"CHRISTMAS NOT JUST ONCE A YEAR" - A Short Story by Heinrich Böll - 1952 (Nicht nur zur Weihnachtszeit" )

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CHRISTMAS NOT JUST ONCE A YEAR" - A Short Story by Heinrich Böll - 1952 (Nicht nur zur Weihnachtszeit") - 7 Pages - included in the anthology A Very German Christmas-

Heinrich Böll 

Born: December 21, 1917, Cologne, Germany

Died: July 16, 1985 (age 67 years), Kreuzau, Germany

1972 - Wins Nobel Prize for Literature 

Christmas Not Just Once a Year" takes place in the years immediately following World War II. Böll himself participated in the war as a Nazi soldier. In the course of the war, he wrote hundreds of letters home to his wife, many of which explicitly criticized Germany's role in the war.

Christmas Not Just Once a Year" ("Nicht nur zur Wiehnachtszeit") was written in 1951 and was first "published" in a German radio broadcast that year. Considered to be one of Heinrich Böll's finest satires, the story was included in German in his 1952 book, Nicht nur zur Weihnachtszeit, a collection that was expanded in 1966 and renamed Nicht nur zur Wiehnachtszeit: Satiren. In the United States, the story appeared most recently in Böll's collected stories, The Stories of Heinrich Böll, published by Knopf in 1986. In addition, "Christmas Not Just Once a Year" is one of Böll's most widely anthologized stories.

"Christmas Not Just Once a Year" tells the simple story of Aunt Milla's hysterical reaction to the taking down of the family Christmas tree in 1946 and her family's subsequent reaction to her hysteria. Told through the eyes of one of the family's first cousins, the story describes the complete moral and psychological disintegration of a family that refuses to acknowledge Milla's profound psychological problems. Instead of addressing the issue of Milla's breakdown clinically or directly, the family decides to continue with the ruse that every day is Christmas. For two years they go to great lengths and expense to host a nightly ritual of Christmas tree decorations and carol singing in order to keep Aunt Milla from screaming hysterically.

Böll's narrative becomes increasingly absurd as the story develops. Written while Germany was in the early stages of its postwar reconstruction, and during a time when it had yet to fully acknowledge its role in World War II or in the Holocaust. "Christmas Not Just Once a Year" addresses the theme of historical amnesia. Just as the family refuses to accept the fact that things are no longer "like the good old days" of prewar Germany and that Aunt Milla could not become healthy until the family acknowledges this basic fact, Böll believed that Germany would remain stunted if it did not directly address its Nazi past and come to terms with its role in the war.

Castle Gripsholm - 1931- by Kurt Tucholsky- 244 Pages- translated from the German by Michael Hofmann -2019

 

Castle Gripsholm - 1931- by Kurt Tucholsky- 244 Pages- translated from the German by Michael Hofmann -2019

KURT TUCHOLSKY (1890–1935) was born in Berlin to a middle-class Jewish family. He received a law degree from the University of Jena in 1915 and was conscripted to fight in World War I not long after

. A notably poor soldier, his aphorism likening soldiers to murderers became a pacifist rallying cry. Tucholsky began his journalism career while still a student, and he found success writing in a range of forms, including the feuilleton, criticism, satire, poetry, and lyrics for cabarets. Under both his name and various pseudonyms, his work frequently appeared in the leftist intellectual organ Die Weltbühne Tucholsky’s collected writings amount to thousands of pages and include a play, Christopher Columbus (1932); an illustrated book, Deutschland, Deutschland über alles (1929); and two works of fiction, Rheinsberg (1912) and Castle Gripsholm (1931). He was married twice, to Else Weil from 1920 to 1924 and to Mary Gerold in 1924. In 1933, his last piece for Die Weltbühne appeared in January; by August his German citizenship had been annulled and his books burned en masse. The Nazis had denounced him as “one of the most wicked of literary pornographers.”

 He divorced Mary to distance her from Nazi persecution and lived in exile in Sweden on short-term visas under threat of deportation, where he died from an overdose of sleeping pills. There are two annual literary awards given in his name: the Swedish PEN Tucholsky Prize and Germany’s Kurt Tucholsky Prize.

Castle Gripsholm is Tucholsky’s only novel, his longest single piece of work of any kind. As a critic, he had a very high regard for the form, and so, despite his modesty in not claiming the tag for himself, tribute should be paid to the skill of this one (which has sold three-quarters of a million copies). More than anything else, it is a beautifully plausible version of what it pretends to be: ‘a summer story’ – the plainest and clearest and liveliest of first-person writing – full of fresh air, sunshine, trees, companionableness and friendly bickering – sweet oblivion. But, in the light of its author’s other preoccupations, commitments and achievements, and of the date itself – two years later he would be stripped of his citizenship and his books would be burned – can this withdrawal, this holiday, this compliance with his ‘publisher’s’ wishes, can it be real? It is real, though the reality is wishful. That the sales of his books really did matter more than what he was trying to achieve in writing them. That it would be possible to turn away from politics, and to forget what was happening, in some serene privacy. That the struggle in Germany and for Germany could take place on some manageably small and symbolic level, like the struggle for Ada. That his privacy would indeed be serene . . . Castle Gripsholm is a book by a man who was never a father himself, and in whose life there were many women.

Available in The New York City Public Library