DEBBIE'S "AM I THAT EASY TO FORGET?"

EP RCA VICTOR 86.305 (FRANCE, 1962)

ELVIS PRESLEY: "BLUE HAWAII"

EP WARNER BROS WEP 1420 (FRANCE, 1963)

PETER, PAUL AND MARY: "TINY SPARROW"

EP SUN 113 (US, 1958)

JOHNNY CASH: "I WALK THE LINE"

This EP was released just as Johnny Cash was leaving Sun Records for Columbia Records and some of these tracks were previously released on Sun as early as 1956. In 1957, Johnny Cash became the first Sun Records artist to release a full length LP ("Johnny Cash with His Hot and Blue Guitar") which included all four of these tracks.

(I've found this rare EP on Dualtrack blog. Thanks for sharin' it)

EP RCA VICTOR TP 359 (PT, 1967)

THE MAMAS & THE PAPAS: "TWELVE THIRTY"

EP DOT DEP 1092 (US, 1958)

ROBIN LUKE: "SUSIE DARLIN'"

EP PATHÉ LEP 2163 F (FRANCE, 1959)

EDDIE COCHRAN: "SOMETHIN' ELSE"

EP CADENCE ALVORADA CAEP 21003 (PT, 1962)

EDDIE HODGES: "MUGMATES"

(Colaboração de Carlos Santos)

EP ATLANTIC 02 5 (PT, 1966)

OTIS REDDING: "FA FA FA FA FA"

EP BUDDAH RECORDS 202 025 (PT, 1969)

MELANIE: "ANIMAL CRACKERS"

EP ROULETTE EPR1-302 (US, 1957)

JIMMY BOWEN: "I'M STICKING WITH YOU"

4 LADS: SWING ALONG / EVERYTHING GOES

Where Swing Met Doo-Wop & Rock 'n' Roll

AFTER THE LIGHTS GO DOWN LOW

IRVING FIELDS TRIO: BAGELS AND BONGOS

Original Released on LP Decca DL 78856 (1959)

Yesterday And Today "Butcher" Cover - The Story

Original Released on LP Capitol T 2553

MONOPHONIC (US 1966, June 20)

(in Record Collector nº 368, November 2009)

LAWRENCE WELK'S "BABY ELEPHANT WALK"

Original Released on LP DOT DLP 25457 (1962)

THE FOUR LOVERS: "JOYRIDE"

Original Released on LP RCA Victor LPM 1317

MONOPHONIC (US, September 1956)

THE JOHNNY BURNETTE ROCK 'N' ROLL TRIO

Original Released on LP Coral CRL 57080 (1956)

WE ARE THE CHANTELS

Original Released on LP End 301 (1958)

The first LP ever issued on the End label was a natural product of the success of "Maybe," one of the great ballads to come out of the rock & roll boom and one of the most beloved R&B singles ever to emanate from the orbit of label owner George Goldner. For the album, all Goldner did was assemble the two sides of each of the existing six Chantels singles, but it's still a pretty impressive body of music, a fact that makes it a tribute to producer Richard Barrett. "Maybe" is the best song here, to be sure, with a career-making performance by Arlene Smith, but the rest of the album is not to be ignored: "The Plea" (co-authored by Smith and Barrett), which offers shimmering backing vocals by the group and a memorably passionate lyric; the radiant "Come My Little Baby," with its exquisite chorus and a honking sax solo thick enough to cut with a knife; the bluesy "Congratulations," with its "lead" bass instrumental arrangement; the ethereal ballads "Prayee," "He's Gone," and "I Love You So" — even Richard Barrett's attempt to emulate "Maybe," "Every Night (I Pray)," is worth hearing as a refinement and expansion of the hit.

[Note: This album was originally released as We Are the Chantels, with the image below of the five-member group on the cover; such were the racial sensitivities of the time, however, that it was withdrawn and reissued in 1959 with the same catalog number and the title The Chantels, packaged in a more innocuous cover depicting two white teenagers standing next to a jukebox.] (Bruce Eder in AllMusic)