J. GEILS BAND: "The Morning After"

Original released on LP Atlantic SD 8297

(US 1971, October 2)

"The Morning After" is a near perfect follow-up to the J. Geils Band's self-titled debut album. It's more of the same winning blend of rocked-out blues, jumped-up soul, and pure rock & roll wildness with enough attitude and energy to get a club full of people from zero to sweaty in less than 60 seconds. Featuring the original versions of songs that became radio staples in their live incarnations ("Looking For a Love," the Magic Dick showcase "Whammer Jammer"), a batch of covers of rare soul gems ("So Sharp," Don Covay's "The Usual Place,"), and some fine originals (the rip-roaring opener "I Don't Need You No More," the very funky "Gotta Have Your Love," and the heart-rending ballad "Cry One More Time," which was covered memorably by Gram Parsons on "G.P."), "The Morning After" is definite proof that the J. Geils Band were well on their way to becoming one of the best rock & roll bands of any era. (Tim Sendra in AllMusic)

THE J. GEILS BAND FIRST ALBUM

Original released on LP Atlantic SD 8275

(US 1970, November 16)

The J. Geils Band's self-titled debut serves notice that rock & roll wasn't dead in 1970 despite the best efforts of the singer/songwriter brigade. Though it sounds a bit reserved in the light of the albums that followed, compared to the majority of bands on the scene, it was a nonstop blast of energy, fun, and sweat. Featuring the hipster jive of singer Peter Wolf, the amazing afro and harp chops of Magic Dick, the fret-burning work of J. Geils, and the jack of many trades Seth Justman (keys, compositions, backing vocals), the Geils Band rips through some classic blues by the likes of Otis Rush ("Homework"), Walter Price ("Pack Fair and Square"), and John Lee Hooker (a slow-burning "Serves You Right to Suffer"), old Motown gems ("First I Look at the Purse"), and originals that stand up well next to the covers ("Wait," "What's Your Hurry," and future live favorite "Hard Drivin' Man"). A nice mix of nostalgia, intensity, and bar band excitement, the album serves as fair warning that the Geils Band was on the scene and was ready to bring back the good-time spirit of the juke joint, the abandon of the early rock & roll scene, and the high energy of the late-'60s concert halls.