I was decidedly on the fence when I made my first Kelly skirt, but it's since become one of my most worn me-made separates. Who'd have thought it?! In fact I like it so much, it was the starting point for my latest skirt. I say 'starting point' because it veered totally off piste during its creation, but the bare bones are definitely from the Kelly pattern, so the name stays.
A lot of the changes were purely down to necessity because of my fabric choice. Well, not necessarily my fabric choice, more my lack of yardage. I bought a metre of this Organic Cotton Herringbone from Ray Stitch during my pattern cutting weekend thinking it would be perfect for a simple A-line skirt. However, between buying it and gearing myself up to cut into it, I changed my mind and decided it had to be a Kelly skirt. The trouble is, the Kelly skirt pieces are quite wide because of the pleats, and the pattern requires slightly more than a metre. I managed to cut my first version out of a metre by placing some of the pattern pieces upside down, but the herringbone design is directional, so that wasn't an option.
In the end, I decided to keep the pleats in the front of the skirt, but not in the back. I also couldn't be bothered with all the buttons and buttonholes, so decided to lose the button placket and add a central back zip instead. To do this, I followed Busy Lizzie in Brizzy's tips from this post. I cut the front piece on the fold, using the buttonhole markings as the centre front seam and the back as two separate pieces, adding a seam allowance to the fold line for the zip. Behold, no buttons or placket!
In the end, I decided to keep the pleats in the front of the skirt, but not in the back. I also couldn't be bothered with all the buttons and buttonholes, so decided to lose the button placket and add a central back zip instead. To do this, I followed Busy Lizzie in Brizzy's tips from this post. I cut the front piece on the fold, using the buttonhole markings as the centre front seam and the back as two separate pieces, adding a seam allowance to the fold line for the zip. Behold, no buttons or placket!
I didn't have room to cut the pocket facings in the same direction as the rest of the skirt, so they face the opposite way. I'm calling it a design feature.
I even managed to include some scraps from my Chambray Bow Blouse for the pockets, yay!
The herringbone fabric is pretty heavyweight, which is great for holding a pleat, but also means it's quite scratchy against the skin, so a lining was needed. I used navy satin left over from my Lace Laurel top for the lining using this tutorial. When adding a full lining, you can often get away with not finishing seams as they're all hidden away, but not in this case! Both fabrics frayed terribly, so all seams were overlocked to within an inch of their lives.
I even managed to include some scraps from my Chambray Bow Blouse for the pockets, yay!
The herringbone fabric is pretty heavyweight, which is great for holding a pleat, but also means it's quite scratchy against the skin, so a lining was needed. I used navy satin left over from my Lace Laurel top for the lining using this tutorial. When adding a full lining, you can often get away with not finishing seams as they're all hidden away, but not in this case! Both fabrics frayed terribly, so all seams were overlocked to within an inch of their lives.
I did make quite a major error at the cutting out stage - I folded the pleats in on the the back pattern piece, but really should have added more width for my backside. The back is now very slim fitting across the bum - almost like a pencil skirt. In fact, the finished skirt looks more like Simplicity 2451 than a Kelly skirt - the A-line shape has totally disappeared!
Back view…ahem |
I did try to get some shots of me without my hands in my pockets but was continually photo bombed. Ah well, Happy Monday! x
I couldn't resist him, he's too cute! |