Showing posts with label stencils. Show all posts
Showing posts with label stencils. Show all posts

Wednesday, 20 May 2026

May Bee

 Bugs and Bees in May - entomology panel shabby style

Panel

Gathered some stamped ephemera, cut some honeycomb, stamped the bees and cut them up, inked the edges of the bits I wanted to use, picked out some snippets I could probably use when collaging it together.

Tested out my composition on a plain panel.


Blended Gathered Twigs around the edges of the panel, and used it with stencils. 

Used Pumice Stone to create some light text stamping to add some interest.

Put composition together.





xx


Supplies

Tim Holtz Distress Inks - Gathered Twigs, Pumice Stone         https://www.countryviewcrafts.co.uk/distress-ink--re-inkers-103-c.asp

Sizzix Tim Holtz dies - Alphanumeric Label, Alphanumeric Tiny Type Lower, Mixed Media, https://www.countryviewcrafts.co.uk/tim-holtz-by-sizzix-152-c.asp

Tim Holtz stamps - Field Notes CMS396, Classics #12,                    https://www.countryviewcrafts.co.uk/tim-holtz-collection-193-c.asp

Tim Holtz Mini Stencils - set #4, set #8                                       https://www.countryviewcrafts.co.uk/layering-stencils-523-c.asp

Idea-ology Tim Holtz Snippets - Curator      Tim Holtz Trimmings - Naturals                                 https://www.countryviewcrafts.co.uk/idea-ology-102-c.asp

Tim Holtz - Sidekick  out of stock

Versafine Clair - Pinecone out of stock

Sunday, 8 December 2024

CVC Workshop Winter Wonderland Project

 

Some photos from my Winter Wonderland workshop at Country View Crafts - 30th November 2024













My 2024 Christmas workshop project for Country View Crafts - I so love making 3D boards and they are very popular. I used lots of Tim Holtz products and loved adding the ledge and blocks to help create this wintry landscape. The natural elements helped add a wonderful cold, icy, wintry feel.

1.    Paint all the small wooden pieces with 1 coat of white gesso – dry. Repeat with a coat of white acrylic paint – include the base of the silver trees. Sand the edges of the cubes and blend the exposed edges with a dark brown DI to give a shabby effect. Repeat the effect randomly on the corners and odd parts of the ledge and frame.

2. Paint the large board with a coat of gesso to seal it and dry. (no paint)

Take speckles or snowy effect stencil and texture paste (I used distress texture paste matte) add very sparingly mostly round the edges of the top 2/3 of the board and dry.

Take tumbled glass and broken china Dis and speckled egg and iced spruce DO. (or any sky blue colours). Create puddles and dabble them over, spritz, drip and dry. Take white acrylic paint and lightly brayer over the top, the white will hit the top of some of the snow droplets but also create lighter areas on the board that you can rub in with your finger to create cloud effects. Dry.  If you want to add more of the blues, repeat puddles and daub with a brush, the texture paste soaks up some of the blue watery ink and also the inks lay and puddle between the snow droplets. When it’s dry scrape the texture paste through the speckles/snow stencil to add more white snowy texture through it. Again, dry it. KEEP BOTTOM THIRD OF THE BOARD CLEAN.

Moving to the bottom third of the board use the tumbled glass DI and Iced Spruce DO to make puddles of colour. With a paint brush daub a light layer over the board and add a little silver paint into it, let it all move around a lot in your hand and dry it. Splatter with water and watch some rings appear. Dry and take iced spruce distress ink and a chosen small chosen stencil (I used the mini version of Festive THS029) to create background for the seed heads.

Glue the ledge on at this point. The top of the ledge is 22 cms from the top f the board. Put to one side to dry.

 

3 Take the four, silver, die-cut trees, glue shapes back-to-back, offset slightly, and don’t worry if some of the white shows through, it actually looks like snow. Glue a gold star to the top of each one.

Take the gold sparkly row of fir trees, Cut the sides to fit the wooden panel and use a palette knife to add a small amount of snowtex to both the gold and silver trees using a palette knife. Put aside to dry.

 

4 Take the white card panel. Blend silver paint through a star stencil and dry it. Blend tumbled glass (light blue) DI over the surface. Sparingly rub some micro glaze randomly over the surface and gently buff off excess. Blend broken china (mid blue) over the surface. Splatter water droplets on, leave for about 30 seconds and the blot off with a paper towel and dry. You have created a mottled sky with snow falling in the background. Sand the edges and then blend a dark blue and then a dark brown distress ink round. Splatter it, the main board, the panel and the row of fir trees with some white paint. Dry the card panel, then adhere this to the wooden panel to create a frame. Paint glue round three sides of the frame (not the bottom one) and sprinkle rock candy glitter over it. Put aside to dry.

 

5 Take the round circle, lightly blend antique linen over the surface. Spritz with water, blot & dry. Spritz, blot & dry a second time. Place the moon mask over the top & blend antique linen distress oxide through it to create the texture of the moon. Dry it. Use a very fine paint brush to add glue over the oxide and dip into rock candy glitter.

 

6 Take the ribbon spritz it with water. Make a little puddle of tumbled glass, dip and dry. Repeat with a watery puddle of salty ocean. Make it into a bow.

 

7. Make up the double snowflake. Use small amounts of brown and white paints to colour the deer.


Now all pieces are prepped it’s time to assemble the project. Start by adding the star background frame on the ledge and adhere the two blocks either side of it. Glue on the silver icicles strip, the moon, gold stars, silver snowflakes. Adhere the white dried flowers and bundle of sticks on the blocks. Use a glue gun to add the seed head spray, bow and bells. Glue on the silver trees then use snow-tex on the ledge and adhere the decorative pieces – I always add glue to the areas that are going to sit in the ‘snow’. Add the Winter Wonderland title. Lay this flat in a box to carry it home.





Tuesday, 23 July 2024

Using stencils 2 for Country View Crafts

 Stencils and distress watercolor pencils go well together.

I used a simple method with dry DWPs on a dry stencil, then spritzed it with water ready to monoprint. It's a fabulous technique and you can get a different effect each time depending on how much colour you rub onto the stencil, how much water you spritz and how long you hold the stencil on the paper. A GREAT TIP here is to place a piece of kitchen paper over the stencil once you have laid it down, rub gently over it and it will soak up any of the watery paint that seeps out.

I added the new Tim Holtz collage strips to the base card to start me off.
Gathered bits of ephemera, snippets and a photo booth pic which I encased in a specimen slide cut from TH specimen dies. After some playing and moving around the collage came together with the stencil panel in full show.



xxx



Products

 Stencil
distress watercolor pencils
water Spritzer
collage strips
ephemera
snippets
specimen slide die-cut
small talk stickers

Monday, 1 July 2024

Using Stencils with Distress Watercolor Pencils - Deco Feather stencil and flower design

It's my turn to post over at the Country View Craft Challenge on FaceBook and I have chosen the theme of 'Stencils'. There are just so many ways they can be utilised and in my latest workshops at CVC Headquarters I was teaching about the Tim Holtz Distress Watercolor Pencils and I focussed quite a lot on monoprinting.

On my card the larger panel background was made using the Nordic stencil and the wet pencils on the dry stencil technique - spritz lightly with water and monoprint onto the substrate - in this case mixed media paper.  

The small panel using mini deco leaf stencil in various greens was again using wet to dry ie wet DWP paint to dry stencil. 

The die-cut flowers were washed with clean water and dribbles of DWP puddles added in with a small brush. 


To put the panel together I added some snippets....

....some inked mummy cloth and a Tim stamped sentiment.

xxx




Materials

Distress Watercolor Pencils - Rustic Wilderness, Fossilized Amber, Bundled Sage, Forest Moss, Peeled Paint, Shaded Lilac, Wilted Violet, Peacock Feathers

Distress Ink - Ground Espresso

Stencils - Nordic, Mini Deco Leaf

Dies - Wildflower 1 and 2

Stamps - TH Nature's Wonder

TH Snippets - Curator, Field Notes and Number Strips

Thursday, 27 June 2024

Seaside Project 2 - Tim Holtz Seahorse frame for Country View Crafts

 Oh I do like to be beside the seaside.

'Anything Seaside' is still a challenge title for June at Country View Challenges on FaceBook.

My choice has been to decorate and make a frame that sits nicely with the idea of being beside the sea on a lovely summer's day.

I love to use up scraps and inky backgrounds and some shapes have been reworked with leftovers taken from my bits folders. I have also used a number of older dies and stamp sets.

Seahorse cut from TH Sand and Sea Bigz die. Not readily available any more. Stencilled with the new mini leaf stencil using distress crackle paste sprinkled with Tattered Rose distress glaze. Later I sanded the texture and rubbed over vintage photo and unchartered mariner distress inks. 

Starfish stamped and cut using Nautical Blueprint CMS194 and Rusty Hinge, Ripe Persimmon and Scattered Straw Distress Watercolour Pencils. Dried and overstamped with Vermillion archival and Scorched Timber distress ink. Over that I applied distress crackle paste and when the crackles had appeared and it was dry I rubbed in walnut stain distress ink.

The frame and background in the aperture were created just by dipping into DWP puddles and drying. Distress crackle paste was applied round the edges and had unchartered mariner rubbed into them when dry. Splattered with white ink.


The sentiment is my own,produced on the computer.

xxx



Tim Holtz Products

Collage Frame

Stamps - Nautical Blueprint CMS194

Distress Watercolor Pencils - Rusty Hinge, Ripe Persimmon and Scattered StrawSalvaged Patina, Broken China, Blueprint Sketch, Weathered Wood, Walnut Stain.

Sizzix Dies - Wildflowers 1 and 2 

Deco Leaf mini stencil

Distress glaze - Tattered Rose

Distress crackle paste





Saturday, 23 May 2020

Revisiting old techniques - watery layers with stencilled textures

Here's another of my techniques and layer combinations using acrylic paints. I like to turn to these when needing some inspiration and I have been documenting them on media boards as a resource.
You will find them added to my Tutorials and step x steps page found on my sidebar.

This one - Watery Layers with Stenciled Texturen- I taught at Ministry of Mixology in April 2019.


Process steps
1. Apply black modeling paste through a stencil. Leave to dry.
2. When the paste is dry paint a coat of white gesso over the whole piece.
3. Paint watery acrylic washes over the whole surface and dab with some kitchen paper to remove some of it from the gesso. Dry.
4. Mix a little prussian blue hue 50:50 with glazing medium and paint over the tag and gently rub back with dry kitchen roll and a babywipe keeping the dark blue to the edges.
5. Mix a little quinacridone gold with water, dribble on one place spritz with water and move around and dab some off with dry kitchen paper before drying. Repeat in another couple of random places.
6. Mix a little paynes grey with water and dribble around the edges, spritz with water and dry. I worked on about a 2 inch spread at a time.
7. Using a small brayer, roll carbon black paint over the raised areas, if some catches in the background don’t worry it adds to the distressed look.



Or a little different -

 
Step 1- Apply some gesso to the  board, squidge it on the craft mat/palette. Dry
Step 2 - Use white modeling paste with white with acrylic paint added to it and apply through a stencil - leave to dry.
Step 3 - Add some dip, drip and dry washes.
Step 4 - Lightly sand raised textures to get some of the colour back.
Step 5 - Add some splatters.
Step 6 - Using a palette knife drag clear crackle glaze around the edges and leave to dry.
Step 7 - Cover crackles with titanium white antiquing cream, leave to dry and wipe back.
Step 8 - Sand the edges and add some quinacridone gold and prussian blue around the edge to frame it.


xxx

Tuesday, 19 May 2020

Stencilled background with acrylic paints - new technique

I have been revisiting old techniques and posting them recently but this one came out of the blue and is now a new technique I'm sure I will call on often.
I was so excited at the results of the layers building this background and made it into a card for this post.

Process steps

1. Scrape a layer of tinting base over the card using a palette knife.
2. Mix a watery wash using the most tiniest pin prick amounts of cobalt teal and grey paint. Dip and dry.
3. Into what is left of the wash add a tiny amount of primary yellow and repeat step 2.
4. Mix a new wash of prussian blue and repeat step 2.


5. Add tiny dots of the yellow, cobalt and prussian blues on a palette. Take a stencil, a small blender with blending foam and a water spritzer. Spritz over the stencil so water goes through onto the background, pick up tiny amounts of one or two of the colours at a time and blend through the stencil and dry.
See this technique also stepped out for a Spring card.


6. Use embossing powders and a text stamp for interest.
7. Spread some resist paste randomly over and paint over a layer of olive grove leave to dry.
8. Rub away with dry kitchen towel and a wetwipe to reveal most of what is underneath again - some of the original background seemed to fade - did I rub too hard?
9. Repeat step 7 using eternal chalk paint this time.
10. Repeat step 8.
11. Scrape some random patches of white crackle paste around the edges and leave to dry.
12. I found that some of the crackle dropped off when I went back to it and I'm sure it must have been because of the resist paste, so I gave it a coat of soft touch varnish and again left to dry. That sealed it in place.


I also made a technique bord using different colours
step 2 - phthalo turquoise and medium grey.
step 3 - add naphthal red
step 4 - prussian blue.
step 5 - create different mixes using naphthal red, diarylide yellow, cerulean blue, prussian blue, titanium white, titan buff - going back over the shapes with different blends of colours to create overlays and depth.


Love the Moroccan/Spanish feel to the design and to see what different effects can be achieved.


xxx