A Q and A Session with Lane Ashfeldt

Irish Short Story Month Year III

March 1 to March 31

 Author of Saltwater

I first because acquainted with the work of Lane Ashfeldt when I read her superb collection of short stories, Saltwater.  (My post on Saltwater is here.)  Saltwater  is a unique collection of short works of fiction, all inspired by the sea.  Ashfeldt,  understands  how a proximity to the ocean can permeate the mind. 

 It is as if next to your mundane limited life is something of great power and beauty which can destroy in a capricious or peevish moment.  I think the Irish psyche has been deeply affected by the Island nature of the country and the proximity of the ocean.  In Irish history, the ocean was the source of food, took people out of the country forever when times were bad, and was a wild power beyond human control.   It is these impulses that Ashfeldt deals with in the amazing stories in Saltwater.at

I am very honored that Lane Ashfeldt has agreed to do a Question and Answer Session for Irish Short Story Month Year III.

Author Data

Lane Ashfeldt is an award-winning short story writer, and a Dubliner. Her short fiction has been published in literary journals across Ireland, England, Greece and the US, and published in anthologies from ‘Punk Fiction’ to the rather more genteel ‘Dancing With Mr Darcy’. Her book of short stories, SaltWater (2013) has been called: A gorgeous collection by a bright talent.” (Nuala Ní Chonchúir) and A superb collection of powerful and evocative stories 

-Danielle McLaughlin

William Butler Yeats said in The Literary Movement that “The popular poetry of England celebrates her victories, but the popular poetry of Ireland remembers only defeats”. How do you think this has shaped Irish literature?’

Oh, god. Big question. Certainly doing school history in Ireland in the late 20^th century, we’d to study a phenomenal number of failed risings/rebellions/revolutions. I kept looking forward to learning about the real revolution - the one that won - but it never happened. 1916 and what followed gave rise not toone Ireland, but to the Republic plus Northern Ireland, with a line scored between them that spelled Trouble. So when we reached 1916 we’d jump-cut back to 16-something, and conquest and colonization would start all over. I remember putting my hand up and asking could we go on to independence, but the teacher said no, it wasn’t on the syllabus.

Post-millennium, Ireland’s heroes are very different: sportspeople and pop stars and other celebrities. I wonder what Yeats or Pádraig Pearse would make of that?

How important are the famines are to the modern Irish psyche?

All I’m saying is this: there’s a famine museum in the town my mum is from, Skibbereen, and they have real problems getting people through the door.

What is the best bookshop in Dublin?

The Gutter Bookshop. Or The Winding Stair. Or maybe Easons. All good in different ways.

Can you recommend a good place to visit if I’m in Dublin?

Mel, I get the feeling you won’t be mad about the Guinness factory or the Old Jameson Distillery, so I suggest you go to Parnell Square which is full of history and strange things. At No 18 there’s the Dublin Writers Museum and, next door, the Irish Writers Centre. Across the road is the Garden of Remembrance where heroes of the 1916 revolution were imprisoned on their way to Kilmainham Gaol. I was once stopped and searched here by a burly Garda Siochána for taking photos of the Children of Lir statue. Sinn Féin HQ at No 44 Parnell Square was coming up in the background, maybe that is why. Or maybe the guard was just bored. Finally, to round off your tour, wander round the other side of the square to No 42 where you’ll find the Moving Crib.

Why do you think there is so much drinking in Irish Short stories?

Hmm. It all depends how you look at it. Maybe you drink too much. Or maybe you don’t, and people only think you do if they know you’re Irish. That’s the way stereotypes work. There were loads of drunken Irish in books and films in the past, but I’d struggle to link this with Ireland or Irish writing today. Personally I’ve written only one story that vaguely fits, The Plough and The Stars. It’s set in a London Irish pub, but could equally be set in the pub I worked in as a student, the Parnell Mooney. (There were no grants in Ireland then, and I had to earn my fees.) The stuff I studied at university is long gone, but I still remember what they taught me at the Parnell Mooney: ‘a pint’ means a pint of Guinness, and ‘a pint and a chaser’ means a Guinness and a Jemmy (shot of Jameson’s whiskey). I loved the simplicity of it. People rarely ordered anything else. Unless they were on the red lemonade, which happened more often than you might think. Here’s a review.

Who is your favourite Irish writer of the moment?

This is on the strength of one story, but I hope to read more by Danielle McLaughlin, whose story I read in Southword 22 when they published one of mine in the same issue. Danielle has just won the Willesden Prize, so she obviously has a few more stories worth reading. I also like the writing of Colum McCann, Nuala Ní Chonchúir, Kevin Barry, Edna O’Brien, John MacKenna, Anne Enright, Colm Toibín.... and lots more. One of the first books of Irish stories I bought was by film director Neil Jordan.

Do you prefer ereading or traditional books?

I love the immediacy of wolfing a single random story straight off the web. My e-reading link of the week was this in progress sample of the graphic novel version of Ulysses, and an electronic version of the anthology Beacons - Stories for Our Not So Distant Future. But because I work onscreen a lot, I like to read on paper, too.

Finally, where in Dublin can I eat a good Irish stew?

I’m not allowed order stew when I eat out in Ireland. Mum’s orders: “Home-made is best.” Everyone else’s mum seems to say the same thing, because in Cork city the closest you’ll get is a Moroccan-style Lamb Tagine. In Dublin last week, I ate a burger at the all-night place on O’Connell Street, but with the horse-meat scandal you may want to give it a miss. I know, Mel, here’s one to fit with your tour of Parnell Square. The pub where I pulled pints as a student is now some kind of gourmet bar, renamed the Parnell Heritage Bar and Grill. No stew unless you count Mediterranean fish stew, but try the Clonakilty and Apple - black pudding with apple fries. You’ll find the menu at TheParnell.com, which is a perfect metaphor for how the revolution is always commodified (eventually!) and is a good place for me to stop.

End of Q and A

Commodify Lane’s revolution: SaltWater (the Kindle version) is on special offer in March.

http://www.amazon.co.uk/gp/product/B00AJ5J5LQ/ref=cm_sw_r_tw_alp_FAfWqb010DV15

I am very honored that Lane Ashfeldt has shared her thoughts with us.

She has also very kindly allowed me to post one her her short stories form the collection, "Roaring Water Bay" on The Reading Life.  You can read it here.

Mel u

"Roaring Water Bay" a short story by Lane Ashfeldt

"Roaring Water Bay" a short work of fiction by Lane Ashfeldt

I am very proud that Lane Ashfleldt, author of Saltwater has very kindly given me permission to publish a very moving short work of fiction, "Roaring Water Bay".  

  Saltwater by Lane Ashfeldt is a unique collection of short works of fiction, all inspired by the sea.  Ashfeldt, who was born in London to Irish parents but grew up by the sea in Dublin, understands as well as any writer I know of how a proximity to the ocean can permeate the mind. 

Listen to a very interesting interview with Lane Ashfeldt here

 It is as if next to your mundane limited life is something of great power and beauty which can destroy in a capricious or peevish moment.  I think the Irish psyche has been deeply affected by the Island nature of the country and the proximity of the ocean.  In Irish history, the ocean was the source of food, took people out of the country forever when times were bad, and was a wild power beyond human control.   It is these impulses that Ashfeldt deals with in the amazing stories in Saltwater.

My review of her wonderful collection of short stories is here


During Irish Short Story Month Year III, March 1 to March 31, I will be featuring a very interesting interview with Lane Ashfeldt.

This story is protected under international copyright laws and is the sole property of the author.  It cannot be published or posted without her consent.  

"ROARING WATER BAY"

by 

Lane Ashfeldt

Auntie Rose was the vintage of the oldest penny that we found buried in our back garden. 1892. She wore her hair in a white bun. She made bread and scones, she planted hyacinths and forsythia, she scolded and comforted, clucked and sweetened. In her late nineties she went ‘home’ on a visit. Within weeks she was dead and buried in the cramped family grave, as if the land itself had killed her. Only then did I learn of her lost child, the ‘sin’ that made her leave, and understand why she used to say, defiant: ‘They can scatter my ashes over Roaring Water Bay.’

End of Guest Post

Author Data

Lane Ashfeldt is an award-winning short story writer, and a Dubliner. Her short fiction has been published in literary journals across Ireland, England, Greece and the US, and published in anthologies from ‘Punk Fiction’ to the rather more genteel ‘Dancing With Mr Darcy’. Her book of short stories, SaltWater (2013) has been called: A gorgeous collection by a bright talent.” (Nuala Ní Chonchúir) and A superb collection of powerful and evocative stories 

-Danielle McLaughlin

The ebook of SaltWater can be bought from Amazon. 

Saltwater by Lane Ashfeldt

Saltwater by Lane Ashfeldt  (2013)

Saltwater by Lane Ashfeldt is a unique collection of short works of fiction, all inspired by the sea.  Ashfeldt, who was born in London to Irish parents but grew up by the sea in Dublin, understands as well as any writer I know of how a proximity to the ocean can permeate the mind. 

 It is as if next to your mundane limited life is something of great power and beauty which can destroy in a capricious or peevish moment.  I think the Irish psyche has been deeply affected by the Island nature of the country and the proximity of the ocean.  In Irish history, the ocean was the source of food, took people out of the country forever when times were bad, and was a wild power beyond human control.   It is these impulses that Ashfeldt deals with in the amazing stories in Saltwater.

 I do not especially like posts on anthologies of short stories that just rave on about them in general.  When I visit a forest I do not just like to see the trees, I like to see the moss that grows on them, the vines that climb them and listen to the birds that make them their home.  I like to peel the bark from the trees to see the insects that bore into the trees, I like to study their roots.   There are lots of different types of forests. ( I love tropical rain forests)  Our forest here is far from tropical, the trees stand alone on barren cliffs, the wind howls and with one wrong step you will be in the waves, maybe you will survive if you are lucky but you will always be a little afraid.

I will post on half of the stories in the collection then upon completing this I will attempt to say why I like Saltwater by Lane Ashfeldt so much.   

" 'So, have you made your mind up yet?'
'About what?'
'About the boat trip on Sunday, what else?' "

"The Boat Trip", the lead story in the collection, is a perfect specimen of the short story tellers art.   It is beautifully evokes the feel of living by the sea, something I have done.  It also lets us see how dangerous the sea can be.   It is  very much about the eternal problem that anyone with teenagers (I have three teenage daughters) has.  How do you gradually let them develop a sense of independence and freedom while protecting them from evils and dangers you see and they do not?  There is a horrible sadness, the kind you will never escape from in this story. I will let you discover the plot for yourself.  Ashfeldt does a perfect job of letting us see the sad development of a life time of pain and regret.  

"Neap Tide" 


neap tide n. A tide that occurs when the difference between high and low tide is least; the lowest level of high tide.

Before I read this great story about the tides that flow up and down in our relationships, I am pretty sure I had never come across  the term "neap tide".   This a girl meets  exotic beautiful man from a Greek Isle who to her represents everything Ireland (and I guess Irish men) is not.  "When she fell for Panos,she had also fallen for his country--the endless sun, the golden siestas, the sparkly silver-blue Aegean.  She wanted it all".  He also sees her as different from the women he is accustomed to.  I admit I did not much like him when he said he hated books.  He comes across to me as a man that preys on tourist women.  They are on a ferry from the U.K. (I think) to Dublin.   She grew up in Dublin and her parents live there but she does not really know the city at all.    When they are in Athens it is Panos that drives them around, back in Dublin he is her passenger.   I think she begins to not seem different to him when he is surrounded by all sorts of other Irish women, he begins, for the first time, to bore her.  We can see the relationship decline, the excitement is gone on both sides.  Relationships built on titillation and novelty don't normally endure more than a few comings of the tides and this story wonderfully illustrates that point.

"Fishtank"

"Sorcha and TJ go on holiday somewhere hot and try to forget.  They stay in an ochre town built on an estuary that empties into a warm, calm sea.  Neither of them understands the language spoken here".

As the story opens we meet Sorcha during a prenatal examination in which she is viewing her baby on a
sonogram for the first time.   She is trying to feel maternal but she feels more dread than anything else.  They are trying to get used to the baby idea while on vacation.   We are with the couple as they go back to London.   We listen in as they talk about the baby and we just know the woman is not happy.   We know deep down if we go that far that all life came from the sea and the baby exists in kind of a sea for nine months before being born.   The ending of the story is very complex and deeply evocative of many core myths.


"Pole House"

"Pole House" is set in Piha, New Zealand.  Piha is a small beach community that is a major day-trip for people from Auckland.  It is considered a place of great tropical beauty.  The story is told by a woman, her age is hard to fix but she has grown twins, living in a pole house with a man who makes surf sculptures.  A surf sculpture is made out of drift wood and  the man does well selling his creations.   She can hear the distant roar of the surf and has a glimpse of the ocean.   Some days she walks down to the ocean but today she needs to get away.   Kate was attracted to him because even though "He might be quiet and shy, but he not only  planned up wild schemes, he created them.  Lived them".   Kate used to love the pole house (built up in the canopy of the rain forest but now it feels like a prison to her.   We go along with Kate on her journey into the town, it is pretty much your standard beach community.   She stops in at an internet cafe and  she begins to talk a man who works there, I think, about upgrading her laptop mobile internet.   You can see she is enjoying talking to the man, semi-flirting with him but has no plans to take it further.   "Pole House" is a great story about living in isolation in a strange house in  a place of great natural beauty.


"Roaring Water Bay"

Most of the stories in the collection are 12 to 18 pages long.  This remarkable story is only one page.  It is about Auntie Rose,  born in 1892 and just buried.   It speaks deeply of the social mores of the era and place and I will leave it unspoiled.  Like the other stories, it is very related to the sea.

In all there are 12 stories in SaltWater. The period is from the first world war to the present day, with settings that range from Ireland to New Zealand, taking in stories set in Haiti, on the Irish Sea, and on the Greek Islands. 

Saltwater is a beautiful collection of short stories, all tied in, each story in a different way to one of the primordial human symbols, the sea.

The collection is available as a Kindle edition (at a very fair price)

You can learn more about Lane Ashfeldt and her work on her very well done web site.

I agree completely with this

“With crystalline prose, in sentence by neat sentence, Lane Ashfeldt tells her stories of love, wavering trust and loss. The sea shimmers through SaltWater, as threatening and beautiful as many of the characters who walk the pages. A gorgeous collection by a bright talent.” Nuala Ní Chonchúir, 

Author Data

Lane Ashfeldt is an award-winning short story writer, and a Dubliner. Her short fiction has been published in literary journals across Ireland, England, Greece and the US, and published in anthologies from ‘Punk Fiction’ to the rather more genteel ‘Dancing With Mr Darcy’. Her book of short stories, SaltWater (2013) has been called: A gorgeous collection by a bright talent.” (Nuala Ní Chonchúir) and A superb collection of powerful and evocative stories 

-Danielle McLaughlin

The ebook of SaltWater can be bought from Amazon. 

There is a very interesting interview with Lane on RTE radio which you can listen to here.

I endorse this collection of short stories to any an all lovers of the form.  Her stories go all over the world from Ireland, Greece, England, Haiti and New Zealand.  Ashfeldt has a lived experience of much of the places she writes about and it shows in her amazing stories,