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<title>Freedom&mdash;or Copyright? (Old Version)
- GNU Project - Free Software Foundation</title>
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<h2>Freedom&mdash;or Copyright? (Old Version)</h2>

<div class="announcement">
<blockquote><p>There is an <a
href="/philosophy/freedom-or-copyright.html"> updated version</a> of
this article.</p></blockquote>
</div>

<p>
  by <strong>Richard M. Stallman</strong>
</p>

<blockquote>
<p>
The brave new world of e-books: no more used book stores, no more
lending a book to your friend, no more borrowing one from the public
library, no purchasing a book except with a credit card that
identifies what you read.  Even reading an e-book without
authorization is a crime.
</p>
</blockquote>

<p>
Once upon a time, in the age of the printing press, an industrial
regulation was established for the business of writing and
publishing. It was called copyright. Copyright's purpose was to
encourage the publication of a diversity of written
works. Copyright's method was to make publishers get permission
from authors to reprint recent writings.</p>

<p>
Ordinary readers had little reason to disapprove, since copyright
restricted only publication, not the things a reader could do. If it
raised the price of a book a small amount, that was only
money. Copyright provided a public benefit, as intended, with little
burden on the public. It did its job well&mdash;back then.</p>

<p>
Then a new way of distributing information came about: computers and
networks. The advantage of digital information technology is that it
facilitates copying and manipulating information, including software,
musical recordings and books. Networks offered the possibility of
unlimited access to all sorts of data&mdash;an information utopia.</p>

<p>
But one obstacle stood in the way: copyright. Readers who made use of
their computers to share published information were technically
copyright infringers. The world had changed, and what was once an
industrial regulation on publishers had become a restriction on the
public it was meant to serve.</p>

<p>
In a democracy, a law that prohibits a popular, natural and useful
activity is usually soon relaxed. But the powerful publishers'
lobby was determined to prevent the public from taking advantage of
the power of their computers, and found copyright a suitable
weapon. Under their influence, rather than relaxing copyright to suit
the new circumstances, governments made it stricter than ever,
imposing harsh penalties on readers caught sharing.</p>

<p>
But that wasn't the last of it. Computers can be powerful tools of
domination when a few people control what other people's computers
do. The publishers realized that by forcing people to use specially
designated software to watch videos and read e-books, they can gain
unprecedented power: they can compel readers to pay, and identify
themselves, every time they read a book!</p>

<p>
That is the publishers' dream, and they prevailed upon the
U.S. government to enact the Digital Millennium Copyright Act of
1998. This law gives them total legal power over almost anything a
reader might do with an e-book, as long as they publish the book in
encrypted form. Even reading the book without authorization is a
crime.</p>

<p>
We still have the same old freedoms in using paper books. But if
e-books replace printed books, that exception will do little
good. With &ldquo;electronic ink&rdquo;, which makes it possible to
download new text onto an apparently printed piece of paper, even
newspapers could become ephemeral. Imagine: no more used book stores;
no more lending a book to your friend; no more borrowing one from the
public library&mdash;no more &ldquo;leaks&rdquo; that might give someone a
chance to read without paying. (And judging from the ads for Microsoft
Reader, no more anonymous purchasing of books either.) This is the
world publishers have in mind for us.</p>

<p>
Why is there so little public debate about these momentous changes?
Most citizens have not yet had occasion to come to grips with the
political issues raised by this futuristic technology. Besides, the
public has been taught that copyright exists to &ldquo;protect&rdquo;
the copyright holders, with the implication that the public's
interests do not count. (The biased term
&ldquo;<a href="/philosophy/not-ipr.html"> intellectual
property</a>&rdquo; also promotes that view; in addition, it
encourages the mistake of trying to treat several laws that are almost
totally different&mdash;such as copyright law and patent law&mdash;as
if they were a single issue.)</p>

<p>
But when the public at large begins to use e-books, and discovers the
regime that the publishers have prepared for them, they will begin to
resist. Humanity will not accept this yoke forever.</p>

<p>
The publishers would have us believe that suppressive copyright is the
only way to keep art alive, but we do not need a War on Copying to
encourage a diversity of published works; as the Grateful Dead showed,
private copying among fans is not necessarily a problem for
artists. (In 2007, Radiohead made millions by inviting fans to copy an
album and pay whatever amount they wish; a few years before, Stephen King
got hundreds of thousands for an e-book which people could copy.) By
legalizing the copying of e-books among friends, we can turn copyright
back into the industrial regulation it once was.</p>

<p>
For some kinds of writing, we should go even further. For scholarly
papers and monographs, everyone should be encouraged to republish them
verbatim online; this helps protect the scholarly record while making
it more accessible. For textbooks and most reference works,
publication of modified versions should be allowed as well, since that
encourages improvement.</p>

<p>
Eventually, when computer networks provide an easy way to send someone
a small amount of money, the whole rationale for restricting verbatim
copying will go away. If you like a book, and a box pops up on your
computer saying &ldquo;Click here to give the author one
dollar&rdquo;, wouldn't you click? Copyright for books and music, as
it applies to distributing verbatim unmodified copies, will be
entirely obsolete. And not a moment too soon!</p>
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<p>Please send general FSF &amp; GNU inquiries to <a
href="mailto:gnu@gnu.org">&lt;gnu@gnu.org&gt;</a>.  There are also <a
href="/contact/">other ways to contact</a> the FSF.  Broken links and other
corrections or suggestions can be sent to <a
href="mailto:webmasters@gnu.org">&lt;webmasters@gnu.org&gt;</a>.</p>

<p><!-- TRANSLATORS: Ignore the original text in this paragraph,
        replace it with the translation of these two:

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<p>Copyright &copy; 1999, 2008 Richard M. Stallman</p>

<p>This page is licensed under a <a rel="license"
href="http://creativecommons.org/licenses/by-nd/3.0/us/">Creative
Commons Attribution-NoDerivs 3.0 United States License</a>.</p>

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<p class="unprintable">Updated:
<!-- timestamp start -->
$Date: 2014/03/14 04:04:58 $
<!-- timestamp end -->
</p>
</div>
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</body>
</html>
1	yavor	1.1	<!--#include virtual="/server/header.html" -->
2	ineiev	1.15	<!-- Parent-Version: 1.77 -->
3	ineiev	1.9	<title>Freedom—or Copyright? (Old Version)
4	joeko	1.11	- GNU Project - Free Software Foundation</title>
5	ineiev	1.12	<!--#include virtual="/philosophy/po/freedom-or-copyright-old.translist" -->
6	yavor	1.1	<!--#include virtual="/server/banner.html" -->
7
8	ineiev	1.9	<h2>Freedom—or Copyright? (Old Version)</h2>
9
10			<div class="announcement">
11			<blockquote><p>There is an <a
12			href="/philosophy/freedom-or-copyright.html"> updated version</a> of
13			this article.</p></blockquote>
14			</div>
15	yavor	1.1
16			<p>
17			by <strong>Richard M. Stallman</strong>
18			</p>
19
20			<blockquote>
21			<p>
22			The brave new world of e-books: no more used book stores, no more
23			lending a book to your friend, no more borrowing one from the public
24			library, no purchasing a book except with a credit card that
25			identifies what you read. Even reading an e-book without
26			authorization is a crime.
27			</p>
28			</blockquote>
29
30			<p>
31			Once upon a time, in the age of the printing press, an industrial
32			regulation was established for the business of writing and
33			publishing. It was called copyright. Copyright's purpose was to
34			encourage the publication of a diversity of written
35			works. Copyright's method was to make publishers get permission
36			from authors to reprint recent writings.</p>
37
38			<p>
39			Ordinary readers had little reason to disapprove, since copyright
40			restricted only publication, not the things a reader could do. If it
41			raised the price of a book a small amount, that was only
42			money. Copyright provided a public benefit, as intended, with little
43			burden on the public. It did its job well—back then.</p>
44
45			<p>
46			Then a new way of distributing information came about: computers and
47			networks. The advantage of digital information technology is that it
48			facilitates copying and manipulating information, including software,
49			musical recordings and books. Networks offered the possibility of
50			unlimited access to all sorts of data—an information utopia.</p>
51
52			<p>
53			But one obstacle stood in the way: copyright. Readers who made use of
54			their computers to share published information were technically
55			copyright infringers. The world had changed, and what was once an
56			industrial regulation on publishers had become a restriction on the
57			public it was meant to serve.</p>
58
59			<p>
60			In a democracy, a law that prohibits a popular, natural and useful
61			activity is usually soon relaxed. But the powerful publishers'
62			lobby was determined to prevent the public from taking advantage of
63			the power of their computers, and found copyright a suitable
64			weapon. Under their influence, rather than relaxing copyright to suit
65			the new circumstances, governments made it stricter than ever,
66			imposing harsh penalties on readers caught sharing.</p>
67
68			<p>
69			But that wasn't the last of it. Computers can be powerful tools of
70			domination when a few people control what other people's computers
71			do. The publishers realized that by forcing people to use specially
72			designated software to watch videos and read e-books, they can gain
73			unprecedented power: they can compel readers to pay, and identify
74			themselves, every time they read a book!</p>
75
76			<p>
77			That is the publishers' dream, and they prevailed upon the
78			U.S. government to enact the Digital Millennium Copyright Act of
79			1998. This law gives them total legal power over almost anything a
80			reader might do with an e-book, as long as they publish the book in
81			encrypted form. Even reading the book without authorization is a
82			crime.</p>
83
84			<p>
85			We still have the same old freedoms in using paper books. But if
86			e-books replace printed books, that exception will do little
87			good. With “electronic ink”, which makes it possible to
88			download new text onto an apparently printed piece of paper, even
89			newspapers could become ephemeral. Imagine: no more used book stores;
90			no more lending a book to your friend; no more borrowing one from the
91			public library—no more “leaks” that might give someone a
92			chance to read without paying. (And judging from the ads for Microsoft
93			Reader, no more anonymous purchasing of books either.) This is the
94			world publishers have in mind for us.</p>
95
96			<p>
97			Why is there so little public debate about these momentous changes?
98			Most citizens have not yet had occasion to come to grips with the
99			political issues raised by this futuristic technology. Besides, the
100			public has been taught that copyright exists to “protect”
101			the copyright holders, with the implication that the public's
102	yavor	1.2	interests do not count. (The biased term
103			“<a href="/philosophy/not-ipr.html"> intellectual
104			property</a>” also promotes that view; in addition, it
105			encourages the mistake of trying to treat several laws that are almost
106			totally different—such as copyright law and patent law—as
107			if they were a single issue.)</p>
108	yavor	1.1
109			<p>
110			But when the public at large begins to use e-books, and discovers the
111			regime that the publishers have prepared for them, they will begin to
112			resist. Humanity will not accept this yoke forever.</p>
113
114			<p>
115			The publishers would have us believe that suppressive copyright is the
116			only way to keep art alive, but we do not need a War on Copying to
117			encourage a diversity of published works; as the Grateful Dead showed,
118			private copying among fans is not necessarily a problem for
119			artists. (In 2007, Radiohead made millions by inviting fans to copy an
120			album and pay whatever amount they wish; a few years before, Stephen King
121			got hundreds of thousands for an e-book which people could copy.) By
122			legalizing the copying of e-books among friends, we can turn copyright
123			back into the industrial regulation it once was.</p>
124
125			<p>
126			For some kinds of writing, we should go even further. For scholarly
127			papers and monographs, everyone should be encouraged to republish them
128			verbatim online; this helps protect the scholarly record while making
129			it more accessible. For textbooks and most reference works,
130			publication of modified versions should be allowed as well, since that
131			encourages improvement.</p>
132
133			<p>
134			Eventually, when computer networks provide an easy way to send someone
135			a small amount of money, the whole rationale for restricting verbatim
136			copying will go away. If you like a book, and a box pops up on your
137			computer saying “Click here to give the author one
138			dollar”, wouldn't you click? Copyright for books and music, as
139			it applies to distributing verbatim unmodified copies, will be
140			entirely obsolete. And not a moment too soon!</p>
141	joeko	1.11	</div><!-- for id="content", starts in the include above -->
142	yavor	1.1	<!--#include virtual="/server/footer.html" -->
143	joeko	1.11	<div id="footer">
144	ineiev	1.14	<div class="unprintable">
145	yavor	1.1
146	joeko	1.11	<p>Please send general FSF & GNU inquiries to <a
147			href="mailto:gnu@gnu.org"><gnu@gnu.org></a>. There are also <a
148			href="/contact/">other ways to contact</a> the FSF. Broken links and other
149			corrections or suggestions can be sent to <a
150			href="mailto:webmasters@gnu.org"><webmasters@gnu.org></a>.</p>
151
152			<p><!-- TRANSLATORS: Ignore the original text in this paragraph,
153			replace it with the translation of these two:
154
155			We work hard and do our best to provide accurate, good quality
156			translations. However, we are not exempt from imperfection.
157			Please send your comments and general suggestions in this regard
158			to <a href="mailto:web-translators@gnu.org">
159			<web-translators@gnu.org></a>.</p>
160
161			<p>For information on coordinating and submitting translations of
162			our web pages, see <a
163			href="/server/standards/README.translations.html">Translations
164			README</a>. -->
165			Please see the <a
166			href="/server/standards/README.translations.html">Translations README</a> for
167			information on coordinating and submitting translations of this article.</p>
168	ineiev	1.14	</div>
169	yavor	1.1
170	joeko	1.11	<p>Copyright © 1999, 2008 Richard M. Stallman</p>
171	yavor	1.1
172	joeko	1.11	<p>This page is licensed under a <a rel="license"
173	jturner	1.4	href="http://creativecommons.org/licenses/by-nd/3.0/us/">Creative
174	joeko	1.11	Commons Attribution-NoDerivs 3.0 United States License</a>.</p>
175	yavor	1.1
176	ineiev	1.10	<!--#include virtual="/server/bottom-notes.html" -->
177
178	ineiev	1.15	<p class="unprintable">Updated:
179	yavor	1.1	<!-- timestamp start -->
180	ineiev	1.15	$Date: 2014/03/14 04:04:58 $
181	yavor	1.1	<!-- timestamp end -->
182			</p>
183			</div>
184			</div>
185			</body>
186			</html>
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