Mostrar mensagens com a etiqueta The Best of 1967. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta The Best of 1967. Mostrar todas as mensagens

sábado, 17 de agosto de 2019

THE BEST OF 1967 (2007 Rato's Friends Choice)

Em primeiro lugar o vosso amigo Rato quer agradecer a todos os que contribuiram para que estas tabelas pudessem ser feitas. Sem as pessoas que, pacientemente, escolheram os seus favoritos e fizeram assim as suas listas pessoais tal não teria sido possível. Um muito obrigado, portanto! 1967 foi, ninguém hoje o duvida, um ano chave na música popular anglo-americana. A filosofia emergente do “Flower Power” levou grande parte da juventude a libertar-se das teias da sociedade convencional e a fazer o que muito bem lhe dava na gana, assumindo novos comportamentos e ideias. Inevitavelmente, tal explosão nos usos e costumes da época seria feita também através da música. E que música, como a seguir se irá recordar. Começando pelos albuns, houve 34 votantes e foram referidos 161 títulos diferentes, dos quais 25 não foram aceites por terem sido editados em outros anos, ou por não conterem música anglo-americana ou simplesmente por se tratar de coletâneas e não de albuns originais (todas estas premissas tinham sido definidas à partida). Dos 136 albuns restantes aqui fica a classificação final dos 50 mais votados:

First of all, your friend Rato wants to thank everyone who made these charts possible. Without the people who paciently have chosen their favourites and thus made their personal lists, such would not be possible. So, a many thanks to you! 1967 was, no doubt about, a key-year in the anglo-american music. The underlying philosophy of “Flower Power” made a lot of the youth drop out and leave convencional society and do their own thing, wherever and whenever they wanted. Inevitably, such explosion in the customs of the time would also reach the music. And what a music, like we’re going to remember now. Starting with the albums, there was 34 voting people, who have mentioned 161 different titles; 25 of them were not accepted because they were released in other years, or because they didn’t contained anglo-american music or simply because they were compilations and not originals (all these premises were early defined). From the 136 remained albums, here are the 50 most voted:


50º (25 pontos)
Ten Years After (Ten Years After)
49º (26 pontos):
The World We Knew (Frank Sinatra)
48º (27 pontos):
Claudine (Claudine Longet)
The Monkees (Monkees)
46º (28 pontos):
Alice's Restaurant (Arlo Guthrie)
Da Capo (Love)
44º (29 pontos):
Big Brother & The Holding Company 
(Big Brother & The Holding Company)
Vanilla Fudge (Vanilla Fudge)
42º (30 pontos):
Aretha Arrives (Aretha Franklin)
How Great Thou Art (Elvis Presley)
40º (35 pontos):
Mr. Fantasy (Traffic)
39º (36 pontos):
Deliver (Mamas And Papas)
The 5000 Spirits or the Layers of the Onion (Incredible String Band)
37º (38 pontos):
Trini Lopez In London (Trini Lopez)
36º (39 pontos):
Ninth (Herb Alpert & The Tijuana Brass)
35º (41 pontos):
Happy Together (Turtles)
34º (50 pontos):
The Thoughts Of Emerlist Davjack (Nice)
33º (54 pontos):
More Of The Monkees (Monkees)
32º (55 pontos):
Francis Albert Sinatra & Antonio Carlos Jobim (Franck Sinatra)
Joan (Joan Baez)
30º (57 pontos):
Love Me, Please Love Me (Sandie Shaw)
29º (58 pontos):
Sunshine Superman (Donovan)
28º (68 pontos):
Smiley Smile (Beach Boys)
27º (76 pontos):
Album 1700 (Peter Paul & Mary)
Mellow Yellow (Donovan)
25º (78 pontos):
Axis: Bold As Love (Jimi Hendrix Experience)
24º (85 pontos):
Electric Music For The Mind And Body (Country Joe & The Fish)
23º (87 pontos):
The Look Of Love (Claudine Longet)
22º (88 pontos):
I Never Loved A Man The Way I Love You (Aretha Franklin)
21º (103 pontos):
Something Else By The Kinks (Kinks)
20º (113 pontos):
Buffalo Springfield Again (Buffalo Springfield)
19º (114 pontos):
The Who Sell Out (Who)
18º (115 pontos):
Between The Buttons (Rolling Stones)
17º (128 pontos):
The Piper At The Gates Of Dawn (Pink Floyd)
16º (134 pontos):
The Songs Of (Leonard Cohen)
15º (156 pontos):
1st (Bee Gees)
14º (158 pontos):
Younger Than Yesterday (Byrds)
13º (159 pontos):
The Velvet Undergroung And Nico (Velvet Underground)
12º (174 pontos):
Procol Harum (Procol Harum)
11º (175 pontos):
Disraeli Gears (Cream)
...and now...
-THE TOP 10-
10º (178 pontos):
John Wesley Harding (Bob Dylan)
9º (180 pontos):
A Gift From A Flower To A Garden (Donovan)

8º (201 pontos):
Strange Days (Doors)
7º (205 pontos):
Their Satanic Majesties Request (Rolling Stones)

6º (206 pontos):
Surrealistic Pillow (Jefferson Airplane)
5º (214 pontos):
The Doors (Doors)

4º (215 pontos):
Forever Changes (Love)
3º (310 pontos):
Are You Experienced (Jimi Hendrix Experience)

2º (317 pontos):
Days Of Future Passed (Moody Blues)
1º (500 pontos):
SGT. PEPPER'S LONELY HEARTS CLUB BAND(Beatles)


Se o “Sgt. Pepper’s” foi logo desde o início um vencedor antecipado, já para os dois lugares imediatos do pódio a luta foi extremamente renhida, acabando os Moody Blues por assegurar o segundo posto com uma diferença mínima de 7 pontos. De qualquer modo, esta trilogia eleita pelos amigos do Rato liderou sempre o pelotão da frente, não havendo qualquer dúvida de que são os albuns mais apreciados. Comparativamente com as tabelas dos albuns mais vendidos em todo o mundo, os albuns dos Beatles e do Hendrix também figuram no trio da frente, sendo no entanto o 2º lugar ocupado pelo album de estreia dos Doors (aqui em 5º lugar), com o album dos Moody Blues a ocupar o 16º lugar.

If “Sgt. Pepper’s” was from the beginning an antecipate winner, the fight for the next two podium places was extremely fierce, ending the Moody Blues to confirm the second position with just a 7 points advantage. Anyway, this trilogy elected by Rato’s friends was always leading the race, and there is no doubt they are the most appreciated albums. Looking to the best selling album charts in the world, you can realize that the Beatles and Hendrix’s albums are also among the first three, being the second place the Doors debut (here on fifth), with the Moody Blues album placed on 16th.




E agora passemos aos TEMAS: 31 votantes e 359 títulos diferentes referidos, 58 dos quais não aceites por terem sido editados noutros anos ou por não se tratar de música anglo-americana.Aqui fica a classificação final dos 100 temas mais votados:

And now let's see the SONGS: 31 voting people and 359 different titles mentioned, with 58 not being accepted because they have been released in other year or because they are not anglo-american music. Here it is the final list of of the most voted 100 songs:

100º (58 points):
Strange Brew (Cream)
99º (59 points):
- Ain't No Mountain High Enough (Marvin Gaye & Tammi Terrell)
- Bernadette (Four Tops)
- How Can I Be Sure (Young Rascals)
- So You Want To Be A Rock And Roll Star (Byrds)
- Soul Man (Sam And Dave)
94º (61 points):
Magic Hollow (Beau Brummels)
93º (63 points):
If I Were A Carpenter (Tim Hardin)
92º (64 points):
Sisters Of Mercy (Leonard Cohen)
91º (65 points):
- Holiday (Bee Gees)
- Yesterday's Papers (Rolling Stones)
89º (66 points):
- People Are Strange (Doors)
- Sweet Soul Music (Arthur Conley)
- Up Up And Away (Fifth Dimension)
86º (67 points):
Venus In Furs (Velvet Underground)
85º (68 points):
Back Street Girl (Rolling Stones)
84º (69 points):
I Say A Little Prayer (Dionne Warwick)
83º (70 points):
2000 Light Years From Home (Rolling Stones)
82º (71 points):
Daydream (Lovin' Spoonful)
81º (72 points):
- Baby I Need Your Lovin' (Johnny Rivers)
- The Look Of Love (Dusty Springfield)
79º (73 points):
- (You Make Me Feel Like) A Natural Woman (Aretha Franklin)
- Sgt. Pepper's Lonely Hearts Club Band (Beatles)
77º (75 points):
- I Am The Walrus (Beatles)
- You're A Big Boy Now (Lovin' Spoonful)
75º (77 points):
- Georgy Girl (Seekers)
- We Love You (Rolling Stones)
73º (82 points):
Groovin' (Young Rascals)
72º (83 points):
- Break On Through (To The Other Side) (Doors)
- Itchycoo Park (Small Faces)
70º (85 points):
I Think We're Alone Now (Tommy James & The Shondells)
69º (87 points):
Windy (Association)
68º (88 points):
- Ha! Ha! Said The Clown (Manfred Mann)
- Zabadak! (Dave Dee, Dozy, Beaky, Mick & Tich)
66º (90 points):
Can't Take My Eyes Off You (Frankie Valli)
65º (93 points):
Try A Little Tenderness (Otis Redding)
64º (94 points):
Puppet On A String (Sandie Shaw)
63º (96 points):
Release Me (Engelbert Humperdinck)
62º (97 points):
- Baby Now That I've Found You (Foundations)
- Somethin' Stupid (Frank & Nancy Sinatra)
60º (99 points):
Incense And Peppermints (Strawberry Alarm Clock)
59º (100 points):
Master Jack (Four Jacks And A Jill)
58º (102 points):
Silence Is Golden (Square Set)
57º (103 points):
Paper Sun (Traffic)
56º (106 points):
I'm A Man (Spencer Davis Group)
55º (107 points):
Wear Your Love Like Heaven (Donovan)
54º (109 points):
- I Heard It Through The Grapevine (Gladys Knight & The Pips)
- San Franciscan Nights (Eric Burdon & The Animals)
52º (115 points):
Hello Goodbye (Beatles)
51º (117 points):
(It Looks Like) I'll Never Fall In Love Again (Tom Jones)
50º (118 points):
Alone Again Or (Love)
49º (120 points):
When I'm Sixty-Four (Beatles)
48º (121 points):
Carrie Anne (Hollies)
47º (126 points):
Heroes And Villains (Beach Boys)
46º (139 points):
To Love Somebody (Bee Gees)
45º (144 points):
There Is A Mountain (Donovan)
44º (145 points):
All Along The Watchtower (Bob Dylan)
43º (150 points):
Death Of A Clown (Dave Davies)
42º (164 points):
See Emily Play (Pink Floyd)
41º (166 points):
The End (Doors)
40º (172 points):
Arnold Lane (Pink Floyd)
39º (173 points):
Don't Sleep In The Subway (Petula Clark)
38º (176 points):
Phantasmagoria In Two (Tim Buckley)
37º (182 points):
- Brown Eyed Girl (Van Morrison)
- My Back Pages (Byrds)
35º (194 points):
Purple Haze (Jimi Hendrix Experience)
34º (197 points):
I Can See For Miles (Who)
33º (198 points):
The Happening (Supremes)
32º (199 points):
Silence Is Golden (Tremeloes)
31º (208 points):
To Sir With Love (Lulu)
30º (211 points):
Sunshine Of Your Love (Cream)
29º (219 points):
She's A Rainbow (Rolling Stones)
28º (222 points):
Girl, You'll Be A Woman Soon (Neil Diamond)
27º (223 points):
There's A Kind Of Hush (Herman's Hermits)
26º (231 points):
Massachusetts (Bee Gees)
25º (238 points):
For What It's Worth (Buffalo Springfield)
24º (250 points):
The Wind Cries Mary (Jimi Hendrix Experience)
23º (256 points):
Rain And Tears (Aphrodite's Child)
22º (262 points):
The Letter (Box Tops)
21º (267 points):
Happy Together (Turtles)
20º (275 points):
Waterloo Sunset (Kinks)
19º (277 points):
Dedicated To The One I Love (Mamas And Papas)
18º (283 points):
I Dig Rock And Roll Music (Peter Paul & Mary)
17º (294 points):
Let's Spend The Night Together (Rolling Stones)
16º (308 points):
All You Need Is Love (Beatles)
15º (311 points):
Hey Joe (Jimi Hendrix Experience)
14º (315 points)
Let's Live For Today (Grass Roots)
13º (336 points):
White Rabbit (Jefferson Airplane)
12º (340 points):
San Francisco (Be Sure To Wear...) (Scott McKenzie)
11º (342 points):
Ruby Tuesday (Rolling Stones)

...and now...
- THE TOP 10 -
10º (352 points):
Never My Love (Association)
9º (356 points):
Penny Lane (Beatles)
8º (403 points):
Respect (Aretha Franklin)
7º (415 points):
Light My Fire (Doors)
6º (425 points):
I'm A Believer (Monkees)
5º (456 points):
Somebody To Love (Jefferson Airplane)

4º (477 points):
Strawberry Fields Forever (Beatles)
3º (483 points):
A Day In The Life (Beatles)
2º (505 points):
Nights In White Satin (Moody Blues)
1º (672 points):
A WHITER SHADE OF PALE (Procol Harum)


Tal como nos albuns, o tema vencedor do ano de 1967 é o mesmo que lidera as tabelas dos singles mais vendidos em todo o mundo. Algo, portanto, que se mantém inalterável há 40 anos. Quando apareceu pela 1ª vez no Reino Unido, em Junho de 1967, e apesar de uma letra um tanto ou quanto incompreensível (um conjunto de frases abstractas tiradas de um poema de Keith Reid sobre o relacionamento de dois adolescentes, o que de certa maneira se enquadrava bem no psicadelismo da altura), “A Whiter Shade Of Pale” alcançou de imediato o topo das tabelas inglesas, onde se manteve durante 5 semanas consecutivas (nas tabelas americanas não foi além do Top5).
The same way as in the albums, the winner song of 1967 os the same which leads the best singles charts around the world. Something that doesn’t change from 40 years ago. When it appeared for the first time in England, in June of 1967, and even if the words were more or less incomprehensible (the lyrics came from a poem by Keith Reid, and were a collection of abstract phrases about boy/girl relationships using sailing metaphors. They sound very profound, but were actually a spoof of psychedelic lyrics popular in songs at the time), “A Whiter Shade Of Pale” quickly reached the Top of the english charts, where it stayed 5 weeks in a row (on the american charts it stopped at number 5).


Relativamente aos nomes citados, os Beatles são como se previa os grandes vencedores com 15 temas e um total de 2236 pontos. Aqui fica a lista do Top 10:

In what concerns the artists ensemble, The Beatles are the great winners with 15 songs and a total of 2236 points. Here’s the final Top 10 list:
1. Beatles: 2236 pontos (15 temas)
2. Rolling Stones: 1342 pontos (13 temas)
3. Jimi Hendrix Experience: 875 pontos (7 temas)
4. Doors: 841 pontos (7 temas)
5. Jefferson Airplane: 792 pontos (2 temas)
6. Procol Harum: 725 pontos (3 temas)
7. Monkees: 606 pontos (6 temas)
8. Bee Gees: 533 pontos (6 temas)
9. Aretha Franklin: 509 pontos (4 temas)
10. Velvet Underground: 279 pontos (9 temas)


Tal como o prometido, os 40 temas mais votados foram reunidos num duplo CD, para comemorar esta primeira grande votação do Blogue do Rato.

As promised, the 40 most voted songs were assembled in a double CD, to celebrate this first great election of Rato’s Blog
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