Showing posts with label notebook covers. Show all posts
Showing posts with label notebook covers. Show all posts

Thursday, 12 March 2020

Mixed Media Eileen Hull Notebook

A  little Notebook, made from an Eileen Hull die, went off to the Craft Stamper to be used for an article about Eileen's dies to celebrate her visit to England last September. It was published in the October 2019 issue and given to Eileen when I saw her at Country View Crafts. (You can see it in the bottom left hand corner on top of the CS magazine.


I chose my colour palette by googling and flicking through my Pinterest board, keeping the colours fresh but vintage at the same time.


Background. 
First there were three layers of brayered paints all mixed to create the colour I wanted from the palette. To start using yellow green light, paynes grey, titan buff and titanium white to get  the darker green colour. Next the beige mixing titan buff, titanium white, burnt umber and paynes grey, and lastly a mix of white and titan buff to lighten it again.

Dip, drip and dry with  a mix of pyrrole orange and paynes grey and rubbed it into the surface - the colour was grabbed by the white card substrate, dry and repeat the process with quinacridone gold but let this layer really drip and dribble before drying.

Next stamp using the entomology text stamp and coffee archival ink.

Use a couple of stencils and a bending tool and blending foam to stencil through both titan buff and titanium white.

Make a weak colour glaze using soft touch varnish, paynes grey, translucent white, yellow green light with a little water mixed together and use this to knock back the background and vintage it up a bit more.


Alter one of Tim's lace baseboard frames with quin gold and titanium white watery paints.



I had some notebooks bought last year and just waiting to be used. Tey fitted perfectly so I bound the nto the spine just going over and through the centre of each booklet using thin elastic.



I used some black thread to pull the elastics together and tie on a typed token at the same time.


For the cover I used some wildflower stems that I watercoloured using media fluid acrylic paints and Tim's new crochet die with one of his quotes too.

Unfortunately I didn't get any more photos taken of the finished design, but I do have this one taken by Craft Stamper which was in the magazine.


I'm catching up a bit with some previous projects and hoping to get to grips with more new ones.

Happy Sunday.


xxx

Friday, 10 August 2018

Peace - Media Board

This panel stated life as a sample for the Stitches Trade show back in February. I used DecoArt media paints and mediums with some of Andy Skinner's stamps including the new Gothic Grunge set.


Process steps
1.      Seal with tinting base.
2.      With a plastic card scrape small amounts of cadmium orange, diarylide yellow, pyrrole red, titan buff, titanium white across the substrate, first in one direction then in the other.
3.      Using the same colours plus raw umber use two different stencils and blend and bump them to create different tones of pattern across the background. (Tando small dots and swirl)
4.      Dribble the leftover paints top to bottom and dry between colours.
5.      Add some cobalt teal to titan buff and repeat step 4.


6.      Take a small piece of card and monoprint with titan buff and titanium 
 white and watch the card pull off onto the substrate.
7.      With a palette knife scrape some white crackle paste around the edges  of the board.


8.      When dry rub some teal antiquing cream into it and rub of again.
9.      Stamp using titan buff, raw umber and pyrrole red stamp some text across the background.
10.  Stamp arch onto tissue paper and adhere to the background and add some remnant rub words.
11.  Seal with a coat of satin varnish.


Now I have used it to make a small handbound sketch/watercolour book. For speed and efficacy I added some patterned paper to another board and sealed it with the satin varnish.


Having bound the pages using a coptic stitch so the book will lie flat when it is being used I bound the spine with white tape and glued the first and last pages to the inside covers.


This is now ready to go in my shop space.


Keep the creativity in your HeART.



Monday, 22 August 2016

Travel Journal for CVC

It's my turn to post in the Country View Crafts Project Blog today and I am sharing a travel journal cum album that I made. Until I get it completely filled I'm only showing the covers but in very patriotic colours.


All the details of how these covers came together are over at CVC if you manage to find a minute to pop over.


I also wanted to share these two creations made by my granddaughters inspired by my make.
Ella is just 10 ......


.... and Maddison is just 8.

I thought they did rather well as they made them all on their own with a little advice and a lot of encouragement from me.




Have a great week.

hugs Brenda xxx

Sunday, 1 May 2016

Stencil challenge for CVC and Blog Hop

Welcome to May and a new challenge at Country View Crafts which is to use a stencil, but before I get to the project May is a very special month.

This month alongside our Challenge, we are also running a Blog Hop with a Sizzix Big Shot Machine & Die Bundle as the prize. To enter, you must be a Follower of our Challenge Blog and Hop along to each of our Design Team Members Blogs and leave a comment. We will still be running our normal monthly challenge and those who link their Use A Stencil projects will also be entered into our £20 Voucher draw. The Winners will be picked at random in early June. So hop on over to Christine's 1st Project - Use A Stencil and follow the trail to all the blogs. If you have arrived from hazel and are following the links I have added a link for you to get to Corrie who follows me or you can get to any others on the list.
Brenda (me)


Right back to my project.
There is a story to these notebook covers - they began their life whilst I was demoing and teaching the gungy notebook (see post here) and I had a vision in my head of some shabby French design, pretty, feminine, with rusted elements on it. It's not often I have this sort of picture in my head but what a disaster, so much so I didn't even want to photograph the boards. I just left them till the next day and gave them a coat of gesso to see if I could transform them and I did.


These are the boards after the coat of gesso and they still look dirty and not at all what I wanted, the only good thing is that some of Andy's mega crackle still showed through almost like crocodile skin.


Out came the titanium white paint and I daubed, spritzed and dripped layers and soon the murky layer was fading into the background and I began to like the shabbier look. At this point I just gave it a coat of matte medium to seal it.


I added a very watery wash of cadmium red hue and raw umber mixed just around the edges and splattered with the red and brown separately.  I thought I had finished them by sanding the edges and blending on ground espresso DI but then decided to stamp one of Andy's texture stamps inked in blue violet archival and add some stenciling using Decoart's white crackle paste.


Now we've got more of that shabby look I was trying to achieve. The stencil with white cracks brought the boards to life and at last I felt I could add the embellishments.

 
The Eiffel tower and fleur de lys are wooden pieces and originally I gave them the painted rusted look but they that was too overpowering for the design and composition so I gave then a coat of white crackle paste which was too thin so when it was dry I painted on weathered wood, gave it a blast of the heat gun and then added the white crackle paste again. Yay, fabulous crackle and seen more clearly with a light wash of transparent red iron oxide, quinacridone red and paynes grey which has given it that mauve tinge.


The frame and wooden letter pieces were given my rusty paint layers and then I painted on some transparent crackle paint to the frame and when dry rubbed in some raw umber antiquing cream. I let that sit for a while then rubbed some of it off with a babywipe, sanded the edges and blended in ground espresso distress ink. 


I wanted something for inside the frame so I got out my vintage images box and found this printed French postcard which fitted perfectly.

 

I found the flower already made up from a spotty patterned paper and added white crackle paste to shabby it. The border was also in my bits box so I gave it the same painted layers as the spine and sanded it to distress it. The bow was made from a spare piece already coloured with distress inks.


These random pieces are from the chevron frameworks die cut in acrylic packaging, they were actually on the floor discarded from another 'playtime', once I had added red pepper alcohol ink they found a place on the front cover with the other embellishments.


The spine is made of dry wall tape, I painted it with a mix of  red cadmium hue and quinacridone magenta and then blended red iron oxide and raw umber over it. The texture is one of those texture stamps by Andy Skinner and the final layer was a random wash of paynes grey.


And so it came together ....


... I like the back cover just as it is with the stencilling providing texture, depth and interest ....


... and looks striking with the deep red spine.


These notebooks I am using are actually A5 sketchbooks from Hobbycraft and the quality of the paper is fabulous.


So the moral of the story is, when you have something you are ready to trash, keep hold for a while and have a go at altering it and don't forget your stencils, adding gorgeous crackled texture to my boards made them kook so much better - well I think so anyway.



Thanks for stopping by and taking a look. Perhaps you will join us at Country View Challenges but even if you don't I'd recommend you pop over to the blog to see what amazing inspiration has come from the rest of the team and also take your chance at winning the Sizzix bundle by joining in the Blog Hop. Good luck.

Take care and have a great weekend.

hugs Brenda xxx