The Poacher

West Country Tales was an early 80s BBC 2 series that, at least in it's first series, purportedly dramatised stories of encounters with the supernatural submitted by the public.  Episode 2, aired on February 1st 1982, 'The Poacher' tells of the unnamed titular character's meeting with the God Pan in the wood where he plies his trade.

Told primarily - as is the rest of the series - via a narrator (Douglas Leech) with minimal dialogue from the on-screen cast, the Poacher (Dave Royal) walks us through a life spent wandering the fields, woods and rivers of his locale, often, but not exclusively, under the cover of darkness,  he is shown as an independent and fair minded man atuned to the rhythms of the woods, never taking more than he needs - we witness his disgust at the wasteful pheasant shoot - and as a repository of old lore.  When he meets the Wild God (Michael Venner) it's a meeting marked with the characteristic fear that a meeting with Pan induces and presented in an appropriately oneiric manner that changes the Poacher in the most profound of ways.

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Pan: The Great God's Modern Return

Paul Robichaud
Reaktion Books

Part-goat, part-man, Pan bridges the divide between the human and animal worlds. In exquisite prose, Paul Robichaud explores how Pan has been imagined in mythology, art, literature, music, spirituality, and popular culture through the centuries. At times, Pan is a dangerous, destabilizing force; at others, a source of fertility and renewal. His portrayals reveal shifting anxieties about our own animal impulses and our relationship to nature. Always the outsider, he has been the god of choice for gay writers, occult practitioners, and New Age mystics. Though ancient sources announced his death, he has lived on through the work of Arthur Machen, Gustav Mahler, Kenneth Grahame, D. H. Lawrence and countless others. Pan: The Great God’s Modern Return traces his intoxicating dance.

I've long had a quiet obsession with all things Pan, fed, over the years, by occasionally stumbling over another Pan based story or fleeting reference hidden in the pages of a supernatural anthology.  Of late though I've been spoiled by a couple of exemplary books focussed on the goat-footed God, Michael Wheatley's excellent collection for the British Library's Tales of the Weird imprint, 'The Horned God: Weird Tales of the Great God Pan' and now this fascinating study of the history and the many reinventions of Pan in art, literature, music and magic.

It's hugely recommended for anyone with even a passing interest and while I have to admit to skimming through a couple of parts that I wasn't particularly interested in - the section on Depth Psychology for instance - I poured over others filling several pages in my notebook with new treasures to seek out.  

Here, Robichaud explores Pan's origins and development, his place in history, and, of most interest to me, his roles in the literary works of Lord Dunsany, D.H. Lawrence, Kenneth Grahame, Percy Bysshe Shelley, Arthur Machen, Aleister Crowley, Dion Fortune, and many others.  Robichaud has produced a wonderfully readable overview of the many masks worn by this most mutable of gods as his very nature has been reinterpreted to suit various ends, be he devil or benefactor,  avenging nature spirit or welcoming protector of the wild, coded expression of hidden sexualities or lusty old nymph chaser careening across the Arcadian landscape.  

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The Last Laugh

First published in 1928 D.H. Lawrence's 'The Last Laugh' is the story of a manifestation of the God Pan in Hampstead on a winters night. 

Miss James and her friend Marchbanks, along with a young policeman they meet on their journey, are walking home through the snow when they experience the God's return, an event that impacts them all in profound ways.

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Short Story: The Tomb of Pan

"Seeing," they said, "that old-time Pan is dead, let us now make a tomb for him and a monument, that the dreadful worship of long ago may be remembered and avoided by all."

So said the people of the enlightened lands. And they built a white and mighty tomb of marble. Slowly it rose under the hands of the builders and longer every evening after sunset it gleamed with rays of the departed sun.

And many mourned for Pan while the builders built; many reviled him. Some called the builders to cease and to weep for Pan and others called them to leave no memorial at all of so infamous a god. But the builders built on steadily.

And one day all was finished, and the tomb stood there like a steep sea-cliff. And Pan was carved thereon with humbled head and the feet of angels pressed upon his neck. And when the tomb was finished the sun had already set, but the afterglow was rosy on the huge bulk of Pan.

And presently all the enlightened people came, and saw the tomb and remembered Pan who was dead, and all deplored him and his wicked age. But a few wept apart because of the death of Pan.

But at evening as he stole out of the forest, and slipped like a shadow softly along the hills, Pan saw the tomb and laughed.

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Lord Dunsany 
from 'Fifty-One Tales', 1915

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Short Story: The Prayer of the Flowers

It was the voice of the flowers on the West wind, the lovable, the old, the lazy West wind, blowing ceaselessly, blowing sleepily, going Greecewards.

"The woods have gone away, they have fallen and left us; men love us no longer, we are lonely by moonlight. Great engines rush over the beautiful fields, their ways lie hard and terrible up and down the land.

"The cancrous cities spread over the grass, they clatter in their lairs continually, they glitter about us blemishing the night.

"The woods are gone, O Pan, the woods, the woods. And thou art far, O Pan, and far away."

I was standing by night between two railway embankments on the edge of a Midland city. On one of them I saw the trains go by, once in every two minutes, and on the other, the trains went by twice in every five.

Quite close were the glaring factories, and the sky above them wore the fearful look that it wears in dreams of fever.

The flowers were right in the stride of that advancing city, and thence I heard them sending up their cry. And then I heard, beating musically up wind, the voice of Pan reproving them from Arcady—

"Be patient a little, these things are not for long."
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Lord Dunsany 
from 'Fifty-One Tales', 1915

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 Any affiliate links are provided for your convenience and to help mitigate running costs.