Apichatpong Weerasethakul Takes the Palme d'Or

Tim Burton and the jury awarded Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives the Palme d'Or at Cannes today, marking the first Palme d'Or for the director and for Thailand. Weerasethakul won the Jury Prize in 2004 for Tropical Malady (which still feels like a giant oversight by Quentin Tarantino and his jury that year, who gave the Palme d'Or to Fahrenheit 9/11) and the Un Certain Regard Award in 2002 for Blissfully Yours. You can watch A Letter to Uncle Boonmee, the director's fantastic 17-minute short which he expanded into the feature, on MUBI. In his fourth outing as a feature director, Mathieu Amalric took home the Best Director prize for Tournée [On Tour]. In a rare tie, Javier Bardem and Elio Germano were named the Best Actors for Biutiful and La nostra vita [Our Life] respectively, and Juliette Binoche won her first Best Actress prize at Cannes this year for Abbas Kiarostami's Copie conforme [Certified Copy]. Rounding out the rest of the awards: Lee Chang-dong won Best Screenplay for Poetry, Xavier Beauvois' Des hommes et des dieux [Of Gods and Men] was awarded the Grand Prix and Michael Rowe's Año bisiesto [Leap Year] won the Caméra d'Or (for best first film). Full awards below:

Palme d'Or: Uncle Boonmee Who Can Recall His Past Lives, d. Apichatpong Weerasethakul, Thailand/France/Germany/Spain/United Kingdom
Grand prix: Des hommes et des dieux [Of Gods and Men], d. Xavier Beauvois, France

Prix du jury: Un homme qui crie [A Screaming Man], d. Mahamat-Saleh Haroun, France/Chad
Prix de la mise en scène [Best Director]: Mathieu Amalric - Tournée [On Tour]
Prix d'interprétation féminine [Best Actress]: Juliette Binoche - Copie conforme [Certified Copy]
Prix d'interprétation masculine [Best Actor]: (tie) Javier Bardem - Biutiful; Elio Germano - La nosta vita [Our Life]
Prix du scénario [Best Screenplay]: Lee Chang-dong - Poetry
Caméra d'Or: Año bisiesto [Leap Year], d. Michael Rowe, Mexico

The 2010 Cannes Film Festival in Posters, Round 2

Here are 34 more posters for films playing at this year's Cannes Film Festival. All are new titles, aside from Somos lo que hay [We Are What We Are] as I found a different, larger poster for it. From the competition, we have La princesse de Montpensier, Tender Son: The Frankenstein Project, Uncle Boonmee Who Can Recall His Past Lives (thanks ouiouioui!) and Hors-la-loi (which leaves only Another Year, Fair Game, Chongqing Blues, Route Irish and My Joy un-represented in that section). From the Cannes Classics section: La 315ème section, Psycho, The Leopard, Boudu Saved from Drowning, Tristana, La compagne de Ciceron, Le grand amour, The Tin Drum, Kiss of the Spider Woman, The African Queen, Au petit bonheur and La bataille du rail. The rest: O Estranho Caso de Angélica, Bedevilled (which might be the cover sheet of a press booklet), Benda Bilili!, Chatroom (easily the worst reviewed film at the festival so far), Aurora, Le quattro volte, Octubre, Sandcastle, Picco, Simon Werner a disparu..., La casa muda, Unter dir die Stadt, The Wanderer, Udaan, Los labios, Marţi, după Crăciun and You Will Meet a Tall Dark Stranger. There may be one more update when the festival closes.

Être Queer à Cannes

Following in the traditions of both the Berlinale and Venice International Film Festival, the very first Queer Palm will be handed out at the Cannes Film Festival this year. Though in its first year, the award isn't yet an "official" prize... but it will be given to any film screening across the panels (the Official selection, Un Certain Regard, Quinzaine des Réalisateurs, Semaine de la Critique). The Teddy Award in Berlin has been around since 1987, formed by German filmmakers Wieland Speck and Manfred Salzgeber; the first Teddy's were given to Pedro Almodóvar's Law of Desire [La ley del deseo] in the feature category and Gus Van Sant's Five Ways to Kill Yourself and My New Friend in the shorts section. The Queer Lion of the Venice Film Festival has only been around for three years, with the first prize going to Edward Radtke's The Speed of Life in 2007; Tom Ford's A Single Man won last year. "Fathered" by directors Olivier Ducastel and Jacques Martineau (Jeanne et le garçon formidable, Crustacés et coquillages), the Queer Palm will be announced at a ceremony on the 22nd. For more information, here's an interview with the organizer, Franck Finance-Madureira, with English subtitles. Ducastel and Martineau won a Teddy Jury Award in 2000 for The Adventures of Félix [Drôle de Félix].

Unfortunately, the official Queer Palm site doesn't mention which titles are eligible for the award, but with three notable queer cinéastes presenting their latest films this year, I'd imagine they'll have their pick of Gregg Araki's Kaboom! (which played out of competition at a midnight screening), Xavier Dolan's Heartbeats [Les amours imaginaires] (which has gotten a lot of great feedback and was just acquired by IFC Films) and (possibly) Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives (which hasn't screened yet and may not be as queer as, say, Tropical Malady). I suppose there's a possibility in Cam Archer's Shit Year (like Weerasethakul's, it may lack the queerness of the director's previous Wild Tigers I Have Known), but gauging a film's queerness is a challenge (for those reading synopses and reviews just as much, I'd imagine, as those who've actually seen the films).

Looking at the Semaine de la Critique line-up today, I just now noticed that another (queer) short directed by James Franco, The Clerk's Tale, will be closing the Court-Métrange section of the Semaine (along with a short directed by Kirsten Dunst called Bastard, with Juno Temple, Brian Geraghty, Lukas Haas, Lee Thompson Young and L.M. Kit Carson). A little over a year after acting in a Gus Van Sant film (Milk, of course), Franco seems to be carrying on the queer cinema torch. Another short he directed called Feast of Stephen, about a teenage boy's black-and-white fantasies, took home the Teddy for Short Film earlier this year; Franco also played that homo Allen Ginsberg in Rob Epstein and Jeffrey Friedman's Howl, also part of the 2010 Berlinale. If no other Queer Palm information surfaces in the next few days, you'll hear back from me when the jury hands out their prize. Until then, check out the charming, smutty interview BUTT magazine conducted with Dolan back in April.

Cannes Line-Up 2010

The films have been announced, and while my suspicions yesterday were premature, I suppose the absence of Béla Tarr's latest is the only real surprise (granted it was going to be hard to surprise me as I wasn't following what was expected to be showing this year). In the Competition line-up, Mike Leigh and Abbas Kiarostami are the only former Palme d'Or winners, but many other previous award recipients, such as Alejandro González Iñárritu, Nikita Mikhalkov, Bertrand Tavernier and Apichatpong Weerasethakul, will be presenting their films. New films from Jean-Luc Godard, Manoel de Oliveira, Lodge Kerrigan, Hong Sang-soo, Radu Muntean, Cristi Puiu and one of last year's big winners Xavier Dolan will be shown in the Un Certain Regard section, and the latest from Woody Allen, Stephen Frears, Oliver Stone and Gregg Araki will also be shown out of competition. The line-ups are below.

Another Year, d. Mike Leigh, UK, w. Jim Broadbent, Imelda Staunton
Biutiful, d. Alejandro González Iñárritu, USA, w. Javier Bardem, Blanca Portillo
Burnt by the Sun 2, d. Nikita Mikhalkov, Russia
Copie conforme [Certified Copy], d. Abbas Kiarostami, Iran/France/Italy, w. Juliette Binoche
Des hommes et des dieux [Of Gods and Men], d. Xavier Beauvois (Le petit lieutenant), France, w. Lambert Wilson, Michael Lonsdale, Roschdy Zem
Fair Game, d. Doug Liman, USA, w. Naomi Watts, Sean Penn
Hors-la-loi [Outside the Law] d. Rachid Bouchareb (Days of Glory), France/Algeria/Belgium, w. Jamel Debbouze, Roschy Zem, Sami Bouajila
Housemaid, d. Im Sang-soo (The President's Last Bang), South Korea
La nostra vita, d. Daniele Luchetti (My Brother Is an Only Child), Italy, w. Raoul Bova, Elio Germano, Riccardo Scamarcio
Outrage, d. Takeshi Kitano, Japan, w. Kitano, Jun Kunimura
Poetry, d. Lee Chang-dong (Oasis), South Korea
La princesse de Montpensier, d. Bertrand Tavernier, France/Germany, w. Gaspard Ulliel, Lambert Wilson
Tournée, d. Mathieu Amalric, France, w. Amalric, Damien Odoul
Un homme qui crie [A Screaming Man], d. Mahamat-Saleh Haroun (Abouna), Chad
Uncle Boonmee Who Can Recall His Past Lives, d. Apichatpong Weerasethakul, Thailand
You. My Joy, d. Sergei Loznitsa (Revue), Ukraine

Un Certain Regard

Les amours imaginaires [Heartbeats], d. Xavier Dolan, Canada, w. Dolan
Aurora, d. Cristi Puiu (The Death of Mr. Lăzărescu), Romania, w. Puiu
Blue Valentine, d. Derek Cianfrance, USA, w. Ryan Gosling, Michelle Williams
Chatroom, d. Hideo Nakata (Dark Water), UK
Chongqing Blues, d. Wang Xiaoshuai (Beijing Bicycle), China
O Estranho Caso de Angélica [The Strange Case of Angelica], d. Manoel de Oliveira, Portugal
Film socialisme, d. Jean-Luc Godard, Switzerland/France, w. Patti Smith
Life Above All, d. Oliver Schmitz (Paris je t'aime)
Los labios, d. Ivan Fund, Santiago Loza, Argentina
Ha Ha Ha, d. Hong Sang-soo, South Korea
Marţi, după Crăciun [Tuesday, After Christmas], d. Radu Muntean (Boogie), Romania, w. Dragos Bucur
Octubre, d. Daniel Vega
Pál Andrienn [Adrienn Pál], d. Ágnes Kocsis (Fresh Air), Hungary/Netherlands/France/Austria, w. Éva Gábor
R U There, d. David Verbeek (Shanghai Trance), Taiwan
Rebecca H. (Return to the Dogs), d. Lodge Kerrigan, USA
Simon Werner a disparu..., d. Fabrice Gobert
Udaan, d. Vikramaditya Motwane, India
Unter dir die Stadt [The City Below], d. Christoph Hochhäusler (I Am Guilty), Germany

Out of Competition

Tamara Drewe, d. Stephen Frears, UK
Wall Street: Money Never Sleeps, d. Oliver Stone, USA, w. Michael Douglas, Shia LaBoeuf, Carey Mulligan, Josh Brolin, Charlie Sheen, Susan Sarandon, Frank Langella, Vanessa Ferlito
You Will Meet a Tall Dark Stranger, d. Woody Allen, USA/Spain, w. Naomi Watts, Josh Brolin, Antonio Banderas, Anthony Hopkins

Midnight

L'autre monde [Blackhole], d. Gilles Marchand (Who Killed Bambi?), France, w. Grégoire Leprince-Ringuet, Melvil Poupaud
Kaboom, d. Gregg Araki, USA/France, w. James Duval, Roxane Mesquida, Kelly Lynch

Special Screenings

Abel, d. Diego Luna, Mexico
Chantrapas, d. Otar Iosseliani
Draquila - l'italia che trema, d. Sabina Guzzanti, Italy
Inside Job, d. Charles Ferguson
Nostalgia de la luz [Nostalgia for the Light], d. Patricio Guzmán, France
Over Your Cities Grass Will Grow, d. Sophie Fiennes (The Pervert's Guide to Cinema), Netherlands

All My Friends: Millennium Mambo, Take 4: Blake Williams

Blake and I met somehow through the ol' blosophere. I typically assume it's related to Jacques Rivette, as most of my relationships with other like-minded film bloggers seem to stem from that (or maybe it comes later, I'm not sure). Blake is a Yankee residing in Canada, where he's a grad student at the University of Toronto. Please check out his blog R and G and B. His film list is a tentative one (like all of ours are), as he's waiting until the end of next year to publish the "official" one on his site. Thanks, Blake.

On Film: The first 5 films (maybe 6) I imagine will rank in my favorite 100 films on the day I die.

01. Inland Empire, 2006, d. David Lynch, USA/Poland/France

Basically, my favorite film. I kind of hate saying that about a David Lynch film, since he's like the weird director that college freshmen wig out over and tell all their friends to rent at the video store so they can watch their confused faces at the end and say that they should totally smoke out while watching it next time so they can understand it more. But alas, it is. Can't imagine many better things to do with 3 hours of my time than watch this film for the nth time.

02. Syndromes and a Century, 2006, d. Apichatpong Weerasethakul, Thailand/France/Austria

Contains the single greatest shot I saw this decade, preceded by an hour and a half of relaxed, unstrained spirituality and whimsy (the good kind). Very funny, too.

03. Punch-Drunk Love, 2002, d. Paul Thomas Anderson, USA

The film that motivated me to devote a majority of my time to seeking out 'art cinema.' No film I have seen captures awkwardness - in most of its forms - as thoroughly and concisely. Not to mention the Jeremy Blake factor, making the film just that more uneasy.

04. RR, 2007, d. James Benning, USA/Germany

Last April, I took a 14-hour bus from Toronto to Boston to see this film (and a 22-hour trip back (#won'tdothatagain)) after missing it in the Toronto Film Festival. Basically, it was worth it, especially when it was followed by a wonderful QA with Benning. Could be the perfect structural film project, matching the speed, lengths of trains with the qualities of the reel, and the origin of the medium. Helps that every shot is beautifully framed.

05. Melancholia, 2008, d. Lav Diaz, Philippines

Not here because it's the longest film I've ever seen; I think that if it was edited down to 2 hours, retaining the key elements, it could still be in this position. One of the only things the length contributed was the possibility of fucking up an amazing idea by making it unnecessarily long, which didn't happen. Instead, what would be 'just another amazing cinematic experience' is drawn out to a euphoric, almost day-long immersion in role changes, mysticism, performance art, Tropical Malady-esque jungle hunts, and, naturally, melancholia (AKA, right up my alley).

06. In the City of Sylvia [En la ciudad de Sylvia], 2007, d. José Luis Guerín, Spain/France
07. Tropical Malady, 2004, d. Apichatpong Weerasethakul, Thailand/France/Germany/Italy
08. La ciénaga, 2001, d. Lucrecia Martel, Argentina/France/Spain
09. The New World, 2005, d. Terrence Malick, USA/UK
10. The Gleaners & I [Les glaneurs et la glaneuse], 2000, d. Agnès Varda, France
11. Synecdoche, New York, 2008, d. Charlie Kaufman, USA
12. Code Unknown [Code inconnu: Récit incomplet de divers voyages], 2000, d. Michael Haneke, France/Germany/Romania
13. Dogville, 2003, d. Lars von Trier, Denmark/Sweden/UK/France/Germany/Norway/Finland/Netherlands
14. Mulholland Drive, 2001, d. David Lynch, USA/France
15. A.I.: Artificial Intelligence, 2001, d. Steven Spielberg, USA
16. Wild Grass [Les herbes folles], 2009, d. Alain Resnais, France/Italy
17. Talk to Her [Hable con ella], 2002, d. Pedro Almodóvar, Spain
18. Hairspray, 2007, d. Adam Shankman, USA/UK
19. About Schmidt, 2002, d. Alexander Payne, USA
20. There Will Be Blood, 2007, d. Paul Thomas Anderson, USA
21. 25th Hour, 2002, d. Spike Lee, USA
22. Colossal Youth [Juventude Em Marcha], 2006, d. Pedro Costa, Portugal/France/Switzerland
23. The Romance of Astrea and Celadon [Les amours d'Astrée et de Céladon], 2007, d. Eric Rohmer, France/Italy/Spain
24. Ratatouille, 2007, d. Brad Bird, USA
25. The Triplets of Belleville [Les triplettes de Belleville], 2003, d. Sylvain Chomet, Belgium/France/Canada/UK

On Music: Pardon the Pitchforkousness, but these are the 25 most played, post-1999 albums in my iTunes since 2006 (the last time I cleared out my Library and started fresh). It's a pretty accurate hierarchy, too, with the Kate Bush album having a play count nearly twice that of the second highest play count, Antony's debut.

01. Kate Bush - Aerial (2005)
02. Antony and The Johnsons - Antony and The Johnsons (2000)
03. Burial - Untrue (2007)
04. Antony and The Johnsons - I Am A Bird Now (2005)
05. Joanna Newsom - Ys (2006)
06. Joanna Newsom - The Milk-Eyed Mender (2004)
07. Bon Iver - For Emma, Forever Ago (2007)
08. The Fiery Furnaces - Blueberry Boat (2004)
09. The Microphones - Mount Eerie (2003)
10. Fever Ray - Fever Ray (2009)
11. Björk - Vespertine (2001)
12. Mount Eerie - Singers LP (2005)
13. Mount Eerie - Seven New Songs of Mount Eerie (2004)
14. Boards of Canada - Geogaddi (2002)
15. jj - jj n° 2 (2009)
16. Arcade Fire - Funeral (2004)
17. The Knife - Deep Cuts (2003)
18. Sam Amidon - All Is Well (2007)
19. Lindstrøm - Where You Go I Go (2008)
20. Akron/Family - Akron/Family (2005)
21. Sufjan Stevens - Illinois (2005)
22. Appaloosa - Easter Demos (2008)
23. Radical Face - Ghost (2007)
24. Neko Case - Fox Confessor Brings the Flood (2006)
25. The Notwist - Neon Golden (2002)

Millennium Mambo, Part 2-ish

Two more big lists have been published asserting the finest films of the decade. The haughtier of the two came from The Toronto International Film Festival Cinematheque, which surveyed a group of "film curators, historians, and festival programmers" and named, in a surprise move, Apichatpong Weerasethakul's Syndromes and a Century the best film of the 2000s. I'm in agreement with almost their entire list, aside from Claire Denis' Beau travail (not because I don't absolutely adore the film, but because by my own regulations, it counts as a 1999 film) [Abbas Kiarostami's The Wind Will Carry Us falls into the same place for me], Guillermo del Toro's Pan's Labyrinth (which is fine, but doesn't need to be that high) and Elephant, which should not be listed above Gerry (or Paranoid Park, which isn't on the list). I also don't have much affinity for I Don't Want to Sleep Alone, I'm Not There., Alexandra or Saraband (from what I remember of it), but that's part of the joy in lists like these, no? The list is as follows, with plenty of ties, the US distributor if applicable is listed after the title for assistance:

01. Syndromes and a Century, 2006, d. Apichatpong Weerasethakul, Thailand/France/Austria, Strand Releasing

02. Platform, 2000, d. Jia Zhang-ke, China/Hong Kong/Japan/France, New Yorker Films

03. Still Life, 2006, d. Jia Zhang-ke, China/Hong Kong, New Yorker Films

04. Beau travail, 1999/2000, d. Claire Denis, France, New Yorker Films

05. In the Mood for Love, 2000, d. Wong Kar-wai, Hong Kong/China/France, USA Films/Criterion

06. Tropical Malady, 2004, d. Apichatpong Weerasethakul, Thailand/France/Germany/Italy, Strand Releasing

07. (tie) The Death of Mr. Lăzărescu [Moartea domnului Lăzărescu], 2005, d. Cristi Puiu, Romania, Tartan Films
07. (tie) Werckmeister Harmonies [Werckmeister harmóniák], 2000, d. Béla Tarr, Ágnes Hranitzky, Hungary/Italy/Germany/France, Facets

08. Éloge de l'amour [In Praise of Love], 2001, d. Jean-Luc Godard, France/Switzerland, New Yorker Films

09. 4 Months, 3 Weeks and 2 Days [4 luni, 3 săptămâni şi 2 zile], 2007, d. Cristian Mungiu, Romania, IFC Films

10. Silent Light [Stellet licht], 2007, d. Carlos Reygadas, Mexico/France/Netherlands/Germany, Palisades Tartan

11. Russian Ark, 2002, d. Aleksandr Sokurov, Russia/Germany, Wellspring

12. The New World, 2005, d. Terrence Malick, USA/UK, New Line

13. Blissfully Yours, 2002, d. Apichatpong Weerasethakul, Thailand/France, Strand Releasing

14. Le fils [The Son], 2002, d. Jean-Pierre Dardenne, Luc Dardenne, Belgium/France, New Yorker Films

15. Colossal Youth [Juventude Em Marcha], 2006, d. Pedro Costa, Portugal/France/Switzerland, Criterion (unreleased as of yet)

16. (tie) Les glaneurs et la glaneuse [The Gleaners & I], 2000, d. Agnès Varda, France, Zeitgeist
16. (tie) In Vanda's Room [No Quarto da Vanda], 2000, d. Pedro Costa, Portugal/Germany/Switzerland/Italy, Criterion (unreleased as of yet)
16. (tie) Songs from the Second Floor [Sånger från andra våningen], 2000, d. Roy Andersson, Sweden/Norway/Denmark, New Yorker Films

17. (tie) Caché, 2005, d. Michael Haneke, France/Austria/Germany/Italy, Sony Pictures Classics
17. (tie) A History of Violence, 2005, d. David Cronenberg, USA/Germany, New Line
17. (tie) Mulholland Drive, 2001, d. David Lynch, France/USA, Universal Studios
17. (tie) Three Times, 2005, d. Hou Hsiao-hsien, Taiwan/France, IFC Films

18. Rois et reine [Kings and Queen], 2004, d. Arnaud Desplechin, France, Wellspring

19. Elephant, 2003, d. Gus Van Sant, USA, HBO Films

20. Talk to Her [Hable con ella], 2002, d. Pedro Almodóvar, Spain, Sony Pictures Classics

21. (tie) The Wind Will Carry Us, 1999/2000, d. Abbas Kiarostami, Iran/France, New Yorker Films
21. (tie) Yi yi: A One and Two, 2000, d. Edward Yang, Taiwan/Japan, Fox Lorber/Criterion

22. Pan's Labyrinth [El laberinto del Fauno], 2006, d. Guillermo del Toro, Mexico/Spain/USA, Picturehouse/New Line

23. (tie) L'enfant, 2005, d. Jean-Pierre Dardenne, Luc Dardenne, Belgium/France, Sony Pictures Classics
23. (tie) The Heart of the World, 2000, d. Guy Maddin, Canada, Zeitgeist
23. (tie) I Don't Want to Sleep Alone, 2006, d. Tsai Ming-liang, Taiwan/Malaysia/China/France/Austria, Strand Releasing
23. (tie) Star Spangled to Death, 2004, d. Ken Jacobs, USA, Big Commotion Pictures

24. The World, 2004, d. Jia Zhang-ke, China/Japan/France, Zeitgeist

25. (tie) Café Lumière, 2003, d. Hou Hsiao-hsien, Japan/Taiwan, Wellspring
25. (tie) The Headless Woman [La mujer sin cabeza], 2008, d. Lucrecia Martel, Argentina/France/Italy/Spain, Strand Releasing
25. (tie) L'intrus [The Intruder], 2004, d. Claire Denis, France, Wellspring
25. (tie) Millennium Mambo, 2001, d. Hou Hsiao-hsien, Taiwan/France, Palm Pictures
25. (tie) My Winnipeg, 2007, d. Guy Maddin, Canada, IFC Films
25. (tie) Saraband, 2003, d. Ingmar Bergman, Sweden/Italy/Germany/Finland/Denmark/Austria, Sony Pictures Classics
25. (tie) Spirited Away, 2001, d. Hayao Miyazaki, Japan, Studio Ghibli/Disney
25. (tie) I'm Not There., 2007, d. Todd Haynes, USA/Germany, The Weinstein Company

26. Gerry, 2002, d. Gus Van Sant, USA, Miramax

27. (tie) Distant [Uzak], 2002, d. Nuri Bilge Ceylan, Turkey, New Yorker Films
27. (tie) Dogville, 2003, d. Lars von Trier, Denmark/Sweden/UK/France/Germany/Norway/Finland/Netherlands, Lionsgate
27. (tie) The Royal Tenenbaums, 2001, d. Wes Anderson, USA, Touchstone/Criterion

28. (tie) Alexandra, 2007, d. Aleksandr Sokurov, Russia/France, Cinema Guild
28. (tie) demonlover, 2002, d. Olivier Assayas, France, Palm Pictures

29. (tie) Atanarjuat: The Fast Runner, 2001, d. Zacharias Kunuk, Canada, Lot 47 Films
29. (tie) Goodbye, Dragon Inn, 2003, d. Tsai Ming-liang, Taiwan, Wellspring

30. (tie) Longing [Sehnsucht], 2006, d. Valeska Grisebach, Germany, N/A
30. (tie) Secret Sunshine, 2007, d. Lee Chang-dong, South Korea, N/A
30. (tie) Vai e Vem [Come and Go], 2003, d. João César Monteiro, Portugal/France, N/A
30. (tie) Far from Heaven, 2002, d. Todd Haynes, USA/France, Focus Features

So to tally... directors with more than one showing: Apichatpong Weerasethakul (3), Hou Hsiao-hsien (3), Jia Zhang-ke (3), Gus Van Sant (2), Todd Haynes (2), Tsai Ming-liang (2), Aleksandr Sokurov (2), Claire Denis (2), Guy Maddin (2), the Dardenne brothers (2), Pedro Costa (2). Only 5 of the 54 are unavailable on DVD in the US, though both Pedro Costa films are planned (or at least strongly rumored) to be coming from Criterion. However, in looking at the list, there is a wave of sadness, seeing studios that are no more like New Yorker Films, Wellspring/Fox Lorber, USA Films, Lot 47 Films and Picturehouse, as well as ones that have fallen from grace but still existing in a smaller form like Palm Pictures and (meh) Miramax and New Line. Of course, a number of fabulous distribution studios have opened throughout the past ten years, from Cinema Guild, IFC Films, Benten Films and Oscilloscope as well as Palisades Tartan's restarting of the Tartan library, which brought Silent Light to screens this year. The biggest showing though for the studios still thriving would have to be Strand Releasing, who released 5 of the films above, including the "newest" of the lot, Lucrecia Martel's brilliant The Headless Woman [La mujer sin cabeza]. I wonder if it's an oversight that no 2009 film made the list or if the TIFF crowd was being overzealous with getting that list out. Also, notice only 2 documentaries and 1 short made the list, something I'm sure a handful of other lists will make up for.

Anyway, onto List #2 for Time Out New York, which polled a number of Big Apple-ish film critics, including Andrew Grant, Karina Longworth, Aaron Hillis and Kevin B. Lee (their individual top 10s can be found via this link). The list rounded to 50, but I'll only post the top 30 here, so you can check out the write-ups and #31-50 on their site.

01. Mulholland Drive, 2001, d. David Lynch, USA/France, Universal Studios
02. There Will Be Blood, 2007, d. Paul Thomas Anderson, USA, Paramount Vantage/Miramax
03. Eternal Sunshine of the Spotless Mind, 2004, d. Michel Gondry, USA, Focus Features
04. The New World, 2005, d. Terrence Malick, USA/UK, New Line
05. In the Mood for Love, 2000, d. Wong Kar-wai, Hong Kong/China/France, USA Films/Criterion
06. Yi yi: A One and Two, 2000, d. Edward Yang, Taiwan/Japan, Fox Lorber/Criterion
07. Dogville, 2003, d. Lars von Trier, Denmark/Sweden/UK/France/Germany/Norway/Finland/Netherlands, Lionsgate
08. Zodiac, 2007, d. David Fincher, USA, Paramount
09. A Christmas Tale [Un conte de Noël], 2008, d. Arnaud Desplechin, France, IFC Films/Criterion
10. Friday Night [Vendredi soir], 2002, d. Claire Denis, France, Wellspring
11. Spirited Away, 2001, d. Hayao Miyazaki, Japan, Studio Ghibli/Disney
12. American Psycho, 2000, d. Mary Harron, USA/Canada, Lionsgate
13. Inland Empire, 2006, d. David Lynch, USA/Poland/France, Absurda
14. Trouble Every Day, 2002, d. Claire Denis, France/Germany/Japan, Lot 47 Films
15. Domestic Violence, 2001, d. Frederick Wiseman, USA, Zippora Films
16. Punch-Drunk Love, 2002, d. Paul Thomas Anderson, USA, Columbia Pictures
17. Gosford Park, 2001, d. Robert Altman, UK/USA/Italy, Universal Studios
18. Femme Fatale, 2002, d. Brian De Palma, France/USA, Warner Bros.
19. I'm Not There., 2007, d. Todd Haynes, USA/Germany, The Weinstein Company
20. The Mad Songs of Fernanda Hussein, 2001, d. John Gianvito, USA, Extreme Low Frequency Productions
21. Brokeback Mountain, 2005, d. Ang Lee, USA/Canada, Focus Features
22. Synecdoche, New York, 2008, d. Charlie Kaufman, USA, Sony Pictures Classics
23. The Death of Mr. Lăzărescu [Moartea domnului Lăzărescu], 2005, d. Cristi Puiu, Romania, Tartan Films
24. I Heart Huckabees, 2004, d. David O. Russell, USA/Germany, Fox Searchlight
25. Inglourious Basterds, 2009, d. Quentin Tarantino, USA/Germany, The Weinstein Company/Universal Studios
26. Kings and Queen [Rois et reine], 2004, d. Arnaud Desplechin, France, Wellspring
27. Oldboy, 2003, d. Park Chan-wook, South Korea, Tartan Films
28. Before Sunset, 2004, d. Richard Linklater, USA, Warner Independent
29. Songs from the Second Floor [Sånger från andra våningen], 2000, d. Roy Andersson, Sweden/Norway/Denmark, New Yorker Films
30. Children of Men, 2006, d. Alfonso Cuarón, UK/USA/Japan, Universal Studios

While Time Out's list is certainly more US-centric than TIFF's, I can't find much bad to say about a list that includes Brian De Palma's Femme Fatale in the top 20 (and even included one film I'd never heard of: The Mad Songs of Fernanda Hussein... another highlight of checking out lists as these, if only that particular DVD wasn't already out-of-print). I don't know how I feel about Inglourious Basterds as the highest ranked 2009 film (and, in fact, the only one). The remainder of the list contains some real surprising and/or underrated treasures like Ramin Bahrani's Man Push Cart, Michael Mann's Miami Vice and Lukas Moodysson's Lilya 4-ever [Lilja 4-ever], as well as some contemptible ones like The 40-Year-Old Virgin (and, yeah, Donnie Darko). The only film that absolutely does not belong on the big 30 is I Heart Huckabees, while a few dangle on that line (American Psycho, Brokeback Mountain), keeping my personal preference against a couple out of the mix. So here's to the close of the '00s! More list, I'm sure, are on hitting the "printer" right now. I can't wait to hear what Cahiers du cinéma rounds up.