TOP 20 ELECTRIC GUITAR INTROS OF ALL TIME - RICK BEATO

20. Limelight - Rush 0:38 19. Day Tripper - The Beatles 1:12 18. Carry On Wayward Son - Kansas 1:46 17. Sunshine Of Your Love - Cream 2:26 16. Money For Nothing - Dire Straits 2:52 15. Aqualung - Jethro Tull 3:22 14. Do You Feel Like We Do - Peter Frampton 3:53 13. Ain't Talkin' 'Bout Love - Van Halen 4:42 12. Iron Man - Black Sabbath 5:20 11. Black Hole Sun - Soundgarden 5:39 10. Enter Sandman - Metallica 6:15 9. Sweet Home Alabama - Lynyrd Skynyrd 6:40 8. Smoke on the Water - Deep Purple 7:18 7. Don't Fear The Reaper - Blue Oyster Cult 7:46 6. Start Me Up - The Rolling Stones 8:20 5. Purple Haze - Jimi Hendrix 8:55 4. Heartbreaker - Led Zeppelin 9:47 3. Back In Black - AC/DC 10:16 2. Layla - Eric Clapton 10:48 1. Hard Days Night - The Beatles 14:17

Top 100 Synth-Pop Songs Of All Time! (RANKED)

CP Unit, Before The Heat Death - Quantized - Brandon Seabrook · Tim Dahl · Weasel Walter · Chris Pitsiokos

CP Unit, Before The Heat Death (Clean Feed) Ever since extreme-music overlord Weasel Walter took Chris Pitsiokos under his wing in 2012, the saxophone wunderkind has been a major player in Brooklyn’s DIY jazz and experimental underground. In late 2016, Pitsiokos and his Quartet offered up One Eye with a Microscope Attached quickly followed by the early 2017 release of his CP Unit’s Before the Heat Death, a godhead assault that channels the downtown free-improv mayhem of John Zorn, the ecstatic groove throw downs of electric-era Ornette Coleman and the proggy precision of Walter’s Flying Luttenbachers. Fittingly, it’s Walter and his Lydia Lunch Retrovirus bandmate, bassist Tim Dahl on drums and bass respectively, holding the chaotic fort, giving free rein to Pitsiokos and guitarist Brandon Seabrook to go batshit-crazy with a brutal punk-jazz monolith that calls to mind no wavers like James Chance and the Contortions, DNA and John Lurie and The Lounge Lizards.

Crown Larks Population 2017 - Stranger (Unce Down to the New Store)

7) Crown Larks, Population (Already Dead) From the land of post-rock, Shellac, Thrill Jockey Records and The Association for the Advancement of Creative Musicians (AACM), comes yet another group making a holy racket, albeit under-the-radar, in Chicago’s underground scene and beyond: Crown Larks. On Population, the follow-up to 2015’s Blood Dancer, the adventurous, free spirited noisemakers in Crown Larks form a psychedelic rainbow colored by soaring alto sax and flute-driving pirouettes, tribal-centric polyrhythmic action and organ-drenched post-jazz freak-outs on a Kraut-rock bender and topped by the cathartic wails of vocalists Jack Bouboushian and Lorraine Bailey. 10 Best Experimental Albums of 2017 So Far From interstellar rock to electro-samba to psych-jazz spirituality and back 10)Colin Stetson, All This I Do For Glory (50HZ) 9-Dálava, The Book of Transfigurations (Songlines) 8-Bearthoven, Trios (Cantaloupe Music) 7) Crown Larks, Population (Already Dead) 6- Mako Sica, Invocation (Feeding Tube) 5) Conformity Contortion (Sara Lund and Thollem Electric), Perception Management (Personal Archives) 4-Bill Brovold & Jamie Saft, Serenity Knolls (RareNoise) 3) Arto Lindsay, Cuidado Madame (Northern Spy) 2-Joshua Abrams & Natural Information Society, Simultonality (Eremite) 1) CP Unit, Before The Heat Death (Clean Feed) Ever since extreme-music overlord Weasel Walter took Chris Pitsiokos under his wing in 2012, the saxophone wunderkind has been a major player in Brooklyn’s DIY jazz and experimental underground. In late 2016, Pitsiokos and his Quartet offered up One Eye with a Microscope Attached quickly followed by the early 2017 release of his CP Unit’s Before the Heat Death, a godhead assault that channels the downtown free-improv mayhem of John Zorn, the ecstatic groove throw downs of electric-era Ornette Coleman and the proggy precision of Walter’s Flying Luttenbachers. Fittingly, it’s Walter and his Lydia Lunch Retrovirus bandmate, bassist Tim Dahl on drums and bass respectively, holding the chaotic fort, giving free rein to Pitsiokos and guitarist Brandon Seabrook to go batshit-crazy with a brutal punk-jazz monolith that calls to mind no wavers like James Chance and the Contortions, DNA and John Lurie and The Lounge Lizards.

huggy bear - her jazz 7"

The 50 Greatest UK Indie Records Of All Time From the fringes of the mainstream come 50 records of romance and revolt. INSPIRED BY PUNK, angered by Thatcher and in love with ’60s culture, the UK indie scene produced some of the greatest (and oddest) pop records of all time. It all began on December 28, 1976 at Indigo Studios on Gartside Street in Manchester. The Buzzcocks had just recorded and mixed four songs destined for the Spiral Scratch EP. A month later the EP would be released on the band’s own New Hormones label, in the process spawning a scene of musicians, songwriters and labels hell-bent on doing it for themselves. Forged in the political turmoil of the late ’70s and early ’80s, labels such as Postcard, Creation, Factory, Zoo and Rough Trade emerged as maverick flag-bearers of a new eclectic indie aesthetic. The DIY revolution had begun and British pop would never be the same again. From Aztec Camera to Arctic Monkeys, Felt to Franz Ferdinand, Swell Maps to The Smiths, here are MOJO’s 50 essential albums, EPs and singles of homegrown genius.