Showing posts with label Stefan Grabinski. Show all posts
Showing posts with label Stefan Grabinski. Show all posts

Monday, December 31, 2018

Catching Up with Le Visage Vert

The recent publication of issue 30 (a milestone!) of Le Visage Vert has reminded me that I need to cover it and their other recent publications.

Here's the new issue, which contains (among other things) two stories by Stefan Grabinski, and two studies of Grabinski, by Pierre van Cutsem (biographical and bibliographical, with nice color illustrations) and by Michel Meurger.  For the full contents see here. And for ordering information, see here.



Issue 29 came out about a year ago, and it has two pieces by Marcel Schwob, and two articles about him, along with the fourth installment of Michel Meurger's historical study  of werewolves (the third installment appeared in issue no. 27), among other intriguing items. For the full contents see here. And for ordering information, see here.


Recent publications in the Librairie du Visage Vert include the first of three planned volumes of stories by Maurice Level, Les Oiseaux de nuit [Night Birds], with a long Preface by Philippe Gontier and a long afterword and extensive bibliography by Jean Luc Buard. Such extensive coverage of Level is long overdue and very welcome. For ordering information, see here.



And there is a recent collection of essays on Lovecraft, edited by Christophe Gelly and Gilles Menegaldo, Lovecraft au prisme de l'image: Littérature, cinéma et arts graphiques [Lovecraft in the prism of the image: literature, cinema, and graphic arts]. For ordering information, see here



As usual, these LVV publications are elegantly and tastefully produced.  Have a look around at their main page here, and scroll down a bit to find their list of publications, with the most recent nearer to the top.  

Monday, July 2, 2012

STEFAN GRABINSKI - ON THE HILL OF ROSES

Hieroglyphic Press have just published a translation (by Miroslav Lipinski) of Stefan Grabinski's first full collection of fantastical and macabre stories, On the Hill of Roses (1918). Grabinski's work has gradually been appearing from independent and small presses over the last couple of decades. This quiet renascence of interest allows us to appreciate the late and strange flowerings of a sombre but exquisite Symbolist. This edition is well-designed, with a beautiful dustjacket appropriate to the title. Mark Samuels provides a brief, affectionate foreword about discovering Grabinski, and the translator a very helpful introduction, explaining just how singular Grabinski was in the Polish literature at the time, and outlining the tragedy of the author's life, and subsequent neglect. The stories will appeal to all connoisseurs of the fantastic and decadent in European literature.