Michael Moorcock
Grafton
Elric the albino emperor of Melnibone an island of decadent elven-ish sorcerors has long been the most beloved of Michael Moorcock's creations. Armed with his black soul-eating sword Stormbringer Elric is one of the aspects of Moorcock's Eternal Champion charged - whether they like it or not - to maintain the balance between order and chaos across the multiverse.
Apart from the first book (published in 1972) the stories were originally published in the pages of Science Fantasy magazine in the early 1960s as a series of novellas and then collected together into the series of books below with their iconic Michael Whelan covers in the 1970s.
My partner bought me the almost set of the Grafton Elric books for Xmas after we found them in a junk shop last November. It was unfortunately missing the first book and it's taken me several months to track a copy down. I've long had a hankering to re-read the full series and once I finally had the set in my hands I dove right in and read the lot in a week and thought I'd lay them all on you in one go.
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Elric of Melnibone
This is the tale of
Elric, later called Womanslayer; of his love for Cymoril and of the
rivalry with his cousin Yrkoon, a rivalry that was to bring the Dreaming
City crashing in flames, destroyed by the reavers of the Young
Kingdoms.
Elric, red-eyed, albino, the inheritor of waning
powers, his strength precarious, sustain by arcane drugs. A hero
seemingly unfit for his role. His story treats of monstrous emotions and
high ambitions, of sorceries and treacheries, agonies and fearful
pleasures - an adventure that Elric was to remember on in his darkest
nightmares.
Elric, the fey albino king of a fading island power, Melnibone, is beset by challenges on all sides. From without by the humans of the 'young kingdoms' jealous of Melnibone's wealth and vengeful for its past despotism and from within by his covetous cousin Yrkoon who believes Elric unfit to rule and it is he who drives the story.
As Elric strives to foil the usurper we are introduced to mythology that feels real and which is lacking in the tedious cod-Arthurian / Robin Hoodisms that make much fantasy literature such a bore. The Chaos Gods seem suitably quixotic without being tediously evil and even at this early point there feels to be a fully developed and complete vision of all levels of the world.
The story itself is fairly slight and tells quite a straight forward story but that's not the joy here. The joy is the invention and the bold vision that has created so singular a character as the albino king.
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The Sailor on the Seas of Fate
Leaving his cousin
Yrkoon sitting as regent upon the Ruby Throne of Melnibone, leaving his
cousin Cymoril weeping for him and despairing of his ever returning,
Elric sailed from Imrryr, the Dreaming City, and went to seek an unknown
goal in the world of the Young Kingdoms where Melniboneans were at
best, disliked.
After rescuing Cymoril and rather stupidly placing his treacherous cousin on the throne of Melnibone Elric begins his year long odyssey to try and understand the new world. Unfortunately fate has other plans for him as he finds himself aboard a strange boat alongside other incarnations of the Eternal Champion, Erekose and Corum. It's a quest book but one with a bit of a difference as Elric is a truly unwilling participant especially after events take on a bafflingly cosmic turn.
The second of the trio of tales here is by far the weakest. Indeed in the time between reading the book and writing this review I had completely forgotten about a large section of the story where Elric and his new companion Smiorgan rescue a young girl who may or may not be the reincarnation of someone from an ancient Melnibonean myth from someone who was actually there.
The book ends strongly with a journey into the history of Elric's race as he accompanies explorers to his race's ancestral homeland. Again the story is a pretty linear journey, a from points A to B sort of deal, but one that feels like a crucial step in the development of the overarching story.
Another fun instalment with a not unenjoyable middle section buoyed up by the two very enjoyable tales either side of it.
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The Weird of the White Wolf
"We must be bound to one
another then. Bound by hell-forged chains and fate-haunted
circumstance. Well, then - let it be thus so - and men will have cause
to tremble and flee when they hear the names of Elric of Melnibone and
Stormbringer, his sword. We are two of a kind - produced by an age which
has deserted us. Let us give this age cause to hate us."
Imrryr,
the dreaming city; Yyrkoon, the hated usurper; Cymoril, the beloved...
all had fallen to the fury and unearthly power of the albino prince and
his terrible sword. An Elric faced at last the fate that was to be his
in this haunted era - that he must go forth, sword and man as one, and
havoc and horror would be forever at his forefront until he found his
Purpose that was yet obscured to him.
The third Elric book finds him suddenly heading back to Melnibone all tooled up with an army of Young Kingdom fighters at his back to exact revenge on his cousin who had been just as awful a ruler as everyone except Elric had predicted. The raid has typically tragic consequences but a depressed Elric is soon drawn into another quest.
This time out he again tangles with the minions of chaos and makes a friend in the shape of Moonglum a cheerful little chappie who provides a perfect foil to Elric's morose nature.
Like the previous book this is essentially several novellas detailing adventures along the way of Elric's life which makes them fast and fun to read as they refuse to allow themselves to get bogged down and instead revel in their pulpy glory.
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The Vanishing Tower
Elric of Melniboné,
proud prince of ruins, last lord of a dying race, wanders the lands of
the Young Kingdoms in search of the evil sorcerer Theleb K'aarna. His
object is revenge. But to achieve this, he must first brave such horrors
as the Creatures of Chaos, the freezing wilderness of World's Edge, the
golden-skinned Kelmain hordes, King Urish the Seven-fingered with his
great cleaver Hackmeat, the Burning God, the Sighing Desert, and the
terrible stone-age men of Pio. Although Elric holds within him a destiny
greater than he could ever know, and controls the hellsword
Stormbringer, stealer of souls, his task looks hopeless - until he
encounters Myshella, Empress of the Dawn, the sleeping sorceress.
The fourth of Moorcock's Elric novels continues the albino's pursuit of the of the magician who had plagued him in the previous volume. This time across the three novellas that make up the book Elric battles him at the world's end, in the city of the beggars and in Tanelorn the eternal city beyond the battle between chaos and order.
We get to meet several aspects of the Eternal Champion - Corum and Erekhose - and learn slightly more regarding Moonglum and the nature of his link to Elric.
As ever Moorcock delivers a super fast and very readable romp filled with hacking and slashing and soul stealing which is, as always, great fun.
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The Bane of the Black Sword
Elric returns to
Yishana, and finds peace at last. Meanwhile, at the world's rim,
dragging red horror in its wake, a horde unimaginable moves on the
fabled, gentle, impossible city Tanelorn.
Continuing directly on from the fourth volume Elric is once again being plagued by the twin threats of the sorcerer Theleb K'aarna and his spurned once lover Queen Yishana a reckoning with whom brings the albino back in contact with the remnants of his former people.
The second story finds the albino falling rapidly in love with a stranded maiden, Zarozinia, in the hellish Forest of Troos where he and Moonglum are forced to fight the dead.
The third tale tells of a break in Elric's newly idyllic existence in the arms of his new lover as he is once again forced to take up his sword to defend his new home.
The book ends then with an epilogue that allows us to revisit the land of Tanelorn and those that live there as the beggars of Nadoskor march on the city to take it for Chaos. It's a lovely little diversion from the Elric stories and gives us a glimpse of the wider world of the Eternal Champion that exists in Moorcock's mythos and the ways in which he thinks of the roles of Order and Chaos within his tales.
As with the other four books, these Elric novellas are fleeting and fun twists on the whole girded loins, hack 'n' slash brand of fantasy with the added extras of Moorcock's deliciously anarchic sensibilities at the helm.
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Stormbringer
The epic tale of Elric
of Melniboné, albino prince of ruins, moves to its awesome conclusion -
with the whole of the natural and supernatural world in mighty conflict -
the final conflict, Armageddon. Elric holds the key to the future: the
new age which must follow the destruction. To turn that key he must
sacrifice all that he loves and risk his very soul.
Stormbringer is the final part of the original Elric stories and tells of the final battle between the albino misery guts and the forces of chaos that are rapidly turning the world into tentacles and ooze.
As with the other books in this run Stormbringer is split into several (four) novellas each telling another step in Elric's journey to the final reckoning
As an end to the series it's quite satisfying but there are a few hiccups along the way, two of the turning point battles are very much glossed over with both using unwielded floating magic swords to win the fights. It does feel very much like Moorcock has lost interest in that side of things which I suppose is entirely understandable, I imagine there's only so many ways you can write about Elric stabbing someone.
It does though come to an entirely apt conclusion. The end when it comes is definite and true to what has gone before and wrapped the legend of Elric up perfectly right up until Moorcock decided to write some more.
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If
you enjoy what we do here on Wyrd Britain and would like to help us
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Showing posts with label books. Show all posts
Showing posts with label books. Show all posts
Tuesday, 23 June 2020
Friday, 27 March 2020
Trees Vol 1: In Shadow
Warren Ellis (writer)
Jason Howard (artist)
Image Comics
Ten years after they landed. All over the world. And they did nothing, standing on the surface of the Earth like trees, exerting their silent pressure on the world, as if there were no-one here and nothing under foot. Ten years since we learned that there is intelligent life in the universe, but that they did not recognise us as intelligent or alive. Trees looks at a near-future world where life goes on in the shadows of the Trees: in China, where a young painter arrives in the “special cultural zone” of a city under a Tree; in Italy, where a young woman under the menacing protection of a fascist gang meets an old man who wants to teach her terrible skills; and in Svalbard, where a research team is discovering, by accident, that the Trees may not be dormant after all, and the awful threat they truly represent.
Trees tells the stories of human existence after the arrival of extraterrestrials in the form of giant cylindrical 'Trees' that smashed into various points around the globe - including the middle of New York, rural Sicily, the arctic tundra, China - and then proceeded to do absolutely nothing, except occasionally vent toxic waste.
Now though, many years on we join the stories of several people living in the shadow of the Trees whose lives are being profoundly impacted by their presence; a scientist monitoring a new breed of flowers, a young woman finding the teacher who can help her find her way to owning her own life, ambitious New York and Somali politicians and an artist discovering himself amongst like minded souls in a walled city in China.
As is often the case with Warren's work he begins his story with a focus on world building as seen through the eyes of the protagonists where we're offered a glimpse of who, where and what they are with the rest to be filled in as and when it suits. I love this people centred approach, too much science fiction is concerned with the idea over the people and whilst like the rest of you I love a big bold idea - and I think the benignly malevolent Trees are a great idea - it's the stories of the people that are the most interesting.
I'm always excited by a new Ellis book and whilst his Injection books have got me besotted this proved to be prime Warren full of invention and sass and I'm very much looking forward to the next volume.
Buy it here - UK
/ US
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
Jason Howard (artist)
Image Comics
Ten years after they landed. All over the world. And they did nothing, standing on the surface of the Earth like trees, exerting their silent pressure on the world, as if there were no-one here and nothing under foot. Ten years since we learned that there is intelligent life in the universe, but that they did not recognise us as intelligent or alive. Trees looks at a near-future world where life goes on in the shadows of the Trees: in China, where a young painter arrives in the “special cultural zone” of a city under a Tree; in Italy, where a young woman under the menacing protection of a fascist gang meets an old man who wants to teach her terrible skills; and in Svalbard, where a research team is discovering, by accident, that the Trees may not be dormant after all, and the awful threat they truly represent.
Trees tells the stories of human existence after the arrival of extraterrestrials in the form of giant cylindrical 'Trees' that smashed into various points around the globe - including the middle of New York, rural Sicily, the arctic tundra, China - and then proceeded to do absolutely nothing, except occasionally vent toxic waste.
Now though, many years on we join the stories of several people living in the shadow of the Trees whose lives are being profoundly impacted by their presence; a scientist monitoring a new breed of flowers, a young woman finding the teacher who can help her find her way to owning her own life, ambitious New York and Somali politicians and an artist discovering himself amongst like minded souls in a walled city in China.
As is often the case with Warren's work he begins his story with a focus on world building as seen through the eyes of the protagonists where we're offered a glimpse of who, where and what they are with the rest to be filled in as and when it suits. I love this people centred approach, too much science fiction is concerned with the idea over the people and whilst like the rest of you I love a big bold idea - and I think the benignly malevolent Trees are a great idea - it's the stories of the people that are the most interesting.
I'm always excited by a new Ellis book and whilst his Injection books have got me besotted this proved to be prime Warren full of invention and sass and I'm very much looking forward to the next volume.
Buy it here - UK
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
Friday, 28 February 2020
Devil's Day
Andrew Michael Hurley
John Murray
Every autumn, John Pentecost returns to the Lancashire farm where he grew up to help gather the sheep from the moors. Generally, very little changes in the Briardale Valley, but this year things are different. His grandfather - known to everyone as the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time.
Every year, the Gaffer would redraw the boundary lines of the village, with pen and paper but also through the remembrance of folk tales, family stories and timeless communal rituals which keep the sheep safe from the Devil. This year, though, the determination of some members of the community to defend those boundary lines has strengthened, and John and Katherine must decide where their loyalties lie, and whether they are prepared to make the sacrifices necessary to join the tribe...
Gripping, unsettling and beautifully written, Andrew Michael Hurley's new novel asks how much we owe to tradition, and how far we will go to belong.
So, I didn't particularly dig Hurley's debut novel, 'the Loney'. It took me two attempts to get through it and when I did I found it a little overblown and a tiny bit Dennis Wheatley. I was interested enough to give this, his second book, a try though and I'm very glad I did.
Devil's Day is a local tradition commemorating a time - 100ish years ago - when the Devil plagued a small farming community. This year prodigal farmers son John is returning to the farm to help out with the gathering of the sheep and his grandfather's funeral and this time, for the first time, he's brought his new wife Kat because he has a plan to return for good and needs to convince her.
With the Devil's Day celebration at its centre you'd expect a supernatural twist to the novel and you won't be disappointed on that front. In the first novel the magic element was utterly hidden, it happened behind closed doors and all we saw were hints that dead babies were involved. Here the supernatural elements were altogether more subtle and only made themselves apparent in brief flashes and were all the better for it.
The story at the heart of the book is one about family - in various permutations - and roots and heritage and in that it is pretty successful. I'm less impressed with the gangster subplot which struck me as clumsy and without the more outre elements I'm unsure as to whether the book would have held my attention but it did and it and in the final examination it was an enjoyable read.
Buy it here - Devil's Day
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
John Murray
Every autumn, John Pentecost returns to the Lancashire farm where he grew up to help gather the sheep from the moors. Generally, very little changes in the Briardale Valley, but this year things are different. His grandfather - known to everyone as the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time.
Every year, the Gaffer would redraw the boundary lines of the village, with pen and paper but also through the remembrance of folk tales, family stories and timeless communal rituals which keep the sheep safe from the Devil. This year, though, the determination of some members of the community to defend those boundary lines has strengthened, and John and Katherine must decide where their loyalties lie, and whether they are prepared to make the sacrifices necessary to join the tribe...
Gripping, unsettling and beautifully written, Andrew Michael Hurley's new novel asks how much we owe to tradition, and how far we will go to belong.
So, I didn't particularly dig Hurley's debut novel, 'the Loney'. It took me two attempts to get through it and when I did I found it a little overblown and a tiny bit Dennis Wheatley. I was interested enough to give this, his second book, a try though and I'm very glad I did.
Devil's Day is a local tradition commemorating a time - 100ish years ago - when the Devil plagued a small farming community. This year prodigal farmers son John is returning to the farm to help out with the gathering of the sheep and his grandfather's funeral and this time, for the first time, he's brought his new wife Kat because he has a plan to return for good and needs to convince her.
With the Devil's Day celebration at its centre you'd expect a supernatural twist to the novel and you won't be disappointed on that front. In the first novel the magic element was utterly hidden, it happened behind closed doors and all we saw were hints that dead babies were involved. Here the supernatural elements were altogether more subtle and only made themselves apparent in brief flashes and were all the better for it.
The story at the heart of the book is one about family - in various permutations - and roots and heritage and in that it is pretty successful. I'm less impressed with the gangster subplot which struck me as clumsy and without the more outre elements I'm unsure as to whether the book would have held my attention but it did and it and in the final examination it was an enjoyable read.
Buy it here - Devil's Day
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
Tuesday, 15 October 2019
Mortal Echoes: Encounters With the End
Greg Buzwell (ed)
British Library Tales of the Weird
A strange figure foretells tragedy on the railway tracks. A plague threatens to encroach upon an isolated castle. The daughter of an eccentric scientist falls victim to a poisonous curse.
Yet for all its certainty and finality, death remains an infinitely mysterious subject to us all. The stories in this anthology depict that haunting moment when characters come face to face with their own mortality.
Spanning two centuries, Mortal Echoes features some of the finest writers in the English language – including Daphne du Maurier, Edgar Allan Poe, Graham Greene and H. G. Wells. Intriguing, unsettling and often darkly humorous, this collection explores humanity’s transient existence, and what it means to be alive.
Another in the series of ghoulish tales from the British Library. They've done about a dozen of these over the last little while and I thought it was about time I got properly stuck into them. The first one I read (Glimpses of the Unknown) was a fun excursion into the lesser known corners of the golden age of supernatural fiction. This one takes a look at various visions of mortality.
In it's pages editor Buzwell includes a nice mix of real classics such as Charles Dickens' 'The Signalman', Sheridan Le Fanu's 'Strange Event in the Life of Schalken the Painter' and Edgar Allan Poe's sublime 'The Masque of the Red Death' and a number of minor greats, Saki's 'Laura', Marjorie Bowen's 'Kecksies' and Robert Aickman's 'Your Tiny Hand Is Frozen' all of which will be familiar to connoisseurs of ghostly anthologies but all of which reward repeated readings.
We have several tales by well known authors who maybe aren't particularly associated with the supernatural such as Graham Greene's tale of an unpleasant encounter in 'A Little Place off the Edgware Road', Daphne du Maurier's murderous lady 'Kiss Me Again, Stranger' and a cosmic excursion in H.G. Wells' 'Under the Knife'.
Beyond these there are a few lesser known authors such as the under-rated May Sinclair, represented here by her fantastic 'Where Their Fire is Not Quenched', the darkly funny 'The School' by Donald Barthelme and Charlie Fish's amusingly daft 'Death by Scrabble'.
The problem with themed anthologies is they can quickly become quite tiresome but Buzwell has put together a nicely varied selection that entirely avoids this pitfall and this is one of the most satisfying and enjoyable anthologies I've read in quite a while.
Buy it here - Mortal Echoes: Encounters with the End (Tales of the Weird)
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
British Library Tales of the Weird
A strange figure foretells tragedy on the railway tracks. A plague threatens to encroach upon an isolated castle. The daughter of an eccentric scientist falls victim to a poisonous curse.
Yet for all its certainty and finality, death remains an infinitely mysterious subject to us all. The stories in this anthology depict that haunting moment when characters come face to face with their own mortality.
Spanning two centuries, Mortal Echoes features some of the finest writers in the English language – including Daphne du Maurier, Edgar Allan Poe, Graham Greene and H. G. Wells. Intriguing, unsettling and often darkly humorous, this collection explores humanity’s transient existence, and what it means to be alive.
Another in the series of ghoulish tales from the British Library. They've done about a dozen of these over the last little while and I thought it was about time I got properly stuck into them. The first one I read (Glimpses of the Unknown) was a fun excursion into the lesser known corners of the golden age of supernatural fiction. This one takes a look at various visions of mortality.
In it's pages editor Buzwell includes a nice mix of real classics such as Charles Dickens' 'The Signalman', Sheridan Le Fanu's 'Strange Event in the Life of Schalken the Painter' and Edgar Allan Poe's sublime 'The Masque of the Red Death' and a number of minor greats, Saki's 'Laura', Marjorie Bowen's 'Kecksies' and Robert Aickman's 'Your Tiny Hand Is Frozen' all of which will be familiar to connoisseurs of ghostly anthologies but all of which reward repeated readings.
We have several tales by well known authors who maybe aren't particularly associated with the supernatural such as Graham Greene's tale of an unpleasant encounter in 'A Little Place off the Edgware Road', Daphne du Maurier's murderous lady 'Kiss Me Again, Stranger' and a cosmic excursion in H.G. Wells' 'Under the Knife'.
Beyond these there are a few lesser known authors such as the under-rated May Sinclair, represented here by her fantastic 'Where Their Fire is Not Quenched', the darkly funny 'The School' by Donald Barthelme and Charlie Fish's amusingly daft 'Death by Scrabble'.
The problem with themed anthologies is they can quickly become quite tiresome but Buzwell has put together a nicely varied selection that entirely avoids this pitfall and this is one of the most satisfying and enjoyable anthologies I've read in quite a while.
Buy it here - Mortal Echoes: Encounters with the End (Tales of the Weird)
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
Thursday, 10 October 2019
Nothing is Strange
Mike Russell
Strange Books
20 mind-expanding short stories.
Inspiring, liberating, otherworldly, magical, surreal, bizarre, funny, disturbing, unique... all of these words have been used to describe the stories of Mike Russell so put on your top hat, open your third eye and enjoy: Nothing Is Strange
Mike contacted me here at Wyrd Britain to ask me if I'd like to check out his books for possible inclusion here, obviously I said yes and he kindly sent two over.
This, the first, is a collection of short shorts of a whimsically surreal and playful nature. Stories morph and change in front of your eyes often lasting no longer than a page or three which in many cases is ample time for Mike to squeegee your third eye but there were times when I would have dearly loved to linger longer..
Outside of his playfulness what's most apparent is his sentimental side with love and friendship at the core of much of the work but in many cases slightly obscured by the darkness. Now, I'm an old softy at heart and I very much approve of that sort of thing and there were a number of stories here that I enjoyed very much and am looking forward to diving back in to Mike's imagination for the second volume.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
Strange Books
20 mind-expanding short stories.
Inspiring, liberating, otherworldly, magical, surreal, bizarre, funny, disturbing, unique... all of these words have been used to describe the stories of Mike Russell so put on your top hat, open your third eye and enjoy: Nothing Is Strange
Mike contacted me here at Wyrd Britain to ask me if I'd like to check out his books for possible inclusion here, obviously I said yes and he kindly sent two over.
This, the first, is a collection of short shorts of a whimsically surreal and playful nature. Stories morph and change in front of your eyes often lasting no longer than a page or three which in many cases is ample time for Mike to squeegee your third eye but there were times when I would have dearly loved to linger longer..
Outside of his playfulness what's most apparent is his sentimental side with love and friendship at the core of much of the work but in many cases slightly obscured by the darkness. Now, I'm an old softy at heart and I very much approve of that sort of thing and there were a number of stories here that I enjoyed very much and am looking forward to diving back in to Mike's imagination for the second volume.
..........................................................................................
If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
Monday, 3 June 2019
Wychwood / Hallowdene
George Mann
Titan Books
I first read some of Mann's work with his 'Newbury and Hobbes' steampunk series beginning with 'The Affinity Bridge'. They were a pretty enjoyable romp through a Britain where Queen Victoria had been mechanised and, very underused, revenants stalked the streets. After this I read his 'Ghost' pulp hero books and his War Doctor novel, the former was a big silly romp and the latter an entertaining Doctor Who tale that never really captured the spirit of the John Hurt character.
I guess what I'm saying here is that while I've enjoyed most everything of his I've read there's usually been some niggly little thing that's, certainly not spoilt, but bugged me about them; these books are no different.
Wychwood (buy it here
) is the story of Elspeth Reeves a journalist returning to the small town she grew up in following the break down of both her relationship and her career in that there London. Immediately on arrival she is drawn into a murder case being investigated by her childhood friend, Peter Shaw.
The murder, it transpires, is part of a series with an overtly magical purpose based on a local myth and it's around the magic that the story stumbles. What we get is a story that seems stuck between two places; neither crime nor fantasy. I like that for the protagonists that magic is hidden, alien, unlikely, absurd even but for the perpetrator it's ridiculously easy yet that he seems to only use it against women is a niggling annoyance that wasn't addressed and I really do think should have been.
Hallowdene (buy it here
) continues where the previous left off with Elspeth now more settled and ensconced in a relationship with Peter. Like the first book here we have an odd mix of cop and horror tropes as an archaeological dig to exhume the remains of legendary local witch Agnes Levett coincides with a spate of murders in a small village.
Also, as with the previous volume, it's all a little frothy. What you get in these books is a sort of daytime TV cop show version of a horror story, 'The Midsommar Murders' or 'Rosemary's Baby and Thyme' perhaps. The stories are lively but there's not much here to chew on and the magic / horror elements feel just a little bit tacked on which is a shame.
Now, you may have noticed that I try and avoid writing negative reviews here on Wyrd Britain and I don't really want you to think that this is one. As I said I generally quite like Mann's writing, he's writing is sprightly and very readable with a love of the pulps - here as much as ever - but this particular series, despite being on the surface right up my particular street is proving to be a bit of a cul de sac and personally I think I'm done but I also think that there's a lot going on here that many of you guys with a fondness for folk horror will really dig.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Titan Books
I first read some of Mann's work with his 'Newbury and Hobbes' steampunk series beginning with 'The Affinity Bridge'. They were a pretty enjoyable romp through a Britain where Queen Victoria had been mechanised and, very underused, revenants stalked the streets. After this I read his 'Ghost' pulp hero books and his War Doctor novel, the former was a big silly romp and the latter an entertaining Doctor Who tale that never really captured the spirit of the John Hurt character.
I guess what I'm saying here is that while I've enjoyed most everything of his I've read there's usually been some niggly little thing that's, certainly not spoilt, but bugged me about them; these books are no different.
Wychwood (buy it here
The murder, it transpires, is part of a series with an overtly magical purpose based on a local myth and it's around the magic that the story stumbles. What we get is a story that seems stuck between two places; neither crime nor fantasy. I like that for the protagonists that magic is hidden, alien, unlikely, absurd even but for the perpetrator it's ridiculously easy yet that he seems to only use it against women is a niggling annoyance that wasn't addressed and I really do think should have been.
Hallowdene (buy it here
Also, as with the previous volume, it's all a little frothy. What you get in these books is a sort of daytime TV cop show version of a horror story, 'The Midsommar Murders' or 'Rosemary's Baby and Thyme' perhaps. The stories are lively but there's not much here to chew on and the magic / horror elements feel just a little bit tacked on which is a shame.
Now, you may have noticed that I try and avoid writing negative reviews here on Wyrd Britain and I don't really want you to think that this is one. As I said I generally quite like Mann's writing, he's writing is sprightly and very readable with a love of the pulps - here as much as ever - but this particular series, despite being on the surface right up my particular street is proving to be a bit of a cul de sac and personally I think I'm done but I also think that there's a lot going on here that many of you guys with a fondness for folk horror will really dig.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Thursday, 16 May 2019
The Binding
Bridget Collins
The Borough Press
Buy it here
In the world of 'The Binding' Bridget Collins has created a world of secrets; secrets shared and secrets forgotten. In this world, even more than our own, books have power and their contents are the truths that it's inhabitants wish to hide from themselves.
Emmett Farmer is a young (nominative determinism in action) farmer who upon recovering from a mysterious illness is summoned to become an apprentice bookbinder, one of a rare breed of people responsible for the creation of books and an occupation held in superstitious awe and more than a little dread. Upon embarking on this new and unexpected path Emmett soon finds out that there may be more to his life than he can recall.
Told over three acts 'The Binding' is indeed very much a book of three parts. The opening section where Collins is building her world is a joy. The central conceit is a novel one and she takes her time in embedding Emmett into the world of the binder before bringing this world crashing down around his ears.
The second act is the least successful and drags terribly in parts as secrets are revealed and the book becomes bogged down in some very tedious teen romance. Thankfully Collins gets the book back on track in the concluding act with a shift of focus and a mostly satisfying denouement.
As befits a book about books this is, physically, a thing of almost fetishistic beauty that came to my attention almost entirely due to it's eye catching design but happily the contents, mostly, lived up to it with a story that wore it's unusual premise well.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
The Borough Press
Buy it here
In the world of 'The Binding' Bridget Collins has created a world of secrets; secrets shared and secrets forgotten. In this world, even more than our own, books have power and their contents are the truths that it's inhabitants wish to hide from themselves.
Emmett Farmer is a young (nominative determinism in action) farmer who upon recovering from a mysterious illness is summoned to become an apprentice bookbinder, one of a rare breed of people responsible for the creation of books and an occupation held in superstitious awe and more than a little dread. Upon embarking on this new and unexpected path Emmett soon finds out that there may be more to his life than he can recall.
Told over three acts 'The Binding' is indeed very much a book of three parts. The opening section where Collins is building her world is a joy. The central conceit is a novel one and she takes her time in embedding Emmett into the world of the binder before bringing this world crashing down around his ears.
The second act is the least successful and drags terribly in parts as secrets are revealed and the book becomes bogged down in some very tedious teen romance. Thankfully Collins gets the book back on track in the concluding act with a shift of focus and a mostly satisfying denouement.
As befits a book about books this is, physically, a thing of almost fetishistic beauty that came to my attention almost entirely due to it's eye catching design but happily the contents, mostly, lived up to it with a story that wore it's unusual premise well.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
Tuesday, 14 May 2019
The Missy Chronicles
Various authors
BBC Books
Buy it here
Know your frenemy.
‘I’ve had adventures too. My whole life doesn’t revolve around you, you know.’
When she's not busy amassing armies of Cybermen, or manipulating the Doctor and his companions, Missy has plenty of time to kill (literally). In this all new collection of stories about the renegade Time Lord we all love to hate, you'll discover just some of the mad and malevolent activities Missy gets up to while she isn't distracted by the Doctor.
So please try to keep up.
After many, many years and having filled several bookcases I think I've finally...mostly...almost - there still a few Targets and a couple of annuals I'd like to find - broken my Doctor Who book addiction but I couldn't resist one last bit of fun with this anthology of stories featuring the fabulous Missy and it was worth it.
The book contains six stories by various Who alumni including James Goss, Paul Magrs and Jacqueline Rayner and is pretty much all excellent fun particularly when it's flying it's own flag in a story not beholden to the parent series.
James Goss writes about a post regeneration Missy taking gleeful revenge on a club full of misogynist scoundrels, Cavan Scott takes her off on a mission for the Time Lords, Magrs has her playing the long game with the aid of a TARDIS and a magic teddy bear, Peter Anghelides doesn't quite nail it with a time hopping romp around Venice, Rayner gives us a fun series of email exchanges between Nardole, The Doctor and, eventually, the captive Missy and finally Richard Dinnick does an OK job with the two incarnations of the Master on the giant Cyberman riddled spaceship but it feels out of place here amongst the snappier less canonical pieces.
Like I said earlier I'm very glad I broke my embargo for one last Who book as this proved to be a fine and fun way to spend an afternoon.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
BBC Books
Buy it here
Know your frenemy.
‘I’ve had adventures too. My whole life doesn’t revolve around you, you know.’
When she's not busy amassing armies of Cybermen, or manipulating the Doctor and his companions, Missy has plenty of time to kill (literally). In this all new collection of stories about the renegade Time Lord we all love to hate, you'll discover just some of the mad and malevolent activities Missy gets up to while she isn't distracted by the Doctor.
So please try to keep up.
After many, many years and having filled several bookcases I think I've finally...mostly...almost - there still a few Targets and a couple of annuals I'd like to find - broken my Doctor Who book addiction but I couldn't resist one last bit of fun with this anthology of stories featuring the fabulous Missy and it was worth it.
The book contains six stories by various Who alumni including James Goss, Paul Magrs and Jacqueline Rayner and is pretty much all excellent fun particularly when it's flying it's own flag in a story not beholden to the parent series.
James Goss writes about a post regeneration Missy taking gleeful revenge on a club full of misogynist scoundrels, Cavan Scott takes her off on a mission for the Time Lords, Magrs has her playing the long game with the aid of a TARDIS and a magic teddy bear, Peter Anghelides doesn't quite nail it with a time hopping romp around Venice, Rayner gives us a fun series of email exchanges between Nardole, The Doctor and, eventually, the captive Missy and finally Richard Dinnick does an OK job with the two incarnations of the Master on the giant Cyberman riddled spaceship but it feels out of place here amongst the snappier less canonical pieces.
Like I said earlier I'm very glad I broke my embargo for one last Who book as this proved to be a fine and fun way to spend an afternoon.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
Wednesday, 10 October 2018
The Unsettled Dust
Faber & Faber
Robert Aickman, the supreme master of the supernatural, brings together eight stories where strange things happen that the reader is unable to predict. His characters are often lonely and middle-aged but all have the same thing in common - they are all brought to the brink of an abyss that shows how terrifyingly fragile our peace of mind actually is.
'The Next Glade', 'Bind Your Hair' and 'The Stains' appeared together in The Wine-Dark Sea in 1988 while 'The Unsettled Dust', 'The House of the Russians', 'No Stronger Than a Flower', 'The Cicerones' and 'Ravissante' first appeared in Sub Rosa in 1968. The stories were published together as The Unsettled Dust in 1990. Aickman received the British Fantasy Award in 1981 for 'The Stains', which had first appeared in the anthology New Terrors (1980), before appearing in the last original posthumous collection of Aickman's short stories, Night Voices (1985).
'The Unsettled Dust' was a posthumous collection released some 9 years after the authors death. The stories included all bear Aickman's characteristic strangeness which can result in them being equal parts frustrating and enthralling.
The opening - titular - tale is an almost straightforward (by Aickman's standards) and old fashioned haunted house tale as a representative of a trust is subjected to the dubious hospitality of two sisters in their dusty old house in a quietly sad tale of family, pride and unreconciled loss, themes that are echoed in 'The Houses of the Russians', an intriguing little tale of an island of abandoned homes and the memories they hold of their former inhabitants.
'No Stronger Than A Flower' was the first Aickman tale I ever read and this story of a woman's metamorphosis loses none of it's brutal power in a reread several years on and with a wider knowledge of what to expect - that is if one can even remotely 'expect' anything in an Aickman story.
'The Cicerones' is another story I was familiar with, this time through the adaptation made by Mark Gatiss and Jeremy Dyson - watch it here. I'm not particularly enamoured of it but I was struck by how closely the filmed version stuck to the text.
'The Next Glade' is another story that I found somewhat uninspiring. Unusually for Aickman the strangeness here felt contrived and a little but forced. I can't put my finger on anything in particular about it but for me it failed to gel and the story was both dull and flat.
Things get very much back on track with 'Ravissante' as we're shown into a world that is both mannered and deeply strange filled with simmering sexual repression and denied release and the folk horror duo of 'Bind Your Hair', another beautifully ambiguous enigma of rural weirdness and the book's award winning closing tale, 'The Stains', a story of love lost, love found, family, responsibility, innocence and lichen which sees about as Aickmanesque an ending to to this write-up as I'm going to come up with.
Buy it here - The Unsettled Dust
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
Wednesday, 3 October 2018
Raven
Jeremy Burnham & Trevor Ray
Corgi Carousel
A young tearaway on probation from a young offenders' institution, is sent to stay with a wheelchair-bound archaeologist who is trying to save some ancient underground caves from being used as a nuclear waste dumping ground.. Legend has it that the caves were once occupied by King Arthur, and when Raven joins the archaeologist's campaign, he begins to believe he is the reincarnation of Arthur, and the future of the caves depends on him.
From the guys behind the 'Children of the Stones' TV series and book, 'Raven' was another slice of rural horror drenched in megalithic lore and, in this case, Arthurian legend.
Raven is a young man with a chequered past on release from Borstal and roped into helping the crotchety old Professor Young protect an archaeologically significant cave system from becoming a dumping ground for nuclear waste.
The story is kind of a muddle with the Arthurian elements being particularly underdeveloped and feeling at best a little tacked on in order to make the whole protection of the land angle work. And work it does but it needed more room to introduce and develop the various aspects such as just who the other members of the round table (or in this case stone circle) are and what exactly did happen with the professor and the bird.
As this is the accompanying novel to the TV series (which I've not seen) I'm going to assume many of these issues were carried over from budgetary constraints relating to the filmed version but then surely the novelisation would have provided an opportunity to address and repair but evidently not.
If it sounds like I'm giving this a bit of a pasting then please know that I did enjoy it. It's an entertaining little thing but a flawed one that has left me quite keen to track down the series so I can compare the two.
Buy it here - Raven
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
Corgi Carousel
A young tearaway on probation from a young offenders' institution, is sent to stay with a wheelchair-bound archaeologist who is trying to save some ancient underground caves from being used as a nuclear waste dumping ground.. Legend has it that the caves were once occupied by King Arthur, and when Raven joins the archaeologist's campaign, he begins to believe he is the reincarnation of Arthur, and the future of the caves depends on him.
From the guys behind the 'Children of the Stones' TV series and book, 'Raven' was another slice of rural horror drenched in megalithic lore and, in this case, Arthurian legend.
Raven is a young man with a chequered past on release from Borstal and roped into helping the crotchety old Professor Young protect an archaeologically significant cave system from becoming a dumping ground for nuclear waste.
The story is kind of a muddle with the Arthurian elements being particularly underdeveloped and feeling at best a little tacked on in order to make the whole protection of the land angle work. And work it does but it needed more room to introduce and develop the various aspects such as just who the other members of the round table (or in this case stone circle) are and what exactly did happen with the professor and the bird.
As this is the accompanying novel to the TV series (which I've not seen) I'm going to assume many of these issues were carried over from budgetary constraints relating to the filmed version but then surely the novelisation would have provided an opportunity to address and repair but evidently not.
If it sounds like I'm giving this a bit of a pasting then please know that I did enjoy it. It's an entertaining little thing but a flawed one that has left me quite keen to track down the series so I can compare the two.
Buy it here - Raven
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
Saturday, 15 September 2018
Chocky
Michael Joseph
Matthew, they thought, was just going through a phase of talking to himself. And, like many parents, they waited for him to get over it, but it started to get worse. Mathew's conversations with himself grew more and more intense - it was like listening to one end of a telephone conversation while someone argued, cajoled and reasoned with another person you couldn't hear. Then Matthew started doing things he couldn't do before, like counting in binary-code mathematics. So he told them about Chocky - the person who lived in his head.
I have a slight thing about reading certain editions of books. There are quite a few novels I'd like to read but haven't yet because I've not found one with the right cover art. Chocky was one of them until I scored this rather lovely 1970 2nd impression hardback.
I've a long standing love affair with one Wyndham book in particular (the one with the plants) although I like many of them very much. I'm a long time fan of (post) apocalypse literature so those books in his canon - The Day of the Triffids, The Chrysalids, The Kraken Wakes - are the ones that jumped out at me, Chocky less so. A story of a kid with a telepathic alien chatting in his head never really appealed all that much but I always knew I'd get to it someday and despite my reservations I knew I'd probably enjoy it and I was right.
Chocky is very much what we'd now call a YA novel (but without twinkly vampires) which surprised me as I was kind of expecting something more in line with 'The Midwich Cuckoos' but this is a fairly gentle affair. Most, if not all, the action happens off the page and we essentially get a second hand account with commentary from Matthew's father.
It's hugely enjoyable and is a very different sort of YA book that I just don't think would fly anymore which is a real shame because it's kinda lovely.
Buy it here - Chocky
Watch the TV adaptation here - Chocky
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Tuesday, 7 August 2018
The Nightmare Stacks
Charles Stross
Orbit
Recorded Books
Alex Schwartz had a promising future - until he contracted an unfortunate bout of vampirism, and agreed (on pain of death) to join the Laundry, Britain's only counter-occult secret agency.
His first assignment is in Leeds - his old hometown. The thought of telling his parents that he's lost his old job, let alone them finding out about his 'condition', is causing Alex more anxiety than learning how to live as a vampire secret agent preparing to confront multiple apocalypses.His only saving grace is Cassie Brewer, a student appearing in the local Goth Festival, who flirts with him despite his awkward personality and massive amounts of sunblock.
But Cassie has secrets of her own - secrets that make Alex's night life seem positively normal .
Let me start by saying Gideon Emery has ruined these books. I tried reading one recently and just couldn't do it without my internal monologue defaulting to a piss poor imitation of his voice and so I had to give up and revert back to the fantastic audio versions that he reads.
'The Nightmare Stacks' is another Bob-less Laundry book and one that's going to blow the whole secret open as Britain is invaded by magical elfy types from another dimension.
The story follows Alex Schwartz one of the newly recruited 'Phangs' (vampires) - left over from a previous novel - as he scouts a new Laundry headquarters in Leeds. The book is very much in the tradition of the series - lots of policy wonking - and tapping into a particular literary trope - in this case the fantasy novel - but like the superhero one that preceded it things have gone really overt as the endgame comes slowly into sight. I'm not entirely in favour of this as I do prefer the more covert side of things and I think this and it's predecessor have been by far the weakest books in the series but Stross is an eminentlyreadable (Damn you Emery!) listenable writer and this series is pretty much always a delight to read / hear.
Buy it here - The Nightmare Stacks: A Laundry Files novel
Orbit
Recorded Books
Alex Schwartz had a promising future - until he contracted an unfortunate bout of vampirism, and agreed (on pain of death) to join the Laundry, Britain's only counter-occult secret agency.
His first assignment is in Leeds - his old hometown. The thought of telling his parents that he's lost his old job, let alone them finding out about his 'condition', is causing Alex more anxiety than learning how to live as a vampire secret agent preparing to confront multiple apocalypses.His only saving grace is Cassie Brewer, a student appearing in the local Goth Festival, who flirts with him despite his awkward personality and massive amounts of sunblock.
But Cassie has secrets of her own - secrets that make Alex's night life seem positively normal .
Let me start by saying Gideon Emery has ruined these books. I tried reading one recently and just couldn't do it without my internal monologue defaulting to a piss poor imitation of his voice and so I had to give up and revert back to the fantastic audio versions that he reads.
'The Nightmare Stacks' is another Bob-less Laundry book and one that's going to blow the whole secret open as Britain is invaded by magical elfy types from another dimension.
The story follows Alex Schwartz one of the newly recruited 'Phangs' (vampires) - left over from a previous novel - as he scouts a new Laundry headquarters in Leeds. The book is very much in the tradition of the series - lots of policy wonking - and tapping into a particular literary trope - in this case the fantasy novel - but like the superhero one that preceded it things have gone really overt as the endgame comes slowly into sight. I'm not entirely in favour of this as I do prefer the more covert side of things and I think this and it's predecessor have been by far the weakest books in the series but Stross is an eminently
Buy it here - The Nightmare Stacks: A Laundry Files novel
Thursday, 28 June 2018
Star Kites: Poems and Versions
Mark Valentine
Tartarus Press
In his first collection of poems Mark Valentine has continued to develop many of the themes and ideas found in both his fiction writing and his non. His poems explore memory and place, the phantasmal, the fantastical and of the joys to be found in the mundane. As ever his writing is a thing of delicate beauty in which you can feel the care and deliberation he has taken with each piece and the way his ideas have a subtle way of insinuating themselves into your thoughts, taking up residence and leaving you pondering them for some hours afterwards.
In the second half of the book Mark presents 'versions' of poems written by obscure European poets. It's unclear (to me at least) whether these are translations, adaptations of the works or, as I suspect, a combination of both but they are an interesting and compelling assortment that show the love and commitment to the literature of the fantastical that we've come to expect from Mark.
This is a rather wonderful selection that, after the delights of his short stories in 'The Uncertainty of All Earthly Things' and the fascinating articles that made up 'A Country Still All Mystery', offers us another glimpse into the worlds of this most captivating of authors.
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Star Kites is available directly from the publisher - here.
Mark's Wormwoodiana website is here.
Tartarus Press
Mark Valentine’s first collection of poems draws on the
sources that have inspired his acclaimed short stories—oneiric and
otherworldly, and inexplicably beautiful. The poems evoke half-lit
figures and images, seen in smoke, shadow, sun-haze and stone, and
moments when the visible world does not quite cohere. Valentine writes
of spells, oracles, myths and the fragility of memory.
Also offered are versions of poems by previously
unheard European voices, including the Italian twilight poet Sergio
Corazzini; the early mystical work of Ernst Stadler, a young,
cosmopolitan poet killed in the Great war near Ypres; an Imagist homage
to the Armenian poet and reformer Madame Sibyl; and a poem of Autumn by
Ludmila Jevsejeva, exiled for her work in Esperanto.
Mark Valentine’s poems have appeared in Smoke, Sepia, Amoeba, The Fool, Mandragora and other journals and anthologies.
In his first collection of poems Mark Valentine has continued to develop many of the themes and ideas found in both his fiction writing and his non. His poems explore memory and place, the phantasmal, the fantastical and of the joys to be found in the mundane. As ever his writing is a thing of delicate beauty in which you can feel the care and deliberation he has taken with each piece and the way his ideas have a subtle way of insinuating themselves into your thoughts, taking up residence and leaving you pondering them for some hours afterwards.
In the second half of the book Mark presents 'versions' of poems written by obscure European poets. It's unclear (to me at least) whether these are translations, adaptations of the works or, as I suspect, a combination of both but they are an interesting and compelling assortment that show the love and commitment to the literature of the fantastical that we've come to expect from Mark.
This is a rather wonderful selection that, after the delights of his short stories in 'The Uncertainty of All Earthly Things' and the fascinating articles that made up 'A Country Still All Mystery', offers us another glimpse into the worlds of this most captivating of authors.
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Star Kites is available directly from the publisher - here.
Mark's Wormwoodiana website is here.
Thursday, 14 June 2018
The Rituals of Infinity
Michael Moorcock
Arrow Books
It is nearly three decades since the discovery of the sub-spacial alternatives - twenty-four lumps of matter hanging in a limbo outside of space and time, each sharing the name of Earth.
Now there are only fifteen of them - the rest blown to extinction by the ruthless attacks of the D-squads. Even the surviving planets are doomed to a cruel, mutilated existence.
Standing between them and their final destruction at the hands of the merciless demolition teams is Michael Moorcock's zaniest hero - the brilliant, offbeat physicist Professor Faustaff.
In many ways I treat Moorcock books as a form of therapy. They are one of the things I reach for when I'm feeling a bit down because they are fast, fun, are full of inventive adventure and are pretty much guaranteed to cheer me up.
'The Rituals of Infinity' or 'The New Adventures of Doctor Faustus' (which is an odd title as the main character is actually called 'Faustaff) is a multiple Earths story but not part of Moorcock's multiverse books. Here we have a group headed by the aforementioned Doctor, a Doc Savage style pulp hero, dedicated to saving the now 15 Earths from another more shadowy group that seems hell bent on destroying them. As he hops back and forth between Earths Professor Faustaff uncovers a conspiracy of cosmic proportions that results in a final act quite unlike anything else.
This is an early novel and it certainly isn't anywhere close to Moorcock at his best. The story is pretty thin but the bonkers finale is a whole heap of fun and wraps the story up nicely.
Arrow Books
It is nearly three decades since the discovery of the sub-spacial alternatives - twenty-four lumps of matter hanging in a limbo outside of space and time, each sharing the name of Earth.
Now there are only fifteen of them - the rest blown to extinction by the ruthless attacks of the D-squads. Even the surviving planets are doomed to a cruel, mutilated existence.
Standing between them and their final destruction at the hands of the merciless demolition teams is Michael Moorcock's zaniest hero - the brilliant, offbeat physicist Professor Faustaff.
In many ways I treat Moorcock books as a form of therapy. They are one of the things I reach for when I'm feeling a bit down because they are fast, fun, are full of inventive adventure and are pretty much guaranteed to cheer me up.
'The Rituals of Infinity' or 'The New Adventures of Doctor Faustus' (which is an odd title as the main character is actually called 'Faustaff) is a multiple Earths story but not part of Moorcock's multiverse books. Here we have a group headed by the aforementioned Doctor, a Doc Savage style pulp hero, dedicated to saving the now 15 Earths from another more shadowy group that seems hell bent on destroying them. As he hops back and forth between Earths Professor Faustaff uncovers a conspiracy of cosmic proportions that results in a final act quite unlike anything else.
This is an early novel and it certainly isn't anywhere close to Moorcock at his best. The story is pretty thin but the bonkers finale is a whole heap of fun and wraps the story up nicely.
Wednesday, 23 May 2018
The Uncertainty of All Earthly Things
Zagava
This is his first short story collection for five years and offers twelve previously uncollected stories and an unpublished journal of story ideas and reading notes. His fiction ranges from the Triple Headed King of Sancreed, Cornwall to the unknown god of Palmyra, from a Venusian commodore to the lost composer of Stonehenge, and takes us on a search for the cockatrice and a quest for books not found in any library.
All of the stories suggest that other dimensions may be encountered in the most unexpected ways, whether through the hymn-singing of an old tramp, or as part of a Shakespeare play. And in the previously unpublished ‘Notes on the Border’, Valentine explores bookshops, old churches, folklore and the uncanny, with insights into stories as yet unwritten..
This newest collection of shorts from Mark Valentine finds him exploring ephemeral landscapes of the unknowable and the inimitable. Mark tells stories of the borderlands, of the thin places where glimpses are caught of the otherwheres or where the truly (un)lucky get to tread on soil unused to human feet. He tells stories of those liminal places where a travellers only map would be the tales told of them.
In these handsomely presented pages - this is my first taste of Zagava's fare and huge kudos to them for producing a thing of real craft - we are introduced to faded gods and fading con-men ('To the Eternal One'), to musicians ('Listening to Stonehenge'), to artists ('As Blank as the Days Yet to Be') and to their devotees ('Goat Songs') who through their particular ways can open pathways to places and experiences beyond the mundane. We are allowed a peek behind masks, both literal and figurative, of actors and audience alike as characters and character blur ('In Cypress Shades'), behind the mask of reality itself to worlds beyond ('The Uncertainty of All Earthly Things') and indeed behind the mask of the author as we are treated to extracts from Mark's diaries that reveal the genesis of some of his stories including some of his wonderful Connoisseur tales.
As ever with Mark we are taken on journeys both sinister and beautiful (often simultaneously) to places terrifying and beguiling (often simultaneously) in the company of the lost, the curious, the brave and the foolish and in each we can see ourselves as they react to the outrageous in deeply human ways. It is this that for me is the true magic in Mark's writing in that as he conjures up the most deliciously unexpected experiences he presents them with such a beautifully real sense of humanity that they seem all the more genuine and all the more disturbing.
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'The Uncertainty of All Earthly Things' is available in two limited editions from the publisher.
The numbered edition is available here and the (more expensive but extremely limited) lettered version is available here.
You can follow Mark's terrific Wormwoodiana blog here.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Thursday, 10 May 2018
Judge Anderson: Year One
Alec Worley
Abaddon Books
The untold story behind Mega-City One's most famous telepath and Judge Dredd partner, Judge Anderson, in her first year on the job!
Mega-City One, 2100. Cassandra Anderson is destined to become Psi-Division’s most famous Judge, foiling supernatural threats and policing Mega-City One’s hearts and souls. For now, she’s fresh out of Academy and Psi-Div themselves are still finding their feet.
Heartbreaker: After a string of apparently random, deadly assaults by customers at a dating agency, Anderson is convinced a telepathic killer is to blame. Putting her career on the line, the newly-trained Psi-Judge goes undercover to bring the romance-hating murderer to justice, with the big Valentine’s Day parade coming up.
The Abyss: Sent to interrogate Moriah Blake, leader of the notorious terror group ‘Bedlam,’ Anderson gets just one snippet of information – Bedlam’s planning on detonating a huge bomb – before Blake’s followers take over the Block. It’s a race against time, and Anderson’s on her own amongst the inmates.
A Dream of the Nevertime: Anderson – a rookie no more, with a year on the streets under her belt – contracts what appears to be a deadly psychic virus, and must explore the weirdest reaches of the Cursed Earth in search of a cure. She must face mutants, mystics and all the strangeness the land can throw at her as she wrestles weird forces.
I thoroughly enjoyed the couple of early Dredd books that have appeared over the last few years (see here & here) and so when I noticed this one I couldn't resist and jumped right in.
Leaving aside the very inaccurate cover art that has left Anderson's uniform bereft of shoulder eagle and chain this is a fairly accurate rendition of the Anderson that we all fell for in The Dark Judges storyline. She's irreverent and fearless but here is wracked with doubts over the judge system and beset by worries that she's not up to the job. It's not something I really buy into. the years at the academy would have weeded that out of her but it does add a dimension to her interior monologue that Dredd obviously lacks.
The 3 and a smidge stories collected here are solid action pieces with the psi judge taking down various rogue psychics, mutants and terrorists across Mega City One and the Cursed Earth. Worley has a fairly solid hand on the craziness of Dredd universe but has kept a fairly tight rein so the Valentine Parade feels suitable OTT rather than just silly and Marion the cow-bot is a sympathetic character behind the John Wayne-isms.
As I said I found the soul searching to be a little forced and given too central a place in the stories but other than that this proved to be another successful and very readable collection of stories allowing us a glimpse at the unreported years of some of 2000ADs finest.
Buy it here - Judge Anderson: Year One
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Abaddon Books
The untold story behind Mega-City One's most famous telepath and Judge Dredd partner, Judge Anderson, in her first year on the job!
Mega-City One, 2100. Cassandra Anderson is destined to become Psi-Division’s most famous Judge, foiling supernatural threats and policing Mega-City One’s hearts and souls. For now, she’s fresh out of Academy and Psi-Div themselves are still finding their feet.
Heartbreaker: After a string of apparently random, deadly assaults by customers at a dating agency, Anderson is convinced a telepathic killer is to blame. Putting her career on the line, the newly-trained Psi-Judge goes undercover to bring the romance-hating murderer to justice, with the big Valentine’s Day parade coming up.
The Abyss: Sent to interrogate Moriah Blake, leader of the notorious terror group ‘Bedlam,’ Anderson gets just one snippet of information – Bedlam’s planning on detonating a huge bomb – before Blake’s followers take over the Block. It’s a race against time, and Anderson’s on her own amongst the inmates.
A Dream of the Nevertime: Anderson – a rookie no more, with a year on the streets under her belt – contracts what appears to be a deadly psychic virus, and must explore the weirdest reaches of the Cursed Earth in search of a cure. She must face mutants, mystics and all the strangeness the land can throw at her as she wrestles weird forces.
I thoroughly enjoyed the couple of early Dredd books that have appeared over the last few years (see here & here) and so when I noticed this one I couldn't resist and jumped right in.
Leaving aside the very inaccurate cover art that has left Anderson's uniform bereft of shoulder eagle and chain this is a fairly accurate rendition of the Anderson that we all fell for in The Dark Judges storyline. She's irreverent and fearless but here is wracked with doubts over the judge system and beset by worries that she's not up to the job. It's not something I really buy into. the years at the academy would have weeded that out of her but it does add a dimension to her interior monologue that Dredd obviously lacks.
The 3 and a smidge stories collected here are solid action pieces with the psi judge taking down various rogue psychics, mutants and terrorists across Mega City One and the Cursed Earth. Worley has a fairly solid hand on the craziness of Dredd universe but has kept a fairly tight rein so the Valentine Parade feels suitable OTT rather than just silly and Marion the cow-bot is a sympathetic character behind the John Wayne-isms.
As I said I found the soul searching to be a little forced and given too central a place in the stories but other than that this proved to be another successful and very readable collection of stories allowing us a glimpse at the unreported years of some of 2000ADs finest.
Buy it here - Judge Anderson: Year One
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Friday, 4 May 2018
The Man From the Diogenes Club
Titan Books
The debonair psychic investigator Richard Jeperson is the Most Valued Member of the Diogenes Club, the least-known and most essential branch of British Intelligence. While foiling the plot of many a maniacal mastermind, he is chased by sentient snowmen and Nazi zombies, investigates an unearthly murderer stalking the sex shops of 1970s Soho, and battles a poltergeist to prevent it triggering nuclear Armageddon. But as a new century dawns, can he save the ailing Diogenes Club itself from a force more diabolical still?
Newman’s ten mischievous tales, with cameos from the much-loved characters of the Anno Dracula universe, will entertain fans and newcomers alike.
For the last few years Titan Books have been reprinting Kim Nerwman's novels such as the Anno Dracula series, An English Ghost Story, Professor Moriarty and The Secrets of Drearcliff Grange School and now they've finally got to the one I've been waiting for.
There was much to like in the first Anno Dracula book - and by much I mean loads - but the part that really resonated with me was the use of Arthur Conan Doyle's Diogenes Club as the base of the secret service under the guidance of Mycroft Holmes. A quick search showed me that Newman had written three books around this club and that they were now commanding eye-watering prices. Well, the first one has finally been reprinted and it was well worth the wait.
This first collection of Diogenes stories focuses on flamboyant psychic investigator Richard Jeperson as he rampages around 1970s and 1980s (and into the 90s) England battling zombie nazis, witches, golems, snowmen, ghost trains and evil geniuses. Jepperson is a pitch perfect amalgam of all your favourite spy-fi characters such as Jason King (who he looks like) and John Steed mixed with a healthy splash of the Jon Pertwee incarnation of the Doctor and a heritage of psychic detectives and adventurers such as Thomas Carnacki and Flaxman Low.
It's a glorious romp of a book and is tremendous fun throughout. It feels like an unapologetic return to the pulp horror supernatural shenanigans of the era of it's setting. There is so much fun to be had here cavorting around the last quarter of the 20th century and taking in the sites and sounds of the secret history of these decades and for those of you who weren't born or were elsewhere there's even a handy glossary of some of the more particular references although - and this is something mentioned in a story ('The Man Who Got Off the Ghost Train') but isn't featured in the glossary - as a Welshman and as a fan of the admittedly unattractive looking stuff I need to add that 'lava bread' (sic) is neither dry nor in fact bread but this is my tiny obligatory quibble with what is fantastic collection and a joyful mash up of all the best supernatural and sci-fi shenanigans of 60s and 70s British TV and is heartily and unreservedly recommended.
Buy it here - The Man From the Diogenes Club
Tuesday, 10 April 2018
Holy Terrors: A Collection of Weird Tales by Arthur Machen
Arthur Machen
Tartarus Press
A collection of weird tales by Arthur Machen featured in the portmanteau film Holy Terrors by Obsolete Films.
Contents: The Cosy Room, The White Powder, The Bowmen, Ritual, The Happy Children, Midsummer, Afterword, The Friends of Arthur Machen
Penguin Books published a collection of Machen's writings under the title 'Holy Terrors' in 1946, this isn't it. This one is a recent collection from Tartarus Press that takes it's name and it's contents from a recent portmanteau film featuring the 6 short stories reprinted in this book (see below for the trailer).
Perhaps the most well known Machen tale here is the alchemical experimentation of 'The White Powder' although the inclusion of 'The Bowmen' perhaps challenges that but then is it famous as a Machen story or as the myth of the 'Angels of Mons'. We also get the enigmatically pagan 'Midsummer', the reportage of 'Ritual', the quietly powerful 'The Happy Children' and an unexpected crime caper in 'The Cosy Room'.
At 70 pages it makes for a quick but enjoyable read that offers a fleeting insight into the scope of Machen's imagination if perhaps not into the best of it.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Tartarus Press
A collection of weird tales by Arthur Machen featured in the portmanteau film Holy Terrors by Obsolete Films.
Contents: The Cosy Room, The White Powder, The Bowmen, Ritual, The Happy Children, Midsummer, Afterword, The Friends of Arthur Machen
Penguin Books published a collection of Machen's writings under the title 'Holy Terrors' in 1946, this isn't it. This one is a recent collection from Tartarus Press that takes it's name and it's contents from a recent portmanteau film featuring the 6 short stories reprinted in this book (see below for the trailer).
Perhaps the most well known Machen tale here is the alchemical experimentation of 'The White Powder' although the inclusion of 'The Bowmen' perhaps challenges that but then is it famous as a Machen story or as the myth of the 'Angels of Mons'. We also get the enigmatically pagan 'Midsummer', the reportage of 'Ritual', the quietly powerful 'The Happy Children' and an unexpected crime caper in 'The Cosy Room'.
At 70 pages it makes for a quick but enjoyable read that offers a fleeting insight into the scope of Machen's imagination if perhaps not into the best of it.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Tuesday, 3 April 2018
A Twist in the Eye
Charles Wilkinson
Egaeus Press
Throughout the sixteen stories collected in this remarkable book Charles Wilkinson explores themes of place, ritual, identity, death and transmutation with a rare, if not utterly unique, confidence. They are enigmatic but never vague, dreamlike but never illogical, horrifying but only occasionally visceral. Few writers can write ‘weird’ with so convincing a voice.
I first read a Charles Wilkinson story in issue 35 of Supernatural Tales, it was a thoroughly enjoyable slice of weird fiction with an ending that I thought arrived far too suddenly which slightly marred the experience. I was really impressed and invested in a copy of his collection issued by Egaeus Press back in 2016 and having spent the last two days immersed in it I'm still impressed, with reservations, but definitely impressed.
There are two or three obvious touch points to Wilkinson's writing - Robert Aickman, Arthur Machen and Algernon Blackwood - and from the first he takes the sense of the strange in the mundane and in the liminality of new homes, guest houses and childhood abodes and in the unapologetic stylistic conceits of the jump cut endings and an oblique take on narrative flow. From Machen and Blackwood in particular we see an embracing of the elsewhere and the otherhere. The worlds within and beyond the natural where soul, spirit and anima are as ephemeral, as elusive and as dangerous as smoke.
As for my reservations well it remains the same as from my first reading. Wilkinson crafts a beautifully realised story into which we are dropped and instantly and wonderfully submerged and there are storyworlds here that I could happily inhabit for days but with Wilkinson the ending is apt to burst through at any moment jarring us back into the mundane world. It seems to me that many of his ideas could do with a bit more room, a novella (or even longer) would allow his ideas room to stretch and for their conclusions to arrive more organically and with a more deliberate pace. But, and I want to stress this next part, this is just a reservation. I adored this book and if I read another one half as good this year I'll be very happy indeed.
Available from the publisher at the link at the top of this review.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Egaeus Press
Throughout the sixteen stories collected in this remarkable book Charles Wilkinson explores themes of place, ritual, identity, death and transmutation with a rare, if not utterly unique, confidence. They are enigmatic but never vague, dreamlike but never illogical, horrifying but only occasionally visceral. Few writers can write ‘weird’ with so convincing a voice.
I first read a Charles Wilkinson story in issue 35 of Supernatural Tales, it was a thoroughly enjoyable slice of weird fiction with an ending that I thought arrived far too suddenly which slightly marred the experience. I was really impressed and invested in a copy of his collection issued by Egaeus Press back in 2016 and having spent the last two days immersed in it I'm still impressed, with reservations, but definitely impressed.
There are two or three obvious touch points to Wilkinson's writing - Robert Aickman, Arthur Machen and Algernon Blackwood - and from the first he takes the sense of the strange in the mundane and in the liminality of new homes, guest houses and childhood abodes and in the unapologetic stylistic conceits of the jump cut endings and an oblique take on narrative flow. From Machen and Blackwood in particular we see an embracing of the elsewhere and the otherhere. The worlds within and beyond the natural where soul, spirit and anima are as ephemeral, as elusive and as dangerous as smoke.
As for my reservations well it remains the same as from my first reading. Wilkinson crafts a beautifully realised story into which we are dropped and instantly and wonderfully submerged and there are storyworlds here that I could happily inhabit for days but with Wilkinson the ending is apt to burst through at any moment jarring us back into the mundane world. It seems to me that many of his ideas could do with a bit more room, a novella (or even longer) would allow his ideas room to stretch and for their conclusions to arrive more organically and with a more deliberate pace. But, and I want to stress this next part, this is just a reservation. I adored this book and if I read another one half as good this year I'll be very happy indeed.
Available from the publisher at the link at the top of this review.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Wednesday, 28 March 2018
In A Glass Darkly
J. Sheridan Le Fanu
Wordsworth Editions
This remarkable collection of stories, first published in 1872, includes Green Tea, The Familiar, Mr. Justice Harbottle, The Room in le Dragon Volant, and Carmilla. The five stories are purported to be cases by Dr. Hesselius, a 'metaphysical' doctor, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience.
This is my first time digging into a book full of Le Fanu's stories and I found it to be a bit of a pick 'n' mix.
The book tells 5 stories from the files of Dr. Hesselius, an occult detective of sorts, although he himself appears only in one of tales with the 5 being presented as being posthumously selected from his archives.
It's the final story here that's undeniably the most renowned and justifiably so. 'Carmilla' is an unsettling tale of vampirism which while lacking in suspense due to the delivery method (it's told by the 'victim') it manages to hold a tantalising level of menace.
At the other end of the scale is 'The Room in Le Dragon Volant' a frankly risible locked room mystery that was a chore to plough through.
The opening two stories, 'Green Tea' and 'The Familiar' are odd little tales of manifestations induced by overindulgence and guilt and neither tale really sparkles although the latter has the edge but it's the fourth story, 'Mr. Justice Harbottle', that was probably the great surprise of the book with it's deliciously macabre tale of a corrupt judge and his unearthly comeuppance.
I have to admit I struggled a little with this book; mostly with Le Fanu's now quite dated prose style - which had never previously been an issue when encountering his stories in various anthologies - but also because I just didn't think all that much of the opening story, 'Green Tea', ground to a halt and put the book down for a while. When I returned to it more prepared for it's idiosyncrasies I got more out of it and with the exception of that lousy crime story it proved to be an enjoyable read.
Buy it here - In A Glass Darkly (Wordsworth Mystery & Supernatural) (Tales of Mystery & the Supernatural) by Sheridan Le Fanu ( 2007 )
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Wordsworth Editions
This remarkable collection of stories, first published in 1872, includes Green Tea, The Familiar, Mr. Justice Harbottle, The Room in le Dragon Volant, and Carmilla. The five stories are purported to be cases by Dr. Hesselius, a 'metaphysical' doctor, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience.
This is my first time digging into a book full of Le Fanu's stories and I found it to be a bit of a pick 'n' mix.
The book tells 5 stories from the files of Dr. Hesselius, an occult detective of sorts, although he himself appears only in one of tales with the 5 being presented as being posthumously selected from his archives.
It's the final story here that's undeniably the most renowned and justifiably so. 'Carmilla' is an unsettling tale of vampirism which while lacking in suspense due to the delivery method (it's told by the 'victim') it manages to hold a tantalising level of menace.
At the other end of the scale is 'The Room in Le Dragon Volant' a frankly risible locked room mystery that was a chore to plough through.
The opening two stories, 'Green Tea' and 'The Familiar' are odd little tales of manifestations induced by overindulgence and guilt and neither tale really sparkles although the latter has the edge but it's the fourth story, 'Mr. Justice Harbottle', that was probably the great surprise of the book with it's deliciously macabre tale of a corrupt judge and his unearthly comeuppance.
I have to admit I struggled a little with this book; mostly with Le Fanu's now quite dated prose style - which had never previously been an issue when encountering his stories in various anthologies - but also because I just didn't think all that much of the opening story, 'Green Tea', ground to a halt and put the book down for a while. When I returned to it more prepared for it's idiosyncrasies I got more out of it and with the exception of that lousy crime story it proved to be an enjoyable read.
Buy it here - In A Glass Darkly (Wordsworth Mystery & Supernatural) (Tales of Mystery & the Supernatural) by Sheridan Le Fanu ( 2007 )
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
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