Showing posts with label E.F. Benson. Show all posts
Showing posts with label E.F. Benson. Show all posts

Monday, 22 April 2024

Circles of Stone: Weird Tales of Pagan Sites and Ancient Rites

Wyrd Britain reviews "Circles of Stone: Weird Tales of Pagan Sites and Ancient Rites' from the British Library Tales of the Weird
Katy Soar (editor)

Standing stones, stone circles, tumps, barrows and ancient clearings still remain across the British Isles, and though their specific significance may be obscured by the passing of time, their strange allure and mysterious energy persist in our collective consciousness.
Assembled here in tribute to these relics of a lost age are accounts of terrifying spirits haunting Stonehenge itself, stories of awful fates for those who impose modernity on the sacred sites and grim tales in which unwitting trespassers into the eternal rites of pagan worship find themselves part of an enduring legacy of blood. To represent the breadth of the sub-genre, authors include Arthur Machen, Algernon Blackwood and Rosalie Muspratt alongside lesser-known writers from the periodicals and journals of the British Library collections.

It's been a little while since I dug into one of the Tales of the Weird series but this one had the perfect subject matter to lure me back.

The book opens oddly with an extract from the wonderful 'Ringstones' by Sarban, the pen name of British diplomat John W. Wall, a story I thoroughly enjoyed when I read it in the Tartarus Press edition a few years back and it doesn't deserve to be experienced in this diminished manner.

Through the rest of the book we are provided with the usual array of authors of note - Algernon Blackwood, E.F. Benson, Arthur Machen, H.R. Wakefield and Nigel Kneale  - and those who are unfamiliar.  There are a number of standouts.  The quintet metioned are all well represented with Wakefield's 'The First Sheaf' being a long time pulpy fun favourite. Whilst, of those lesser known, Frederick Cowles' 'Lisheen' proved to be a devilish read and Mary Williams' 'The Dark Land' was a poignant tale of the power of the land.

For the most part this is a solid read and lovers of a stone circle or a standing stone will find much to enjoy here and the collection has a number of highlights but it's odd beginning, a stuttering ending and some thematic repetition between the stories means I'm left with a slight feeling of incompleteness and I'd love to see the series revisit the topic in a more definitively wide ranging fashion. 

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Saturday, 9 September 2017

Roald Dahl's Book of Ghost Stories

Penguin Books

Who better to investigate the literary spirit world than that supreme connoisseur of the unexpected, Roald Dahl? Of the many permutations of the macabre, Dahl was always especially fascinated by the classic ghost story. For this superbly disquieting collection, he selected fourteen of his favorite tales by such authors as E.F. Benson, Rosemary Timperley, and Edith Wharton.

In his introduction to this collection Dahl makes a big thing about how he read 749 ghost stories and had only found 32 that he deemed to be any good; of those he includes 14 here. One of them, 'Playmates' by A.M. Burrage, is my favourite of all the ghostly tales I've read over the years and a few of them - Robert Aickman's 'Ringing the Changes', Edith Wharton's 'Afterward' and Marion Crawford's 'The Upper Berth' - are staples of these sort of books. Of the rest they can best be described as a tepid selection.

A.M. Burrage
Of these remaining stories a couple such as L.P. Hartley's 'W.S.', Rosemary Timperley's 'Harry' and Cynthia Asquith's 'The Corner Shop' have a flavour of those 'unexpected tales' that Dahl himself was famous for. A few such, such as the ever readable J. Sheridan le Fanu's 'The Ghost of a Hand' are a little cliché or lovely but a little bit twee like Timperley's other tale 'Christmas Meeting'. Some are just bad - 'Elias and the Draug' by Jonas Lie and 'The Telephone' by Mary Treadgold - and a couple proved to be a delightful surprise - E.F. Benson's 'In The Tube' and A.M. Burrage's 'The Sweeper'.

It must be said I was expecting more from this collection. I thought a writer like Dahl would be able to assemble a collection to beat all others but this one rarely seemed to sparkle and was often a bit of a chore. It did serve to remind me though that what I really need to do is more fully explore the writing of A.M. Burrage.

Buy it here:  Roald Dahl's Book of Ghost Stories

Tuesday, 31 January 2017

Tales of Witchcraft

Richard Dalby (editor)
Michael O'Mara Books

In the figure of the witch, our ancestors summed up their fears of nature, women, and social outsiders. Today, this archetype still possesses the power to disturb and unnerve us--especially in the hands of such masters of the horror genre as Saki, M. R. James, and Stephen King, all of whom are represented in this collection of seventeen tales.

Regular readers of Wyrd Britain will have noticed that I really like these anthologies of ghostly and macabre shenanigans.  This never used to be the case.  My prejudices against short stories were long held and ran deep but a few years ago I discovered the joy of the collection of spook stories and haven't looked back since.  Most of the ones I've read have been a worthwhile experience weighted to the better but a couple of them have shone through as being just a well put together collection - Mark Valentine's occult detective collection 'The Black Veil' and Susan Dickinson's 'Ghostly Experiences' spring immediately to mind - and today this one is added to the list as it turned out to be a thoroughly enjoyable read.

Jessica Amanda Salmonson
Opening the book is Saki's 'The Peace of Mowsle Barton' a characteristically witty little jape of petty tit for tat spell casting by gnarly old country women which is followed by M.R. James' 'The Fenstanton Witch' in, what was, it's first publication within the pages of a book.  The collection of James stories I own predates this so the story of young clergymen attempting an avaricious exhumation of a suspected witch was a real treat to read even if it's not the most refined of the great man's works.

N. Dennett's 1933 story 'Unburied Bane' tells of a nasty and spiteful hag in a remote, ramshackle cottage but does so with an ever so subtle possibility of just plain old delusional madness.  This is contrasted nicely with the next story, 'The Toad Witch' by Jessica Amanda Salmonson which is a beautifully poignant exploration of childhood imagination and loss.

Next is a writer who I've had the privilege of reading a few times recently, Ron Weighell, who unleashes ancient horrors on a remote convent in the terrific, 'Carven of Onyx' which is followed by A.M. Burrage's fine tale of gypsy revenge in 'Furze Hollow'.
Marjorie Bowen

In 'Miss Cornelius', W.F. Harvey tells a twisted little tale of possible madness or potential witchery.  Neither is really certain and the story is all the better for it.  Marjorie Bowen's 'One Remained Behind' on the other hand suffers from a slightly telegraphed resolution that is redeemed by the panache of it's telling.

One of the more disappointing inclusions is Robert Bloch's 'Catnip' which just tried far too hard to make something out of a terrible pun ending and the low point continues with Shamus Frazer's haunted tree story, 'The Yew Tree' before Stephen King gets everything back on track with his repulsive 'Gramma' and a young boys attempt to deal with the responsibility of caring for her.

Nathaniel Hawthorne, himself a descendant of one of those involved in the Salem witch trials presents a short story of regret, betrayal, sin, death and family in the 'The Hollow of the Three Hills' whereas for the narrator of Roger Johnson's 'The Taking' the sin is not his but the impulse to make amends is laid on him by a restless spirit which is a theme echoed by David G Rowlands', 'The Executor'.

E.F. Benson
Ronald Chetwynd-Hayes presents an amusing little story called 'The Day of the Underdog' which goes some way to proving that not every dog has it's day before the book ends with two stories of love being tested at the hands of devious old crones.  E.F. Benson's 'Gavon's Eve' is by far the better of the two and features lost love and the machinations of a necromantic witch.  The last, 'The Witches Cat' by Manly Wade Wellman would have been more at home in an issue of one of EC's horror comics.  It's not a bad little tale but it's a little too whimsical for the company it's keeping here and makes for an odd ending to the book.

So, with a couple of stories that were perhaps less than they could be and maybe seemed more so in light of how enjoyable the rest of the stories were, this collection proved to be a real treat filled with well sourced stories that haven't appeared in hordes of other anthologies.

Saturday, 19 March 2016

Short Story - 'How Fear Departed from the Long Gallery' by E.F. Benson

E.F. (Edward Frederic) Benson (1867 – 1940) was an English novelist most notably remembered for his Mapp and Lucia novels but was also the author of a number of well regarded 'spook stories'. Regular readers of Wyrd Britain will remember we have already posted one of his most famous stories - 'The Bus-Conductor' which was adapted for the classic Ealing portmanteau horror, 'Dead of Night'.   Here we present one of his more whimsical stories in a haunted house tale where the residents are fully reconciled to sharing their house with all except the spirits that inhabit the 'Long Gallery'

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Church-Peveril is a house so beset and frequented by spectres, both visible and audible, that none of the family which it shelters under its acre and a half of green copper roofs takes psychical phenomena with any seriousness. For to the Peverils the appearance of a ghost is a matter of hardly greater significance than is the appearance of the post to those who live in more ordinary houses. It arrives, that is to say, practically every day, it knocks (or makes other noises), it is observed coming up the drive (or in other places). I myself, when staying there, have seen the present Mrs. Peveril, who is rather short-sighted, peer into the dusk, while we were taking our coffee on the terrace after dinner, and say to her daughter:

"My dear, was not that the Blue Lady who has just gone into the shrubbery. I hope she won't frighten Flo. Whistle for Flo, dear."

(Flo, it may be remarked, is the youngest and most precious of many dachshunds.)

Blanche Peveril gave a cursory whistle, and crunched the sugar left unmelted at the bottom of her coffee-cup between her very white teeth.

"Oh, darling, Flo isn't so silly as to mind," she said. "Poor blue Aunt Barbara is such a bore!"

"Whenever I meet her she always looks as if she wanted to speak to me, but when I say, 'What is it, Aunt Barbara?' she never utters, but only points somewhere towards the house, which is so vague. I believe there was something she wanted to confess about two hundred years ago, but she has forgotten what it is."

Here Flo gave two or three short pleased barks, and came out of the shrubbery wagging her tail, and capering round what appeared to me to be a perfectly empty space on the lawn.

"There! Flo has made friends with her," said Mrs. Peveril. "I wonder why she -- in that very stupid shade of blue."

From this it may be gathered that even with regard to psychical phenomena there is some truth in the proverb that speaks of familiarity. But the Peverils do not exactly treat their ghosts with contempt, since most of that delightful family never despised anybody except such people as avowedly did not care for hunting or shooting, or golf or skating. And as all of their ghosts are of their family, it seems reasonable to suppose that they all, even the poor Blue Lady, excelled at one time in field-sports. So far, then, they harbour no such unkindness or contempt, but only pity. Of one Peveril, indeed, who broke his neck in vainly attempting to ride up the main staircase on a thoroughbred mare after some monstrous and violent deed in the back-garden, they are very fond, and Blanche comes downstairs in the morning with an eye unusually bright when she can announce that Master Anthony was "very loud" last night. He (apart from the fact of his having been so foul a ruffian) was a tremendous fellow across country, and they like these indications of the continuance of his superb vitality. In fact, it is supposed to be a compliment, when you go to stay at Church-Peveril, to be assigned a bedroom which is frequented by defunct members of the family. It means that you are worthy to look on the august and villainous dead, and you will find yourself shown into some vaulted or tapestried chamber, without benefit of electric light, and are told that great-great-grandmamma Bridget occasionally has vague business by the fireplace, but it is better not to talk to her, and that you will hear Master Anthony "awfully well" if he attempts the front staircase any time before morning. There you are left for your night's repose, and, having quakingly undressed, begin reluctantly to put out your candles. It is draughty in these great chambers, and the solemn tapestry swings and bellows and subsides, and the firelight dances on the forms of huntsmen and warriors and stern pursuits. Then you climb into your bed, a bed so huge that you feel as if the desert of Sahara was spread for you, and pray, like the mariners who sailed with St. Paul, for day. And, all the time, you are aware that Freddy and Harry and Blanche and possibly even Mrs. Peveril are quite capable of dressing up and making disquieting tappings outside your door, so that when you open it some inconjecturable horror fronts you. For myself, I stick steadily to the assertion that I have an obscure valvular disease of the heart, and so sleep undisturbed in the new wing of the house where Aunt Barbara, and great-great-grandmamma Bridget and Master Anthony never penetrate. I forget the details of great-great-grandmamma Bridget, but she certainly cut the throat of some distant relation before she disembowelled herself with the axe that had been used at Agincourt. Before that she had led a very sultry life, crammed with amazing incident.

But there is one ghost at Church-Peveril at which the family never laugh, in which they feel no friendly and amused interest, and of which they only speak just as much as is necessary for the safety of their guests. More properly it should be described as two ghosts, for the "haunt" in question is that of two very young children, who were twins. These, not without reason, the family take very seriously indeed. The story of them, as told me by Mrs. Peveril, is as follows:

In the year 1602, the same being the last of Queen Elizabeth's reign, a certain Dick Peveril was greatly in favour at Court. He was brother to Master Joseph Peveril, then owner of the family house and lands, who two years previously, at the respectable age of seventy-four, became father of twin boys, first-born of his progeny. It is known that the royal and ancient virgin had said to handsome Dick, who was nearly forty years his brother's junior, "'Tis pity that you are not master of Church-Peveril," and these words probably suggested to him a sinister design. Be that as it may, handsome Dick, who very adequately sustained the family reputation for wickedness, set off to ride down to Yorkshire, and found that, very conveniently, his brother Joseph had just been seized with an apoplexy, which appeared to be the result of a continued spell of hot weather combined with the necessity of quenching his thirst with an augmented amount of sack, and had actually died while handsome Dick, with God knows what thoughts in his mind, was journeying northwards. Thus it came about that he arrived at Church-Peveril just in time for his brother's funeral. It was with great propriety that he attended the obsequies, and returned to spend a sympathetic day or two of mourning with his widowed sister-in-law, who was but a faint-hearted dame, little fit to be mated with such hawks as these. On the second night of his stay, he did that which the Peverils regret to this day. He entered the room where the twins slept with their nurse, and quietly strangled the latter as she slept. Then he took the twins and put them into the fire which warms the long gallery. The weather, which up to the day of Joseph's death had been so hot, had changed suddenly to bitter cold, and the fire was heaped high with burning logs and was exultant with flame. In the core of this conflagration he struck out a cremation-chamber, and into that he threw the two children, stamping them down with his riding-boots. They could just walk, but they could not walk out of that ardent place. It is said that he laughed as he added more logs. Thus he became master of Church-Peveril.

The crime was never brought home to him, but he lived no longer than a year in the enjoyment of his blood-stained inheritance. When he lay a-dying he made his confession to the priest who attended him, but his spirit struggled forth from its fleshly coil before Absolution could be given him. On that very night there began in Church-Peveril the haunting which to this day is but seldom spoken of by the family, and then only in low tones and with serious mien. For only an hour or two after handsome Dick's death, one of the servants passing the door of the long gallery heard from within peals of the loud laughter so jovial and yet so sinister which he had thought would never be heard in the house again. In a moment of that cold courage which is so nearly akin to mortal terror he opened the door and entered, expecting to see he knew not what manifestation of him who lay dead in the room below. Instead he saw two little white-robed figures toddling towards him hand in hand across the moon-lit floor.

The watchers in the room below ran upstairs startled by the crash of his fallen body, and found him lying in the grip of some dread convulsion. Just before morning he regained consciousness and told his tale. Then pointing with trembling and ash-grey finger towards the door, he screamed aloud, and so fell back dead.

During the next fifty years this strange and terrible legend of the twin-babies became fixed and consolidated. Their appearance, luckily for those who inhabit the house, was exceedingly rare, and during these years they seem to have been seen four or five times only. On each occasion they appeared at night, between sunset and sunrise, always in the same long gallery, and always as two toddling children scarcely able to walk. And on each occasion the luckless individual who saw them died either speedily or terribly, or with both speed and terror, after the accursed vision had appeared to him. Sometimes he might live for a few months: he was lucky if he died, as did the servant who first saw them, in a few hours. Vastly more awful was the fate of a certain Mrs. Canning, who had the ill-luck to see them in the middle of the next century, or to be quite accurate, in the year 1760. By this time the hours and the place of their appearance were well known, and, as up till a year ago, visitors were warned not to go between sunset and sunrise into the long gallery.

But Mrs. Canning, a brilliantly clever and beautiful woman, admirer also and friend of the notorious sceptic M. Voltaire, wilfully went and sat night after night, in spite of all protestations, in the haunted place. For four evenings she saw nothing, but on the fifth she had her will, for the door in the middle of the gallery opened, and there came toddling towards her the ill-omened innocent little pair. It seemed that even then she was not frightened, but she thought it good, poor wretch, to mock at them, telling them it was time for them to get back into the fire. They gave no word in answer, but turned away from her crying and sobbing. Immediately after they disappeared from her vision and she rustled downstairs to where the family and guests in the house were waiting for her, with the triumphant announcement that she has seen them both, and must needs write to M. Voltaire, saying that she had spoken to spirits made manifest. It would make him laugh. But when some months later the whole news reached him he did not laugh at all.

Mrs. Canning was one of the great beauties of her day, and in the year 1760 she was at the height and zenith of her blossoming. The chief beauty, if it is possible to single out one point where all was so exquisite, lay in the dazzling colour and incomparable brilliance of her complexion. She was now just thirty years of age, but, in spite of the excesses of her life, retained the snow and roses of girlhood, and she courted the bright light of day which other women shunned, for it but showed to great advantage the splendour of her skin. In consequence she was very considerably dismayed one morning, about a fortnight after her strange experience in the long gallery, to observe on her left cheek, an inch or two below her turquoise-coloured eyes, a little greyish patch of skin, about as big as a threepenny piece. It was in vain that she applied her accustomed washes and unguents: vain, too, were the arts of her fardeuse and of her medical adviser. For a week she kept herself secluded, martyring herself with solitude and unaccustomed physics, and for result at the end of the week she had no amelioration to comfort herself with: instead this woeful grey patch had doubled itself in size. Thereafter the nameless disease, whatever it was, developed in new and terrible ways. From the centre of the discoloured place there sprouted forth little lichen-like tendrils of greenish-grey, and another patch appeared on her lower lip. This, too, soon vegetated, and one morning, on opening her eyes to the horror of a new day, she found that her vision was strangely blurred. She sprang to her looking-glass, and what she saw caused her to shriek aloud with horror. From under her upper eye-lid a fresh growth had sprung up, mushroom-like, in the night, and its filaments extended downwards, screening the pupil of her eye. Soon after, her tongue and throat were attacked: the air passages became obstructed, and death by suffocation was merciful after such suffering.

More terrible yet was the case of a certain Colonel Blantyre who fired at the children with his revolver. What he went through is not to be recorded here.

It is this haunting, then, that the Peverils take quite seriously, and every guest on his arrival in the house is told that the long gallery must not be entered after nightfall on any pretext whatever. By day, however, it is a delightful room and intrinsically merits description, apart from the fact that the due understanding of its geography is necessary for the account that here follows. It is full eighty feet in length, and is lit by a row of six tall windows looking over the gardens at the back of the house. A door communicates with the landing at the top of the main staircase, and about half-way down the gallery in the wall facing the windows is another door communicating with the back staircase and servants' quarters, and thus the gallery forms a constant place of passage for them in going to the rooms on the first landing. It was through this door that the baby-figures came when they appeared to Mrs. Canning, and on several other occasions they have been known to make their entry here, for the room out of which handsome Dick took them lies just beyond at the top of the back stairs. Further on again in the gallery is the fireplace into which he thrust them, and at the far end a large bow-window looks straight down the avenue. Above this fireplace there hangs with grim significance a portrait of handsome Dick, in the insolent beauty of early manhood, attributed to Holbein, and a dozen other portraits of great merit face the windows. During the day this is the most frequented sitting-room in the house, for its other visitors never appear there then, nor does it then ever resound with the harsh jovial laugh of handsome Dick, which sometimes, after dark has fallen, is heard by passers-by on the landing outside. But Blanche does not grow bright-eyed when she hears it: she shuts her ears and hastens to put a greater distance between her and the sound of that atrocious mirth.

But during the day the long gallery is frequented by many occupants, and much laughter in no wise sinister or saturnine resounds there. When summer lies hot over the land, those occupants lounge in the deep window seats, and when winter spreads his icy fingers and blows shrilly between his frozen palms, congregate round the fireplace at the far end, and perch, in companies of cheerful chatterers, upon sofa and chair, and chair-back and floor. Often have I sat there on long August evenings up till dressing-time, but never have I been there when anyone has seemed disposed to linger over-late without hearing the warning: "It is close on sunset: shall we go?" Later on in the shorter autumn days they often have tea laid there, and sometimes it has happened that, even while merriment was most uproarious, Mrs. Peveril has suddenly looked out of the window and said, "My dears, it is getting so late: let us finish our nonsense downstairs in the hall." And then for a moment a curious hush always falls on loquacious family and guests alike, and as if some bad news had just been known, we all make our silent way out of the place.

But the spirits of the Peverils (of the living ones, that is to say) are the most mercurial imaginable, and the blight which the thought of handsome Dick and his doings casts over them passes away again with amazing rapidity.

A typical party, large, young, and peculiarly cheerful, was staying at Church-Peveril shortly after Christmas last year, and as usual on December 31, Mrs. Peveril was giving her annual New Year's Eve ball. The house was quite full, and she had commandeered as well the greater part of the Peveril Arms to provide sleeping-quarters for the overflow from the house. For some days past a black and windless frost had stopped all hunting, but it is an ill windlessness that blows no good (if so mixed a metaphor may be forgiven), and the lake below the house had for the last day or two been covered with an adequate and admirable sheet of ice. Everyone in the house had been occupied all the morning of that day in performing swift and violent manoeuvres on the elusive surface, and as soon as lunch was over we all, with one exception, hurried out again. This one exception was Madge Dalrymple, who had had the misfortune to fall rather badly earlier in the day, but hoped, by resting her injured knee, instead of joining the skaters again, to be able to dance that evening. The hope, it is true, was the most sanguine sort, for she could but hobble ignobly back to the house, but with the breezy optimism which characterises the Peverils (she is Blanche's first cousin), she remarked that it would be but tepid enjoyment that she could, in her present state, derive from further skating, and thus she sacrificed little, but might gain much.

Accordingly, after a rapid cup of coffee which was served in the long gallery, we left Madge comfortably reclined on the big sofa at right-angles to the fireplace, with an attractive book to beguile the tedium till tea. Being of the family, she knew all about handsome Dick and the babies, and the fate of Mrs. Canning and Colonel Blantyre, but as we went out I heard Blanche say to her, "Don't run it too fine, dear," and Madge had replied, "No; I'll go away well before sunset." And so we left her alone in the long gallery.

Madge read her attractive book for some minutes, but failing to get absorbed in it, put it down and limped across to the window. Though it was still but little after two, it was but a dim and uncertain light that entered, for the crystalline brightness of the morning had given place to a veiled obscurity produced by flocks of thick clouds which were coming sluggishly up from the north-east. Already the whole sky was overcast with them, and occasionally a few snow-flakes fluttered waveringly down past the long windows. From the darkness and bitter cold of the afternoon, it seemed to her that there was like to be a heavy snowfall before long, and these outward signs were echoed inwardly in her by that muffled drowsiness of the brain, which to those who are sensitive to the pressures and lightness of weather portends storm. Madge was peculiarly the prey of such external influences: to her a brisk morning gave an ineffable brightness and briskness of spirit, and correspondingly the approach of heavy weather produced a somnolence in sensation that both drowsed and depressed her.

It was in such mood as this that she limped back again to the sofa beside the log-fire. The whole house was comfortably heated by water-pipes, and though the fire of logs and peat, an adorable mixture, had been allowed to burn low, the room was very warm. Idly she watched the dwindling flames, not opening her book again, but lying on the sofa with face towards the fireplace, intending drowsily and not immediately to go to her own room and spend the hours, until the return of the skaters made gaiety in the house again, in writing one or two neglected letters. Still drowsily she began thinking over what she had to communicate: one letter several days overdue should go to her mother, who was immensely interested in the psychical affairs of the family. She would tell her how Master Anthony had been prodigiously active on the staircase a night or two ago, and how the Blue Lady, regardless of the severity of the weather, had been seen by Mrs. Peveril that morning, strolling about. It was rather interesting: the Blue Lady had gone down the laurel walk and had been seen by her to enter the stables, where, at the moment, Freddy Peveril was inspecting the frost-bound hunters. Identically then, a sudden panic had spread through the stables, and the horses had whinnied and kicked, and shied, and sweated. Of the fatal twins nothing had been seen for many years past, but, as her mother knew, the Peverils never used the long gallery after dark.

Then for a moment she sat up, remembering that she was in the long gallery now. But it was still but a little after half-past two, and if she went to her room in half an hour, she would have ample time to write this and another letter before tea. Till then she would read her book. But she found she had left it on the window-sill, and it seemed scarcely worth while to get it. She felt exceedingly drowsy.

The sofa where she lay had been lately recovered, in a greyish green shade of velvet, somewhat the colour of lichen. It was of very thick soft texture, and she luxuriously stretched her arms out, one on each side of her body, and pressed her fingers into the nap. How horrible that story of Mrs. Canning was: the growth on her face was of the colour of lichen. And then without further transition or blurring of thought Madge fell asleep.
She dreamed. She dreamed that she awoke and found herself exactly where she had gone to sleep, and in exactly the same attitude. The flames from the logs had burned up again, and leaped on the walls, fitfully illuminating the picture of handsome Dick above the fireplace. In her dream she knew exactly what she had done to-day, and for what reason she was lying here now instead of being out with the rest of the skaters. She remembered also (still dreaming), that she was going to write a letter or two before tea, and prepared to get up in order to go to her room. As she half-rose she caught sight of her own arms lying out on each side of her on the grey velvet sofa.

But she could not see where her hands ended, and where the grey velvet began: her fingers seemed to have melted into the stuff. She could see her wrists quite clearly, and a blue vein on the backs of her hands, and here and there a knuckle. Then, in her dream, she remembered the last thought which had been in her mind before she fell asleep, namely the growth of the lichen-coloured vegetation on the face and the eyes and the throat of Mrs. Canning. At that thought the strangling terror of real nightmare began: she knew that she was being transformed into this grey stuff, and she was absolutely unable to move. Soon the grey would spread up her arms, and over her feet; when they came in from skating they would find here nothing but a huge misshapen cushion of lichen-coloured velvet, and that would be she. The horror grew more acute, and then by a violent effort she shook herself free of the clutches of this very evil dream, and she awoke.

For a minute or two she lay there, conscious only of the tremendous relief at finding herself awake. She felt again with her fingers the pleasant touch of the velvet, and drew them backwards and forwards, assuring herself that she was not, as her dream had suggested, melting into greyness and softness. But she was still, in spite of the violence of her awakening, very sleepy, and lay there till, looking down, she was aware that she could not see her hands at all. It was very nearly dark.

At that moment a sudden flicker of flame came from the dying fire, and a flare of burning gas from the peat flooded the room. The portrait of handsome Dick looked evilly down on her, and her hands were visible again. And then a panic worse than the panic of her dreams seized her.

Daylight had altogether faded, and she knew that she was alone in the dark in the terrible gallery.

This panic was of the nature of nightmare, for she felt unable to move for terror. But it was worse than nightmare because she knew she was awake. And then the full cause of this frozen fear dawned on her; she knew with the certainty of absolute conviction that she was about to see the twin-babies.

She felt a sudden moisture break out on her face, and within her mouth her tongue and throat went suddenly dry, and she felt her tongue grate along the inner surface of her teeth. All power of movement had slipped from her limbs, leaving them dead and inert, and she stared with wide eyes into the blackness. The spurt of flame from the peat had burned itself out again, and darkness encompassed her.

Then on the wall opposite her, facing the windows, there grew a faint light of dusky crimson.

For a moment she thought it but heralded the approach of the awful vision, then hope revived in her heart, and she remembered that thick clouds had overcast the sky before she went to sleep, and guessed that this light came from the sun not yet quite sunk and set. This sudden revival of hope gave her the necessary stimulus, and she sprang off the sofa where she lay. She looked out of the window and saw the dull glow on the horizon. But before she could take a step forward it was obscured again. A tiny sparkle of light came from the hearth which did no more than illuminate the tiles of the fireplace, and snow falling heavily tapped at the window panes. There was neither light nor sound except these.

But the courage that had come to her, giving her the power of movement, had not quite deserted her, and she began feeling her way down the gallery. And then she found that she was lost. She stumbled against a chair, and, recovering herself, stumbled against another. Then a table barred her way, and, turning swiftly aside, she found herself up against the back of a sofa.

Once more she turned and saw the dim gleam of the firelight on the side opposite to that on which she expected it. In her blind gropings she must have reversed her direction. But which way was she to go now. She seemed blocked in by furniture. And all the time insistent and imminent was the fact that the two innocent terrible ghosts were about to appear to her.

Then she began to pray. "Lighten our darkness, O Lord," she said to herself. But she could not remember how the prayer continued, and she had sore need of it. There was something about the perils of the night. All this time she felt about her with groping, fluttering hands. The fire-glimmer which should have been on her left was on her right again; therefore she must turn herself round again. "Lighten our darkness," she whispered, and then aloud she repeated, "Lighten our darkness."

She stumbled up against a screen, and could not remember the existence of any such screen.
 
Hastily she felt beside it with blind hands, and touched something soft and velvety. Was it the sofa on which she had lain? If so, where was the head of it. It had a head and a back and feet--it was like a person, all covered with grey lichen. Then she lost her head completely. All that remained to her was to pray; she was lost, lost in this awful place, where no one came in the dark except the babies that cried. And she heard her voice rising from whisper to speech, and speech to scream. She shrieked out the holy words, she yelled them as if blaspheming as she groped among tables and chairs and the pleasant things of ordinary life which had become so terrible.

Then came a sudden and an awful answer to her screamed prayer. Once more a pocket of inflammable gas in the peat on the hearth was reached by the smouldering embers, and the room started into light. She saw the evil eyes of handsome Dick, she saw the little ghostly snow-flakes falling thickly outside. And she saw where she was, just opposite the door through which the terrible twins made their entrance. Then the flame went out again, and left her in blackness once more. But she had gained something, for she had her geography now. The centre of the room was bare of furniture, and one swift dart would take her to the door of the landing above the main staircase and into safety. In that gleam she had been able to see the handle of the door, bright-brassed, luminous like a star. She would go straight for it; it was but a matter of a few seconds now.

She took a long breath, partly of relief, partly to satisfy the demands of her galloping heart.

But the breath was only half-taken when she was stricken once more into the immobility of nightmare.

There came a little whisper, it was no more than that, from the door opposite which she stood, and through which the twin-babies entered. It was not quite dark outside it, for she could see that the door was opening. And there stood in the opening two little white figures, side by side. They came towards her slowly, shufflingly. She could not see face or form at all distinctly, but the two little white figures were advancing. She knew them to be the ghosts of terror, innocent of the awful doom they were bound to bring, even as she was innocent. With the inconceivable rapidity of thought, she made up her mind what to do. She had not hurt them or laughed at them, and they, they were but babies when the wicked and bloody deed had sent them to their burning death. Surely the spirits of these children would not be inaccessible to the cry of one who was of the same blood as they, who had committed no fault that merited the doom they brought. If she entreated them they might have mercy, they might forebear to bring the curse on her, they might allow her to pass out of the place without blight, without the sentence of death, or the shadow of things worse than death upon her.

It was but for the space of a moment that she hesitated, then she sank down on to her knees, and stretched out her hands towards them.

"Oh, my dears," she said, "I only fell asleep. I have done no more wrong than that--"

She paused a moment, and her tender girl's heart thought no more of herself, but only of them, those little innocent spirits on whom so awful a doom was laid, that they should bring death where other children bring laughter, and doom for delight. But all those who had seen them before had dreaded and feared them, or had mocked at them.

Then, as the enlightenment of pity dawned on her, her fear fell from her like the wrinkled sheath that holds the sweet folded buds of Spring.

"Dears, I am so sorry for you," she said. "It is not your fault that you must bring me what you must bring, but I am not afraid any longer. I am only sorry for you. God bless you, you poor darlings."

She raised her head and looked at them. Though it was so dark, she could now see their faces, though all was dim and wavering, like the light of pale flames shaken by a draught. But the faces were not miserable or fierce--they smiled at her with shy little baby smiles. And as she looked they grew faint, fading slowly away like wreaths of vapour in frosty air.

Madge did not at once move when they had vanished, for instead of fear there was wrapped round her a wonderful sense of peace, so happy and serene that she would not willingly stir, and so perhaps disturb it.

But before long she got up, and feeling her way, but without any sense of nightmare pressing her on, or frenzy of fear to spur her, she went out of the long gallery, to find Blanche just coming upstairs whistling and swinging her skates.

"How's the leg, dear," she asked. "You're not limping any more."

Till that moment Madge had not thought of it.

"I think it must be all right," she said; "I had forgotten it, anyhow. Blanche, dear, you won't be frightened for me, will you, but--but I have seen the twins."

For a moment Blanche's face whitened with terror.

"What?" she said in a whisper.

"Yes, I saw them just now. But they were kind, they smiled at me, and I was so sorry for them. And somehow I am sure I have nothing to fear."

It seems that Madge was right, for nothing has come to touch her. Something, her attitude to them, we must suppose, her pity, her sympathy, touched and dissolved and annihilated the curse.

Indeed, I was at Church-Peveril only last week, arriving there after dark. Just as I passed the gallery door, Blanche came out.

"Ah, there you are," she said: "I've just been seeing the twins. They looked too sweet and stopped nearly ten minutes. Let us have tea at once."

Tuesday, 8 December 2015

Short Story - 'The Bus-Conductor' by E.F. Benson

E. F. Benson
My friend, Hugh Grainger, and I had just returned from a two days' visit in the country, where we had been staying in a house of sinister repute which was supposed to be haunted by ghosts of a peculiarly fearsome and truculent sort. The house itself was all that such a house should be, Jacobean and oak-panelled, with long dark passages and high vaulted rooms. It stood, also, very remote, and was encompassed by a wood of sombre pines that muttered and whispered in the dark, and all the time that we were there a southwesterly gale with torrents of scolding rain had prevailed, so that by day and night weird voices moaned and fluted in the chimneys, a company of uneasy spirits held colloquy among the trees, and sudden tattoos and tappings beckoned from the window-panes. But in spite of these surroundings, which were sufficient in themselves, one would almost say, to spontaneously generate occult phenomena, nothing of any description had occurred. I am bound to add, also, that my own state of mind was peculiarly well adapted to receive or even to invent the sights and sounds we had gone to seek, for I was, I confess, during the whole time that we were there, in a state of abject apprehension, and lay awake both nights through hours of terrified unrest, afraid of the dark, yet more afraid of what a lighted candle might show me.

Hugh Grainger, on the evening after our return to town, had dined with me, and after dinner our conversation, as was natural, soon came back to these entrancing topics.

"But why you go ghost-seeking I cannot imagine," he said, "because your teeth were chattering and your eyes starting out of your head all the rime you were there, from sheer fright."

"Or do you like being frightened?"

Hugh, though generally intelligent, is dense in certain ways; this is one of them.

"Why, of course, I like being frightened," I said. "I want to be made to creep and creep and creep. Fear is the most absorbing and luxurious of emotions. One forgets all else if one is afraid."

"Well, the fact that neither of us saw anything," he said, "confirms what I have always believed."

"And what have you always believed?"

"That these phenomena are purely objective, not subjective, and that one's state of mind has nothing to do with the perception that perceives them, nor have circumstances or surroundings anything to do with them either. Look at Osburton. It has had the reputation of being a haunted house for years, and it certainly has all the accessories of one. Look at yourself, too, with all your nerves on edge, afraid to look round or light a candle for fear of seeing something! Surely there was the right man in the right place then, if ghosts are subjective."

He got up and lit a cigarette, and looking at him--Hugh is about six feet high, and as broad as he is long--I felt a retort on my lips, for I could not help my mind going back to a certain period in his life, when, from some cause which, as far as I knew, he had never told anybody, he had become a mere quivering mass of disordered nerves. Oddly enough, at the same moment and for the first time, he began to speak of it himself.

"You may reply that it was not worth my while to go either," he said, "because I was so clearly the wrong man in the wrong place. But I wasn't. You for all your apprehensions and expectancy have never seen a ghost. But I have, though I am the last person in the world you would have thought likely to do so, and, though my nerves are steady enough again now, it knocked me all to bits."

He sat down again in his chair.

"No doubt you remember my going to bits," he said, "and since I believe that I am sound again now, I should rather like to tell you about it. But before I couldn't; I couldn't speak of it at all to anybody. Yet there ought to have been nothing frightening about it; what I saw was certainly a most useful and friendly ghost. But it came from the shaded side of things; it looked suddenly out of the night and the mystery with which life is surrounded.

"I want first to tell you quite shortly my theory about ghost-seeing," he continued, "and I can explain it best by a simile, an image. Imagine then that you and I and everybody in the world are like people whose eye is directly opposite a little tiny hole in a sheet of cardboard which is continually shifting and revolving and moving about. Back to back with that sheet of cardboard is another, which also, by laws of its own, is in perpetual but independent motion. In it too there is another hole, and when, fortuitously it would seem, these two holes, the one through which we are always looking, and the other in the spiritual plane, come opposite one another, we see through, and then only do the sights and sounds of the spiritual world become visible or audible to us. With most people these holes never come opposite each other during their life. But at the hour of death they do, and then they remain stationary. That, I fancy, is how we 'pass over.'

"Now, in some natures, these holes are comparatively large, and are constantly coming into opposition. Clairvoyants, mediums are like that. But, as far as I knew, I had no clairvoyant or mediumistic powers at all. I therefore am the sort of person who long ago made up his mind that he never would see a ghost. It was, so to speak, an incalculable chance that my minute spy-hole should come into opposition with the other. But it did: and it knocked me out of time."

I had heard some such theory before, and though Hugh put it rather picturesquely, there was nothing in the least convincing or practical about it. It might be so, or again it might not.

"I hope your ghost was more original than your theory," said I, in order to bring him to the point.

"Yes, I think it was. You shall judge."

I put on more coal and poked up the fire. Hugh has got, so I have always considered, a great talent for telling stories, and that sense of drama which is so necessary for the narrator. Indeed, before now, I have suggested to him that he should take this up as a profession, sit by the fountain in Piccadilly Circus, when times are, as usual, bad, and tell stories to the passers-by in the street, Arabian fashion, for reward. The most part of mankind, I am aware, do not like long stories, but to the few, among whom I number myself, who really like to listen to lengthy accounts of experiences, Hugh is an ideal narrator. I do not care for his theories, or for his similes, but when it comes to facts, to things that happened, I like him to be lengthy.

"Go on, please, and slowly," I said. "Brevity may be the soul of wit, but it is the ruin of story-telling. I want to hear when and where and how it all was, and what you had for lunch and where you had dined and what--Hugh began:

"It was the 24th of June, just eighteen months ago," he said. "I had let my flat, you may remember, and came up from the country to stay with you for a week. We had dined alone here--"

I could not help interrupting.

"Did you see the ghost here?" I asked. "In this square little box of a house in a modern street?"
 
"I was in the house when I saw it." I hugged myself in silence.

"We had dined alone here in Graeme Street," he said, "and after dinner I went out to some party, and you stopped at home. At dinner your man did not wait, and when I asked where he was, you told me he was ill, and, I thought, changed the subject rather abruptly.

"You gave me your latch-key when I went out, and on coming back, I found you had gone to bed. There were, however, several letters for me, which required answers. I wrote them there and then, and posted them at the pillar-box opposite. So I suppose it was rather late when I went upstairs.

"You had put me in the front room, on the third floor, overlooking the street, a room which I thought you generally occupied yourself. It was a very hot night, and though there had been a moon when I started to my party, on my return the whole sky was cloud-covered, and it both looked and felt as if we might have a thunderstorm before morning. I was feeling very sleepy and heavy, and it was not till after I had got into bed that I noticed by the shadows of the window-frames on the blind that only one of the windows was open. But it did not seem worth while to get out of bed in order to open it, though I felt rather airless and uncomfortable, and I went to sleep.

"What time it was when I awoke I do not know, but it was certainly not yet dawn, and I never remember being conscious of such an extraordinary stillness as prevailed. There was no sound either of foot-passengers or wheeled traffic; the music of life appeared to be absolutely mute. But now, instead of being sleepy and heavy, I felt, though I must have slept an hour or two at most, since it was not yet dawn, perfectly fresh and wide-awake, and the effort which had seemed not worth making before, that of getting out of bed and opening the other window, was quite easy now and I pulled up the blind, threw it wide open, and leaned out, for somehow I parched and pined for air. Even outside the oppression was very noticeable, and though, as you know, I am not easily given to feel the mental effects of climate, I was aware of an awful creepiness coming over me. I tried to analyse it away, but without success; the past day had been pleasant, I looked forward to another pleasant day to-morrow, and yet I was full of some nameless apprehension. I felt, too, dreadfully lonely in this stillness before the dawn.

"Then I heard suddenly and not very far away the sound of some approaching vehicle; I could distinguish the tread of two horses walking at a slow foot's pace. They were, though not yet visible, coming up the street, and yet this indication of life did not abate that dreadful sense of loneliness which I have spoken of. Also in some dim unformulated way that which was coming seemed to me to have something to do with the cause of my oppression.

"Then the vehicle came into sight. At first I could not distinguish what it was. Then I saw that the horses were black and had long tails, and that what they dragged was made of glass, but had a black frame. It was a hearse. Empty.

"It was moving up this side of the street. It stopped at your door.

"Then the obvious solution struck me. You had said at dinner that your man was ill, and you were, I thought, unwilling to speak more about his illness. No doubt, so I imagined now, he was dead, and for some reason, perhaps because you did not want me to know anything about it, you were having the body removed at night. This, I must tell you, passed through my mind quite instantaneously, and it did not occur to me how unlikely it really was, before the next thing happened.

"I was still leaning out of the window, and I remember also wondering, yet only momentarily, how odd it was that I saw things--or rather the one thing I was looking at--so very distinctly. Of course, there was a moon behind the clouds, but it was curious how every detail of the hearse and the horses was visible. There was only one man, the driver, with it, and the street was otherwise absolutely empty. It was at him I was looking now. I could see every detail of his clothes, but from where I was, so high above him, I could not see his face. He had on grey trousers, brown boots, a black coat buttoned all the way up, and a straw hat. Over his shoulder there was a strap, which seemed to support some sort of little bag. He looked exactly like--well, from my description what did he look exactly like?"

"Why--a bus-conductor," I said instantly.

"So I thought, and even while I was thinking this, he looked up at me. He had a rather long thin face, and on his left cheek there was a mole with a growth of dark hair on it. All this was as distinct as if it had been noonday, and as if I was within a yard of him. But--so instantaneous was all that takes so long in the telling--I had not time to think it strange that the driver of a hearse should be so unfunereally dressed.

"Then he touched his hat to me, and jerked his thumb over his shoulder.

"'Just room for one inside, sir,' he said.

"There was something so odious, so coarse, so unfeeling about this that I instantly drew my head in, pulled the blind down again, and then, for what reason I do not know, turned on the electric light in order to see what time it was. The hands of my watch pointed to half-past eleven.

"It was then for the first time, I think, that a doubt crossed my mind as to the nature of what I had just seen.

But I put out the light again, got into bed, and began to think. We had dined; I had gone to a party, I had come back and written letters, had gone to bed and had slept. So how could it be half-past eleven?...Or--what half-past eleven was it?

"Then another easy solution struck me; my watch must have stopped. But it had not; I could hear it ticking.

"There was stillness and silence again. I expected every moment to hear muffled footsteps on the stairs, footsteps moving slowly and smally under the weight of a heavy burden, but from inside the house there was no sound whatever. Outside, too, there was the same dead silence, while the hearse waited at the door. And the minutes ticked on and ticked on, and at length I began to see a difference in the light in the room, and knew that the dawn was beginning to break outside. But how had it happened, then, that if the corpse was to be removed at night it had not gone, and that the hearse still waited, when morning was already coming?

"Presently I got out of bed again, and with the sense of strong physical shrinking I went to the window and pulled back the blind. The dawn was coming fast; the whole street was lit by that silver hueless light of morning. But there was no hearse there.

"Once again I looked at my watch. It was just a quarter-past four. But I would swear that not half an hour had passed since it had told me that it was half-past eleven.

"Then a curious double sense, as if I was living in the present and at the same moment had been living in some other time, came over me. It was dawn on June 25th, and the street, as natural, was empty. But a little while ago the driver of a hearse had spoken to me, and it was half-past eleven. What was that driver, to what plane did he belong? And again what half-past eleven was it that I had seen recorded on the dial of my watch?

"And then I told myself that the whole thing had been a dream. But if you ask me whether I believed what I told myself, I must confess that I did not.

"Your man did not appear at breakfast next morning, nor did I see him again before I left that afternoon. I think if I had, I should have told you about all this, but it was still possible, you see, that what I had seen was a real hearse, driven by a real driver, for all the ghastly gaiety of the face that had looked up to mine, and the levity of his pointing hand. I might possibly have fallen asleep soon after seeing him, and slumbered through the removal of the body and the departure of the hearse. So I did not speak of it to you.

There was something wonderfully straight-forward and prosaic in all this; here were no Jacobean houses oak-panelled and surrounded by weeping pine-trees, and somehow the very absence of suitable surroundings made the story more impressive. But for a moment a doubt assailed me.

"Don't tell me it was all a dream," I said.

"I don't know whether it was or not. I can only say that I believe myself to have been wide awake. In any case the rest of the story is--odd.

"I went out of town again that afternoon," he continued, "and I may say that I don't think that even for a moment did I get the haunting sense of what I had seen or dreamed that night out of my mind. It was present to me always as some vision unfulfilled. It was as if some clock had struck the four quarters, and I was still waiting to hear what the hour would be.

"Exactly a month afterwards I was in London again, but only for the day. I arrived at Victoria about eleven, and took the underground to Sloane Square in order to see if you were in town and would give me lunch. It was a baking hot morning, and I intended to take a bus from the King's Road as far as Graeme Street. There was one standing at the corner just as I came out of the station, but I saw that the top was full, and the inside appeared to be full also. Just as I came up to it the conductor, who, I suppose, had been inside, collecting fares or what not, came out on to the step within a few feet of me. He wore grey trousers, brown boots, a black coat buttoned, a straw hat, and over his shoulder was a strap on which hung his little machine for punching tickets. I saw his face, too; it was the face of the driver of the hearse, with a mole on the left cheek. Then he spoke to me, jerking his thumb over his shoulder.

"'Just room for one inside, sir,' he said.

"At that a sort of panic-terror took possession of me, and I knew I gesticulated wildly with my arms, and cried, 'No, no!' But at that moment I was living not in the hour that was then passing, but in that hour which had passed a month ago, when I leaned from the window of your bedroom here just before the dawn broke. At this moment too I knew that my spy-hole had been opposite the spy-hole into the spiritual world. What I had seen there had some significance, now being fulfilled, beyond the significance of the trivial happenings of to-day and to-morrow. The Powers of which we know so little were visibly working before me. And I stood there on the pavement shaking and trembling.

"I was opposite the post-office at the corner, and just as the bus started my eye fell on the clock in the window there. I need not tell you what the time was.

"Perhaps I need not tell you the rest, for you probably conjecture it, since you will not have forgotten what happened at the corner of Sloane Square at the end of July, the summer before last. The bus pulled out from the pavement into the street in order to get round a van that was standing in front of it. At the moment there came down the King's Road a big motor going at a hideously dangerous pace. It crashed full into the bus, burrowing into it as a gimlet burrows into a board."

He paused.

"And that's my story," he said.

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Tuesday, 5 August 2014

Small Shadows Creep

Andre Norton (ed)
Puffin Books
1979

An antiquarian bookseller takes a sinister interest in a schoolboy who visits his shop; a pair of twins hardly old enough to walk, strike deadly terror into anyone who sees them; a young girl who died for love finds being a ghost much too enjoyable to give up. This assortment of ghost stories is eerie, touching or funny, and never quite what you expect.


One of a stack of old Puffin books I've been picking up lately and the one that jumped out at me from the pile. This is a selection of Victorian, and slightly later, ghost stories all of which feature children. It is split into three parts - Ancient Evils, Vengeful Spirits & Quiet Visitors - and features eight stories - split 3, 3, 2.

Opening, proceedings is 'Salooky' by Margery Lawrence, a very fine tale featuring her occult investigator Dr. Miles Pennoyer as he removes the deeply malevolent spirit of an Elizabethan sorcerer that is haunting his sisters new home and having a deeply troubling impact on his nephew. This is followed by what is easily the most vicious, and modern feeling, of the eight, 'Herodes Redivivus' by A.N.L. (here credited as A.B.L.) Munby. In this a young man meets a supremely creepy antiquarian bookseller and after a close call finds himself somewhat in tune with the going ons at the shop. Closing out this section was a cool little piece of rural horror - H.R. Wakefield's 'The First Sheaf' - involving intractable locals, pagan rites, an intrusive Christian and a something.

The second set features spirits of a more purposeful nature and begins with E.F. Benson's 'How Fear Departed From The Long Gallery' which is a humorous little tale whose fairly obvious ending isn't spoilt in the telling. Next is probably the book's weakest tale, Mrs Gaskell's 'The Old Nurse's Story' is a fairly transparent story of spinsters, children and past regrets. Not bad but as I said a bit obvious. The section ends with M.R. James' fabulous 'Lost Hearts' where the ghosts of children murdered in an alchemical procedure take gruesome revenge.

The final two stories are a very different kettle of fish with the ghosts being very much the benevolent heart of each tale. Hugh Walpole's 'A Little Ghost' puts a man mourning the death of his friend into a house filled with exuberant children. Escaping to his room he finds comfort and solace in the presence of a shy spirit of a young girl.

The final tale has an almost Dickensian feel to it with its tale of a crusty, aloof academic taking an orphan child into his home and allowing her free range over his library. The story, 'Playmates' by A.M. Burrage eventually finds the girl befriended by the seven ghosts who inhabit the old schoolhouse where they live. As time and circumstances soften the hearts of he and her (but not of his crotchety assistant) they both come to find a level of affection for each other and grow closer before he finally opens himself up in frankly fabulous finale.

It's a thoroughly enjoyable book. It's varied and intriguing and filled with invention, fear and finally, love.