Showing posts with label Assayas. Show all posts
Showing posts with label Assayas. Show all posts

Wednesday, January 21, 2026

Everything You Ever Need To Know About Life...

 ... you can learn from:

Personal Shopper (2016)

Maureen: So we made this oath... 
Whoever died first would send the other a sign.
Ingo: A sign? From- from the afterlife?
Maureen: You could call it that; 
you could call it a million things.
Ingo: But... how do you know if it's a sign?
Maureen: I'm a medium. He was- 
he was a medium. I'll just know it.
Ingo: Have you... communicated with spirits before?
Maureen: Um. Lewis thought they were... spirits. 
I'm- I'm less sure. But yes. Uh, somewhat.
I mean there are invisible... presences... around us. 
Always. I mean whether or not they're the souls of the dead, 
I don't know, but... You know when you're a medium 
you just are attuned to some sort of... vibe.
Ingo: What do you mean by- by vibe?
Maureen: It's an intuition thing; it's a feeling. 
You... You see this door... That's only like slightly, ajar.
Ingo: Well... How's within that, that the 
soul... continues to exist... after death?
Maureen: I don't even know if I believe in that.

Can you believe that this movie is turning 10 this year? Time really has ceased having meaning. Anyway we're not here for that -- it didn't premiere at Cannes until May of 2016 -- we are here because actor Lars Eidinger, who played Ingo in the film and of whom we're an enormous fan, is turning 50 today. We previously did a great big gratuitous post on Lars for on his 45th birthday right here, but we're circling back on him because in the five years since then he's only made more of a name for himself -- he can seen briefly in Noah Baumbach's film Jay Kelly right now, but the biggest news of all dropped a few weeks ago -- he's playing the villain Brainiac in the next Superman movie! That is WILD casting. Great, interesting, and surprising casting -- you'd think they'd go with a big name, but they went with a great actor instead. And Lars is also, it must be added with great fondness and appreciation, a massive freak. We approve, James Gunn!


Monday, April 10, 2023

Everything You Ever Need To Know About Life...

... you can learn from:

Julien: Being an adult means to have a
speedometer that marks 210
and not driving over 60.

A happy 50th birthday to the great and gorgeous Guillaume Canet today! This movie above is probably the first thing I ever saw him in (it's also where he first met his partner of the last sixteen years, a certain Miss Marion Cotillard) and I remember digging the movie but I haven't seen it since. Looking through his filmography I've seen surprisingly few of his movies, actually? It seems like he makes a lot that never makes it across the pond. Oh well that hasn't kept me from documenting him plenty over the years -- check our archives right here.

If you're super familiar with Canet's filmography please tell me what I should see that I might not have previously -- I have seen the big stuff like Tell No One and Joyeux Noel. The last thing I saw him in I think was Oliver Assayas' film Non-Fiction (which I loved way more than most people seemed to), and before that I thought he gave a stellar turn as a serial killer in Next Time I'll Aim for the Heart. He's a dream (even if his relationship with Cotillard makes me think he's probably a nutter like her). 


Thursday, August 05, 2021

Can Tom Sturridge Try On the Catsuit At Least?


It took me a little while to totally warm up to the Tom Sturridge thing, but he knew the way to my heart -- make out with both Garrett Hedlund (see here) and Douglas Booth (see here) in movies, check! Grow the world's sleaziest mustache and prance about in a redcoat uniform, check! Oh and then give a tremendously excellent performance on stage in a show that also starred Jake Gyllenhaal, guaranteeing I'll see said show more than once -- check and check. Honestly he was SO GOOD in his half of Sea Wall / A Life on and off Broadway, so deeply moving and emotionally affecting, that I'll now follow him anywhere, even if he doesn't press those gorgeous ruby lips onto any pretty menfolk ever again. (Although what a waste that would be, right?) 

Anyway I have warmed to the Tom Sturridge thing and then some now, and so today's news that our boy's joined the cast of Olivier Assayas' new HBO series adaptation of Irma Vep, Assayas' own 1996 film, is a welcome thing to me! Since Assayas himself is making this series I have high hopes for it -- in case you hadn't noticed that man is still churning out excellence. Alicia Vikander in the series' lead role might not be Maggie Cheung, but measuring any human being by Maggie Cheung standards is unfair to literally every person on earth not named Maggie Cheung. There is only one Maggie Cheung, unfortunately! 

And after the excellence of The Green Knight (reviewed here) I will admit me and Alicia are on good terms right this minute. On that note did y'all see the rumor going around that her husband, one Michael Fassbender, was spotted HOLDING A BABY on the set of this exact series, which is now being filmed??? Is Fassy a daddy? (I mean besides my daddy, which he, at three months younger than me, has always nevertheless been.) Congrats to them if the rumor is true!



Tuesday, January 26, 2021

Double Back to Demonlover


How totally odd -- less than 24 hours after I did a post about Olivier Assayas' film Demonlover for his birthday comes word that Demonlover is getting a 4K restoration re-release next month thanks to the fine folks at Janus Films (and also Film at Lincoln Center here in NYC). I managed to avoid the subject yesterday but two dips into Demonlover territory so fast forces my hand, making me admit I have not ever seen Demonlover! I know! I am repulsive! The corporate spy thriller, which stars the killer trio of Gina Gershon, Chloë Sevigny, and Connie Nielson, will hit FLC's streaming service on February 12th, and they've dropped a new trailer, seen below. I suppose I've got to finally see it this time, huh? (And I wonder if this means it's getting a Criterion release?)

Monday, January 25, 2021

Everything You Ever Need To Know About Life...

... you can learn from: 

Demonlover (2002) 

Diane: You didn't see anything. No one sees anything. 
Ever. They watch... But they don't understand.

A happy 66 (!!!) to the great French director Olivier Assayas today! Every time I wish Assayas a happy birthday I am surprised all over again by his age because his films still don't feel like the films of an older man -- okay maybe Non-Fiction did a little bit, but I liked that about it. Clouds of Sils Maria and Personal Shopper, both out within the past six years, feel like films made by a person half his age, but then just goes to show ya, age ain't nothing but a yadda yadda. 

We were just talking about Assayas the other day here, twice actually -- for one we were talking about the actor Lars Eidinger, who's shown up in several of Assayas' recent films and who we've grown quite fond of, and for another we mentioned that Assayas' fantastic and strange 1996 film Irma Vep is getting the Criterion treatment in April! You can pre-order it here. How do you guys feel about Assayas? I wish he could drag Maggie Cheung out of retirement, that'd be a reunion for the ages.


Thursday, January 21, 2021

Everything You Ever Need To Know About Life...

... you can learn from:

Personal Shopper (2016)

Maureen: I mean there are invisible... presences... around us. Always. I mean whether or not they're the souls of the dead, I don't know, but... You know when you're a medium you just are attuned to some sort of... vibe.
Ingo: What do you mean by- by vibe?
Maureen: It's an intuition thing; it's a feeling. You... You see this door... That's only like slightly, ajar.

An actor I always want to talk more about but never find the time to is the great German actor Lars Eidinger, who's been in so many things over the past dozen years that I've been a fan of -- besides the above-mentioned one he's also got a vital role in Olivier Assasyas' Clouds of Sils Maria; he was on both Sense8 and Babylon Berlin (!!!) and in Claire Denis' sci-fi wackery High Life; then in just the past few months he had a lovely turn opposite Eva Green in Alice Winocour's lovely lady astronaut flick Proxima. He's really become somebody I perk up at whenever he shows up on-screen...

... oh and I'm absolutely dyyyyying to see My Little Sister, the Swiss film starring him and the queen Nina Hoss that's currently playing virtually, but haven't gotten around to it yet. You can already tell that Eidinger is one of the greats. All we need is one great fearless director (somebody like Lars von Trier or Nicolas Winding Refn maybe?) to give him a great fearless role, because he's also...

... I must add, because of course I must, a wildly underrated hot piece and total exhibitionist super-freak who's proven to be wildly unreserved when it comes to nudity. (There's some stuff even I couldn't post down below.) Gosh bless the Europeans! For example just two days ago a NSFW short art-film in which he's turned into a nude human paint-brush was brought to my attention, and...


... you see what I mean? You see what I mean. Anyway today is Lars' 45th birthday and I have this big folder on my computer of Lars Photos that I haven't found an excuse to post before, so what better time than the present? Hit the jump, it's a little NSFW but also totally worth losing your job over, believe me...

Friday, January 15, 2021

Criterion is Made at Night


So I just fiiiiinally got the Criterion Channel a couple of weeks ago and it's truly an astonishment, more content than I could ever come to grips with. My list grows by bounds every day, until finally, one eve, it will topple and crush me and I can't imagine a finer fate. Anyway that's my way of prefacing a complaint, imagine that, that they don't have more Frank Borzage films! It could be a rights thing -- I think a lot of Borzage's movies were for Fox and now Disney owns Fox and we all know how that is going. (Insert barf emoji here.) But what it comes down to is I really want an American boxed-set of the Janet Gaynor & Charles Farrell films...

... all twelve of them! Besides The Devils on blu-ray it's the Movie Thing I want the most of all. And I feel like Criterion is the place where I could get that, at least most respectfully. I do have a foreign set (not this out-of-print one unfortunately, which looks like an absolute dream) that includes a couple of the films -- Street Angel and 7th Heaven, which were in particular directed by Borzage -- but my ass is greedy. Anyway I thought of all this today, here on the grand occasion of our monthly Criterion Announcement Day, because Criterion is indeed releasing a Frank Borzage film on disc. It's not one that stars Farrell & Gaynor though...

... it's the 1937 adventure-romance History is Made at Night, starring Jean Arthur and Charles Boyer. Have any of you seen it? I have not but it sounds grand, and I've never disliked a single Borzage film yet of the several I've seen, even the ones that don't star Farrell & Gaynor, so I've got high hopes for this one. It's also on the Channel right now, it appears, so maybe I'll watch it this weekend! Here's how it's described:

"Suffused with intoxicating romanticism, History Is Made at Night is a sublime paean to love from Frank Borzage, classic Hollywood’s supreme poet of carnal and spiritual desire. On the run through Europe from her wealthy, cruelly possessive husband, an American (Jean Arthur) is thrown together by fate with a suave stranger (Charles Boyer)—and soon the two are bound in a consuming, seemingly impossible affair that stretches across continents and brings them to the very edge of catastrophe. Lent a palpable erotic charge by the chemistry between its leads, this delirious vision of lovers beset by the world passes through a dizzying array of tonal shifts—from melodrama to romantic comedy to noir to disaster thriller—smoothly guided by Borzage’s unwavering allegiance to the power of love. "

That sounds right up my alley. A disaster thriller! Yes please. You can pre-order it (and see all of the usual reams of extra bonus special features) over on Criterion's website. And per usual that's not all Criterion has on tap for the month of April -- they're also dropping a no-doubt gorgeous restoration of Bong Joon-ho's probable-best flick Memories of Murder, they're also also dropping Olivier Assayas' grandly weird Maggie Cheung vehicle Irma Vep, and they're also also also dropping Jean-luc Godard's Masculin Feminin, and they're also also also also dropping Anthony Mann's grand 1950 Western The Furies starring our queen Barbara Stanwyck! This is a fantastic line-up of features...


Tuesday, September 29, 2020

Edgar Ramirez Seven Times


Ahhhhh I had missed Edgar Ramirez's hair! Is that weird? It's not like I sneaked up behind him that time I saw him do a Q&A at NYFF and cut off a piece of it that I now wear in a locket around my neck at all times or anything. And it might seem like, with that suggestion right on my lips, that I am giving away the game, telling on a secret thing I actually did, but I am not. Really. No lockets here! And no you may not search my person. No, especially not there. Ahem. Anyway as I was trying to say before your weird hair-stealing fantasies ran away with us that Edgar's got real lovely hair...

... and since I haven't seen him in anything since that NYFF screening (which was of Olivier Assayas' film Wasp Network, now on Netflix) a year ago I haven't had the chance to sniff it excuse me look at it, look at it with my eyes. What a loss for us all! Thankfully GQ Mexico took these photographs for their latest issue, which is the next best thing to having sewn a pillow out of stolen hair that you sleep with every night. Hit the jump for the photos...

Thursday, January 23, 2020

Johnny Flynn Nine Times

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Well I guess the powers that be weren't keen on my suggestion that I, legendary trained actor of the stage and screen, take on the role of "Dickie" in  Ripley, the new Showtime take on Patricia Highsmith's The Talented Mr. Ripley opposite Andrew Scott, who got cast as Ripley way back in September. This is of course the role that made Jude Law famous in Anthony Minghella's 1999 film... although one might reasonably argue that Jude Law's Face Etc made Jude Law famous, role be damned. 

Anyway they have instead hired this guy here who goes by the name of Johnny Flynn for the role. His name's been around a bunch as of late -- he's in the Emma re-do coming out next month, and he is playing David Bowie in a movie called Stardust. That said he's actually been bouncing around for awhile, including hey look a little role in Olivier Assayas' wonderful Clouds of Sils Maria...

He's got a great, interesting look -- I love a good facial scar -- but it's a different direction to take the character than Jude Law in his prime was. If any of you have seen Flynn in things -- and he's also a musician I guess so perhaps you know his music? -- maybe you can let us know if he's got the, you know, It Factor that the role demands. Jude, besides that stunning beauty, did bring a necessary cruelness to it -- Dickie just needs to be infuriatingly unobtainable. We need to want to rip the world apart along with Ripley for being denied him. That said I won't deny you Mr. Flynn right now, as I've got a few more photos after the jump...

Tuesday, October 15, 2019

Quote of the Day

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Apparently Olivier Assayas' literature-comedy Non-Ficiton is still coming out somewhere -- the UK, in this instance -- and so he's still giving interviews about it, even though I've already seen his next movie since I saw NF at the New York Film Festival in 2018. For the record I was a fan of Non-Fiction, here's my review. Anyway like I said he's given a new interview on the movie to Little White Lies and they talk a bunch about his relationship to the new media landscape, which is the subject of that film, and I really loved what he had to say about living in a world of "content" that most horrifying word:

"It’s horrifying. The minute people started using the word content, it led to this idea of software versus hardware. The culture has shifted in favour of hardware. People are not on the side of art, which becomes content. They’re on the side of the computer. The computer embodies power. People have gotten used the fact that they are ready to invest in the hardware. They are ready to invest in high-speed internet. They have no problem lining the pocket of some corporate behemoth. But they have a major problem paying very little money to buy a newspaper or a film. That’s the moment when art becomes content.

The scary issue now is that it all becomes about feeding the hardware. Meaning, to generate flux. In the end, in terms of moving images, it becomes the age of the series, because with series, you put the episodes in a pipe and there’s a flow. You only cut off the flow when there’s some industrial logic to it. Movies are the opposite of content or flux. They are singular. They are specific."

This isn't what he was precisely talking about but I think about this a lot when it comes to movies that are genuinely weird or aggressive or actively off-putting to a lot of people -- conversation gets shaped so much these days by box office or awards, by "success" meaning lots and lots of people like something, as if every thing needs to be for every person, appeal to all the quadrants, or it's failed.

This was vaguely what was on my mind when I wrote about my style of review-writing the other week -- I am okay with my writing not being for everybody. It's for me first and foremost, and hopefully if I find the sweet spot making me happy it makes somebody else happy too. That's the best we can hope for. Funny enough it was The Irishman that inspired that train of thought and Scorsese himself has been doing his own battle with the Pop Culture Wolves over Cinema versus Marvel. We're in this together, Marty, Olivier and Me!
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Thursday, October 03, 2019

Show Me Your Uncut & I'll Show You Mine

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Good evening and salutations et cetera, I have got a heads-up for y'all and why not do it with an extra handsome Edgar Ramirez selfie -- the next twenty-four hours are especially stuffed ones with three big movies on my plate, and so I probably won't be posting. Which three big movies, you ask? Well first off fuck you for not having your first thought be, "Oh no, no MNPP tomorrow!" But I'll answer your question, you ungrateful scamps. 

The three movies, all screening for NYFF, are Uncut Gems from the Safdies, Marriage Story from Noah Baumbach, and Wasp Network from Olivier Assayas... the latter of which stars (drumroll please and thanks) Edgar Ramirez. See how I brought that all around? Fuckin' magical.

Anyway see? Big movies. I ain't bullshit. Follow me on Twitter for updates or even better follow me on Instagram -- the latter's "even better" because there will be famous people at all three of the screenings I'm attending and I will no doubt be snapping photos of the famous people. We all love to stare at Famous People dammit!
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Tuesday, August 06, 2019

5 Off My Head: The NYFF of 2019

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No less than Pedro Almodovar himself designed that there poster for the 57th New York Film Festival (click to embiggen), which has just today announced its Main Slate of 27 movies, all of which you can check out at this link. This comes on the heels of last week's announcement that Martin Scorsese's The Irishman will be their Opening Night picture -- see my post on that here -- and that Noah Baumbach's Marriage Story will be their Centerpiece Film -- see that post here -- as well as the news that Edward Norton's Motherless Brooklyn, an adaptation of Jonathan Lethem's book that stars Norton and Alec Bladwin among others, will be the Closing Night movie. 

Anyway the Main Slate once again this year looks tremendously promising -- every year I do a list of the five movies that I'm most excited about seeing, but since there's easily more than five right now even at first glance I'm going to do this year's list with a stipulation. If the film already showed up in my list of 10 movies I'm most excited for this year, which I wrote back in June, I'm excluding it from today's list. That means you won't see Bong Joon-ho's Parasite or Pedro Almodovar's Pain & Glory or Céline Sciamma's Portrait of a Lady on Fire listed below, but believe me -- believe me! -- I wanna see those movies very very much! But NYFF offers such richness that we easy can dig a little deeper...

5 Movies I'm Looking Forward to at NYFF 2019

Martin Eden (dir. Pietro Marcello) -- Not gonna lie, this Italian psuedo-historical drama immediately grabbed my attention because it stars Luca Marinelli, who we've been keen on ever since he got cast opposite Matthias Schoenaerts in another upcoming film called The Old Guard. We're rooting for him... especially showing up at the Q&A. Anyway Martin Eden is based on a book by Jack London, and has Marinelli playing a dissatisfied writer who finds politics and love and class warfare. Perhaps not in that order!

Zombi Child (dir. Bertrand Bonello) -- How the news escaped me that the director of two of the great films of the past decade, Saint Laurent and Nocturama, has gone and directed a zombie movie set in Haiti (which NYFF labels more Tourneur than Romero which sounds plenty ace to me) makes me nuts -- this is exactly the sort of arty nutty thing I should be on and on but good!

Wasp Network (dir. Olivier Assayas) - Assayas re-teams with his Carlos star Edgar Ramirez (who could really use a great role again right about now) to make an epic political thriller about the true story of a group of Cuban defectors who became spies in Miami in the 1980s. You say Assayas, I say how high, but the cast also includes Gael Garcia Bernal and Wagner Moura and Leonardo Sbaraglia (mmm Leonardo Sbaraglia) so sign me up.

Synonyms (Dir. Nadav Lapid) -- I just mentioned this film's star Tom Mercier last week when he got himself cast in Luca Guadagnino's HBO series -- he gives by all accounts an astonishing star making performance in this film, which won the Golden Bear in Berlin earlier this year. He plays a former Israeli soldier who runs away to Paris and finds sexual liberation or something. I don't know, I reached the point where I stopped reading things so it's not spoiled for me, but people I trust a lot have made this film sound like something real special.

Bacurau (dir. Kleber Mendonça Filho and Juliano Dornelles) -- This is one that my only connection to -- I did very much like Aquarius but otherwise I'm not super familiar with the directors or any of the actors, that is -- is how NYFF is describing it, but what a description! So I'll let them speak for me here:

"A vibrant, richly diverse backcountry Brazilian town finds its sun-dappled day-to-day disturbed when its inhabitants become the targets of a group of marauding, wealthy tourists. The perpetrators of this Most Dangerous Game–esque class warfare, however, may have met their match in the fed-up, resourceful denizens of little Bacurau. Those who remember Kleber Mendonça Filho’s wonderful NYFF54 crowd-pleaser Aquarius starring Sonia Braga—who appears here in a memorable supporting role—might be surprised by the new terrain and occasional ultraviolence of his latest, codirected with his longtime production designer Juliano Dornelles. Yet this wild shape-shifter shares with that film the exhilaration of witnessing society’s forgotten and marginalized standing up for themselves by any means necessary. With references to the fearless genre works of John Carpenter, George Miller, and Sergio Leone, Bacurau, winner of the Jury Prize at the Cannes Film Festival, is a vividly angry power-to-the-people fable like no other. A Kino Lorber release."

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I didn't even room for the new Kelly Reichardt movie!
If you've looked through this year's NYFF line-up 
what looks good to you? Tell us in the comments!
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Monday, April 01, 2019

Guillaume Canet Eight Times

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(pics via) About for weeks until Olivier Assayas funny and wise and wonderful new film Non-Fiction hits screens (on May the 3rd to be specific) -- click here to see the trailer (and the film also got a poster last week -- see it here) and click here to read my review of the film from when it screened at NYFF in the fall, which stars Canet and Juliette Binoche, among others. (Sidenote: it's a good month for Binoche lovers -- Claire Denis' High Life with her and Robert Pattinson and fuck boxes in outer space opens this very weekend!) Hit the jump for this whole shoot...

Thursday, March 07, 2019

Pretty, Witty, and Canet

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Oh and speaking of Film Festivals -- and we were, just a minute ago actually -- the trailer for Olivier Assayas' Non-Fiction, one of my favorite movies from last fall's New York Film Festival, has finally arrived this very afternoon. It stars Juliette Binoche and Guillaume Canet as "the bohemian intelligentsia" (that's how the studio describes them, not me) with lots of interlocking sexual liaisons and conversations about books. Here's my review of it at this link -- I called it "top tier classic Woody Allen" even though it wasn't, you know, made by Woody Allen. Somebody's got to start making those literate urbanite movies now that Woody's persona non grata, I guess. Watch:
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Non-Fiction is hitting theaters on May 3rd.
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Tuesday, March 05, 2019

10 Off My Head: Siri Says 2014

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Since I do these "Siri Says" posts less frequently as of late I keep feeling the need to reintroduce the concept of them when I do, so here's the quick gist -- I ask the Siri lady on my cell phone to pick me a number between 1 and 100 (I usually have to do this several times now since the pickings are getting slim at this point) and whatever number she gives me I then choose my favorite movies from that random corresponding year. Well today Siri picked a good one on her very first try -- Siri gave me "14" and so now we're going to choose favorites from the Movies of 2014

Why is 2014 a good pick? Well these movies are all celebrating their 5th anniversary this year, first off. But even better -- I never made a list of my favorite movies of 2014! Our so-called "Golden Trousers Awards" skipped that year for some reason that I can't now recall -- I think I was just burned out. Having just done our most recent edition a couple of weeks ago I get that inclination -- it's a lot of work. But now with five years of hindsight I think I can manage. A quick version, anyway. But instead of just the usual Top 5 I will give y'all a Top 10, and bonus of bonuses, instead of just a random Top 10, I will actually order them. Will wonders never.

My 10 Favorite Movies of 2014

(dir. Ira Sachs)
-- released on August 22nd 2014 -- 

(dir. Wes Anderson)
-- released on March 28th 2014 -- 

8. Gloria
(dir. Sebastián Lelio)
-- released on January 24th 2014 -- 

(dir. Ruben Östlund)
-- released on December 30th 2014 -- 

(dir. Bong Joon-ho)
-- released on July 11th 2014 -- 

(dir. Olivier Assayas)
-- released on July 9th 2014 -- 

(dir. Bertrand Bonello)
-- released on September 24th 2014 -- 

(dir. Dan Gilroy)
-- released on October 31st 2014 -- 

(dir. Jonathan Glazer)
-- released on April 4th 2014 --

(dir. Jennifer Kent)
-- released on November 28th 2014 -- 

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Runners-up: Lilting (dir. Hong Khaou), Neighbors (dir. Nicholas Stoller), Edge of Tomorrow (dir. Doug Liman), Wild (dir. Jean-Marc Vallée), Gone Girl (dir. David Fincher), Frank (dir. Lenny Abrahamson), 99 Homes (dir. Ramin Bahrani)...

... Selma (dir. Ava DuVernay), Beyond the Lights (dir. Gina Prince-Blythewood), Unfriended (dir. Leo Gabriadze), The Boxtrolls (dir. Stacchi), Paddington (dir. Paul King), Kingsman: The Secret Service (dir. Matthew Vaughn), Mommy (dir. Dolan)...

... The Look of Silence (dir. Oppenheimer), Obvious Child (dir. Robespierre), Appropriate Behavior (dir. Desiree Akhavan), Captain America: Winter Soldier (dir. Russo Bros.), Lucy (dir. Luc Besson), '71 (dir. Yann Demange), The Guest (dir. Adam Wingard), Godzilla (dir. Gareth Edwards) 

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What are your favorite movies of 2014?
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