Showing posts with label VL. Show all posts
Showing posts with label VL. Show all posts

Monday, July 29, 2019

Nine over 10


What is the religion
of the Italians?

They are Roman Cath-
olics.

What do the Roman
Catholics worship?

Idols and a piece
of bread.

Would not God be
very angry if He
knew that the It-
alians worshipped
idols and a piece
of bread?

God is very angry.





Recalling that on this date, in
2010, I started writing red mug
blue linen on the pretext of be-
ing under development, I'm heart-
ened to notice that although the
blog has appeared over 10 years,
it is still only nine years old.

I don't know why, but I feel this
is a sign that there's still time
for it. Meanwhile, the dialogue
borrowed above, from a Christmas
Cracker anthology by John Julius
Norwich, can stand for two impres-
sions I've never tried to subdue:
that I'm lucky in what I admire -
worship being a condition which
has discredited itself too much
for emulation, in this land in
which I write - and that what I
do is no more than superfluously
disadvantageous in God's eyes.

But this is to address only one
of the senses. As in the famil-
iar Summer towel, drying on the
rack at such length, one or an-
other of the unblinking senses
may question the freshness of
the thing. This consideration
is akin to fretting the opinion
of God, when He is an audience
I haven't pretended to address.




Flippant as this defense may be,
it deflects a hovering smell in
the air of public comment today,
of an antagonistic struggle for
the soul of the nation. We hear
a gruesome trumpet on all sides,
from Falwell's Liberty Univer-
sity, to Joseph Biden's latest
postures for the Presidency, to 
Pulitzer columnists flogging
us to do the right thing. It's
a hideous abuse of any concept
of liberty, by the foulest
simplifications and reductions
of political importuning, this
grab at the autonomous soul, to
the telling neglect of bread.

Something strikes me as malfunc-
tional in addressing each other,
to remonstrate as if grievances
endow anyone with divine judgment.
Now we are challenged to make mer-
cy popular, and who will grow it?




A student rejects this cant with
grateful resort to invigorating
refreshment in the assets of the
senses. Here I take delight in a
picture I acquired with the trade
artist of clarity and strength. I
think of the senses in development,
and admire the company of being.























More Christmas Crackers
  being ten commonplace
  selections, 1980 - 1989
Viking, 1990©











Thursday, December 20, 2018

Flight





   I don't think we know anyone who
   did not recognize his immediate
   and complete withdrawal of proof
   of a national self-interest in a
   safer Middle East as the gesture
   of a tormented mentality's decom-
   position under pressures of expo-
   sure. An unforgettably transpar-
   ent imitation of escape, less a
   displacement than a scavenging.


And cold the sense and lost the motive of action.















T.S. Eliot
Four Quartets
  East Coker, iii
1943

Valéry Lorenzo
Peregrine 




Friday, January 5, 2018

Suppose it were Friday cxlvi: Hey, ho, halcyon days






There's nothing like a Cease and
Desist demand from a blackmailing
goon to cue Martha & The Vandellas
for a lively dance in Grub Street. 
We are going to remember January
5th, as the day the bawling new
government in America coiled up
in bed with a cheeseburger, hol-
lering for the secret sauce of
censorship. The one trouble is,
that jar has a child-proof cap,
we call the First Amendment.

The ultimate delight in the new
book will be found in its mis-
takes; the more, the merrier.
This is, after all, the gang
whose bodice-ripping script of
the Protocols of Zion is broad-
cast daily for the government's
levée; and it would be obscene
to subject that panting body to
fastidious inspection. Soon to
come, will be smokescreen in-
nuendo of financing from some
hostile power, like Manhattan.

Against any gathering impression
of facetiousness in these revels,
Liebling's Jollity Building is 
giving no odds. But a good cigar ..


















Valéry Lorenzo
untitled toast
2016©






Tuesday, January 2, 2018

An artichoke, alone






There is something pleasantly sensual
and mindful about eating an artichoke
all alone, dunking each leaf in a tart,
buttery sauce and scraping off that
little bit of flesh, then getting to 
the bottom and carefully removing the
prickly thistles to the heart .. I re-
member always asking for an artichoke
when I knew I would be home alone and
could relish each bite.

and I didn't make note of it because
I almost couldn't believe it. She ac-
counted for many wonderful meals for
countless people, as an editor and al-
so as a writer, and for one pure treas-
ure of companionship, ironically titled,
The Pleasures of Cooking for One. If we
hear talk of food porn, it's because of
dining for pleasure, instead of with it.






Then I remembered the photographer,
Valéry Lorenzo, and for proving one
could show that gorgeous difference.
Who is dining alone, and is so fed?



















Judith Jones
The Pleasures of
  Cooking for One
Alfred A. Knopf, 2013©

Valéry Lorenzo
Roquefort
2014©





  


Friday, August 12, 2016

Clusters ii: A space is open







  A friend of mine went
  down from Park Slope,
  for the furor in Phil-
  adelphia, and sent me
  this memento. 

  There is a ledge open
  for keepsakes between
  Sense and Sensibility
  and The Portrait of a
  Lady.

  I think this will do.
  Lest I forget, there
  is a civil candidate.
  Bring us to November.
























Sandrine Kern
Coquelicot
2010

Valéry Lorenzo
The Pop Music Series
2015





Wednesday, August 10, 2016

I will have my Summer back







  

  I go into companion-
  ship through univer-
  sal eyes, remaining
  open to particulars.

  One is Virgil's pas-
  torals, one is Eng-
  lish Hours of Henry
  James. One is this
  photographer.

























Valéry Lorenzo
Castille
2015





Friday, July 29, 2016

Party






rmbl opened 7.29 
very tentatively -
there remain now 
the possibilities






            Is blindness, then, the gift you give before
            The rest? - forgiveness, say, so hard to find
            In what's at hand, the common day which seems
            At last the light that yields such heat, such beams.



 
                   
     





















J.D. McClatchy
The Rest of the Way
  Poems
  An Old Song Ended
  [fragment]
Alfred A. Knopf, 1992©




Isabelle Pariente-Butterlin










Sunday, April 26, 2015

Plane sensibility






  I think of Ozu
  and of Valéry 
  Lorenzo, such
  elegant and
  penetrating
  masters of the
  plane in visu-
  al craftsman-
  ship, as I re-
  turn to this
  still from a
  student movie,
  a coming of age
  project within
  a coming of age
  project. I know
  little of the
  narrative but I
  know this is an
  eloquent eye,
  in this probing 
  application of
  several senses to
  a fluid partition,
  as they simply are.



























Mees Peijnenburg
  director
Netherlands Film Academy
Stephan Polman
  cinematography
Ko Zandvliet
2013








Thursday, April 16, 2015

Hunting life


Another day he spots what he
supposes to be a wood pigeon
but 'the possibility of its
being an immature male Pere-
grine flashed across my mind'.





'Presumably,' 'possibility':
wish fulfillment is at work
here: the beginnings of a 
longing for the peregrine so
keen that it caused - in the
blurry distance of his far-
sight - dove to morph into
falcon, pigeon to pass into
peregrine. From the start,
the predatory nature of the
falcons, their decisive speed,
their awesome vision and their
subtle killings all thrilled
him. He was enraptured ..























Robert Macfarlane
Landmarks
  5 : Hunting Life
Hamish Hamilton, 2015©

Valéry Lorenzo
Les augures

Lukas Hoffmann