Showing posts with label Rose Descriptions. Show all posts
Showing posts with label Rose Descriptions. Show all posts

Tuesday, July 8, 2014

In Praise of Potted Pernetianas

Through most of my rose-growing adventures, I have selected roses based simply on how pretty they looked to me.

I have good rebloom on my Zéphirine Drouhin this year


I especially liked softer colors: cream, blush pink, apricot.

Chandos Beauty

 My husband told me repeatedly that in our brilliant tropical sun these colors became either a nondescript "off-white" or a not-too-clean looking "beige", and that we should find brighter colored roses to enjoy. However, I couldn't bring myself to buy any of the neon orange roses that I saw at garden centers, and I have never learned to photograph red, so we were at an impasse. Then I discovered Pernetianas.

Duquesa de Peñaranda

 I have seen their colors described as glowing coral, cantaloupe, Indian (or Turkey) red, terracotta, pomegranate, salmon-pink, peachy-orange and saffron gold to name just a few imaginative and, in my case, hunger-inducing epithets. I was sold.

My "sunshine" rose, 'Lykke Dazla', sometimes sold as Angèle Pernet

Despite these poetic descriptions, Pernetianas remain the least loved of all roses.

Soeur Thérèse

They are derided for vivid and sometimes clashing colors, fleeting blooms, lack of vigor and ill health, especially a propensity to blackspot inherited from Persian Yellow, the rose from which Pernetianas originated and that introduced flame colors into hybrid teas.

Heinrich Wendland

 Joseph Pernet-Ducher, the French rose breeder who came up with the first Persian Yellow hybrid, Soleil d'Or, was so proud of his accomplishment that he gave these early crosses the name "roses of Pernet", or Pernetianas.

Étoile de Feu

Yet not a decade passed since his death and the word Pernetiana became little more than a synonym for sickly roses.

Federico Casas

 One such rose, Dame Edith Helen, a 1926 hybrid tea whose only known parent was a hybrid perpetual and which has no flame colors however hard I squint at it, was called a Pernetiana simply because it tended to die back.


Dame Edith Helen

Gradually, through continuous breeding with hybrid teas, Pernetianas gained vigor but lost their distinct identity. It is the early ones, developed from the 1900s to the early 1930s, that are unique enough that they should probably preserve their Pernetiana designation rather than being lumped with the rest of hybrid teas.

Mme. Edouard Herriot

Even in my ideal climate (Pernetianas like dry heat) a lot of these roses, on their own roots, are not easy to grow.

A young Duquesa de Peñaranda. Shön Ingeborg in the back

I lost Girona and "Lundy's Lane Yellow" to crown gall and two Soleils d'Or to dieback (a fairly rare occurrence here). Many rust badly in spring. Several have refused to put on any size in the ground (Gruss an Coburg is a noteworthy exception).

Gruss an Coburg

 I have not yet found time to learn grafting, which would help with vigor, so I put what plants remained in big pots.

Some of my potted roses, from far right, Surville (bright pink), Intermezzo (mauve), Prinzessin Marie von Arenberg (white), Dame Edith Helen (pink), Cynthia Brooke (orange), Taischa (mauve)

 It seems to be working out well for me.

Étoile de Feu a year ago...


...and now

I water frequently, feed with a mix of organic and granular fertilizers, and replace the potting mix every few years.

A young plant of 'Lykke Dazla'

 Even with the best of care, bloom color is very variable ...,

Condesa de Sastago on a bright day...


...and on a softer colored day

...and at times, disappointing.

Heinrich Wendland on a good day...


... and on a bad day :)


Good or bad, blooms fade in less than half a day.

But I find the fade color of Mme. Edouard Herriot to be very pretty too

Why do I go to all the trouble? When grown well, early Pernetianas produce unique colors whose complexity remains unmatched even though over a century of rose breeding has passed since they first appeared.

My Vintage Gardens catalog describes Mme. Edouard Herriot as a "color break in her day" whose blooms range in color from "rich salmon to peach to pure pink with touches of yellow at the heart"

 Those shades of salmon-coral and old gold with vermilion veining are largely gone from modern roses...

'Old Korbel Gold'

 ...as are the charming little petals (called petaloids) curling inward toward the stamens.


'Lykke Dazla'

For me, Pernetianas are a constant challenge, frequently temperamental, sometimes disappointing, but more often than not, dazzling and deeply rewarding.

The rose sold as Surville, a seedling of Mme. Edouard Herriot

Étoile de Feu


Soeur Thérèse

Duquesa de Peñaranda
Native bees on 'Lykke Dazla'

Sunday, February 2, 2014

Rose Alphabet: C

Carding Mill (shrub, Austin, 2004)





This is one of the best Austin roses for my area.  Beautiful blooms with a heavy myrrh fragrance come in regular flushes and stand up to heat well. Very clean.


Cécile Brunner (climbing polyantha, Hosp, 1894)




An aggressive space-hogging house-eating monster....



.... with dainty blooms and tiny perfect buds worthy of a Victorian buttonhole.



Many "clones" of it are essentially once-blooming (as is mine), although the sheer abandon with which it blooms in spring surely makes up for the lack of flowers the rest of the year. It is very healthy and low-maintenance (other than keeping its exuberant growth in check).

Embracing Zephirine Drouhin


Chandos Beauty (hybrid tea, Harkness, 2005)

Beautiful fragrant blooms, and a good healthy plant own-root. I was so impressed with Chandos Beauty, International Herald Tribune and Easy Does It (which I don't grow but have heard many good things about) that I specifically sought out other Harkness roses. I bought L'Aimant and remained very impressed. Then I got Tower Bridge and my enthusiasm deflated rapidly (it is a miserable weakling even in our perfect rose-growing climate). I guess it is a hit or miss with any group of roses, although I remember hearing that Harkness floribundas are generally better than their hybrid teas, so maybe that's a better guide to acquiring their roses :)



Chrysler Imperial (hybrid tea, Lammerts, 1952)

A classic hybrid tea, it is my favorite rose for cutting. The blooms are extremely fragrant. It is one of the dark red roses whose blooms "blue" as they age (which I don't mind at all). My rose mildews a bit, but has no rust.



Classic Woman (hybrid tea, Meilland, 2007)

A typical stiff hybrid tea with giant blooms on thick stems (often in clusters).




The blooms remind me of big scoops of vanilla or strawberry (depending on temperatures) ice cream.



They are fragrant and seem to last forever in the vase and on the bush (hanging on as big dried-up brown globs long after they should in all decency fall off). Damage from thrips (brown petal edges) is very noticeable all summer long. It also develops late season rust.



Colette (climber, Meilland, 1994)

I saw it blooming at a nursery and fell in love with its clusters of old-fashioned blooms with swirls of soft apricot, yellow, cream and pink petals. Even though my plant is grafted, it is not a vigorous climber for me. After a few years, it has finally covered most of a 7'x15' fence. I can detect no fragrance :(. Rebloom, as with many other climbers, is rather short of excellent. It is a healthy plant.



Comtesse de Provence, a.k.a. Liv Tyler (hybrid tea, Meilland, 2001)



This is another good cutting rose, although it tends to bloom in clusters. The blooms are beautiful, old-fashioned in form, with many petals and very fragrant. Typical hybrid tea growth habit :)



Condesa de Sastago (Pernetiana, Dot, 1930)

One of the first bicolored roses, it starts out brilliant red with yellow reverses, and ages to pink.



The colors are eye-wateringly bright, which sometimes makes me wonder about the personality of Pedro Dot's benefactress, for whom the rose is named.



My plant rusts in spring. The blooms are only moderately fragrant and not long-lasting.



Crépuscule (Tea-noisette, Dubreuil, 1904)




A wonderful landscape rose which provides lots of color at frequent intervals with its informal blooms. In fact, few roses rival it for generosity of bloom. It is thornless, which is always a bonus especially in a big rose. I grow mine espaliered against a fence. At the Heritage it is grown like a giant haystack between four sturdy posts. My two plants mildew a little on and off.

At the Heritage

Crown Princess Margareta (shrub, Austin, 1991)

It is a big rose with strong canes, and can be grown as a free-standing shrub. I grow two on both sides of an arbor.



It is essentially spring-blooming for me, with only sporadic rebloom. I cannot detect any fragrance from my two plants :(. The spring flush is very generous, the blooms are sumptuous, well-formed with a beautiful color. My plants are healthy.



Cynthia Brooke (hybrid tea, McGredy, 1943)

I bought it after reading its description in the Vintage Gardens catalog.



It said more or less that it is a rose whose blooms look like those of Soleil d'Or (i.e. beautiful)
but which behaves like a good garden rose (which Soleil d'Or is not). I tried to grow Soleil d'Or twice for the beauty and fragrance of its blooms and for the historical significance of the rose, and I killed it twice (still don't know how). Cynthia Brooke's blooms do have a superficial resemblance to Soleil d'Or in color, although it is obviously a very different rose. Mine is grown in a pot where it blooms a lot and stays healthy all year long.



 It is a twiggy plant. Blooms have a strong tea fragrance, but don't last long at all in spite of their deceptively substantial appearance.




Cyril Fletcher (hybrid tea, Bees, 1983)

I bought because it is supposed to be vigorous, healthy and fragrant. Mine is a young plant, so not much to say at this point.

At the Heritage

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