Showing posts with label Edgar Allan Poe. Show all posts
Showing posts with label Edgar Allan Poe. Show all posts

Sunday, 16 August 2020

The Oblong Box

The Oblong Box, Vincent Price, Christopher Lee
Vincent Price stars in what is purported to be an adaptation of an Edgar Allan Poe story but in actuality beyond the title bears little (by which I mean no) resemblance to the source material which is a rather gentle and bittersweet tale of a sea voyage and a man with a large oblong box that he keeps hidden in his cabin.

In this version Sir Edward Markham (Alister Williamson) is kept locked away from the world by his brother Julian (Price) after being horribly disfigured and driven to madness in an African voodoo ceremony.  Faking his own death in order to escape and finding himself in the hands of the resurrectionist Dr Newhartt (a spectacularly bewigged Christopher Lee) he embarks on a campaign of revenge against his brother.

The Oblong Box, Vincent Price, Christopher Lee
'The Oblong Box' was originally intended to be the next project for director Michael Reeves following 'Witchfinder General' and featuring the return of three cast members (Price, Rupert Davies & Hilary Dwyer) but unforunately he had to leave the film due to illness, dying soon after, and the directors chair was taken over by Gordon Hessler who'd subsequently make 'Scream and Scream Again' (also with Price and Lee) but who would 8 years later bear the blame for the travesty that was 'Kiss Meets the Phantom of the Park'.

The Oblong Box, Vincent Price, Christopher Lee
Now, I love watching him gnaw on the scenery but Price is unusually reserved here - and all the better for it - with both him and Lee taking a backseat to the masked (and dubbed) Williamson as his rampages bring him closer to the truth of his disfiguration.  It's a slightly hodge-podgey sort of affair due, I suspect, in no small part to its troubled beginnings and the script-tweaking it was apparently given but there's a strong ensemble cast and its low-key nature and slowly unfurling plot makes for an enjoyable and absorbing experience.

Buy it here - UKUS - or watch it below.



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Friday, 19 January 2018

The Best Ghost Stories

Various
Hamlyn

With a title as seemingly clear and straightforward as that one up there you'd imagine that this here 750 page house brick of a book would be chock full of ghostly mayhem but you'd be fairly wrong in your assumption.  There's a little note at the beginning to the effect that they've played fast and loose with the term 'ghost story' and they're not lying. 

Spectral types do figure but they are mostly conspicuous by their absence.  In their stead we have a veritable smorgasbord of the grim, gruesome and ghastly; black magicians (Edward Bulwer-Lytton's 'The House and the Brain' and M.R. James' 'Casting the Runes'), werewolves (Saki's 'Gabriel-Ernest'), other dimensions (Algernon Blackwood's 'The Willows'), ancient evil (H.P. Lovecraft's 'Rats in the Wall'), death itself (Edgar Allan Poe's 'The Masque of the Red Death'), Pan (Arthur Machen's 'The Great God Pan' and E.M. Forster's 'The Story of a Panic'), vampires (J. Sheridan le Fanu's 'Carmilla') and even a spirit or two (Oliver Onion's 'Are You Too Late Or Was I Too Early').

Amongst these are a host of other tales with certain authors featuring multiple times - there are 3 Machen's and 4 Lovecraft's for instance.  There are a few stories that keen anthology readers like myself will know well like W.W. Jacobs' 'The Monkey's Paw' but in general this is an intriguing selection that isn't afraid to sit a longer tale such as the Machen or le Fanu I mentioned earlier alongside a more fleeting tale such as Guy de Maupassant's 'Was It A Dream'.

It's all the better for it too.  The size of the book kept me subsumed in it's various world's for the best part of a fortnight, I even read some of it whilst holidaying at Baskerville Hall which seemed appropriate.  It is a delightfully atmospheric and absorbing read and I applaud the decision for multiple tales as it allowed for a deeper immersion in both an particular writer and in the book itself.


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Tuesday, 17 October 2017

The 2nd Fontana Book of Great Ghost Stories

Robert Aickman
Fontana Books

Robert Aickman "Introduction"
Sir Arthur Conan Doyle "Playing With Fire"
Edith Nesbit "Man-Size in Marble"
Robert Hichens "How Love Came to Professor Guildea"
Elizabeth Bowen "The Demon Lover"
Sir Max Beerbohm "A. V. Laider"
Edgar Allan Poe "The Facts in the Case of M. Valdemar"
Lord Dunsany "Our Distant Cousins"
Robert Aickman "The Inner Room"
Perceval Landon "Thurnley Abbey"
John Metcalfe "Nightmare Jack"
Ambrose Bierce "The Damned Thing"
Edith Wharton "Afterward"


It's been a while since I stuck my head into one of these Fontana anthologies but tonight I had the craving.

Aickman has put together an admirable collection with only 3 of the 12 stories being of the 'Oh, it's that one again' variety; E. Nesbit's 'Man Size in Marble', Elizabeth Bowen's 'The Demon Lover' and Edith Wharton's 'Afterward'. All great tales and all solid choices but one's I've become very accustomed to skipping past.

Lord Dunsany
A few of the stories here proved to be an absolute delight; Conan Doyle's 'Playing With Fire' with it's cautionary tale of reaching beyond ones abilities, Robert Hichens' superbly crafted 'How Love Came To Professor Guildea' and Aickman's own supremely creepy 'The Inner Room' are all deliciously bewitching,

A few others, such as Lord Dunsany's 'Our Distant Cousins', with it's odd little scfi-fi tale very much in the spirit of both Wells' 'Time Machine' and C.S. Lewis' 'Out of the Silent Planet', and Poe's 'The Facts in the Case of M. Valdemar' provided an enjoyable distraction. Whilst others like Sir Max Beerbohm's 'A.V. Laider', Perceval Landon's ghostly 'Thurnley Abbey', John Metcalfe's almost Sherlockian 'Nightmare Jack' and Ambrose Bierce's 'The Damned Thing' filled both time and pages without too much complaint or distraction.

As with the other volume - I have them all here but am eking them out - Aickman proves himself the consummate anthologist. Each story, even the ones I didn't overly enjoy felt as though they belonged, as though they were at home in the collection and it proved for the most part to be a hugely enjoyable read.

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Wednesday, 27 May 2015

Christopher Lee reads 'The Black Cat'

27th May 2015, the day after what would have been Peter Cushing's 102nd birthday is Christopher Lee's 93rd birthday.

The mischievous part of me thought to just repost yesterday's Dracula blog but instead I thought I'd make something more of it and take the opportunity to share with you his reading of Edgar Allan Poe's 'The Black Cat'.

Lee was born in Belgravia, London in 1922 took up acting after the war and appeared as a supporting actor in some 30 films before landing the part that would in many ways define his career, as the creature in Hammer's 'The Curse of Frankenstein' alongside Peter Cushing's Baron.

Roles as Dracula, both Sherlock & Mycroft Holmes, Duc de Richleau, Fu Manchu, The Mummy, Lord Summerisle and many more followed including major roles in some of the key movie franchises of recent years as Bond villain Scaramanga in the 'The Man with the Golden Gun', Saruman in both 'The Lord of the Rings' and 'The Hobbit' trilogies and as Count Dooku in Star Wars episodes 2 and 3.

Seemingly never one to take time off Lee has also provided his uniquely distinctive voice to documentaries, animations, games, a series of heavy metal albums and happily for us here a selection of literary readings.

Sir Christopher Lee we at Wyrd Britain raise a glass to you and wish you the happiest of birthdays.