my heart immediately.  Apparently he has featured in several other stories but a cursory eBay search reveals Weighell's other books to be price in eye-watering amounts amounts but he is going on my list of writers to watch out for.

Holding the middle ground in the anthology is John Howard who I'd previously encountered via his and Mark Valentine's collaboration on 'The Collected Connossieur'.  It would take better eyes than mine to separate the two in the previous volume so it was a nice opportunity to get to experience his solo work.

'In the Clearing' is a delicately subtle tale of a man cast adrift from his life and finding not just himself but also finding another person and another place.

It's a story of a man being expelled from the life he has created, of his meeting another who is entirely in his and of his desire to join him in his serenity and to find his own acceptance amongst the tangled pathways of the woods.

It's a lovely little piece that feels both supernatural and utterly real at the same time.  Daniel's relationship with the woods is so intrinsic that he wears it (or it him) yet for Nick it's a fearsome entity, the antithesis of all he knows and something that he, in his fear and in his loss, tries to claim.

It's a rather lovely piece that has sat with me for the week between reading it and writing this and I think perhaps for a lot longer yet.

Closing the book is Mark Valentine's tale of alternative worlds, reincarnation, destiny and fig trees.  The story follows a young man from ritualised childhood games in a figgery (such a lovely word) to the comradeship of like-minded people who have, like him, experienced unusual connections with certain places , a feeling of otherness and an echo of elsewhere.  It's a rumination on other lives, other places, other times, other existences and is every bit as intriguing as it is beguiling.

Along with three short ruminations on Blackwood by the authors this book proved to be the most wonderful fun.  The three have produced stories that whilst distinct and individual feel very much at home together which I think speaks volumes for both their skills and the rampant creativity of Mr. Blackwood himself.

Saturday, 2 April 2016

Short Story - 'In The Woods' by Amyas Northcote

The old woman raised herself from stooping among her vegetables, and looked upwards towards the wood topping the hill above her.  Her glance was arrested by a pair of moving figures. Shading her eyes with her hand against the westering sun, the old woman gazed more attentively at them, and distinguished, outlined against the blackness of the fir trees, the figures of a young girl and a large dog. Slowly they mounted the grassy slope, and as they drew near the wood its shadow seemed to her to stretch itself forward to meet them. They passed on, and vanished in its recesses. The old woman bent again to her task.

* * *

The girl was tired, tired and unhappy.

She was tired with that tiredness that at seventeen seems hopeless and unending. It is a tiredness of the mind, an ill far worse than any physical fatigue. She was unhappy with an unhappiness that, being in a sense causeless, is all the more unbearable. She felt herself to be neglected, to be misunderstood. Not, be it remarked, that she was neglected in the sense in which we apply it to those in poverty and distress. On the contrary, she was doubtless, and she herself knew it, an object of envy to many. She lacked for no bodily comfort, she owned to no neglect of the mind. Governesses had implanted that which we call knowledge in her, affectionate parents had lavished their love and care upon her. She had been watched, guided, advised, taught with all possible care. She knew all this; and she knew that if she expressed a reasonable wish for any concrete thing she would promptly possess it. But yet she felt herself neglected. A lonely child, without brother or sister, and lacking the power or the will to find close friends among the other girls of her neighbourhood, she had been compelled to rely on her parents and their friends. In childhood she had been happy, but now, with the passing of the years, she felt, dimly and indistinctly perhaps, that she was isolated and alone.

She moved onwards into the recesses of the wood, the great St. Bernard beside her, treading with familiar steps the well-known track, letting her eyes rest on the stately beauty of the trees and her tired thoughts draw repose from their profound calm. Her way led gradually upwards over the crest of a ridge covered with the dark grandeur of Scotch firs. In a few moments after entering the wood the trees, closing their ranks behind her, blotted out every glimpse of the valley whence she had come. In front and on each side of her they rose, towering, straight and tall, with clean stems, upwards to where their dark-green foliage branched out and almost hid the sky. Here and there rare gaps appeared, and in these open spaces the bracken leapt up to gaze upon the sun, and waved its green fronds in the gentle breeze. Her footsteps fell noiseless on the smooth dry pine-needles as she hurried on, drinking in the first feelings of rest, the rest and peace of the great woods.

Presently the trees began to thin in front of her, the gaps among them became more frequent and larger, and soon, passing out of the fir-wood, she gazed down on to a happy valley between two ridges. Beyond the valley the fir-trees recommenced, black and formidable-looking against the slowly setting sun, except away to her left, where the declining ridge opposite sank gently into more open country, and she could descry beyond the trees a fair prospect of unwooded fields. In front of her, as she emerged from among the pines, was a pool of still water, fed by a little brook, which meandered down a green and wooded valley, a valley of osiers and willow and hazel, carpeted at this season with buttercups and ragged-robin, and fringed by tall fox-gloves, by flowering elder and mountain ash. Among these lesser plants an occasional oak towered up, gnarled and misshapen, resembling, beside the stately firs, some uncouth giant of a bygone age.

The wood was very still, the afternoon hush lay upon it, there were no sounds save a gentle whispering of the wind among the fir-tops and the occasional harsh cry of a jay, startled by the rare sight of a human form, or the metallic note of a moor-hen swimming across the pool with its queer clock-work-like motion. With these sounds mingled the gentle tinkle of water escaping from the pool over a hoary flood-gate, and trickling away towards the cultivated lands below. All else was silent and moveless, and the girl, seating herself on the stump of a long-vanished tree, relapsed into absolute quiet, the dog lying equally still beside her.

The peacefulness of the scene calmed the vexed thoughts that had perplexed her; gradually the last gift of Pandora reasserted itself. She began to feel more confident in herself and in her future. True, the way was weary and long, lack of sympathy, lack of interest prevented her, but she felt that within herself lay the seeds of great deeds; the world would yet hear of her, success would yet be at her feet. Formless were the dreams, uncertain even in which direction they would be realised, but chief among them was her dream of music, her beloved music. The paths to many an ambition are closed to women, this she bitterly realised, but at any rate music lies open to them. The visions became more clearly defined, the tinkling water, the rustling pines resolved themselves into stirring rhythms and interlacing harmonies. In her excitement she moved slightly; the great dog, opening his eyes, glanced up, and licked the hand of his companion. This recalled her to herself; she looked up with a start, first at the evening sky and then at her watch, and with a little exclamation at the lateness of the hour hastened to retrace her footsteps through the trees. Presently she emerged again on the open hill-side, and hurried downwards; the trees, bending to the rising wind, seemed to reach out long arms after her.

The woods enthralled her.

Her days were spent more and more dreaming in their recesses. She was much alone. Her father, a busy man, breakfasted, and was gone till evening, before she came down of a morning, an early tradition of delicate health having made her a late riser. In the evening, on his return, he was usually tired, kind but tired. Her mother, long an invalid, was away from home on an interminable cure, and in her absence even the rare visits of dull, country neighbours ceased. And so she lived, surrounded by comforts, a forgotten girl!

She grew more and more abstracted and dreamy: she neglected her duties, even her personal appearance suffered. The servants,who had long regarded her as eccentric, began to grow anxious, even a little alarmed. She became irregular in all her habits; she would stray away into the woods for hours, careless of time. In her rambles she became familiar with every corner of the woods; she was a familiar figure to the watchful gamekeeper and to the old woodman at his work. With these she was on a friendly footing. Once convinced that the great St. Bernard harboured no evil intentions as regards his pheasants, the keeper was civil enough and, after a word or two of salutation, used to stand and watch the lithe, lonely, brown-clad figure slipping away from him among the brown tree trunks with a queer mixture of sympathy and bewilderment. But with the old woodman the young girl made closer friends. She loved to watch him at his solitary toil, and to note in his lined face the look of one who has lived his life in solitude among the beauties of the woods, and who has become cognizant of their glories and of part of their mysteries. She would speak to the old man but little, she spoke to few and rarely in those days, but her watch of him was sympathetic, and she seemed to be trying to draw from him something of that woodland mystery in which he was steeped.

And alone in the woods she grew ever closer to them; the trees began to be for her more than mere living trees: they began to become personalities. At first only certain of them were endowed with personality, but gradually she became aware that each tree was a living and a sentient being. She loved them all, even the distorted oak-trees were her friends. Lying prone in her favourite corner overhanging the pool, the forest become more and more alive, and the firs waving and rustling in the wind were souls lifting up their voices to God. She imagined them each with a living, separate soul, and mourned for a fallen giant as if it were a friend. Ever more and more rapt she became, more and more silent and unresponsive to her fellow-men. At times her father would gaze earnestly at the silent girl, clad in her simple white frock, seated opposite him, but he could discern nothing to disturb him. Her mother wrote, and the girl answered; letters of affection, but covering up within herself all the deep mysteries and yearnings of her heart.

The woods enthralled her.

In them, as she paced to and fro or rested on the stem of some fallen tree, listening to the rustling of the branches around, she became conscious that they were ringing with melody. She felt that here, and here alone among the trees, she could produce that divine music which her soul held expressionless within her. Vainly she would strive in her music room to reach even the lowest terrace of that musical palace whose grandest halls were freely opened to her among the solitudes of the woods.

Little by little did she become absorbed into them; she dared not as yet visit them at night, on account of the certain annoyance of her father, but by day she almost lived in them, and her belief in the souls of the trees grew stronger and ever stronger. She would sit for hours motionless, hoping, believing, that at any moment the revelation might come to her, and that she would see the Dryads dancing, and hear the pipes of Pan. But there was nothing. “Another day of disappointment,” she would cry.

The summer passed on, one of those rare summers which only too seldom visit our English land, but which, when they do appear, by their wonderful beauty and delight, serve to make us thankful to be alive if only to enjoy the joys of Nature.

On one of these glorious days the girl had wandered out, as usual, into the woods. It was afternoon, the sky was cloudless, the wind was almost still, but at times a gentle breath from the west made a soft rustling amongst the pine branches far overhead. As the girl moved on she gazed around her on the well-known trees. All was as usual; Nature spread her beauties before her, glorious, mysterious, veiled from the ken of the human soul. The girl stopped. “Is there nothing,” she cried, “nothing behind this? Is Nature all a painted show? Oh, I have so longed for Nature, to find the peace, and pierce the mystery of the woods, and nothing comes in answer to my soul's call!” She moved on again, passionate, eager, yearning, with all the yearning of youth and growth for the new, the wonderful. Presently she reached her seat above the pool, and sitting down buried her face in her hands. Her shoulders heaved, her feet beat the ground in hasty emotion, her soul cried out in longing.

Suddenly she ceased to move, for a moment longer she sat in her old attitude, then, lifting her face, she gazed around her. Something had happened! Something, in those few moments! To her outward eye all was unchanged, the pool still lay silent in the sunlight, the breeze still murmured in the tree-tops, the golden-rod still nodded in the sun at the verge of the pool, and the heather still blazed on the lower slopes of the ridge opposite her. But there had come a change!—an unseen change!—and in a flash the girl understood. The woods were aware of her, the trees knew of her presence and were watching her, the very flowers and shrubs were cognizant of her! A feeling of pride, of joy, of a little fear, possessed her; she stretched out her arms, “Oh, my beloved playmates,” she cried, “you have come at last!”

She listened, and the gentle breeze among the pine-trees seemed to change, and she could hear its voices, nay, the very sentences of those voices, calling to each other in a language still strange to her ears, but which she felt she knew she would soon understand. She knew she was being watched, discussed, appraised, and a faint sense of disappointment stole over her. Where was the love and the beauty of Nature; these woods, were they friendly or hostile, surely such beauty could mean nothing but love? She began to grow fearful, what was going to happen next? She knew something great was coming, something awe-inspiring, something, perchance, terrible! Already she began to feel invisible, inaudible beings closing, in upon her, already she began to know that slowly her strength, her will, were being drawn out of her. And for what end? Terror began to possess itself of her, when suddenly on the farther side of the pool she saw the old woodman, slowly plodding on his homeward way. The sight of the familiar figure, clad in his rough fustian clothes, bending under a new-cut faggot to which was tied the bright red handkerchief containing the old man's dinner-pail, a splash of bright colour outlined against the green verdure by the pool, was as a dash of cold water over a fainting man. She braced herself up, and watched the distant figure—as she did so, as silently, as suddenly as the mysterious door had opened, it closed again. The woods slept again, ignorant of and indifferent to the young girl.

But, that night, long after the household slept, the girl was at her window, gazing out across the valley to where the fir woods crowned the opposite hill. Long she watched them as they towered, irregular and mysterious, overhanging the grey moonlit fields and sleeping village below them. They seemed to her now to be a strong, thick wall defending the quiet valley below, and guarding it from ill, and now to be the advance guard of an enemy overhanging her peaceful village home and waiting but the word to swoop down and overwhelm it.

The woods enthralled her.

She felt herself on the point of penetrating their mystery, a glimpse had been given her, and now she hesitated and doubted, torn between many emotions. The fascination of fear possessed her, she dreaded and yet she loved the woods. For a day or two after her adventure she shunned them, but they lured her to them, and again and again she went, seeking, hoping for, dreading, what she knew must come. But her search was vain, silently and blindly the woods received her, though again and again she felt that after she had passed she was noted, she was discussed, and that her coming was watched for. The fascination and the fear grew; her food, her few duties, were all neglected, she felt, she knew, that her eyes would soon be opened.

The summer was over. September was upon the world of the woods: the bracken was turning into a thousand shades of yellows and browns, the heather was fading, the leaves of the early trees were browning, the bulrushes hung their dying heads, the flowers were nearly over; the golden-rod alone seemed to defy the changing year. The young rabbits, the fledgling birds, the young life, had all disappeared. At times one saw a lordly cock pheasant, or his more modest wife, strut across the woodland rides. Once in a while, with a loud clapping of wings, wild duck would rise from the pool; among the hazel bushes the squirrels were busy garnering their winter store, and from the distant fields the young girl, as she sat in her well-loved corner of the woods, could hear the far-off lowing of cattle. The afternoon was heavy and oppressive; a dull sensation of coming change hung over the woods, dreaming their last dreams of summer. The firs stood dark and motionless, with a faint aspect of menace in their clustering ranks; no birds were moving among them, no rabbit slipped from one patch of yellowing bracken to another. All was still as the young girl sat musing by her well-loved pool.

Suddenly she started up, listening. Far off, up the green valley, beyond where a cluster of osiers hid the bend, she seemed to hear a sound of piping. Very faint and far off it seemed; very sweet and enthralling; sweet, with a tang of bitter in the sweet, enthralling, with a touch of threatening. As she stood listening eagerly, and with the air of one who hears what he has hoped and longed and dreaded to hear, that same well-remembered sudden, subtle change passed over the woods. Once more she became aware that the trees were alive, were watching her, and this time she felt that they were closer, their presences were more akin to her than before. And it seemed to her as if everywhere, figures, light, slender, brown-clad figures, were passing to and fro, coming from, fading into, the brown trunks of the trees. She could not discern these figures clearly; as she turned to watch they faded out, but sidelong they seemed to flock and whirl in a giddy dance. Ever the sound of the piping drew nearer, bringing with it strange thoughts, overpowering sensations, sensations of growth, of life, thoughts of the earth, vague desires, unholy thoughts, sweet but deadly. As the sounds of the piping drew nearer, the vague, elusive figures danced more nimbly, they seemed to rush towards the girl, to surround her from behind, from each side, never in front, never showing clearly, always shifting, always fading. The girl felt herself changing. Wild impulses to leap into the air, to cry aloud, to sing a new strange song, to join in the wild woodland dance, possessed her. Joy filled her heart, and yet, mingling with the joy, came fear; fear, at first low-lying, hidden, but gradually gaining; a fear, a natural fear, of the secret mysteries unfolding before her. And still the piping drew nearer; IT was coming, IT was coming! IT was coming down the quiet valley, through the oak trees that seemed to spring to attention to greet IT, as soldiers salute the coming of their King. The piping rose louder and more clear. Beautiful it was, and entrancing, but evil and menacing; the girl knew, deep in her consciousness she knew, that when IT appeared, evil and beauty would come conjoined in it. Her terror and her sense of helplessness grew; IT was very near now; the dancing, elusive forms were drawing closer around her, the fir woods behind her were closing against her escape. She was like a bird charmed by a serpent, her feet refused to fly, her conscious will to act. And the Terror drew ever nearer. Despairingly she looked around her, despairingly uttered a cry of helpless agony.

The great St. Bernard lying at her feet, disturbed by her cry, raised himself to his haunches and looked up into her face. The movement of the dog recalled him to her thoughts; she looked down at him, into the wise old eyes that gazed up at her with love and with the calm look of the aged, the experienced, of one from whom all the illusions of Life had faded. In the peaceful, sane, loving look of the dog the girl saw safety, escape. “Oh, Bran, save me, save me,” she cried, and clung to the old dog's neck. Slowly he arose, stretched himself, and, with the girl holding fast to his collar, turned towards the homeward path. As they moved forwards together the whirling forms seemed to fade and to recede, the menacing, clustered firs fell back, the piping changed and, harsh and discordant, resolved itself into the whistle of the rising wind, the very sky seemed to grow lighter, the air less heavy.

And so they passed through the woods together; and emerging from their still clutching shadows stood gazing across the valley darkening in the evening light, towards the gates of home, lit up by the cheerful rays of the setting sun.

* * *

The old woman, resting her aching back, Looked up and saw the girl descending from the
woods with quick light steps. “I wish I were as young and care free as she be,” she muttered,
and stooped again among her vegetables.

Friday, 25 March 2016

In Ghostly Company

Amyas Northcote
Wordsworth Editions

A grey cloud formed on the summit of the altar, diminishing, thickening and turning into a Shape, a shape of evil and fear. The silent group by the fire once more broke forth into wild gesticulations and cries, Stella prostrated herself, the Form on the altar grew clearer and with a cry of horror Mr Fowke turned away and rushed madly across the moor'. Amyas Northcote's In Ghostly Company is a rare and splendid collection of strange and disturbing tales from the golden age of ghost stories. His style is akin to that of the master of the genre M.R. James: it is measured and insidiously suggestive, producing unnerving chills rather than shocks and gasps. Northcote's tales make the reader unsettled and uneasy. This is partly due to the fact that the hauntings or strange occurrences take place in natural or mundane surroundings - surroundings familiar to the reader but never before thought of as unusual or threatening. Long out of print, this book remains an enthralling and chilling read.

Amyas Northcote was an English writer of the Edwardian era with just this single volume of ghost stories published in 1921 to his name.

The intro by David Stuart Davies makes note of how Northcote's short tales were described as being written in an 'unemotional style' and indeed this is well noted as throughout the author feels very distant from his subject matter.  Emotions, other than fear, are kept at a respectable distance and he offers up his stories with a very British reserve.  Happily, this isn't something that bothers me to any particular extent and I like a fairly hands off author.

The stories themselves hail from what must be described as the halcyon days of the ghost story.  Northcote was a student at Eton during M.R. James' tenure at the school and it is to that venerable author, along with others such as E.F. Benson that Northcote's work draws parallels.

In the classic tradition of the genre and the era Northcote's characters are, for the most part innocents caught up in events over which they have little understanding and even less control.  For some their lack of comprehension proves to be their saving grace.  In other situations it's their innate goodness or the self destructive nature of evil or even their pet but equally often the innocent are sent to their grave through nefarious actions.

An aspect of the works here that particularly appealed is that in Northcote's hands the landscape becomes a character in itself.  His stories, unlike those of his eminent peer, are more definitely attached to their British landscape.  There are a few obvious exceptions but they could easily have been relocated to the wilds of Wales, Scotland, Cornwall or Devon.  In the story of the same name the nature of The Downs being as much a character as the spectral figures that haunt it and the horror of the actions of 'The Late Mrs Fowke' are intensified through both the unsavoury establishment she visits and the befouled rural setting within which she conducts her evil conjuring.

His writing seems embedded in a changing age;  the almost fully mechanised industrial society of the early twentieth century that remembers the wild places of the countryside but as a place of superstitious fear and dangerous magics.  Equally there's a sentimentality within his work that serves to make the prospect of the afterlife one here wrongs, both great and small and both slight and slights can be addressed and redressed.

I've become very much a fan of these Wordsworth Editions over the last few years and it's always a good day when I stumble across a new one especially one that I become as besotted with as I have with this one.  Northcote, I suspect, will always remain a peripheral figure in the pantheon of authors of the macabre but to those that seek him out and to those who fall upon him unexpectedly he will prove to be a fortuitous treat.

Thursday, 5 November 2015

The Fontana Book of Great Horror Stories

Christine Bernard
Fontana Books

I jumped on this book when I saw it in a cluttered second hand bookshop in Cheltenham because of the Nigel Kneale story that I hadn't read before; I'd have bought it anyway but that was the clincher.  There were a few other firsts in there too so let's take it one story at a time.

Starting things off is 'The Squaw' by Bram Stoker and it's tale of feline revenge as a rather stupid American tourist is given a medieval comeuppance by a particularly angry she-cat.  I've only ever read one Stoker tale before - 'The Judge's House' - which I really enjoyed and this one was fun also.  I really must get around to reading that copy of Dracula that's sitting on my bookshelf.

Next is only me second experience of Robert Aickman.  I'd managed to entirely miss him and now I've read him in two books in a row - 'Ringing the Changes' in '65 Great Tales of the Supernatural'.  'No Stronger Than a Flower' is a quietly odd little tale of newly weds that sees the wife relenting to her new husbands comments regarding her appearance in a most odd and unpleasant way.

Hugh Walpole
Hugh Walpole's excellent 'Tarnhelm' was one of three familiar stories here as a young boy is sent to stay with his two uncles only to discover that there's something quite unlikeable about one of them and he finds himself in serious danger.

The fourth story gives me my first chance to read an Agatha Christie story, 'The Gypsy' is a light but gratifying tale of premonition, fate and love wrapped up in a breakneck read that still manages to feel complete and satisfying.

Another anthology regular, Algernon Blackwood's 'A Case of  Eavesdropping', takes a young man to a boarding house where bumps (and blood) in the night are commonplace.

And so we arrive at the Nigel Kneale tale.  Kneale only ever published one non Quatermass book, a short story collection called 'Tomato Cain and Other Stories',  and it's from that his haunted house story 'Minuke' is the most anthologised so to get a chance to read another was a real treat.  'The Pond' is a short but sweet tale of revenge on a strange old taxidermist.

L.P. Hartley
Roald Dahl provides a tale that is straight out of his 'Tales of the Unexpected' style with a story that mixes a dead husband, his newly liberated wife and some gruesome post-mortem science with the promise of some well savoured revenge.

L.P. Hartley's 'The Two Vaynes' is by far the poorest story here with large plot holes in a fairly pointless plot of revenge for a pretty slight leading to revenge for a larger crime.

The Hartley story is followed by longest piece as Ray Bradbury's 'The Next in Line' tells of a young woman's descent into madness in a small Mexican town.  It's beautifully written but I found it to be quite unsatisfying with a very poor finale.  My preference in a ghostly or weird story is for a British setting - or at the furthest European - so the Bradbury was a step outside my happy place but still an enjoyable excursion as what Bradbury I've read in the past was always very readable as it, mostly, was here.

Frank Baker
Frank Baker's 'In The Steam Room' is notable only for it's narrators long list of possible deaths which do raise a smile but the story itself which sees a middle aged neurotic foresee a violent death inside a sauna is fairly innocuous.

The same can be said of 'The Interlopers' by Saki as two feuding Carpathian lords are trapped together in a deep forest giving them time to sort out their quarrel.

Of the final three stories one proved itself to be stylish but ultimately empty, the second to be slightly pointless and the final one to be an old favourite whose title I didn't recognise.

Elizabeth Bowen
Elizabeth Bowen's 'The Cat Jumps' is a haunted house story without any actual ghosts as the new owners and their party guests at a house famous for the gory murder committed there become obsessed and bewitched by it's reputation .  Ambrose Bierce's 'The Boarded Window' continues this theme with a remembrance of the reasons behind a sealed window in a deserted log cabin.

The book ends with Joan Aiken's lovely little twisted tale, 'Marmalade Wine' that finds a walker chancing across the country home of a retired surgeon only for things to go horribly awry.

As I've mentioned in previous reviews I do have a love for these old (this one is 1966) anthologies and this proved to be a most enjoyable one.  The selection is admirably light on ghostly goings on and heavy on supernatural revenge and retribution and is very much worth hunting down for anyone with a love of the weird.

Sunday, 18 October 2015

65 Great Tales of the Supernatural

Mary Danby (editor)
Octopus Books

This powerful and comprehensive collection of 65 brilliant stories contains the best of all the well-known writers of the supernatural, both old and new, with some stories specifically commissioned for this volume.

I've grown to love these anthologies particularly the older stories which this mammoth tome has in spades.  It also features a fairly large smattering of (at the time of publication) modern writers.

Of the 65 here it's the famous that have been represented by their A-game pieces.  Robert Aickman opens the book with the sublime terror of his 'Ringing the Changes', E.F. Benson's 'The Bus Conductor' will be familiar to some from it's film version in the 1945 Ealing Films classic 'Dead of Night'.  M.R. James' 'Lost Hearts' makes it's customary appearance as does William Hope Hodgson's Carnacki classic 'The Whistling Room', Robert Louis Stevenson's 'The Body Snatcher' and Nigel Kneale's 'Minuke'.


Robert Aickman
Alongside these and other key authors such as Algernon Blackwood ('Keeping His Promise'), Ambrose Bierce ('The Middle Toe of the Right Foot'), Charles Dickens ('The Signal-Man'), Arthur Conan Doyle ('The Brown Hand'), Mark Twain ('A Ghost Story'), H.G. Wells ('The Red Room') and Dennis Wheatley ('The Case of the Long-Dead Lord'), editor Mary Danby has gathered an intriguing selection of lesser known authors such as Charles Birkin whose 'Little Boy Blue' is an affectingly grim tale of childhood friendship and Dorothy K. Haynes' intense and horrific hotel in 'Those Lights and Violins'.

Adrian Cole
Rounding out the collection is a selection of more modern storytellers such as Adrian Cole who does a Cornish Lovecraft (who's also here with his excellent 'Moon Bog') pastiche called 'The Horror under Penmire', Danby herself gives a nifty tale of well-deserved comeuppance with 'The Engelmayer Puppets', Roger Malisson brings the creepy, small town horror in 'A Fair Lady' and Tim Vicary's heart wrenching 'Guest Room'  is a real highlight.

Since it was published in 1979 (mine is a 1982 4th edition) this book has become a charity shop staple but please don't let that put you off as it really is a corking collection.  OK so maybe there isn't 65 'great'tales but there's certainly a large proportion of the freaky and the fabulous.  There's a couple of tales that are very much not 'great' but Danby has compiled a fairly solid collection and there's a great deal of macabre fun to be had here.

Monday, 7 September 2015

Horror Stories

Susan Price (ed)
Kingfisher Books

Chills, spills and empty coffins! This wide-ranging collection of twenty-four spine-tingling stories draws on the best traditions of classic horror, from powerful myths and folktales to contemporary stories of man-made terrors. With contributions by writers of the calibre of John Steinbeck, Edgar Allen Poe, Charles Dickens, T. H. White, Philip K. Dick and Stephen King, this is a truly chilling anthology.

On one weird day out at a local town a few months back I found 3 books in this series of anthologies in 3 separate charity shops (and then a few weeks later another in a different shop in a different town).  I bought 2; this one and a Vampire one.

What we have here is very much the modern equivalent of the old Pan, Fontana, Puffin anthologies.  The contents selected by the author Susan Price, is a mixed bag of the famous and the less so, the old and the new, the ghastly and the funny.

There's 24 separate tales here each of which I jotted a sentence about in my handy little notebook as I read and that seemed a good enough idea for this review so here goes the most spur of the moment review I've ever written.

E. F. Benson
1. Algernon Blackwood - The Kit Bag.
- Dark and spooky story about a man terrified by a bag.

2. Stephen King - Here There Be Tygers
- Pointless tale of urine related shyness and a tiger.

3. E.F. Benson - The Room in the Tower
- Prophetic dreams of a horrid old woman and a creepy room lead to a poor ending.

4. Philip K. Dick - Beyond Lies the Wub
- Very odd sci-fi tale of the ethics of food.

5. Susan Price - Feeding the dog
- A short fun morality tale about the costs of evil.

Nicholas Fisk
6. Nicholas Fisk - Teddies Rule OK
- A thoroughly, and I do mean thoroughly, creepy girl with teddy bear story.

7. Eleanor Farjeon - Grendel the Monster
- A quick telling of the Beowolf story.

8. Leon Garfield - A Grave Misunderstanding
- A fun little ghostly tale of the differences between what a dog 'sees' and what a human does.

9. Charles Dickens - Captain Murderer
- An oddly written tale of cannibalism and revenge.

10. Joan Aiken - Something
- Enigmatic and terrifying hauntings & dreams affect the males of a family.

Guy de Maupassant
11. Guy de Maupassant - The Hand
- Spooky tale of a haunted murderous hand.

12. Ellen Emerson White - The Boy Next Door
- Psychopathy American teen style

13. Scottish folktale - The Murder Hole
- Murder on the moors

14. Terry Jones & Michael Palin - The Famous Five go Pillaging
- A deeply Pythonesque tale of the collapse of Roman Imperialism.

15. John Steinbeck - the Affair at 7 Rue de M-
- Pointless story of malevolent bubble gum.

Vivien Alcock
16. Vivien Alcock - A Change of Aunts
- A fun tale of swampy retribution.

17. Edgar Allen Poe - The Cask of Amontillado
- Poe really liked walling people up.  Someone should check his house.

18. English folktale - The Pear Drum
- Odd tale about the perils of misbehaviour.

19. Philippa Pearce - The Dog Got Them
- Dog versus the D.T.s

20. Saki - Gabriel-Ernest
- A story of lycanthropy that begins well and ends poorly.

Philippa Pearce
21. Jan Mark - Nule
- Creepy little tale of anthropomorphism .

22. Jerome K. Jerome - The Dancing Partner
- A robotic take on 'The Red Shoes'.

23. Margaret Bingley - The Ring
- Young girl buys jewellery with a hidden cost.

24. T. H. White - The Troll
- Odd little story of a man confronted by a hungry troll whilst holidaying in Norway.

I'm so pleased they still do anthologies of this type for kids especially ones with this much good stuff but do many young people read Victorian horror?  I hope so.

Thursday, 27 August 2015

Classic Tales of Horror

Stephanie Dowrick (ed)
Constable

What we have here is a journey around the world in the hands of a number of very famous and some significantly less so authors of the weird, the macabre and the ghostly.

The book opens with an almost throw-away yet very famous Edgar Allen Poe story about a vengeful 'Black Cat' and then heads off to court and a ghosts attempt to influence proceedings to ensure his murderers conviction in Charles Dickens' 'To Be Taken with a Grain of Salt'.

Wilkie Collins
Irish writer Sheridan Le Fanu's contribution is an odd and slightly pointless tale of a drunks encounter with a ghostly army and a mysterious request.  W. Wilkie Collins was both a contemporary and friend of Charles Dickens and there's a real Dickensian quality to this story of class, poverty and madness.

The books fifth tale, 'The Open Door', by Mrs Margaret Oliphant explores loss and rejection at a Scottish house and our second lady Victorian Elizabeth Braddon provides one of favourites in  'A Cold Embrace' where unwanted love sends an artist to his grave.

Ambrose Bierce's 'Moonlit Road' is an series of overlapping tales telling of wrongful death, madness and ghosts and Henry James makes a very fine contribution with his story of jealousy and greed and finally revenge in 'The Romance of Certain Old Clothes'.

Bram Stoker
Maybe as should be expected the most macabre tale  in the book comes from Bram Stoker.  'The Judge's House' is a great little bloodthirsty tale that tells of a young man assaulted by the shade of the previous inhabitant of the house he's chosen to live in whilst completing his work.

Guy de Maupassant's 'The Hand' is a fun but slight and slightly vague tale that sits in advance of Robert Louis Stevenson's fabulous 'The Body Snatcher' with it's story of murder and comeuppance.

Rocking the most Hammer Horror of titles Francis Marion Crawford's ' The Screaming Skull' takes a fairly cliched idea and with it's first person, one sided dialogue treatment and a it of flair makes it quite fun.

Charlotte Perkins Gilman
At this point we hit an absolute revelation of a story, Charlotte Perkins Gilman's fabulous slice of weird as a young wife, perhaps, goes utterly insane in a room covered in 'The Yellow Wall-Paper'. Next we've a classic with M.R. James' glorious 'Lost Hearts' which I surely don't need to tell you about and then we're onto Algernon Blackwood's 'Keeping His Promise' wherein a student receives a visitation from an old friend.

The book ends on a real high with a quick story by H.H. (Saki) Munro that tells a brutal tale of rural horror at the hands or rather pipes of Pan and finally a great piece of shape-shifting horror in Hugh Walpole's 'Tarnhelm'.

I've never been a fan of short story anthologies but over the last year I've got really into these collections of Victorian & Edwardian weirdness and I've found a few absolute gems and this was one of them.

Sunday, 23 August 2015

The Daylight Gate

Jeanette Winterson
Hammer

Good Friday, 1612. Pendle Hill, Lancashire.
A mysterious gathering of thirteen people is interrupted by local magistrate, Roger Nowell. Is this a witches' Sabbat?
Two notorious Lancashire witches are already in Lancaster Castle waiting trial. Why is the beautiful and wealthy Alice Nutter defending them? And why is she among the group of thirteen on Pendle Hill?

Elsewhere, a starved, abused child lurks. And a Jesuit priest and former Gunpowder plotter, recently returned from France, is widely rumoured to be heading for Lancashire. But who will offer him sanctuary? And how quickly can he be caught?
This is the reign of James I, a Protestant King with an obsession: to rid his realm of twin evils, witchcraft and Catholicism, at any price...


To my mind Winterson is one of the unsung heroes of current weird and supernatural fiction.  I've been a fairly devoted reader of her work since I was handed a copy of 'Sexing The Cherry' back in 93 / 94.

This latest excursion into the unusual side of life takes us back to Pendle, Lancashire at the time of the witch hunts where the wealthy newcomer Alice Nutter, proud and confident in her rightness and her self and unwilling to kowtow to local bigwigs and their toadies becomes embroiled in the lives of a local family accused of witchcraft.  The reign of James the First is an unhealthy time to have any association with witchcraft or popery and Alice has both.

For much of the narrative Winterson retains a degree of period normality, peopling the cast with uneducated, superstitious peasants, officious religious zealots and people just trying to get along in an uncertain time.  Behind this though there is an undercurrent of magic about which you are left, for much of the novel, uncertain about whether it is real or simply superstition and vain hope.

The book's devastating final act allows us to see beyond the mundane circumstances and as such we are granted an understanding of both Alice and her motivations.

Over the years there have been several of Winterson's novels that have earned a permanent place on my shelves and I'm pleased that this story of humanity at it's most vile, most compassionate and most incredible will be joining them.

Buy it here - The Daylight Gate (Hammer)

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Below is a short snippet from a talk by Winterson about the book.  The full version can be found by clicking here.

Wednesday, 13 May 2015

A Bundle of Nerves

Joan Aiken
Peacock Books

I first came across Aiken's writing in an anthology called 'Ghostly Experiences', which I loved so finding this was a real treat.

This is a collection of short stories of a ghostly, macabre or just plain darkly humorous bent all written in what I'm beginning to see as Aiken's light and playful written voice.

The tone of the book is set immediately with the brilliantly comedic and twisted 'Cricket' and 'The Man Who Had Seen The Indian Rope Trick', both of which feature tales of stuffy Englishness coming face to face with something 'other' and losing out.  Next up is a fun but insubstantial tale of music and obsession ('Do You Dig Grieg?') and another of lust and avarice ('Belle of the Ball') before the book hits a decided high point with it's sole science fiction tale, 'Five Green Moons', as an angelic alien visits a small British town looking for somewhere he can make his home.  'Smell' adds revenge into the mix before 'Furry Night' brings romance, sport, peril and lycanthropy to the table.

At this point we are only 7 stories in and with 12 still to go  - the next boasts the frankly unparallelled title of 'As Gay as Cheese' - we are already certain that it's going to be a ride unlike many others.  Indeed, as it transpires, over the 19 tales we are treated to an imagination that is playful, inventive, exploratory, refined, bloodthirsty, absurd and peerless.  I am fast becoming a devotee of the lady's work and as such cannot recommend this highly enough.

Sunday, 15 March 2015

British Film Forever - Magic, Murder & Monsters: The Story of British Horror & Fantasy

This is one episode (of 7) from a 2007 series celebrating the British Film industry.  Most of it seems absent from YouTube but the one I'm most interested in sharing with you all is here.

I'm pretty certain the title 'Magic, Murder & Monsters: The Story of British Horror & Fantasy'  is going to tantalise most, if not all readers of Wyrd Britain.  It's a 90 minute look back at the golden age of the genre filled with clips and talking heads. It's not really covering any new ground but is entertaining enough way to spend an hour and a half in the company of some old favourites.

I hope you enjoy.

Sunday, 8 March 2015

Captain Kronos: Vampire Hunter

Made right at the end of the road for Hammer films just before the wolves howling at the door rather than the ones howling at Dracula's castle made their move.

Captain Kronos: Vampire Hunter tells of the heroic Captain (Horst Janson) and his magnificently named companion Professor Hieronymus Grost (John Cater) who are called in to investigate the mysterious deaths of a number of villagers who seemingly have died of old age long before their time.  Recognising that the deaths were caused by a different type of vampire to the leech variety they, along with local girl Carla (the one and only Caroline Munro) set out to save the town.

A joyous mix of swashbuckling action and Hammer's trademark fanged villany Captain Kronos was to have launched a new franchise onto the world but instead left us with a tantalising coda to what had been whilst giving a tiny taste of what could have been.

But it here -  Captain Kronos: Vampire Hunter [DVD] [1973]

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