Nemesis the Warlock Vol.2: 2000AD Definitive Edition

Pat Mills
Kevin O'Neill 
Bryan Talbot 
2000AD / Rebellion

The Definitive series of the Nemesis the Warlock saga continues as Torquemada’s crusade to destroy all alien life reaches the planet of the Goths, a species of alien which has modelled their culture on early twentieth-century Britain. Nemesis must team up with the Goth leader, the Ion Duke, to stop them being eradicated by Torquemada's army of Terminators.
Collecting the entire series in order, with the colour centre-spread pages reproduced in their original form, the Definitive collection of Nemesis the Warlock is the ultimate way to read one of the most important sci-fi sagas published in the pages of 2000 AD.
Written by Pat Mills (Marshal Law) and drawn by Kevin O'Neill (League of Extraordinary Gentlemen) and Bryan Talbot (Sandman, The Adventures of Luther Arkwright), this definitive series is a collection of the complete storyline in order.

 As I said in my write-up of Volume 1, I was never a Nemesis reader as a young lad.  Being an irregular reader of 2000AD meant I rarely got to maintain a rhythm on any strips, so I always preferred the one-off stories.  These definitive editions are allowing me the opportunity to rectify that and finally get to appreciate a cornerstone 2000AD series.

Young me was always far more interested in story than art, which was always a distant second, but the one major thing I've noticed on my journey back into these older series is that while the stories have often aged poorly the artwork remains sublime.

Mills, as I wished for in my earlier review, has here got a firmer grip on his strip, and the stories are tighter with a more deeply developed lore and are far more entertaining.  They don't all work as well as they could, the final arc of the Torquemada story was a jarring shift that also contains a 'joke' that I would have thought well below Mills' personal standards.

The art is wonderful,  two of my favourites at the top of their games and complementing each other perfectly.  Talbot was made to draw the goth empire storyline and his art, and the setting brought me right back to the worlds of 'Luther Awkright' and of the anthropomorphic steampunk series, 'Grandville'.

O'Neill was simply born to draw.  I adore his work and pour over every panel at every twistedly beautiful line.

Previously, I'd hoped that Volume 2 was going to be a more cohesive and developed read, and it absolutely was, and so I'm genuinely excited to pull Volume 3 off the shelf.

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue, then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Affiliate links are provided for your convenience and to help mitigate running costs.

Nemesis the Warlock Vol.1: 2000AD Definitive Edition

Pat Mills (writer)
Kevin O'Neill (artist)

Jesus Redondo (artist)
Rebellion

Long regarded as one of the crown-jewel epics from the pages of 2000 AD, at long last Nemesis the Warlock is back in print and better than ever in a brand-new series of definitive editions.
Termight is the ruling planet of a cruel galactic empire led by the diabolical Torquemada, a twisted human despot intent on purging all alien life from the galaxy and punishing the deviants. His motto: Be pure! Be vigilant! Behave! Against his tyrannical rule, resistance rises in the form of devilish-looking alien warlock Nemesis, who represents everything that Torquemada hates and fears. Together, Nemesis and Torquemada are locked in a duel which will affect their fate and the fate of humanity itself as their conflict spans time and space!

Limited pocket money meant I was a pretty occasional 2000AD reader back when these stories were first published and beyond admiring the art, I never really read Nemesis but when Rebellion announced these large-format editions of the full story, the chance to add some more Kev O'Neill to my shelves was too good an opportunity to miss.

Now, the problem I've found with a lot of these older strips is that those telling a longer story can often feel a tad over-stretched.  The peril of publishing a story 5 pages a week means it can become an exhausting barrage of cliffhangers when read en masse.  I grew up loving comics - I worked for years in the late 80s and early 90s in a comic shop in Cardiff - but was never much of a fan of serialised storytelling and immediately stopped buying individual issues when trade paperbacks / graphic novels arrived on the scene and I could read the whole story in one sitting.  Some old strips work better than others in the collected format, and this one - plot wise - suffers a little as it feels stuttery.  Don't get me wrong, I love the ideas, the dark humour, the satire and I'm well aware that this is book one and Mills is taking his first steps with his new creation but, that formatting issue that I mentioned does become tiring and the story-telling is at it's strongest on the self-contained tales where his vision is at its keenest.

Now, onto the art.  This is perhaps O'Neill's defining work here in the UK, and it's a thing of absolute beauty, maniacal, anarchic, and utterly wonderful.  There's a lot of debate over the quintessential 2000AD artist and whether you were to name Brian Bolland, Carlos Ezquerra, Dave Gibbons, Alan Davis, Mike McMahon, Ian Gibson - I could go on - you'll get no push back from me, and I'll join in singing their praises but for me, it's always been O'Neill.  

Backing up O'Neill here is Spanish artist Jesus Redondo whose art I've always had a soft spot for from reading 'Mind Wars' in Starlord and 'The Mind of Wolfie Smith' in 2000AD, and here he doesn't disappoint, but his issues lack the manic brilliance of O'Neill's.

Rebellion have done a beautiful job here and the book is a thing of real joy.  Volumes 2 & 3 are already out and on my shelves - there'll be five in total - and I'm very much looking forward to watching how Mills masters his story and, of course, getting more Kev O'Neill eye-candy.

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue, then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Affiliate links are provided for your convenience and to help mitigate running costs.