Showing posts with label Bone for carving. Show all posts
Showing posts with label Bone for carving. Show all posts

Sunday, November 10, 2019

Bone stories

©2019 Barry Smith - Sawn bone on the rusty type-writer at the studio-shed
We have been rather busy over the weekend on watch and alert for ember attack from the bushfire that at times has raged in the valley below. Fortunately this fire has, in the main, been brought under control for the moment - but many spot fire outbreaks still occur - so don't stand down and don't put the firefighting gear away just yet.

This morning I decided to do a small bit of creative work that fits with my fishing boat prototype from Friday. Continuing a bit of the story of the fishing industry in northern Scotland in the period after the highland clearances.

When we were at the cottage I used a bit of bone to make a piece that reflected the bog plant Sundew. Today I used some of the bone I had left home to make a small piece that reflected filleted skeletons of herring.

©2019 Barry Smith - Using a fine twist blade to saw the rather thick bone
©2019 Barry Smith - One skeleton makes an appearance
©2019 Barry Smith - Second under way - important to wear a face mask for this work.
©2019 Barry Smith - Completed piece (35-40mm wide and 70-80mm long) on the rust table
©2019 Barry Smith - Another photos so one can enjoy the rust
It was a good contained little creative task. I see working with bone as a good way of linking what I do here and what I do there at the cottage - creating part of the story of the two places.

Monday, October 7, 2019

A small bone object inspired by nature

©2019 Barry Smith - Bone piece inspired by the bog Sundew
The above small bone object was inspired by the bog plant similar to the one below.

©2019 Barry Smith
Doing this little piece gave me the opportunity to use the recently completed "workshop" as seen in the photo below.

©2019 Barry Smith - Small shed/workshop with vise installed
A few process photos follow.

©2019 Barry Smith - Piece of bone marked out - plus jeweller's saw
©2019 Barry Smith - Bone on the vise for drilling and cutting
©2019 Fiona Dempster - Cutting the bone
And another one of the completed piece below - it still requires a bit of fine sanding. It really is a piece to be held like a talisman; or simply enjoyed seen sitting on a ledge.

©2019 Barry Smith - Sundew rendered in bone

Sunday, August 4, 2019

Versatility of bone and horn

©2019 Barry Smith - Small bone and horn micro sculpture on the rust table - love the individual forms and the slightly worn look of the horn fragments
I made the above small installation-micro sculpture for a good friend of ours in recognition of her many skills, strength and talent. The piece is about strong women - three to be precise - standing strong individually and with each other.

I made the following pendant for a friend who is struggling.

©2019 Barry Smith  - Seven stars - on a long silver chain - the bone feels good to hold
And the earrings are to be given away to a bunch of friends next week.

©2019 Barry Smith  - Buffalo horn earrings - light and organic in form
©2019 Barry Smith  - Some great colours showing through - texture from the surface of the old horn
©2019 Barry Smith  - A bit twig like
I think one is fortunate to possess a bit of creative ability - it makes it easier to do random bits of kindness.

©2019 Barry Smith  - The strong women micro-sculpture with the sun casting shadows



Sunday, June 30, 2019

Books, compassion exhibition and bones

©2019 Barry Smith - Seventy small metal book pages - each 1.9cm X 1.2cm
Fiona and I went to the official opening of the Compassion Artists' Book Exhibition yesterday afternoon - there was a good crowd to honour the work of the 26 artists.  Ken and Ardleigh, in the photo below, had done a massive job to bring it all together. Big thank you to Ken and Ardleigh. The exhibition is open for a few weeks so a good opportunity to get along.

©2019 Barry Smith - Ken and Ardleigh at the opening of Compassion Artists' Book Exhibition
I had 6 pairs small book earrings; and 12 small metal books in the exhibition 'shop'. The earrings all sold out in a couple of hours as did a few small metal books. I was asked by Ardleigh and a number of attendees whether I would be willing to make more earrings.

I started the process of making up to ten pair today as you can see from the opening photo and the process photos below.

©2019 Barry Smith - Silver-plated drink coasters destined to become book earrings
©2019 Barry Smith - I'm able to cut 10 pages (1.9cm X 1.2cm) out of each coaster
©2019 Barry Smith - Strip of metal in the jaws of my guillotine 
©2019 Barry Smith - Ten sets of 6 pages sorted into containers marked left and right - ready for stamping words on the middle page before riveting, grinding, polishing and attaching ear wires
Still a lot of work to do on the earrings; but hopefully I will finish them by or on the next weekend.

Since I was in preparation mode I decided to clean and cut more bone: some for carving and some for pendants and earrings. As you can see I managed a reasonable assortment. Bit of a warning about sawing and sanding bone - always best to be done in the open and with a good quality mask on. Bone dust is not so good for the lungs.

©2019 Barry Smith - Scraping the shin bones after they were cooked with the osso bucco 
©2019 Barry Smith - Bones marked up for cutting with a fine abrasive blade in my angle grinder.
©2019 Barry Smith - Bone that has been cut and given an initial grind.
Now that I have the pages for the books and the bone cut there is no excuse for me not grabbing bits of time to make the pieces.

Sunday, June 9, 2019

Mini pod and bone

©2019 Barry Smith - Mini pod in the maker's hand
As the title says this blog post touches on the mini pod I completed over the weekend; and the preparation of bone for carving.

First the mini pod. Called a mini because the finished pod is about 45mm at its widest point and 39cm  in diameter across the top. The most difficult thing about hammering out a small pod is being able to hold it firmly on the metal stake and not hit one's thumb or finger. A few process photos follow.

©2019 Barry Smith - Flat metal circles sunk into shallow bowl forms
©2019 Barry Smith - After several rounds of annealing and hammering
©2019 Barry Smith - Almost there 
©2019 Barry Smith - Completed - started as 7-8cm circle of recycled silver-plate and raised to the point that the curved in opening measures 3.9cm
As you can see from the photos below this pod is quite small compared to the earlier hand shaped pod. I was pleased with the outcome.

©2019 Barry Smith - A pair of pods on the rust table
©2019 Barry Smith - Mini pod on rusted bike gears
©2019 Barry Smith - A pod nest?
Recently I saw a book on bone carving in one of the local second hand book shops. I thought it would be interesting to give carving a go since I have used bone and horn in jewellery. I also wanted to see how one prepared the bone. Of course it sorted with buying a couple of large beef bones and getting the butcher to saw the knuckles off. All the surplus meat and coating on the bones had to be scraped off and marrow removed. I thin cut the bones into rectangles to enable me to finish the scraping and brushing before soaking in detergent and bleach. the dried bone looks ready for carving.

©2019 Barry Smith - Beef bone - scraped and soaked in detergent and bleach solution overnight
©2019 Barry Smith - After second scraping the bones were cut into usable pieces
©2019 Barry Smith - Pieces of clean bone soaking in bleach solution
©2019 Barry Smith - Pieces of dried bone - ready for carving
The bone I have used in the past for jewellery has usually been through a cooking process. According to the book this results in oil etc penetrating the bone. Processing it as I did is supposed to produce whiter bone - we will see.